We found 44913 price guide item(s) matching your search

After Pablo Picasso (1881 - 1973) 'Paysage de Dinard', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 41/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Dtamerin' printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Paysage de Dinard" by Pablo Picasso created 1922, Approved by the heirs of Pablo Picasso' and '© Mrs. Marilyn K Nathan, 1982', on Arches paper, with certificate of authenticity, Image approximately 43cm x 52.3cm, Overall 55.4cm x 75cmA private estate.

After Pablo Picasso (1881 - 1973) 'Paysage', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 155/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Dtamerin', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Paysage" by Pablo Picasso created in 1937, Approved by the Heirs of Pablo Picasso' & '© Stirling Silliphant 1980', on Arches paper, with certificate of authenticity, 73.5cm x 54cm

After Pablo Picasso (1881 - 1973) 'Femme Assise', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 26/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Circular Grid'', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme Assise" by Pablo Picasso created on February 19, 1947, Approved by the Heirs of Pablo Picasso' and '© Aaron Keiter, Betty J Hughes & Dale R Ruckman, 1980', on Arches paper, with certificate of authenticity, Image approximately 58.5cm x 39.5cm, Overall 74.5cm x 53.5cm

Brian Aris (contemporary), Mick Jagger with diamond tooth, a black and white photographic print, signed artists proof, studio blind stamp, 49 cm x 40.5 cm in a mount (unframed).

After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 24/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme au Beret', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 167/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'G', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au Beret" by Pablo Picasso created in 1939, Approved by the Heirs of Pablo Picasso' and 'Artvestors', on Arches paper, with certificate of authenticity, Image approximately 55cm x 37.4cm, Overall 73.4cm x 52.7cmA private estate.

After Pablo Picasso (1881 - 1973) 'Femme au Fauteuil Canne', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 34/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'A Bull', printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Femme au fauteuil Canne" by Pablo Picasso created on May 21, 1939, Approved by the Heirs of Pablo Picasso' and '©James E Brown D/B/AJ & J Master Art Works, 1982', on Arches paper, with certificate of authenticity, Image 50cm x 41.5cm, Overall 75.8cm x 55.7cm

After Pablo Picasso (1881 - 1973) 'Fillette Couronee au Bateau', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 474/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & a motif, printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Fillette Couronee au Bateau" by Pablo Picasso created on June 12, 1939, Approved by the Heirs of Pablo Picasso' and '© National Machine Systems, Inc, 1982', on Arches paper, with certificate of authenticity, Image approximately 57.5cm x 46cm, Overall 75cm x 54.3cmA private estate.

Banksy (British 1974-), ‘Because I'm Worthless', 2004, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 75 in pencil, published by Pictures On Walls; sheet: 50 x 35cmARRsheet: 50 x 35cmProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.In Very Good ConditionNo knocks, tears, or creases to the sheetThis signature, numbering and blind stamp are all very clearThis work has been stored flatOne extremely minor 'bend' to the upper left-hand corner, this is only visible under very close inspection and in raking lightIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity.

Damien Hirst (British 1965-), 'Butterfly Spin', 2009, acrylic and metallic paint on formed paper, bearing the Artists Stamped Signature verso, inscription reading; 'This painting was made by to celebrate the opening of Damien Hirst, Requiem, at the Pinchuk Art Centre, bearing the Artists blind stamp; sheet: 52 x 69cmARRsheet: 52 x 69cmIn very good condition No knocks, tears or creases to the sheet Multiple areas of ink to the sheet verso and some minor 'pin' holes to the sheet, as a result of the production process and not later damageThis work has been stored flat and not been framed.

