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A Walnut Eight Day Longcase Clock, signed Saml Harris, London, circa 1730, the nicely figured case with flat top pediment, hood with blind fretted front, brass capped columns, arched moulded trunk door, re-built rectangular plinth, 12-inch arched brass dial with silvered Arabic and Roman chapter ring, matted dial centre with seconds dial, date aperture and signed on a arched silvered plaque, engraved arch with rolling moonphase, later hands, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 223cm high see illustration

A George III Oak and Crossbanded Chest on Chest, the projecting dentil cornice above a blind fret frieze drawer with two short and three long drawers below, all between fluted canted pillasters, the base with two long drawers and raised on bracket feet, 100cm by 49cm by 181cm

A George III Walnut Chest on Chest, the moulded cornice with dentil frieze above two short and three long graduated drawers between blind fret canted corners, the base with three long drawers, on bracket feet, 114cm by 58cm by 179cm See illustration

Trollope (Anthony) The West Indies Trollope (Anthony) The West Indies and the Spanish Main second edition colour map 32 pp. advertisments without half-title some marking. original blind-stamped cloth worn and marked 8vo 1860 § Pritchett (R.T.) "Gamle Norge" Rambles and Scrambles in Norway first edition plates illustrations original pictorial cloth worn & marked fly-leaf adhering to endpaper 4to 1879 and 18 others v.s.(20)

Turner (J.M.W.) Liber Fluviorum engraved additional title and 60 plates tissue guards original cloth blind-stamped and gilt worn spine damaged hinges cracked 1857 [engraved title dated 1853] § Turner`s Rivers of France with an introduction by John Ruskin 2 vol. in 1 plates vol. I title and contents f. loose contemporary morocco-backed cloth rubbed ends of spine damaged n.d. 4to(2)

Perry China Seas and Japan 1852 3 vol. first edition 84 tinted lithographed plates 26 maps and charts including 14 large folding 21 hand-coloured lithographed natural history plates 2 colour facsimiles of Japanese paintings 16 meteorological diagrams and 352 full-page wood-engraved astronomical charts original cloth without the nude bathers plate a few repairs to maps some offsetting occasional spotting original blind-stamped pictorial cloth vol.1 rebacked 4to Washington 1856.

Byron. The Bride of Abydos &c first edition second issue title marked inner margin reinforced 1813 ; The Corsair first edition early variant of second issue lacks half-title first 2 ff. little marked 1814 ; Lara fourth edition but first separate edition first issue lacks half-title and imprint f. at end 1814 ; The Prisoner of Chillon first edition first issue lacks half-title and final f. 1816 ; Manfred first edition third issue 1817 ; Manfred second edition 1817 ; The Lament of Tasso second edition 1818 little spotting modern boards [Wise I 87 95 101-2 113 123] ; Childe Harold`s Pilgrimage Canto the Fourth first edition second issue name at head of title and fly-leaf some spotting . bookplate contemporary diced calf gilt rubbed hinges weak [Wise I 61] 1818 § Scott (Sir Walter) The Field of Waterloo first edition lacks half-title and advertisments at end modern boards Edinburgh 1815 § Hogg (Thomas Jefferson) The Life of Percy Bysshe Shelley 2 vol. portrait frontispiece original blind-stamped cloth little rubbed ends of spines chipped 1858 8vo(11)

Dickens (Charles) Dombey and Son first edition in book form bound from the original parts first issue uncorrected `Capatin` p.324 last line half-title frontispiece additional pictorial title and 38 plates errata leaf occasional foxing mainly to plates some offsetting original blind-stamped cloth later endpapers spine faded extremities a little rubbed preserved in modern slip-case [Smith I 8] 8vo 1848.

A small reproduction mahogany finish chest on stand, the upper part with scroll carved and pierced surmount above a blind fret frieze with foliate carved canted corners, having two short and three long graduated and cock beaded drawers with brass drop loop handles and shaped pierced back plates and the lower section with a long and two short drawers above a shell carved and pierced apron on foliate carved serpentine legs with ball and claw terminals (66cms wide x 170cms tall).

