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A MAHOGANY CORNER CABINET with broken swan neck pediment to blind-fret carved frieze, the full-length astragal glazed door enclosing four shaped shelves, 80cm wide 211cm high

English porcelain Blind Earl plate and dish one marked 'Hicks Bath'. No condition reports for this sale

Chairman MaoFour portraits Offset lithograph 29/30With blind stamp 37 x 39cm

David Shepherd (1931-) lithograph titled 'Greater Kudu', blind stamped and signed in pencil to margin, 44cm x 75cm

Hermès Etoupe Leather Soft Travel Bag/Luggage. Silver-tone hardware, double zipper opening, fabric interior. Clochette, lock and keys. Marked appropriately, blind stamp D in square for 2000. Gently used condition with wear on feet. Later cartouche on front. Dust bag included. Measures 24" L x 18" H x 7-1/2" D. Shipping $125.00 (estimate $5000-$6000)

Hermès Blue Jean Blue Hermes Kelly Retourne 35. Silver-tone hardware, logo at front, single detachable shoulder strap, single flat top handle, white stitching, Leather lining, three pockets at interior walls, single zip pocket and turn-lock closure at front flap. Original box, dust bag, accessories bag included. Blind stamped Square H from 2004 and labeled appropriately. AS NEW condition with only extremely minor soiling on bottom. Measures 13" L x 8-3/4" H x 5" D. Shipping $95.00 (estimate $8000-$9000)

Hermès White Swift Leather Birkin 35 Bag. Palladium hardware. Interior with zipper and slot pocket. Clochette, keys and lock included as well as dust bag. Labeled appropriately, blind stamp K in square (2007). Gently used with minor wear to bottom hardware, Light soiling and wear. Measures 14" L x 11" H x 7" D. Shipping $95.00 (estimate $7000-$8000)

Two (2) Ornamental Frieze Engravings After Francesco Piranesi, Italian (born circa 1758-1810). Edizione Ponte Vecchio. Publisher's Fleur de lis blind stamp or otherwise unsigned. Laid down on foam board, framed. Wear and or rubbing to frame, minor buckling from humidity. Measures approx. 27" x 35-1/4", frames measure 32-1/2" x 38-1/2". Provenance: Collection from 2100 South Ocean Blvd, Palm Beach, Florida. A luxury condominium in the Historic Sloan's Curve Area of Palm Beach. Shipping: Third party. (estimate $200-$400)

Two (2) Ornamental Frieze Engravings After Francesco Piranesi, Italian (born circa 1758-1810). Edizione Ponte Vecchio. Publisher's Fleur de lis blind stamp or otherwise unsigned. Laid down on foam board, framed. Wear and or rubbing to frame, minor buckling from humidity. Measures approx. 27" x 35-1/4", frames measure 32-1/2" x 38-1/2". Provenance: Collection from 2100 South Ocean Blvd, Palm Beach, Florida. A luxury condominium in the Historic Sloan's Curve Area of Palm Beach. Shipping: Third party. (estimate $200-$400)

Graham Clarke (Bn.1941), by and after, Tournesols Vincent, a colour etching, signed in pencil and numbered 52/400, CCA Galleries, London blind stamp, arched mount, 33.5cm x 26.5cm; Paul Waplington (Bn.1938), after, Street in the Rhonda, lithograph, 28cm x 40.5cm (2)

Henri Ibels (1867-1936),lithograph, Harlequin figures circa 1890, blind stamp in margin, image size 10.5" x 13.5", framed.

Partington (J.R.) A History of Chemistry, [c.1990], New York, Martino, the complete set of 4 vols., 8vo reprints limited to an edition of 150; some illustrations, green cloth, spines lettered gilt with red labels, a good clean set [with:] A Short History of Chemistry, 1939, MacMillan, 8vo in dust jacket, by the same author [with:] Bunsen (Robert), Gasometry comprising the leading Physical and Chemical Properties of Gases…translated by Henry E. Roscoe, 1857, London, Walton and Maberley, 8vo, first edition in English, numerous diagrams and illustrations, some foxing and dampstaining, original orange cloth stamped in blind, covers a little soiled, corners bumped [and:] Liebig (J.) Researches on the Chemistry of Food, 1847, edited by William Gregory, slightly spotted, original rebacked cloth patterned in blind (preserving original spine lettering), some minor spotting, some pages uncut; Thomson (Thomas) The History of Chemistry [1831], Henry Colburn and Richard Bentley, 2 vols in 1, thick 8vo, second edition, engraved portrait frontispiece, contemporary rebacked cloth

Blind Man's Bluff Engraving of Painting by Sir David Wilkie RA (1785-1841)