Banksy (British 1974-), 'Girl With Balloon', 2004, screenprint in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRsheet: 70 x 50cmProvenance: This work is accompanied by a Pest Control Certificate of AuthenticityIn Very Good ConditionNo knocks or tears to the sheetThis work has been stored flat in an archival print sleeveBoth the numbering and blind-stamp are clearExtremely minor edge-wear to the lower right-hand extreme edge of the sheet, this is only visible under close inspection and in raking lightOne soft handling crease to the white background, away from the printed image. This is only visible under close inspection and in raking lightExtremely minor and faint discolouring to the upper edge and right-hand edges of the sheet, only visible under close inspection and measuring approximately 3mmThe reverse of the sheet is in very good condition with no apparent marks or issuesIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate of Authenticity

Banksy (British 1974-), 'CND Soldiers', 2005, screenprint in colours on wove paper, signed, dated, and numbered from an edition of 350 in pencil, published by Pictures On Walls; sheet: 70 x 50cmARRsheet: 70 x 50cmProvenance: This work is accompanied by a Pest Control Certificate Of AuthenticityIn Very Good ConditionNo knocks, tears, or creases to the sheetThe work has been stored flat with no sign of being framedThis signature, numbering, and blind stamp are all clearTwo very minor surface marks in red to the upper left of the sheet, believed to be from the time of printing due to the red ink used in the main imagePotential extremely minor horizontal waving, only visible under very close inspection and in raking lightIn Very Good ConditionProvenance: This work is accompanied by a Pest Control Certificate Of Authenticity

After Henri de Toulouse-Lautrec (1864-1901) Ten lithographic prints for the 'Toulouse Latrec circle', all with blind proof stamps, some numbered in pencil as a limited edition, 50cm x 39cm (10) At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.

John Piper (1903-1992) 'Llangloffan', print, signed in pencil lower right, with blind stamp lower left, 41cm x 58cm Overall display wear, some scuffs, small losses and scratches to the frame. Some UV/colour fade to the picture as evident in photographs.

Friedrich Franz Albert Klein/Fred Klein (1898-1990) 'The beach near Cannes', November 1946, watercolour and gouache, signed lower right, blind proof stamp to the same corner, 25cm x 33cmProvenance: With old paper label to the reverse which reads "J. Ledger & Son, 13 Old Bond St, London,W1'Foxing, marks, moisture damage throughout. Foreign objects under the glass, display wear and paint loss to the frame. 

Dame Elisabeth Frink (1930-1993) 'Running man', etching and aquatint, numbered 52/100, printed by Kelpra Studios, circa 1986, with blind stamp, signed in pencil lower right, 30cm x 27.5cm Some foxing and small marks, most notably to the mount and edges of the left hand side and top left corner of the etching. The frame with minimal display wear as expected, otherwise seems ok. Some dirt to the glass and frame.

Henry John Stock, RI, ROI (British, 1853-1930)Influences signed and dated 'H. J. STOCK/1905' (lower right)oil on canvas110.5 x 143.8cm (43 1/2 x 56 5/8in).Footnotes:ExhibitedLondon, Royal Academy, 1905, no. 707.Tokyo, Bunkamura Museum of Art, The Victorian Imagination, 1998, no. 65. (Subsequently Shizuoka Prefectural Museum of Art, Daimaru Museum, Kobe, and Tsukuba Museum of Art, Ibaraki).Born in London, Henry John Stock was virtually blind as a child but overcoming this adversity he completed his education at St Martin's School of Art and subsequently at the Royal Academy Schools. He was later taken on by the wood engraver and radical W.J. Linton, with whom he made a visit to Italy. Stock would go on to exhibit in London from 1874 at the Royal Academy, also at the Grosvenor Gallery, and at the the Royal Institute of Painters in Oil Colours, of which he became a member in 1880. He became best known for his imaginative and symbolist works, which took their subjects from literature or were invented entirely by the artist, taking influence in this type of work from William Blake and George Frederic Watts. These influences can clearly been seen in the present work, a slightly sinister subject depicting a woman who has momentarily put down a book she has been reading to stare vacantly into space. She seems unaware of the three threatening male figures that extend their arms towards her, touching her clothes. Although Stock was widely read, and particularly loved Dante, Coleridge, Goethe and Walt Whitman, the symbolism of this work appears to be entirely of his own invention. The present oil is the definitive version of the subject. Stock showed a similar watercolour at the Royal Institute of Painters in Water Colours in 1904.For further information on this lot please visit Bonhams.com

