We found 44913 price guide item(s) matching your search

A Georgian mahogany armchair, upholstered in printed silk damask, blind fret carved outswept arms, raised on foliate shoulders and cabriole claw and ball supports, cabriole supports and pad feet to the back

A Victorian mahogany chiffonier, with raised back above a blind frieze drawer, the shelves below enclosed by a pair of arched panelled doors, raised on a platform plinth, 109cm wide

An antique mahogany child's Chippendale style elbow chair, having shaped cresting rail, scrolled arms, pierced splat back raised on blind fret square chamfered supports

An 18th Century walnut kneehole desk, the cross-banded top above a single drawer and blind frieze drawer, recessed cupboard and three drawers to each pedestal, raised on bracket feet, 75cm wide

A Victorian mahogany side table, the rectangular top fitted blind frieze drawer raised on a turned baluster column and quatrefoil base terminating in bun feet, 55.5cm wide

A Regency gilt framed convex wall mirror, with ebonised eagle crest above a ball mounted and blind lattice moulded frame, with oak leaf sprays and acanthus moulded lower frieze, 70cm wide x 120cm high. Illustrated

A pair of mid 18th century style mahogany framed rectangular footstools, each with four blind feet carved square supports, united by pierced stretchers, 52cm wide, (2). Illustrated

A George III style mahogany side table, the rectangular marble top over a fret cut blind frieze, on cabriole supports and ball and claw feet, 115cm wide.

OLDHAM (J.B.) Blind Panels of English Binders. First Edition. 67 plates; gilt cloth, folio. Cambridge Univ. Press, 1958; OLDHAM (J.B.) English Blind-Stamped Bindings. First Edition. 61 plates; gilt cloth, folio. Cambridge Univ. Press, 1952; with others on British binding history.

WESTWOOD (J.O.) Illuminated Illustrations of the Bible. Copied from select Mss. of the Middle Ages. First Edition. decorated/printed & coloured illuminated titles, 39 plates in gold & colours; original blind-decorated maroon morocco, g.e. 1846.

BAILEY (N.) An Universal Etymological English Dictionary . . . 3rd edition, with many large additions. rebound half calf & marbled boards, gilt-decorated & panelled spine. 1736; RAY (J.) A Compleat Collection of English Proverbs . . . (and) . . . a Collection of English Words Not Generally Used . . . 3rd edition, augmented . . . contemp. blind-decorated & panelled calf, sometime rebacked. 1737. * ownership signature of the antiquary Wm. Cole (King's College, 1740); sold with 2 related others.

After Beryl Cook, "Joggers", colour print, published by Alexander Gallery, Bristol, pencil-signed and with blind stamp, 46 x 38cms.

After Beryl Cook, 'Poetry Reading', colour print, published 1982 by the Alexander Gallery, Bristol, pencil-signed and with blind stamp, 48 x 38cms.

After Edward Seago, Santa Maria della Salute, Grand Canal Venice, signed in pencil, colour print, blind stamp, 53 x 72cms.

After A.E. Wardle, "The School Hall, Christ's Hospital, Hertford", monochrome etching, pencil-signed, titled and with artist proof blind stamp number 17, 20 x 26cms.

A Regency mahogany washstand commode, adapted with ebony cock beading, hinged lid enclosing an open interior, now with a single door over a blind drawer, further drawer and commode drawer under, square tapering legs, old restoration, width 57cm, depth 56cm, height 91cm.

George III mahogany silver table, rectangular top with a moulded edge, the frieze and legs with blind fretwork, joined by a stretcher, the top 92 x 60cms, height 71cms, (a.f.).