A Sergei Chepik limited edition lithograph, Matin a Venise, blind stamped and signed in pencil, 1/50, Catto Gallery label verso

18th century longcase clock with eight day movement, 10 inch brass dial with face mask spandrels, matted centre, silvered chapter ring, subsidiary calendar dial and applied circle, signed - Thomas Davenport, in an oak case with architectural hood, fluted columns and blind fret decoration, 200cm overall height (pendulum, winding key, door key and weights present)

Early 18th century Scottish longcase clock with eight day movement, silvered one piece break arch dial, with engraved eagle's head and foliate spandrels, subsidiary seconds, calendar dials, break arch with engraved seahorses, signed - Ja. Bishop Edinburgh, in an oak case with shaped door and tall plinth hood with pierced floral blind frets and swan-neck pediment with applied gilt metal roundels and ball finials, 220cm overall height (door key, winding key, weights and pendulum present)

***William Russell Flint (1880-1969) - Three limited edition colour prints - "Cecilia Reclining", 10.5ins x 14.5ins, published in 2000 (number 80 of 750), "Cecilia Reading", 11.25ins x 8.75ins, published in 2001 (number 56 of 750), and "The Unsuccessful Shrimper", 15ins x 20ins, published in 1999 (number 45 of 650), all unsigned but with blind stamps, mounted but unframed

***William Russell Flint (1880-1969) - Six limited edition prints - "Model Reclining" 11ins x 20.75ins, published in 1996 (No. 232 of 750), unsigned but with blind stamp, "Primavera", 9.25ins x 11.25ins, published in 1969 (edition limited to 850), signed in pencil in picture and with blind stamp in margin (faded), and four others, all framed and glazed

***William Russell Flint (1880-1969) - Two limited edition colour prints - "Dubious Benini", 16.75ins x 21.5ins, published in 1962 (edition limited to 756), signed in full in pencil and with blind stamp, and "Market Hall, Cordes", 16.5ins x 22.75ins, published in 1963 (edition limited to 756), signed in full in margin and with blind stamp, both in white moulded frames and glazed (latter faded)

***William Russell Flint (1880-1969) - Three limited edition colour prints - "New Model Inspecting", 13ins x 21.25ins, published by Frost & Reed Ltd 1963 (edition limited to 850), signed in full and with blind stamp, in gilt frame and glazed (glass damaged), "Cecilia and Her Studies", 10.25ins x 14.5ins, published in 1987 (number 792 of 850), unsigned but with blind stamp, in gilt moulded frame and glazed, and "Silver Frock", 5.5ins x 11.25ins, published in 1969 (edition limited to 750), signed in pencil and with blind stamp, in gilt moulded frame and glazed, and two other prints, various, all framed and glazed

***William Russell Flint (1880-1969) - Two limited edition colour prints - "Winter Sports", 13ins x 18ins, published in 1927 (edition limited to 310), signed in full in pencil and with blind stamp, in gilt moulded frame and glazed, and "The Mirror of the Ballet", 14.25ins x 19ins, published in 1942 (edition limited to 500), signed in full in pencil and with blind stamp, in moulded wood frame and glazed Provenance: "Mirror of the Ballet" - Alpha Omega Gallery, Grays, Stand J 30 Davies Mews, London, W1 - No. 340

Alfred William Strutt (1856-1924) - Two lithographs - A donkey cart being pursued by fox hounds wishing to catch a fox resting on some poultry cages on the back of the cart, published by Arthur Tooth & Sons, London, 1896, 16ins x 29ins, and 16ins x 25ins, each signed in pencil and with Printsellers Association stamp, and Douglas Adams (1853-1920) - Lithograph - Trout fishing, 15.5ins x 25ins, signed in pencil and with Printsellers Association blind stamp, all in gilt frames and glazed

An early 20th Century 4ft 6ins panelled mahogany bedstead with moulded and gadroon carved crest rails and with blind fret carvings, on square legs, and a similar bedside cabinet with shaped back, gadroon carved edge to top, fitted frieze drawer, cupboard under enclosed by single panelled door, blind fret and cant corners and on ogee bracket feet, 16ins wide x 15.5ins deep x 33.75ins high

An 18th Century oak longcase clock by John Snelling of Alton, the 12ins square brass dial with wide chapter ring with Roman and Arabic numerals, engraved dial centre with subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in plain oak case with moulded caddy top, blind fret frieze and with plain turned pillars to hood, plain trunk door, 83ins high (dial loose from movement and in need of restoration - case also in need of restoration with loose side moulding and trunk and split plinth) Note: John Snelling recorded working as a Clock and Watchmaker in Alton, Hampshire 1761-1795