A good George III oak longcase clock, by John Woolley, (c.1738-95), Codnor, Derbyshire, circa 1760-80 Having a brass ten inch dial, typically well-engraved for this esteemed provincial maker, the circular dial with Arabic and Roman numerals, centred by a date aperture, with mask and arabesque cast spandrels, the hood with cavetto-moulded cornice, blind fretwork frieze of leafy-arabesques and corner column pilasters, the trunk with glass lenticle, eight-day movement, 48.5cm wide, 185.5cm high, 27.5cm deep Provenance: Albert Gaultier Collection, Newton Old Hall, Newton nr Tibshelf, Derbyshire

A rare Late Medieval oak chest, circa 1480-1500Of dove-tail construction using thick boards, having an end-cleated hinged lid, with applied moulded edge, the front blind tracery carved, with four lancet arches, alternate trefoil and quatrefoil oculus, over paired lights, with leaf-and-berry corner spandrels, the central spandrels carved with satyr and green man masks, each side again tracery-carved, with bold moulded base rail, all original ironwork, 109.5cm wide, 50cm deep, 56.5cm high

PETRUS LOMBARDUSSententiarum libri IV, 255 leaves (of 256, lacking final blank O6), 55 lines, double column, gothic type, ink ornamentation to the title, rubricated with capital initials supplied in alternate red and blue, occasional early ink notations to margins, tear to title-page repaired with tape on verso, occasional wormholes (mostly marginal but some touching text), light marginal damp-staining to some leaves, early blind-stamped pigskin, clasps missing, small losses to head and foot of spine, worn [ISTC ip00494000; BMC III 694; Goff P494; GW M32492], folio (310 x 210mm.), [Freiburg im Breisgau, Kilianus Fischer, or Basel, Johann Amerbach, c.1491]Footnotes:Early incunable edition of Sententiarum libri IV, the major work by the scholastic theologian Petrus Lombardus (1095-1160), Bishop of Paris and professor at the cathedral school of Notre Dame. The Sententiarum was first printed at Strasbourg in 1468, whereupon it became the standard textbook of theology at the medieval universities.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

DURAND (GUILLAUME)Rationale divinorum, 264 leaves, 47 lines and headline, gothic letter, shaved touching lettering to some headlines, sprinkled worming throughout, water-stains to side margins straying onto text on some pages, ink annotations on title-page and some margins, contemporary blind-stamped calf over wooden boards, worn (small area torn away to lower cover) and loss to headband, lacks clasps [USTC 688339], folio (260 x 200mm.), [Strasbourg, Georg Husner, 1501]; Rationale divinorum officiorum, title with woodcut printer's device, woodcut initials, several ink ownership inscriptions on the title, later ink marginal annotations, near contemporary blind-stamped pigskin with Crucifixion and Resurrection scenes surrounded by elaborated ornamental floral decoration on sides, spine painted white and titled in ink, brass clasps and catches, light wear [USTC 140577], 8vo, Lyon, heirs of Jacques Giunta, 1568 (2)Footnotes:Provenance: First work, 'Sum Joannis Murmayerz, Mors via aquam', inscription on title; Wolf Engelbert von Auersperg, (1610-1673), 'W. Eng. C. ab Aursp. [...] Cap. Supremi Carni[ol]ae Cat[alogo] Inscriptis A. 1655, inscription on title page; Fuerstlich Auerspergsche Fideicommisbibliothek zu Laybach (Auersperg family library, Ljubljana), bookplate; Second work, 'Ex libris Johannis Hochreitterj 1581 HH. Sub umbra alarum tuarum', manuscript inscription on title; Canonio Understorff, seventeenth century inscription on title page; inscription dated 1792 on title.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ARMENIAGREGORY OF NAREK, SAINT. Girk Aghotits'Srboyn [Book of Lamentations], edited by Minas Amdetsi, text in Armenian, all pages within typographical border (that to title more elaborate), woodcut decorations in the margins, capital bird-shaped letters, large woodcut portrait of the author on p.10, large opening woodcut ornament on p.11, small old repairs touching inner border of title, horizontal tear to pp.11/12, old paper repairs to gutter margin of several leaves (mostly at beginning and end), final leaf with portion of upper page torn away with some loss to opening 3 lines recto and verso, some marginal ornaments shaved, occasional light old staining, contemporary calf over wooden boards, the sides decorated in blind to a geometrical design, old metal studs on lower cover, lacking metal clasps (and straps) on upper cover, rebacked in old leather [Voskanian 185], 4to (200 x 150mm.), [Constantinople/Istanbul, Paron Karapet, son of Astuadsatour, 1702]Footnotes:Only the second appearance in print, after the 1673 Marseille edition, of Grigor Narekatsi's 'Book of Lamentations'. The editor, Minas Amdetsi, notes on the colophon that text is based on a manuscript found in Jerusalem and compared with five others found at the Monasteries of Saghmosavank, Khor Virap and Sevan. An Armenian Christian mystic, Grigor/Gregory (c.945-1003) was Canonized in 2015.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