EARLY 20th CENTURY CHIPPENDALE STYLE CARVED MAHOGANY JARDINIERE STAND, the moulded square top above a blind fret carved frieze, raised on conforming square tapering legs tied by an undertier with concave sides and wavy gallery, 28 1/2" (72.4cm) high, 13" (33cm) square

ALEXANDER IRVING, CANONGATE, 18th CENTURY LONGCASE CLOCK MOVEMENT IN A LATER MAHOGANY CASE OF SMALL PROPORTIONS, the 12" brass dial with subsidiary seconds dial and date aperture to the matted centre, enclosed by jesters mask pierced gilt spandrels, and powered by an 8 day movement striking on a bell, housed in an flat top case with moulded cornice, blind fret carved frieze and free standing brass capped and fluted fore columns, over a long flame cut trunk door, flanked by split turned and fluted quarter columns, and raised on a panelled base with ogee bracket feet, 72 1/2" (184.2 cm) high

A CHINESE BLUE AND WHITE BOWL, KANGXI 1662-1722 The interior painted with four representations of Ma Gu, each carrying a basket of flowers, and with a circular band containing the eight Buddhist Emblems encircling a central boss, the exterior painted with four flower sprays beneath a band of blind key fret, 19cm. Provenance: a private collection, Holland Park, London. 清康熙 青花麻姑獻壽紋碗 來源：倫敦Holland Park私人收藏

FRATELLI ALINARI XIX sec. Ritratto di Giuseppe Garibaldi c. 1865 Stampa fotografica vintage leggermente albuminata di grande formato, montata su cartoncino originale. Timbro a secco Alinari. cm 41 x 32 (55,5 x 44,5 cartoncino di montaggio) Vintage light albumen print, big size, mounted on original cardboard. Alinari blind stamp. in. 16.1 x 12.6 (21.8 x 17.5 mounting board)

GAETANO PEDÒ XIX sec. Egypt c. 1870-1980 Nove stampe fotografiche vintage all’albumina, timbro a secco Gaetano Pedò. cm 21,5 x 27,5/16,5 x 22 Nine albumen prints, Gaetano Pedò blind stamp. in. 8.4 x 10.8/6.4 x 8.6

FRANCO VACCARI 1936 Le tracce 1966 Stampa fotografica alla gelatina sali d’argento con interventi a penna, stampata 1995. Firma dell’autore, data e P.A. al verso, timbro a secco. cm 27 x 36,5 (30 x 40) Gelatin silver print with pen sketches by Vaccari. Printed 1995. Signed, dated, P.A. and photographer’s blind stamp verso. in. 10.6 x 14.4 (11.8 x 15.7) Bibliografia/Literature Franco Vaccari. Le tracce, Sampietro Editore, Bologna, 1966.

FRANCO VACCARI 1936 Natura morta 1959 Stampa fotografica vintage alla gelatina sali d’argento. Firma dell’autore e data al verso. Timbro a secco. Opera in cornice. cm 29 x 27,5 (48 x 43 cornice) Vintage gelatin silver print. Signed and dated verso. Blind stamp. Framed. in. 11.4 x 10.8 (18.9 x 16.9 frame)

JEAN-FRANÇOIS JONVELLE 1943- 2002 La bouteille de lait c. 1980 Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco dell’autore. cm 23 x 34 (30,5 x 40,5) Vintage gelatin silver print. Photographer’s blind credit stamp. in. 9 x 13.4 (12 x 15.9)

JEAN-FRANÇOIS JONVELLE 1943-2002 Photomatic c. 1980 Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco dell’autore. cm 34 x 23 (40 x 30) Vintage gelatin silver print. Photographer’s blind credit stamp. in. 13.4 x 9 (15.7 x 11.8)

GABRIELE BASILICO 1944-2013 Vigo 1990 Stampa fotografica gelatina sali d’argento, stampata 1999. Firma, titolo, data e 3/15 al verso. Timbro a secco dell’autore. cm 27 x 54 (50,5 x 61) Gelatin silver print, printed 1999. Signed, titled, dated and 3/15 verso. Blind stamp. in. 10.6 x 21.2 (19.8 x 24)

VITTORIO SELLA 1859-1943 Cascata a Valsorey c. 1880-1890 Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco dell’autore. cm 38 x 28 (40 x 30) Vintage gelatin silver print. Photographer’s blind credit stamp. in. 14.9 x 11 (15.7 x 11.8)

FRANCO FONTANA 1933 Paesaggio 1982 Stampa fotografica vintage a colori Cibachrome. Firma dell’autore, data e timbro a secco al recto. cm 30,5 x 45,5 (43 x 58) Vintage color Cibachrome print. Signed, dated and photographer’s blind stamp recto. in. 12 x 17.9 (16,9 x 22.8)