EARLY 20TH CENTURY MAHOGANY `GRANDMOTHER` LONGCASE CLOCK, RETAILED BY RUSSELLS, LIVERPOOL, 8in. silvered Roman chapter ring enclosing a floral engraved brass centre and gilt cherub head spanderels, powered by an eight day movement, striking on a bell, housed in a flat top case with dentil moulded and blind fret carved frieze, above a glazed door flanged by turned columns, over a long flame cut trunk door, raised on a plain base with bracket feet, 5ft. 10in. (1.78m) high

A 19TH CENTURY WELSH OAK DOG KENNEL DRESSER, having moulded cornice over three shelf boarded rack back, the base with three cockbeaded freize drawers having turned knobs above an arch dog kennel with shelf flanked by two blind panel cupboards standing on bracket feet. 68" Wide x 18" Deep x 86" High.

A LARGE 19TH CENTURY STRIPPED PINE KITCHEN DRESSER, having moulded cornice over three shelf boarded rack back, The projecting base with three freize drawers having turned knobs over three blind panel doors on a platform base. C1890.90" Wide x 19" Deep x 85" High.

A LATE 19TH CENTURY WELSH PITCH PINE GLASS TOPPED DRESSER, having moulded cornice above two glazed cabinets flanking centre shelves, the dog kennel base with three moulded freize drawers over a moulded arched aperture flanked by two blind panel cupboards, standing on stile supports. C1890. 58" Wide x 16" deep x 74" High.

A MID 19TH CENTURY WELSH OAK DOG KENNEL DRESSER, having moulded cornice above three centre shelves flanked by arch glazed cabinets, the projecting base with moulded edge top above three freize drawers, cockbeaded arch dog kennel flanked by two blind panel cupboards on stile feet. C1875. 60" Wide x 16" Deep x 81" High.

AN EARLY 20TH CENTURY STRIPPED PINE CABINET BACKED DRESSER, having moulded cornice over three centre shelves flanked by two glazed cabinets, the base with moulded top over three freize drawers, single centre drawer with dog kennel below flanked by two blind panel cupboards on baluster feet. C1910. 60" Wide x 17.5" Deep x 88" High.

A GEORGE III MAHOGANY BUREAU BOOKCASE, having blind top with dentil and arcaded cornice, two blind panel doors revealing adjustable fitted shelves to the interior and four short drawers, the base with fall front revealing straight fitted interior with simulated leather bound book compartments, above two cockbeaded freize drawers and two crossbanded blind panel doors below standing on bracket feet. 48" wide x 24.5" Deep x 88" High.

A VICTORIAN WELSH OAK TWO STAGE PRESS CUPBOARD, having moulded cornice over mahogany veneered freize, two arch panel doors flanked by wrythen turned columns, on a projecting base with three freize drawers above a pair of panelled blind doors, standing on stile supports. Carmarthenshire 1880. 50" Wide x 21" Deep x 82" High.

A EARLY 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD, having moulded cornice above two astragal glazed doors revealing fitted shelves to the interior, the base with two blind panel doors with single shelf to the interior standing on bracket feet. C1840. 36" Wide x 18" Deep x 80" High.

A 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD, having moulded cornice above two arched glazed doors with two shaped shelves to the interior, the base with two fan moulded blind panel doors above a shaped apron above bracket feet. C1865. 40" Wide x 18" x 80" High.

A VICTORIAN MAHOGANY PEDESTAL SIDEBOARD, having foliate and "C" scroll moulded arch back above inverted breakfront top with three moulded drawers, pointed arch blind panel cupboards to each pedestal revealing fitted shelves to the interior, standing on platform base. C1885. 66" Wide x 22" Deep x 60" high.

EARLY 20TH CENTURY MAHOGANY MIRROR BACKED SIDEBOARD, in Georgian style, having dentil cornice over strapwork freize, rectangular bevelled plate flanked by reeded columns with brass terminals, the bow fronted base with two centre drawers above arched aperture flanked by two blind panel cupboards with strapwork panels between. Standing on square tapering fluted legs with spade feet. C1920. 60" Wide x 23" Deep x 72" High.