GRATIANUSDecretum with apparatus by Bartholomaeus Brixiensis and Johannes Teutonicus (Semeca), edited by Sebastian Brant, 530 leaves, double column, 67 lines plus headline, gothic type, red and black ink, woodcut of Gratianus in his study on verso of Bb6, early marginal manuscript notation, erased ink inscription on title, printing flaw on K2 with small tear, small wormholes, short tear on external margin of R1-S8 occasionally touching text, near contemporary blind-stamped pigskin with repair to edges, modern spine labels, hinges a litte cracked, light soiling [ISTC ig00391000; H*7918; BMC III, 792; Goff G-391], 4to (219 x 153mm.), Basel, Johann Froben and Johann Amerbach, 1 July 1500Footnotes:Provenance: Bibliothek Oberherrlingen, with date '1839' and initials 'E.M.' (of Eugen, Freiherr von Maucler) bookplate; MM Froth Libraires Lausanne, bookplate.Eugen von Maucler (1783-1859) amassed an important library at Oberherrlingen Castle, near Ulm (municipality of Blaustein near Ulm), including numerous incunables he acquired from the Frankfurt physician and bibliophile Georg Kloß (1787-1854).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

VIVALDUS (JOANNES LUDOVICUS)Aureum opus de veritate contritionis, title printed in red and black with large woodcut device, printer's device on final leaf, woodcut initials and manicules, publication date added in ink on title at later date, bibliographical notes in ?nineteenth century hand on the front free endpaper, contemporary blind-stamped pictorial calf over wooden boards, central figure of the Eternal Father holding an orb and sword standing against a background of stars beneath a cinque-foiled canopy supported by two brackets, the border with the Virgin and Child on an upturned crescent in upper border, the three Magi in one border, the Sibyl and Octavian kneeling in the other, and a scene of Herod and the massacre of the innocents in the lower margin, a few small losses to sides, preserved in cloth solander box [BP16 101652; Weale 499], 8vo, [Paris], J. Barbier, for Francis Regnault, [4 October 1510]Footnotes:Provenance: Sixteenth century ownership inscription and date (1510) on title-page.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ARMENIAANANIA SANAHNETSI. Girk vor kotchi zhoghovadsou [Compilation of Stories], text in Armenian, title and text within typographical border throughout, 8 large woodcut illustrations by Grigor Marzvanetsi after Christoffel van Sichem, decorative ornaments at head of sections and marginal decorations in the style of Armenian manuscript, toning or light browning to a few pages, thin line of worming to inner margin of a few leaves, contemporary blind-stamped morocco over wooden boards, rebacked in calf, red edges [not in BL or Bodleian], 4to (200 x 150mm.), Constantinople/Istanbul, Mahtesi Astouadstour, 13 February 1747Footnotes:A compilation of Biblical stories (Adam and Eve, life of Christ, etc.) and Homilies by Armenian and other Church fathers, including Gregory of Narek, Gregory of Tatew, and others, written by the eleventh century Armenian theologian Anania Sanhnetsi, of the Monasteries at Haghpat and Sanahin. Provenance: 'Library of the Atonian Brotherhood transferred to Constantinople in 1871' [in Armenian], red stamp on title touching woodcut border, with 4-line ink note by Grigor the monk professing his support for the Holy Roman Church.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