***William Russell Flint (1880-1969) - Two limited edition colour prints - "Provencale Caprice", 17ins x 22.25ins, published in 1955 (edition limited to 750), signed in full in pencil and with blind stamp, in gilt moulded frame and glazed, and "Conversation, St Martin Ardeche", 19.75ins x 26.25ins, published in 1968 (edition limited to 850), signed in full in pencil and with blind stamp, in gilt moulded frame and glazed

***William Russell Flint (1880-1969) - Two limited edition sanguine prints - "Discussion", 11.75ins x 23.25ins, published in 1969 (edition limited to 850), signed in full in pencil and with blind stamp, and "Cecilia and Joanne", 13.75ins x 17.25ins, published in 2004 (number 173 of 650), unsigned but with blind stamp, both in gilt moulded frames and glazed

A GOOD QUALITY CARVED MAHOGANY TWO DOOR COCKTAIL CABINET WITH BLIND FRET DECORATION ON HAIRY PAW FEET

A MAHOGANY CHIPPENDALE STYLE DISPLAY CABINET, with dentil-moulded cornice, above a blind fret frieze and two Gothic glazed doors, on a base with two doors and a lower inverted breakfront shelf, raised on leaf carved cabriole legs with paw feet, 44" (112cm) wide. (1)

David Shepherd (1931-) lithograph titled 'In The Thick Stuff' ,blind stamped and signed in pencil to margin, 45cm x 83cm

ROLLER BLIND, VARIOUS CURTAIN POLES

'Don Quixote', 20th century etching by Salvador Dali (Spanish 1904-1989) signed in the plate with The Collector's Guild, London certificate of authenticity and blind stamp verso 25cm x 20cm Condition Report Click here for further images, condition, auction times & delivery costs

Limited edition print of Colin Cowdrey with his signature and the Artist, with blind stamp H34.5cm x W29cm and Cricketing Print of Sir Leonard Hutton by Peter Mennim with facsimile autographs of various cricketers H54cm x W37cm Condition Report Click here for further images, condition, auction times & delivery costs

WILLIAM RUSSELL FLINT (1880-1969) A framed and glazed limited edition print 'The Trio' pencil signed and F.A.T.G blind stamp 46cm x 60cm

A framed and glazed limited edition print after William Russell Flint - Mademoiselle Sophie. No 686/850. Signed in the print and blind stamped 46cm x 63cm

A matched pair of 19th century mahogany serving tables with a gallery above two blind drawers on turned legs - Height 92cm x 125cm x 66cm

JOHN CLOWES, LONDON A 17TH CENTURY WALNUT AND MARQUETRY LONGCASE CLOCK (with later alterations), having principally period floral marquetry case with lenticel window, blind fret carved and barley twist column hood, eight day period mechanism with bo lt and shutter winding bell (later) locking plate strike, square, (possibly later) 10" brass dial with cast spandrels, on later bun feet, 2m high Condition Report & Amendments to Catalogue Description (25th July, 2017)The hood and trunk have been extensively restored.The weights appear large and heavyWe have not had the mechanism to pieces.Original catalogue description INCORRECT in respect of bolt and shutter winding. There are shutters (not original) activated on a pull mechanism – like a pull repeat.The mechanism and dial may well be married. Mechanism is later or partly later. Parts of the mechanism are circa 1700. There is an extra wheel in the train which we think makes the clock “month going” but a train count has not been done and therefore we cannot warrant.Overall comment – the clock has elements of 1690 but is by no means wholly original – subjected to many changes over 300 plus years !!! Viewing highly recommended.At the time of writing this report the clock is ticking !

A VICTORIAN HIP FLASK, the plain glass body fitted screw cap, the plated removable base doubles as a drinking cup with gilded interior, the base is engraved with acanthus leaves about blind shield cartouches on either side, stamped to base 'H W Ld', (possibly the Sheffield firm of Henry Wilkinson), 16cm high

WILLIAMS LTD AN EDWARDIAN SILVER VESTA CASE with hinged cover, engraved acanthus leaf decoration, with circular blind cartouche, striker to base and fitted attachment ring, 5cm high, weight 27g

WILLIAM COMYNS AND SONS A LATE 19TH CENTURY EMBOSSED SILVER BOX with hinged cover, blind oval cartouche, London 1893, 10cm, 65g, stamped to base "Goldsmiths and Silversmiths Company, 112 Regent St., London

A 19TH CENTURY ROSEWOOD WRITING SLOPE with brass mounted corners and petal shape brass blind cartouche to the cover, opening to reveal a purple velvet lined slope, 40cm wide

An early 20thC oak miniature North Country chest of three blind fret-work drawers flanked by fluted scrolled pilasters and raised on bun feet

Helen Bradley (1900-79), "It Was a Beautiful Place", Colour Print, 46.5 x 69cm, graphite signed to margin, blind backstamp, with booklets.

