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A Stereo Roller Blind Shutter, with an ivorine plaque for Thornton Pickard, in good working order

BINDINGS: LONDON GAZETTE: a run of 38 vols, 1883-89, uniform red half morocco, spines blind ruled and gilt lettered, a few spines damaged and 2 with old tape repair but generally in good condition, folio. (38)

BOOK BOX: a 19thc brown morocco velvet lined book box with metallic closure, the lid with owner's name gilt of 'J C Woodhill', containing parts of a mid-19thc edition of the English Bible divided into 5 volumes, matching limp brown morocco covers gilt lettered direct and tooled in blind, some wear and scuffing but generally in good condition. (A box)

BRITISH TOPOGRAPHY: SMITH (Charles): 'The Antiquities of Richborough, Reculver and Lymne, in Kent...' London, John Russell Smith, 1850: square 8vo, publisher's blind stamped blue cloth, hinges a little frayed: 'The Oxford University & City Guide, on a new plan', Oxford, Henry Slatter, n.d. (circa 1860): recent red cloth preserving original backstrip, folding map and steel engraved plates: together with a quantity of other British topography over 5 shelves, chiefly 19th & 20th century publications, various sizes and formats, generally in good condition. (5 shelves)

CHINA: PHOTOGRAPHY: 'My Oriental Album': album of b&w photographs taken by a British serviceman whilst stationed in China, some early images of India moving to Shanghai, Hong Kong etc, contained in oblong folio tourist album, 1930s period, upper cover with blind stamped oriental dragons and sailing ship: together with a small quantity of ephemera, to include billhead for Sin Jelly-Belly & Co Naval Tailor and General Outfitter, Wei Hai Wei: business card of Tai Hua Silversmith at same location: receipt from Raffles Hotel Singapore and some related cuttings. (An album) Condition Report: 179 photographes in total. A mixture of scenes and people.

KING CHARLES I: 'Reliquiae Sacrae Carolinae...the works of that great monarch and glorious martyr King Charles I...', The Hague, printed by Sam Browne, 1648: two parts in one, title pages printed in red and black, engraved frontispiece to each, period blind ruled calf with raised bands, worn and scuffed with upper board detached, early annotations to upper end leaves in ink. (1)

DUGDALE (Thomas): 'Curiosities of Great Britain..England & Wales delineated..': published by J & F Tallis, circa 1860: 8vo, 8 vols, publishers blind stamped brown cloth gilt, numerous steel engraved plates, double page county maps hand coloured in outline: a good set. (8)

NEALE (John, illustrator): 'The History and Antiquities of the Abbey Church of St Peter Westminster..', London, 1818: 2 vols: large 4to, publishers blind stamped brown cloth gilt (a later reissue ?): engraved frontises and numerous engraved plates, spines sunned and rubbed with backstrips relaid, a portion of the latter lacking to first volume. (2)

AN EARLY 18TH CENTURY MAHOGANY CASED LONGCASE CLOCK BY JAMES LEICESTER - DRURY LANE - LONDON, the 12" arched silvered dial with Roman and Arabic numerals, 'strike and silent' subsidiary dial to the arch, eight day movement, striking on a bell, the hood with half turned pillasters and blind fret carved detail, twin weights and winding key, H 213 cm¦Condition Report:There is a vertical split to the base. No other obvious damage / worm. Movement looks to be original to the case / hood. Colour appears good. We cannot confirm working capacity.¦

A screenprint of blue flowers 29 x28, blind stamped A Sirooni and another similarA Sirooni was a textile design house house in New York in the first half of 20th Century

Beryl Cook. a signed print with blind stamp, framed

John P Cowan (1920-2008). The Portable Blind, artist signed coloured print, 53cm x 71cm

6 bottles of Chateau Sociando Mallet Haut-Medoc, 2008. Considered the character full side of Haut-Medoc, the classic mound on which it is sited has produced flamboyant ambitious wines know to have trounced first growths in blind tastings

Lewis Morley (1925-2013),photograph, Sixties Party, signed in ink, dated '93 with blind stamp, image 8" x 12", framed.

Lewis Morley (1925-2013),photograph, London's First Topless Bar (circa 1965) signed in ink, dated '93 with studio blind stamp, image 10.5" x 10.5", framed.

Lewis Morley (1925-2013),photograph, Nicky, signed in ink, dated '71 with studio blind stamp, image 13" x 8.25", framed.