CLEMENS V, POPEConstitutiones [with commentary by Johannes Andreae], 60 leaves (including opening and final blanks), 82 lines of commentary around text, gothic type, rubricated with capital initials, paragraph marks etc. supplied in alternate red and blue ink throughout, opening initial 'I' in gold on a ground of blue heightened, manuscript index in a contemporary hand on the opening blank, small traces of worming in vertical margins not affecting text, light damp-staining and softening to fore-margin of approximately 20 leaves at end, contemporary blind-stamped calf over wooden boards, upper and lower sides elaborately stamped with a variety of tools (including roses, gryphon, and vases of flowers) in panels, the upper cover with wording 'Sexti et' in upper margin, central boss and metal corner-pieces to fore-corners, remnants of metal clasps, sprinkled single wormholes, rebacked, worn, upper hinge strengthened with tape [ic00727000; HC 5435*; BMC II 429; Goff C727; GKW 7097], folio (340 x 240mm.), Nuremberg, Anton Koberger, 15 March 1486Footnotes:Collection of decretals compiled during the 1305-14 pontificate of Clemens V, the last official papal addition to the Corpus juris canonici.Provenance: 'Ex bibl. II episc. S. Hippolytum', ink inscription and printed shelf mark label in red and black ink.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

ILLUMINATED BOOK OF HOURS, use of RomeManuscript Book of Hours on vellum in Latin, with calendar in French, 168 leaves (plus 2 flyleaves at the front and 1 final flyleaf), gothic textualis in brown ink on 14 lines (justification c.110 x 75mm.), 3 flyleaves with slightly later inscriptions, 13 LARGE ARCH-TOPPED MINIATURES (c.85 x 65mm.), each within full border decoration with leaves, fruit and flowers in colours and liquid gold and with 4-line illuminated inhabited initials below, numerous 2- and 1-line illuminated initials in red, blue, liquid gold and white, line fillers in red and blue, rubrics, occasional light rubbing or staining, EARLY BLIND-TOOLED CALF OVER WOODEN BOARDS BY LOUIS BLOC, covers each with 4 panels each containing eight animals in tendrils (comprising stags, deer, monkeys, hares, boars, dogs) , surrounded by the inscription in Roman capitals: 'Ludovicus Bloc / ob laudem / Christi librum hunc / recte ligavi' (Ludovicus Bloc, has, in praise of Christ, bound this book well), rebacked, but preserving much of original spine, corners worn, joints weak, lacking clasps, g.e., in a red morocco slipcase by Riviere, 180 x 120mm., [Flanders, probably Bruges, mid fifteenth century]Footnotes:AN ATTRACTIVE LOW COUNTRIES ILLLUMINATED BOOK OF HOURS IN AN ELABORATE EARLY BINDING.TEXT: f. 1 blank; ff. 2-7 Calendar; 8-11 Hours of the Cross; 12-15v Hours of the Holy Spirit; 15v-20v Gospel readings; 21 blank; 22-86 Hours of the Blessed Virgin Mary (22-42v Matins; 43-54v Lauds; 55-59v Prime; 60-64 Terce; 64v-68v Sext; 69-73 Nones; 73v-81 Vespers; 81v-86 Compline); 86v blank; 87-100 Seven Penitential Psalms; 100v-108 Litany; 109-164v Office of the Dead; 165 Miserere Mei; 166 The Seven Joys of the Virgin; 168 Prayer in a later hand. ILLUMINATIONS: 12 initials (KL) in liquid gold, red and blue colour at the beginning of each month of the calendar; 13 large illuminations, f.8 The Crucifixion; 12 Pentecost; 22 The Annunciation; 43 The Visitation; 55 The Nativity; 60 The Shepherds; 64v The Adoration of the Magi; 69 The Presentation in the Temple; 73v The Massacre of the Innocents; 81v The Flight into Egypt; 87 Christ in Majesty before the Last Judgement, 109 A Funeral; 156 Souls carried to Heaven by Angels.The illuminations are in the characteristic style of Bruges of the mid fifteenth century. Several can be ascribed to a group of artists known as the 'Masters of the Gold Scrolls', as testified by many stylistic elements especially with regards to the backgrounds of the illuminations that are distinctive of this group of artists. For example, the golden scrolls over red backgrounds in the representation of the Nativity (f. 55) and in that of Christ in Majesty (f. 87) are strikingly similar to those found in other Books of Hours ascribed to the Masters of the Golden Scrolls, such as MS Laud Misc. 204 (f. 23v St Barbara) and MS Harley 2982 (f. 59v Christ in Majesty), today at the Bodleian Library and British Library respectively. In the representations of the Pentecost and Annunciation (ff. 12 and 21) we find instead chequered backgrounds of liquid gold and colours that are also typical of Flemish and French illuminations of this period (see for example MS Harley 2897, f. 340v St Anne teaching the Virgin to read, and MS Stowe 21, f. 57 Nativity). The binding is signed by Ludovicus Bloc, a prolific and well known Bruges binder documented in the city between c.1484-1529. There are other surviving manuscripts with very similar bindings, such as Beinecke MS 663 (Book of Hours, use of Tournai), Walters Ms. W.428 (Book of Hours) and Cambridge University Library MS Nn.4.1 (Benedictional of Robert de Clercq). Collation: A7 (of 8, A8 lacking ?cancelled, no loss of text), B8, C6, D-E8, F5 (of 6, F1 cancelled), G8, H4, I-N8, O6, P-R8, S6 (of 8, S4 and S6 cancelled), T-V8, W6 (of 8, W3 and W5 cancelled).Provenance: An early Brugean provenance is denoted by the signed blind-tooled binding by Louis Bloc (d.1519). The Hours belonged to Jehan de Cerf (d.24 September 1554, aged 69), who served as echevin of the Liberty of Bruges. He gifted the manuscript to his eldest daughter Mary (by his first wife Judove van Schoore) on January 11th 1525. Mary then married John Spronehoff and left the book to their son, Philip. The flyleaves contain several notes about the family of De Cerf, which had settled in French Flanders as early as the fourteenth century, and about that of Spronehoff; Hugh Selbourne M.D., his sale, Bonhams, 25 March 2015, lot 23.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