COLLECTION OF LP VINYL RECORDScomprising The Jimi Hendrix Experience 'Electric Lady' SPDLP 3 double LP with gatefold sleeve; Pink Floyd 'A Nice Pair' SHSP 4031 1967 double LP with gatefold sleeve bearing 'Aberdeen University Union Hosie Music Room' blind embossed stamps and 'Animals' SHVL 815 1977 with gatefold sleeve; 'The Velvet Underground & Nico' (Polydor); David Bowie 'The Rise and Fall of Ziggy Stardust and The Spiders from Mars' SF8287 1972; Yes 'Yesterdays' K50048 1974; and 'The Best of David Bowie' (K-Tel), viewing required

An early 20th century mahogany vitrine table, the glazed top with blind fret frame and red velvet interior on blind fret feet square section tapering legs and spade feet with shaped under tier. h. 74 cm, w. 59 cm, d. 42 cm CONDITION REPORT: No key. Marks to material. General wear and tear

A Louis XV style walnut bureau plat, late 19th century, with gilt metal mounts, the leather lined top with blind frieze drawer, on cabriole legs and sabot 74½ x 92 x 57cm (29 x 36 x 22in)

L S Lowry 1887-1976 Artist Signed Limited Edition Colour Lithograph Print titled 'A Street Scene, near a factory'. Edition of 850. Stamped and numbered lower left. Fine Art Guild blind stamp. Signed by L S Lowry in pencil to margin. Published by Adam Collection Ltd - 1973. Print size only 11.5 by 9.5 inches. Mounted and framed behind glass. No fading. Excellent condition.

Mid 20thC Chest On Chest Serpentine Fronted Chest Of 7 Graduating Drawers, Blind Fretwork To The Chamfered Corners, Raised On Bracket Feet. Height 61 Inches 25 x 17 Inches deep

After Ivan Berryman, "Wolf Hunt", 155/250,colour print, graphite signed by the artist and Charles Bawdon- SGT, FLT. Engineer 201 Squadron, Coastal Command, Pembroke Dock, with Noel Tatt Fine Arts blind stamp, framed, 25 x 43cm; together with another colour print after Keith Woodcock, "Wings Over Pembroke Dock" 404/505, graphite signed, framed, 36 x 55cm. (2)

Early 20th Century light oak collectors cabinet fitted six blue baize lined drawers enclosed by a pair of blind panel doors on plinth base Condition:

Stained pine side cabinet fitted two short drawers over two blind panel doors Condition:

Vintage painted pine two door cupboard fitted two shelves enclosed by a pair of blind panel doors Condition:

A Victorian mahogany Pembroke table, moulded top, single drawer to frieze, brass button handles, blind drawer to verso, turned legs.C1840

A Regency mahogany sofa table, rounded rectangular top, two short drawers to frieze, brass loop handles, two blind drawers to verso, turned column, four reeded sabre legs, brass lion paw terminals and casters. 73cm high x 71cm wide x 87cm opening to 151cm.

AN ELIZABETH II RECTANGULAR SILVER CIGARETTE BOX, engine turned decoration to cover, blind cartouche, maker John Rose, Birmingham 1966, width 13.5cm

AFTER DAVID SHEPHERD 'GRANNY'S KITCHEN', a colour limited edition print, no 132/1500, blind stamp for Solomon & Whitehead, signed and numbered in pencil, 59cm x 81cm

An Edwardian mahogany Sheet Music Cabinet with blind fret carved decoration, enclosed by a single panel door on turned cluster columns. 22" (56cms) wide.

CHARLES JOHNSON PAYNE “Snaffles” (1884-1967)The Huntsmanpencil signed, with blind stampreproduction in coloursI. 16 ½ x 14 ½ in (41.9 x 36.8 cm);three other ‘Snaffles’ colour prints, titled ‘The Timber Merchant’; ‘Vimy’; and ‘Once upon a Time’; four (4)

CHARLES JOHNSON PAYNE “Snaffles” (1884-1967)‘Who-Whoop’with blind stamp, pencil signed ‘Snaffles’, and further pencil inscribed ‘A Kill in the Open’. reproduction in colours,I. 18 ½ x 26in (46.9 x 66.1cm) Sold together with another Snaffles colour print titled ‘Gentlemen Unafraid’; two (2)

A 19th Century mahogany Chest on Chest with dentil and blind fret carved frieze above two short and six long graduated drawers on ogee bracket feet, 5ft 9in H x 3ft 11in W

Edwardian mahogany bow front blind panel shelving cupboard. (B.P. 24% incl. VAT)