Michael Ward (born 1929),photograph, Julie Christie, London 1964, signed in pen with blind stamp, image 13" x 10", framed.

After David Wilkie: "The Rent Dog" & "The Blind Fiddler", pair of Victorian prints, framed and glazed

A late 18th century mahogany bracket clock with Chinese Chippendale style case and blind fretwork. Silvered dial with Roman and Arabic numerals, subsidiary months dial, signed John Hamilton, Glasgow (1780-4). Double fusee movement. 46 x 30cm; 18 x 12in. For condition report please see the catalogue at www.peterwilson.co.uk

An 18th century long-case clock, by William Lowndes of Salop. Oak case with Doric columns supporting a canopy with blind fretwork and stepped pediment. Brass arched dial with brass spandrels, silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial. Arch contains portrait with glancing eyes and date aperture. Arched door to trunk with boxed base and ogee feet. Two train, eight-day movement striking on single bell. 218 x 54 cm; 86 x 21.5in. For condition report please see the catalogue at www.peterwilson.co.uk

Late 18th century longcase clock with oak case. Doric columns frame a square dial, with blind fretwork under the canopy. Face signed John Baker, South Petherton. Painted with figures on the spandrels with Roman numerals and subsidiary seconds dial. Single-train, eight-.day movement. 197 x 49 cm; 77.5 x 19 in. For condition report please see the catalogue at www.peterwilson.co.uk

Edwardian mahogany glazed bookcase, top section with dentil cornice, open shelf, two astragal glazed doors with linen fold panels below, opening to reveal five adjustable shelves, all standing on blind plinth, width 150cm (58), depth 43cm (17), height 213cm (84). For condition report please see the catalogue at www.peterwilson.co.uk

A George III mahogany chest on chest, the moulded dentil cornice above a blind fretwork frieze, two short and three long drawers between canted corners, the base with a brushing slide and three long drawers on bracket feet, 105.5cm wide x 53.5cm deep x 186.5cm high

A mahogany corner cabinet, stepped cornice with blind fretwork, above two astragal glazed doors enclosing glass shelves, above a gadrooned border, two panelled doors, ball and claw feet, 210cm high, 69cm deep, 98cm wide, c.1910

A Gothic Revival gilt and polychrome decorated oak work box, hinged cover with blind tracery border, applied with panels of verse, flowers and scrolling leaves, skirted base, bracket feet, 27.5cm wide, c.1900

A Victorian Gothic Revival oak looking glass, carved heraldic cresting above a blind tracery frieze and arched plate, 49cm high, c.1860

A Victorian mahogany dropleaf work table, two drawers to frieze, blind drawers to verso, turned legs.

A Japanese black lacquer pillar table cabinet, slightly oversailing top above sliding covers recto and verso, blind sides, decorated in hiramakie with sinuous lines, each face pierced with foliate motifs and scrolls, swan neck carrying handle, bracket feet, 26cm high, 18cm wide, Meiji period; A Japanese Meiji period lacquer tea caddy (2)

1971-96 12½p light emerald, one centre band, complete sheet of 200, cylinder 2 no dot the lower eight rows completely imperforate (SG X898a), two adjoining rows blind perforations with the remainder of the sheet normally perforated, two imperforate stamps creasing and a few others light bends, u/m

A George III mahogany display cabinet on stand, circa 1780, the upper section with arched centre and astragal glazed door flanked by a pair of glazed doors and sides, the breakfront stand decorated with blind fretwork terminals above square section tapering legs and square section feet, 191cm high, 122cm wide, 54cm deep

A pair of Victorian oak armchairs in Gothic Revival style , circa 1850, each carved and moulded frame incorporating lancet, trefoil and quatrefoil motifs throughout with blind fret and pierced details, each with a paper label beneath marked "Great Hall", 130cm high, 65cm wide, 62cm deep The design of these chairs relates closely to a chair attributed to Joseph Pierre Francois Jeanselme held in the collection of the Metropolitan Museum of Art, New York (Accession number 1995.164). Although primarily associated with English taste, the Gothic revival style also appeared in France during the reign of Louis Philippe. The Gothic style was promoted by the influential architect and theorist Eugene-Emmanuel Viollet Le Duc. The Jeanselme firm was founded in 1834 and shortly afterwards acquired the renowned firm of Jacob-Desmalter. Jeanselme became one of the most important cabinetmakers in Paris as well as 'furnisher to the Crown' under Louis Philippe.