GREGORY IX, POPE[Decretales cum glossa. Comm: Bernardus Parmensis. Add: Hieronymus Clarius], 384 leaves (of 386, lacking a1 & BB8, the opening and final leaves), double-column, 73 lines and headline, gothic letter, printed in red and black, 4 leaves of table bound at the beginning, fore-margins of table, opening fol.2-6, and final 11 leaves extended (just touching letters to a couple of pages), old burn-hole to L1-M3 resulting to loss in several lines of text (supplied in manuscript facsimile), note of purchase on first leaf in an early English hand 'emi p[ro] duob[us] s[oldis]', ink annotations in an early hand to several margins, a manuscript vellum leaf pasted inside the lower cover with recipes for the colic and the stone, and copies of documents (see footnote) written in several English hands, manuscript title in nineteenth century hand pasted to initial blank, contemporary blind-stamped calf over wooden boards, sides with outer border composed of dog and boar stamp, central panel filled with diapers, containing small rosettes and a lozenge-shaped tool of a flower, rebacked in calf with red morocco gilt label, lacking clasps, corners worn [ISTC ig00470000; BMC II 436; Goff G470; HC 8030*], folio (345 x 235mm.), Nuremberg, Anton Koberger, 10 March 1493Footnotes:The binding is decorated with four tools, comprising: rectangular, 6 x 10mm., hound pursuing boar; lozenge-shaped, 26 x 20mm., flower; lozenge-shaped, 20 x 15mm., rose between four fleurs-de-lys; round, 7mm., rosette. These are not traced, and together with the early provenance, suggest that the binding may be from an unrecorded workshop.Provenance: Vellum leaf pasted inside the lower cover with recipes for the colic and the stone, and copies of documents relating to the parish of Hanwell and to the monastery of St. Mary at Wroxton in the Diocese of Lincoln dated between 1491 and 1528, all written in early English hands; Sir John Cope, 6th baronet (1673-1749), of Hanwell Castle, bookplate; George Dunn (1865-1912) of Woolley Hall, near Maidenhead, bookplate and pencil notes including acquisition in December 1902 and price-code; his sale, Sotheby's, 26 November 1917, lot 3212; Sotheby's, 28 May 1992, lot 24.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