A 19TH CENTURY FRENCH PROVINCIAL ELM ARMOIRE, having moulded cornice above two blind panel doors, fitted shelf to the interior, standing on stile supports. 43" Wide x 22" Deep x 78" High.

A VICTORIAN MAHOGANY MIRROR DOOR WARDROBE, having moulded cornice above central glazed door flanked by arched blind panels, with a drawer to the base standing on turned feet. C1895. 54" Wide x 20" Deep x 80" High.

Johnson, Samuel. Works of, two volumes, Jones, London 1825. Half calf (scuffed), octavo; Hawker, R.S. Cornish Ballads and Other Poems, first edition, Lane, London 1908. Blind stamped black cloth, portrait frontispiece, octavo (spine faded); Davidson, John. Baptist Lake, first edition, Ward & Downey, London 1894. Black cloth, octavo; Davidson, John. A Random Itinerary, limited edition of 600, Matthews / Lane / Copeland & Day, London / Boston 1894. Cloth, frontispiece, fourteen page publisher`s catalogue, octavo; and assorted other works, (26). Visit www.dnfa.com for condition reports.

A mid-18th Century Mahogany cased 8 Day Long Case Clock, Thomas Bullock of Bath, the caddy top hood with blind frieze panels, to a Greek key moulding, and further blind fret panel and ¾ columns, to an ogee throat and long plain trunk door, with plinth base, to a 12" square brass dial, with cast and applied urn and eagle spandrels enclosing a Roman and Arabic chapter ring, to a signed centre with subsidiary seconds and date sector with blued steel pierced hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 84"

A Victorian mahogany hallstand, of large proportions, the arched back with a pair of mirrors surrounded by turned pegs, above blind fret carved panels and a turned umbrella rail with tin tray below, on plinth base, 122.5cm wide.

An early 20th Century mahogany bowfront display cabinet, with blind fret carved frieze above a pair of glazed and panelled doors, on cabriole legs and ball and claw feet, 114cm wide.

"Dress Regulations for the Officers of the Army" War Office, 1883, original blind tooled red cloth, gilt spine, GC (some wear) and a photostat copy of George Kenning`s brochure of 1881.. (2)

Large Destination Blind on two rollers. Destinations are:- Barking - Excursion - Kentish Town - St. Albans - Special - Bedford - Harpenden - Luton - St. Pancras - Moorgate. This is the now Thameslink route and most likely from early stock utilised on this service.

Seaton Tram original memorabilia. A wonderful lot comprising: Dead Man`s/Control Handle unit standing 42" tall, cast iron construction with brass top and large control handle. The top has the English Electric London makers name cast within and the body has a smaller brass makers plate affixed; Wooden Destination box with the SEATON single blind in place; a separate Roller Blind showing Seaton - Colyford - Colyton - Depot - Reserved - Special Car - Service Extra - Seaton Riverside Only; an original overhead wire connector and small length of wire; an original piece of track and a small box of oddments including the wire roller fitted to the tram. There is also a cut down sleeper as used. A substantial and heavy lot to be removed on the day.

A Coalport bone china pedestal vase, the shouldered ovoid body painted with a highland landscape signed J H Plant, on a cobalt and ivory ground, rising to blind wreath scroll handles, raised gilt panels and pendant swags, 29cm high. ILLUSTRATED.

AKIRA KUROSAKI. Three screenprints "Moonlight" 85/250, "Aurora" 53/250 and "Starlight" 103/250, each titled signed and numbered in coloured pencil, blind stamp, 23.5cm x 16cm. framed. (3).

AKIRA KUROSAKI. Two screenprints "Last Exit" 64/250 and "Intimation" 69/250 each titled signed and numbered in coloured pencil, blind stamp, 22cm x 22cm. framed. (2). ILLUSTRATED.

JOSEF HERMAN (1911-2000). Colour lithograph, "Four Fisherwoman" , signed and numbered 17/100 in pencil, image 42cm x 60cm, Curwen CP blind stamp, unframed.

DONALD HAMILTON FRASER (1929-2009). Screen print "Pas De Deux - Spartacus" , signed in pencil and marked pp1/5, Advanced Graphics blind stamp, plate 67cm x 47cm, unframed.