Peter Brisbourne, a George III oak and mahogany crossbanded cottage longcase clock, the square hood with blind fret carved frieze and 12'' brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture matted foliate centre, mask head spandrels, eight day movement, striking on a bell between turned brass capped pilasters above a crossbanded full length trunk door plain base and short bracket feet, 196cm high

Thomas Kenerdell, Wigan, a George III mahogany longcase clock the arched hood with scroll pediment and boxwood patera enclosing a 13'' arched brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and date aperture, matted centre, cherubs head, spandrels and silvered named roundel in the arch, eight day movement striking on a bell between fluted pilasters over a blind fret frieze and shaped top boxwood strung trunk door between fluted quarter pilasters with blind fret work bases and on conforming canted base and ogee bracket feet, 226cm high

Studio of Philip Connard (1875 - 1958) Figures in an interior Pencil Sketch, studio blind stamp 9cm x 13cm

L.S. Lowry (1887 - 1976) Crime Lake Lithograph Signed in pencil and with blind stamp 45.5cm x 60cm Subject to ARR

A George III style serpentine chest, with brush slide and four graduated drawers flanked by blind fretwork on bracket feet, 84cm wide

A George III style walnut serpentine chest with brushslide three long graduated drawers, blind fretwork and bracket feet, 61cm wide

Early 19th Century oak blind panelled hanging corner cupboard.(B.P. 24% incl. VAT)

Rustic pine single door, blind panelled, hanging corner cupboard.(B.P. 24% incl. VAT)

Small oak single door, blind paneled corner cupboard.(B.P. 24% incl. VAT)

Small oak, single door, blind panelled wall cabinet with Gothic design mounts.(B.P. 24% incl. VAT) CONDITION REPORT: 30 x 19 x 35 cm.Evidence of worm. Loss to corner of cabinet/wear. Stains and marks with age.

Late Victorian mahogany double standing corner cabinet, having moulded cornice over two glazed doors, with two fitted shelves to the interior above two blind panelled doors on bracket feet. (B.P. 24% incl. VAT)

Good quality modern pine open bookcase with two blind panelled cupboards on platform base.(B.P. 24% incl. VAT)

Prattware oval plaque, The Blind Fiddler, width 30cm, five larger plates Rustic Laundry Woman (422), Strawberry Girl (364), Lend a Bite (317), Shakespeare's Birthplace (226), The Queen God Bless Her (319), four smaller plates Anne Hathaway's Cottage (228), Skewbald Horse (277), The Queen God Bless Her (319), Red Bull Inn (359), three smaller dishes Rustic Laundry Woman (422), Roman Ruins (420), Ruined Temple (421), and an adapted comport Hop Queen (414), (14).

Lawrence Stephen Lowry (British 1887-1976)/Two Brothers/signed and blind stamp/lithograph in colours, 63cm x 31cm Condition Report: ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk

An American gold hunter pocket watch,by American Watch Co., Waltham. A white enamel dial, 64mm diameter, with black Roman numerals, Arabic five minute markers to the chapter ring with subsidiary seconds, dial and hollow fuchsia-style blued hands to a milled bezel. Engine turned front cover with a central blind cartouche with foliate border, pie crust case border with cross-hatch case sides. Circular barley engine turned back case, pie crust border to a gold cuvette. Case marked 'Warranteed 14K US Assay No. 69130'. Suspended on a gold fetter link albert chain with a gold penknife with hand engraved initials. Marked 14K. Watch 143.72g, albert 18.04g, knife 23.83g

An 18ct gold key wound, open-faced, fob watch,suspended on a 9ct gold double albert chain. The fob watch, 36mm in diameter, with a gold engine turned dial, black Roman numerals and blued spade hands. Hand engraved side and back of case with a blind cartouche. London, 1891. Movement signed 'W B Gatward'. Case and movement to 3569. Suspended on a 9ct gold curb link double albert chain with a swivel clip at each end and gold Latin cross charm. Albert 430mm long, 35.95g, watch 43.37g

A Swiss gold, open-faced, key wound, fob watch, c.1860,with a case of 31mm diameter. An engine turned and hand engraved gold dial with black Roman numerals and blued spade hands. Bevelled glass with hand engraved foliate bezel, sides and back case with blind cartouche. Marked 18K with Swiss assay standard mark. Case by 'G Kuss & Sons, Newcastle-upon-Tyne'. 43.42g

*Laurence Stephen Lowry (1887 - 1976), signed print - Farm Buildings, published by Venture Prints Ltd., with blind stamp, in glazed gilt frame, 43.5cm x 52.5cm