JUSTINIAN IInstitutiones Imperiales, gothic letter, printed in red and black throughout, 2 columns with gloss, woodcut device and woodblock border on title, 2 woodcuts (one double-page, slightly shaved at foot), dark stain to 5 leaves of preliminary matter (including one woodcut), occasional other light soiling or marginal stains, tear touching letters repaired to fol. 124, extensive sixteenth century marginalia in a neat hand throughout, eighteenth century polished calf, g.e., rebacked to match [Adams J618], 4to, Paris, Udalricus Gering & Bertholdus Rembolt, 5 December, 1505--CUJAS (JACQUES) Paratitla in libros IX Codicis Justiniani repetitae praelectionis, early blind- and gilt-stamped calf, fragment of early manuscript used as binder's waste at end, rebacked with some loss to spine, varnished, 8vo, Paris, Sebastian Nivelle, 1579--GRATIANUS. Decretum [-Sextus liber Decretalium], 2 vol., with the gloss of Joannes Andreae, printed in red and black, woodcut device on titles, corner of title repaired to first volume, old repair to margin of 4 leaves (with loss of signature on cc1) in second volume, non-uniform morocco antique, first volume edges speckled in red, small folio, Paris, [Hugo a Porta and Antonio Vincent], 1559--JUSTINIAN I. Volumen complectitur Novellas constitutiones Justiniani principis post repetitam Codicis prælectionem editas, 3 parts in 1 vol., printed in red and black, printer's device on title, occasional mostly marginal light damp-stains, heavier on pp.337-8 of first part, early calf, lacks covers, small folio, Paris, Hugo a Porta, 1557 (5)Footnotes:Provenance: First, Robert Wythe, early ownership inscription on title, seemingly in the same hand as the numerous marginal annotations. A possible candidate is Robert Wythe, of Droitwich, c.1523-86), a lawyer who represented Droitwich from its enfranchisement in 1554 to the end of the 1563 Parliament.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BIBLE, IN ENGLISH, GENEVA-THOMSON VERSION[The Bible: that is, the Holy Scriptures, contained in the Olde and Newe Testament], black letter, double column, New Testament and 'Second Part' titles within decorative woodcut border, woodcut illustrations and maps in text, lacks general title and 24 leaves, softening with small losses to some other leaves, occasional damp-stains, early ink trials on NT title, contemporary blind-stamped calf, worn [ESTC S675; Herbert 226], folio (340 x 225mm.), Christopher Barker, 1595Footnotes:Provenance: William Harrison, Grimsby; Mary Harrison, 'the wife of Will. Harrison, June 8th 1792', ink inscriptions on front pastedown.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

PIUS VPontificale Romanum ad omnes Pontificias ceremonias, printer's device on title and at end, full-page woodcut of the Crucifixion, numerous small woodcuts throughout, printed in red and black, small repairs to title and to first and last 2 leaves, C8 upper corner defective with loss of text, contemporary calf blind-stamped with several concentric rolls, upper cover with initials 'F.M.E' and date '1573', rebacked, clasps missing, a little worn, folio (370 x 270mm.), Venice, Giunta, 1572--Missale ad sacrosancte Romane ecclesie usum cum variis additamentis, title within ornate woodcut border with printer's device, printed in red and black throughout, numerous woodcuts (one full-page) throughout, some manuscript inscriptions, lacking C3, C4 supplied in manuscript on vellum leaf with illuminated historiated initial with God the Father, upper and side margins trimmed, minor soiling and spotting, rebacked, hinges softened, new endpapers, worn [USTC 145429; Weale & Bohatta 1049], folio (310 x 220mm.), [Paris], Thielman Kerver and Wolfgang Hopyl, 1521--Breviarium Romanum, ex Decreto Sacrosancti Concilii Tridentini restitutum, printed in red and black, woodcuts and woodcut initials throughout (some full-page), first blank repaired at external margin and with extensive early manuscript inscriptions, modern calf, new endpapers [Bohatta 306], 4to, Venice, Giunta, 1574; and 2 others, sixteenth century theology (5)Footnotes:Provenance: First work, Ochsenhausen Abbey, Baden-Würtenberg, Germany, stamp on title; Second work, 'Philippus Probus Possesor', inscription above printer's device on final leaf.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