DONALD HAMILTON FRASER (1929-2009). Screen print "Young Dancer Resting" , signed in pencil and marked pp1/5, Advanced Graphics blind stamp, plate 46cm x 60cm, unframed.

AN EDWARDIAN CHIPPENDALE STYLE MAHOGANY DISPLAY CABINET with central arch, flanked by cupboards, with blind fret and carved decoration, 60" wide

Salvador Dali, Spanish School 1904-1989, `The divine comedy - Dante Alighieri`, wood block print, signed in red crayon and numbered 141/150, bears `Société de Vérification de la Nouvelle Gravure Internationale, New York` blind stamped label on reverse, 32cm x 22.5cm

Miss Mary Annie Sloane, ARE, circa 1870-1961, `A still life with honesty and Chinese lanterns`, watercolour, signed and dated 1888, bears blind stamp `E.S.K.` (Ecole South Kensington), 48cm x 24cm

Oak longcased clock, late 18th century, banded in mahogany, brass brocken arch face, silvered chapter ring, engraved field with subsidiary seconds, signed Jno. Stanyer, Nantwich , silvered domed crest to the arch, twin-barrel four-pillar movement, anchor escapement, hour rack strike, in a swan neck hood with blind fret and fluted columns, on fluted trunk and canted plinth. Height 222cm. (Ticks, with pendulum two weights and key)

A Japanese brown and gold lacquer low table, with gilt copper mounts, decorated with paulownia mons, the frieze drawer with two blind fretwork scrolling panels, probably 17th century, some wear and damages, 61cm.

A George III oak thirty-hour longcase clock, John Glazebrook, Mansfield, mid 18th century, the plated countwheel bell striking movement with 11 inch square brass dial with arched calendar aperture and signed Jno. Glavebrook, Mansfield within an oval reserve to the matted centre within an applied Roman numeral chapter ring with fleur-de-lys half hour marker and Arabic five minutes, the angles with applied bird-and-urn cast spandrels, the case with dentil cornice, blind fret frieze and turned pilasters to hood above shaped top trunk door and reduced plinth base, 203cm high. Visit www.dnfa.com for condition reports.

A carved mahogany quarter chiming bracket clock, Lawson and Co. Glasgow, late 19th century, the four pillar triple fusee movement with rise/fall regulation and chiming the quarters on either eight bells or four gongs, the 5 inch full-arch dial with fine foliate scroll engraved centre with signature plaque LAWSON & CO, GLASGOW within an applied silvered Roman numeral chapter ring and brass blind fret mask incorporating Strike/Silent and Westminster/ Whittington switches and Fast/Slow regulation square to arch, the case with drapery swag carved cavetto caddy above acanthus corbel applied repeating rosette carved arched door flanked by Corinthian pilasters to front, the sides with arched sound frets, on inverted breakfronted plinth base with block feet, 43cm high. Visit www.dnfa.com for condition reports.

A Victorian mahogany, marquetry and penwork corner cabinet, in George III style, 19th century, the swan neck blind fret and carved pediment centred by a spherical finial with penwork depicting two classically draped figures after the Antique in marquetry, above two astragal glazed doors, the base with two cupboards depicting semi-draped figures after the Antique in marquetry, on square tapering legs and spade feet, 202cm high, 72cm wide, 35cm deep Visit www.dnfa.com for condition reports.

World Album Including views and figure studies of Singapore (c.12)" some at least by Lambert China (6 including two execution scenes and two attributed to Saunders) Japan (37) by Kusakabe Kimbei and possibly others some hand-tinted Gibraltar (3) Port Said India (29 including Madura blind-stamped Orr & Barton Goa Bombay Baroda Ahmedabad Jeypore Delhi Agra Cawnpore Lucknow Calcutta and the Himalayas) and 3 views of Vancouver B.C. by Bailey Bros in all 95 albumen prints all but a few c.200 x 270mm. (8x10in.) mounted on both sides of card leaves contemporary leather-backed Japanese lacquer boards fore-edge of upper cover slightly chipped oblong 4to.