Fine early 18th century eight day longcase clock, by Langley Bradley, London, with 12 inch square brass dial with silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, cast crowned cherub spandrels and wheat-ear border, five-pillar movement striking on a bell, in very fine seaweed marquetry inlaid case with caddy top, blind fret panel, brass ringed lenticle glass to door, on platform base, 230cm high (pendulum, two weights and key present) CONDITION REPORT General overall condition is reasonable, movement is very dusty and we are unable to confirm if it is in full working order. Dial is in good order. However, spandrels may have been replaced at some time. Case has had extensive repair and refurbishment. The plinth has been rebuilt at some time and the base surround is a replacement, some moulding is damaged. Door hinges and back are replacements. Hood has been extensively renovated but has damage to fretwork. Rear pillars have been replaced with square beading. Dial mask has been replaced and hood door securing bolt does not function. Front door pillars are now screwed in. Caddy top is loose and requires glueing. On balance the refurbishing seems to suggest that the case and movement may not be original to each other

George III flame mahogany bureau - the fall enclosing fitted interior about blind fret cupboard, with graduated drawers below, on pierced bracket feet, 92cm wide x 52cm deep x 101cm high

CECIL CHARLES WINDSOR ALDIN (1870-1935) BritishThe Yarn Market at DunsterLimited edition lithographSigned within the plate and in pencil to margin, published by Eyre & Spottiswoode Ltd and with Fine Art Trade Guild blind stamp to margin39.5 x 39 cm, framed and glazed CONDITION REPORTS: Generally good condition, expected wear, some slight fading/staining, deposits inside glass.

ALICE BARNWELL (1910-1980) British (AR) Terrier Puppies Limited edition coloured etching Signed in pencil to margin and with blind stamp for Rembrandt Guild Artist's Proof 30 x 21 cm, framed and glazed CONDITION REPORTS: Generally good condition, expected wear.

BANKSY (born 1974) British (AR)Grim Reaper, Wrong WarAerosol stencil on cardboard59 x 92 cm, framed and glazedNote: Acquired by the current vendor at the 2003 Anti Iraq War March where spray painted placards of varying designs were handed out by Banksy and his associates. Being a Bristol resident, the current vendor recognised the works as by Banksy and they have been displayed in their private collection since. CONDITION REPORTS: Generally good condition, expected wear, typical blind holes where attached to baton, some minor tears.

BANKSY (born 1974) British (AR)Happy Choppers, Wrong WarAerosol stencil on cardboard79 x 78 cm, framed and glazedNote: Acquired by the current vendor at the 2003 Anti Iraq War March where spray painted placards of varying designs were handed out by Banksy and his associates. Being a Bristol resident, the current vendor recognised the works as by Banksy and they have been displayed in their private collection since. CONDITION REPORTS: Generally good condition, expected wear, blind holes where attached to baton and some minor creasing.

BANKSY (born 1974) British (AR) Bomb Hugger, No Aerosol stencil on cardboard Number 12 in chalk to verso 55 x 78 cm, unframed Note: From a London private collection comprising one example of each design produced for the 2003 Anti Iraq War March. CONDITION REPORTS: Generally good condition, expected wear, blind holes where attached to baton, some creases and minor tears/loss to edges.

A good quality Edwardian mahogany hanging cupboard in the Georgian style, enclosed by a pair of fielded panelled doors beneath a blind fret frieze set on bracket supports, 130 cm wide

A Georgian mahogany bookcase enclosed by astragal glazed panelled doors beneath blind fret and moulded frieze, 105 cm max

Roy Lichtenstein (1923-1997),colour lithograph triptych, 'As I Open Fire',offset lithograph printed in red, yellow, blue and black the triptych on wove paper from the unlimited edition published by The Stedelijk Museum, Amsterdam with S.M.A. blind stamp. Together with a Tashen 'Lichtenstein hardback book (4)

FILM SOUNDTRACKS - Super clean collection of classic film soundtracks on vinyl, almost entirely at Ex/Ex+. To include approx approx 78x original titles and some amazing music from some great films: Watership Down, The Producers, Big Trouble in Little China, Blind Date, The Breakfast Club, You Light up My Life, Pretty in Pink, Pennies from Heaven, Days of Thunder, Paris Texas (this cataloger's personal favourite), Tarka the Otter, South Pacific, a chunk of Disney titles - The Rescuers, Pinocchio, Jungle Book and plenty more.