FRANCO FONTANA 1933 Paesaggio 1992 Stampa fotografica vintage a colori Dye Transfer. Firma dell’autore e data al recto e al verso. Timbro a secco. cm 26 x 38,5 (27,5 x 42) Vintage color Dye Transfer print. Signed dated recto and verso. Blind stamp. in. 10.2 x 15.1 (10.8 x 16.5)

VITTORIO SELLA 1859-1943 Catena del Monte Rosa c. 1880-1890 Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco dell’autore. cm 28 x 37,5 (30 x 40) Vintage gelatin silver print. Photographer’s blind credit stamp. in. 11 x 14.7 (11.8 x 15.7)

FRANCO FONTANA 1933 Paesaggio urbano, Los Angeles 1990 Stampa fotografica vintage a colori. Firma dell’autore, titolo, data e timbro a secco sul recto. cm 40 x 26,5 (45 x 30,5) Vintage color C-print. Signed, titled, dated and photographer’s blind stamp recto. in. 15.7 x 10.4 (17.7 x 12)

FRANCO FONTANA 1933 Nudo doppio ritratto 1974 Collage di stampa fotografica vintage a colori e di Polaroid trasferita. Opera unica 1/1. Firma dell’autore e data al recto e timbro a secco. cm 10 x 7 (24 x 17) Collage color C-print and Polaroid. Unique work. Signed and dated recto and photographer’s blind stamp. in. 3.9 x 2.7 (9.4 x 6.6)

ALESSIO NEBBIA 1896-1975 Cervino c. 1930 Stampa fotografica vintage alla gelatina sali d’argento. Timbro a secco “Bottega d’Arte Alpina Alessio Nebbia”. cm 38,5 x 28,5 Vintage gelatin silver print. Blind stamp “Bottega d’Arte Alpina Alessio Nebbia”. in. 15.1 x 11.2

ÉMILE CONSTANT PUYO 1857-1933 Deux femmes dans un champ de fleurs c. 1900 Stampa alla gomma bicromata. Timbro a secco. cm 22 x 25 Gum bichromate print. Blind stamp. in. 8.6 x 9.8 Bibliografia/Literature Italo Zannier, Pittorialismo e cento anni di fotografia pittorialista in Italia, CRAF, Ed. Alinari, 2004, pagg. 78-79. Provenienza/Provenance Bert Hartkamp

HORST P. HORST 1906-1999 Elsa Schiaparelli, Paris 1936 Stampa fotografica al platino palladio, firma, titolo, data, 15/25 al verso. Stampata c. 1980. Timbro a secco. cm 24 x 19,5 Platinum palladium print, signed titled dated and 15/25 verso. Printed c. 1980. Blind stamp. in. 9.4 x 7.6

'The Two Gentlemen of Savuti', David Shepherd limited edition colour print with Solomon & Whitehead blind stamp signed and numbered 949/1500 in pencil 46cm x 71cm Condition Report Click here for further images, condition, auction times & delivery costs

A contemporary American fruitwood round cornered single door bedside cupboard, having single blind frieze drawer; together with a beech and leather inset metal bound three drawer bedside chest (2)

A reproduction American cherrywood round cornered chest of three long drawers, having upper blind frieze drawer

19th century Rosewood Bureau Bookcase, the glazed upper bookcase with blind fretwork panels over Three Drawers and a Drop Front revealing Fitted Interior over Two Panel Cupboard Doors

Pair of Signed Limited Edition Richard Chorley Golfing Prints ' Bobby Jones ' no. 33/250 and ' Sir Henry Cotton ' no. 41/250, both with blind stamps and coa from Fine Art Trade Guild

A Roman Blind, 46 1/2'' wide

A George III mahogany and oak lined chest on chest, circa 1800, the bold cornice above a parquetry decorated frieze and inlaid patera to the corners, of two short over three long graduated drawers all between blind fret carved canted stiles, the base of three deep drawers, raised on bracket feet, 113cm by 59cm by 194cmGood cosmetic condition. Recently polished and refurbished. Side panels with various splits. Cockbeaded drawers with small repairs. Exposed section of dustboards, ie the sections between the drawers, with small sections of timber replaced. Otherwise good. 080416