A late Georgian oak tall corner cupboard the upper section fitted with three shaped front shelves enclosed by two glazed panelled doors above two blind panelled base doors, raised on a plinth base, approx width 120cm

BLIND EYE SALMON HOOKS-6: A selection of about 30 packets of mainly Partridge blind eye black japanned salmon fly tying hooks, sizes vary 6 to 6/0,many Bartleet Traditional and Connoisseurs patterns, most packets unopened.

VINTAGE FLY TYING HOOKS: A selection of 1930s bronze Blind Eye Forged hooks 1000 size 2/0, size 1, 500 size 2, 500 size 4, 500 Kirby size 1, 500 long shank Blind eye, all unused old patterns in original packaging.

VINTAGE FLY TYING HOOKS: A selection of 1930s bronze Blind Eye round bend hooks comprising 500 size 1, 500 size 2, 500 size 1/0 and 300 size 4/0, all unused old patterns in original packaging.

VINTAGE FLY TYING HOOKS: A selection of 1930s bronze Blind Eye Limerick bend hooks comprising 500 size 1, 500 size 5, 500 size 6 and 500 size 7, all unused old patterns in original packaging.

VINTAGE FLY TYING HOOKS: A selection of 1930s bronze Blind Eye Sneck bend hooks comprising 500 size 1, 500 size 2 and 500 size 1/0, all unused in original packaging.

VINTAGE FLY TYING HOOKS: A selection of early black japanned blind eye salmon irons, 120 in all comprised of 40 size 6/0, 40 size 7/0 and 40 size 8/0, all unused fine condition.

FLY TYING MATERIALS: A vintage teak salmon fly tier`s box, 16" x 13" x 7.5", with two lift out trays, each sub divided into compartments. The base below is itself divided into sections. Contains a large selection of early fly tying tools, boxes of feathers and silks by B. R. Bambridge of Eton (maker to Queen Victoria), a large number of blind salmon hooks by S & E. G. Messeena, J. Forrest, Albert Smith and others. Bottles and boxes of dye Messeena, Percy Wadham and John Veniard. Together with other packets tins and boxes of tying materials and accessories.

A late Victorian mahogany display cabinet, with greek key and blind fret carved frieze above astragal glazed doors and two drawers, on cabriole legs, 175cm high x 114cm wide

AFTER CECIL ALDIN - A busy hunt scene with hounds, print in colours, published by Alfred Bell & Co., pencil signed in the margin and with FATG blind stamp, 15 1/2" x 25" (unframed).

AFTER CHARLIE JOHNSON PAYNE (SNAFFLES) - "Andsome Is - Wot Andsome Does", colour print, pencil signed in the margin and with Snaffles bits blind stamp, 19" x 17" (see illustration).

AFTER CHARLIE JOHNSON PAYNE (SNAFFLES) - "Sandown-Asking Em The Question", colour print, pencil signed in the margin and with Snaffles bits blind stamp and printed vignette `The Empty Plate` in the margin, 19 1/2" x 27" (see illustration).

SIMONIS MAIOLI, `Episcopi Vulturariensis Dierum Canicularium`, Francofurti, 1642. fo. engrd. tp. vol. VII. Latin text, 2 columns. In 7 parts. Vellum blind tooled bd. bumped. ex. lib. Tog.with BAGLIVI, Georgii, `Opera Omnia Medico Pracitica`, Lugduni, 1710. 4to. A4. 1 - xxix. 5 lf. Engrd. port. 1 - 850. 1 lf. foxing, marbled bds. worn. ex. lib. Plus 2 others. 4

HALE, Sir Matthew, `The Primitive Origination of Mankind considered and examined according to The Light of Nature`, London, 1677. sm. fo. Frontis port. loss to FFEP. full blind tooled cf. worn.

CLARKE, John, `An Enquiry into the Cause and Origin of Evil`, London, 1720. 8vo. full cf. worn Tog.with LESLIE, Charles, `A Short and Easie Method with Deists......To Which is also added a Second part to the Jews`, Strahan, 1726. 6th edn. 8vo. full blind tooled cf. worn. Plus CUMBERLAND, Richard, `A Letter to Richard Lord Bishop of Landaff`, London, 1783, slim 8vo. Rebound. Plus other Theology. 13