After Charles Johnson Payne (Snaffles): 'Merry England' and worth a guinea a minute, bit blind stamp, bears pencil signature 44cm x 40cm Condition Report Click here for further images, condition, auction times & delivery costs

After Cecil Aldin (1870-1935): 'Devon Somerset stag hunt over water' limited edition original colour print signed in pencil with Fine Art Guild blind stamp pub. Alfred Bell July 1925 51cm x 75cm Condition Report Click here for further images, condition, auction times & delivery costs

PAIR OF MODERN OPEN BOOKCASES with blind fretted uprights

(20th century), fox with a duck in its mouth, hand coloured etching, Printers Association SDX blind stamp, 42 x 67 cm, gilt frame.

§ Jesus College Quincentenary Print Portfolio The full portfolio of 10 screenprints by John Bellany, Albert Irvin, Barry Flanagan, William Turnbull, Kim Lim, John McLean, John Hoyland, David Mach, Richard Long and Eduardo Paolozzi: John Bellany, 'Aurora', signed lower left "John Bellany", image 57 x 42 cm, sheet 76 x 56 cm; Albert Irvin, 'Jesus', signed and dated lower left "Irvin '95", image 64 x 47 cm, sheet 76 x 56 cm; Barry Flanagan, 'Untitled', initialled lower right "BF", image 43 x 33 cm, sheet 57 x 75 cn; William Turnbull, 'Untitled', signed and dated lower right "Turnbull 95", sheet 71.5 x 52.5 cm; Kim Lim, 'Syncopation', signed and dated lower right "Kim Lim 1995", sheet 55.5 x 66 cm; John McLean, 'Cuthbert Cockalorum', initialed and dated lower left "JM '95", sheet 76 x 56 cm; John Hoyland, 'Tree of Life', signed lower right "John Hoyland 96", sheet 62 x 46 cm; David Mach, 'Princess', signed lower right "Mach", sheet 55.5 x 74.5 cm; Richard Long, 'River Avon Mud and Rio Grande Dustlines', signed centre lower "Richard Long", sheet 76.5 x 56 cm; Eduardo Paolozzi, 'A Logical Picture of Facts is a Thought. Tractatus 3. 21-22', signed and dated lower, right "Eduardo Paolozzi 1995", image 59.5 x 44 cm, sheet 76 x 56 cm all signed, numbered and inscribed in pencil screenprints, 1995, edition 9/100, with blind stamps, all encased in one black box frame with removable back (10) Other Notes: The present portfolio was published by Jesus College, The University of Cambridge, in 1996 to commemorate the college's Quincentenary and to rasie funds for the college. The artists featured in this portfolio were chosen because they had some connection with Jesus College, for instance the works of Flanagan, Turnbull, Bellany, Irvin and McLean have been exhibited at the College, and Sir Eduardo Pailozzi was elected into an Honorary Fellowship of the college. Printed by Gresham Studio Ltd. Cambridge in an edition of 100, with 10 artist's proofs, 10 publisher's proofs, 2 G.S.L. Archive copies, 2 college exhibition copies and 2 printer's proofs All in very good condition. Very loosely stuck down to backing card, but easily removable.

§ After Salvador Dali (Spanish, 1904-1989) 'Narcissus Telephonans Inundis' inscribed lower left "EA" and bears signature in pencil lower right lithograph   Condition in general is fine. A litle fading overall to the paper. Some minor surface scratches to the print. An Arches France blind stamp on the mount lower left   

An early 20thC mahogany side table, the top with a raised edge, over a blind fret carved frieze, raised on reeded, tapered legs, bears the paper label of Edwards & Roberts 28''h 15''sq BSR

An Edwardian mahogany Chippendale influence display cabinet With a dentil cornice above a blind fretwork frieze, two astragal glazed doors enclosing three lined shelves, the canted corners with blind fretwork raised on a base also with a blind fretwork frieze on tapering legs of square section with spade feet, 116x175x38cms.

A 19th Century Chippendale style urn stand, the shaped top with a spindled gallery above a blind fretwork frieze, raised on beaded triangular section legs and joined with a fret work " X " frame cross stretcher, 80 cms high. CONDITION REPORT: Lot 1247 Rail on spindle gallery replaced at one corner, general staining/water marks to table top Half of the fret work broken between leg and table, late replacements General condition good.

*A Stearns & Co., of Syracuse USA, a loop frame 'Model Special' ladies bicycle having a 23-inch frame, cottered bottom bracket, dual-roller inch-pitch chain and chain wheel and 6-inch cranks and block rat trap pedals, (not fitted), a coasting rear hub, open fork crown, blind end forks, nickel-plated semi-up turned handlebars with good period grips and a small bell. A Christy type saddle with original padding but miss its leather top, a rear painted wooden mudguard and cushion rubber tyres. Currently painted orange, an easy refurbishment project (1)

*A circa 1895 'The Electric' Gentleman's Bicycle. Enamelled black with some gilt decoration, this bicycle suggests quality of manufacture with differing sized tubing, separate bottom bracket bearings, a small chain wheel, fixed single gearing and a (modern) block chain. The 22-inch frame sports blind end nickel-plated front forks, up-turned nickel-plated handlebars with cork grips, 26-inch wooden wheels with modern solid rubber lightweight tyring, 7-inch nickel-plated cranks (one not fitted) and black rubber pedals. The saddle is missing (1)

David Shepherd, three steam locomotives titled Guildford Steam Shed No 1, No 2 and No 3, limited edition coloured prints, blind stamped and signed in pencil, numbered 277/900, 26cm by 30cm

A monastic style court cupboard, blind fretworked frieze, two carved door cupboard to top, turned cup and cover columns, two short drawers over two panelled door cupboard to base, stile feet. 135cm high x 116cm wide x 45.5cm deep.

Terence Cuneo (1907-1996), by and after, Birmingham Snowhill Station, with Great Western Railway 49XX ('Hall') class locomotive No. 4983 'Albert Hall' waiting to leave at the head of a train, 0-6-0PT No. 7752 alongside as station pilot, signed, Fine Art Trade Guild blind stamp, 50cm x 67.5cm

Stengelius (Carolus). Hortorum, Florum, et Arborum Historia in II. Tomos distributa. Editio altera auctior, Augsburg, Andreae Apergeri, 1650 [colophon dated 1647], copper engraved title, some light staining and browning, contemporary blind-stamped vellum over wooden boards, initials R. A. in the central panel on the upper cover, slightly soiled, both clasps intact, thick 12mo (1)

Taylor (Joseph). Arbores Mirabiles, or a Description of the most Remarkable Trees, Plants and Shrubs in all parts of the World..., W. Darton, 1812, engraved frontispiece, title repaired to verso, five black and white plates, modern quarter morocco, 8vo, Mayer (John), The Sportsman's Directory, or Park and Gamekeeper's Companion..., 3rd edition, Baldwin, Cradock, and Joy, 1819, black and white engraved frontispiece, light scattered spotting, edges untrimmed, original boards, rebacked with original label relaid, 8vo, plus Frost (John), Bingley's Practical Introduction to Botany..., James Cornish, 1847, engraved frontispiece with contemporary hand-colouring, eight engraved plates with contemporary hand-colouring, occasional scattered spotting, original blind-decorated cloth, rubbed and worn, plus others similar (13)

Walton (Isaak and Charles Cotton). The Complete Angler or Contemplative Man's Recreation, being a Discourse on Rivers, Fish-Ponds, Fish, and Fishing..., 7th edition (1st Bagster), Samuel Bagster, 1808, additional engraved title, black and white portrait frontispiece, fifteen engraved plates, numerous illustrations to text, scattered spotting, directions to binder pasted in to front endpaper, bookplate of Robert Pitches to front free endpaper, all edges gilt, red straight-grain morocco, gilt fish tool to boards, gilt and blind decorated spine, 8vo (1)