DARWIN (CHARLES)On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, FIRST EDITION, half-title (verso with quotations by Whewell and Bacon only), folding lithographed diagram by W. West, 32pp. publisher's catalogue dated June 1859 bound at end (Freeman's form 3, no priority), lacking front free endpaper, ownership signatures on half-title (prelims loose), first 50pp. a little spotted, publisher's blind-stamped green cloth, spine gilt (Freeman's variant a; no priority), Edmonds & Remnants ticket on rear pastedown, 15mm. splits to joints at head, neat loss to upper 3mm. of spine, patch of discoloration on spine, ink smudge to lower cover [Freeman 373; Garrison-Morton 220; Norman 593; PMM 344], 8vo, John Murray, 1859Footnotes:Provenance: 'S.M.C.'[?], initials in purple ink; 'L.A. Forscey, Ramsgate' (Lancelot Albert Forscey, scientist); John Rizzo Naudi, ownership signatures on half-title; pencil annotations on reverse of rear free endpaper.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

MISSAL, USE OF ROMEMissale ad sacrosanctum Romane ecclesie usum, printed in red and black, large device on title and final leaf, woodcut illustrations and large initials, lacks one leaf (fol. 161), 3 or 4 single wormholes to opening leaves, nineteenth century vellum gilt, metal clasps and straps, g.e., soiled [Bohatta & Weale 1105], Paris, Thielman Kerver, 1548--Breviarium secundum veram et integralem praeclaris Ecclesiae Parisiensis consuetudinem, vol. 2 only (of 2), printed in red and black, woodcut device on title, manuscript musical notation on blank endpaper, modern vellum [Bohatta 2523], Paris, widow of Tielman Kerver, 1544 [colophon dated 1545]--Breve totius theologicæ veritatis compendium, lacks 3 leaves (fol. 79 & 80, and final leaf, ?blank), contemporary blind-stamped calf over wooden boards, spine restored, lacks clasps and straps [not in Adams], Paris, V. Gaulterot, 1549--Pragmatica sanctio, title printed in red and black with large printer's device, lacks 7 leaves (fol. 106-112), title repaired with small abrasions, occasional damp-stains, worm trail to lower margin of opening leaves (just touching letters on a few), modern morocco, gilt lettered on spine, worn with small loss to head of spine, Paris, Jean Barbier for Jehan Petit, [December 1514], 8vo; and 3 others, incomplete sixteenth century (7)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

AMBROSIUS, SAINTOpera [edited by Johann Amerbach, with additions by Johannes de Lapide], vol. 1 (of 3), EDITIO PRINCEPS, 305 leaves, 52 lines plus headline, gothic type, full-page woodcut of St Ambrose in his study on title, capital initials, paragraph marks, etc. supplied in red ink throughout, small wormhole to right margin of title page, and to upper margin of first few leaves occasionally touching the text, neat paper repair to lower right margin of title, fifteenth century manuscript pastedowns, contemporary blind-stamped calf over wooden boards, sides panelled with 4 borders of repeated rosette and decorative tools, rebacked in pigskin, worn with some of calf to upper cover, lacks bosses and clasps, faded manuscript title on spine [ISTC ia00551000; BMC III 753; Goff A551; HC 896*], folio (310 x 210mm.), [Basel, Johann Amerbach, 1492]Footnotes:Provenance: St. Michael's Abbey, Bamberg (former Benedictine monastery), inscribed on title 'Ad Biblioteca Montii S. Mich[ael] Arch[angelus] O.S.B. [Ordo Sancti Benedicti] Bamberga' and on fol.2 'Montii S. Mich[ael] Archang[elus] Bamb[erg] O.S.B. [Ordo Sancti Benedicti]'.The manuscript leaves used as pastedowns were taken from a manuscript copy of the Liber ordinarius Hirsaugiensis, a monastic breviary, most probably already present in the Library of the Abbey in Bamberg when this volume was bound. For a similar manuscript of the same text, written in a very similar hand see the late fourteenth-/early-fifteenth century Codex 290 (183), today in the Oberösterreichischen Landesbibliothek in Linz. St. Michael's Abbey followed the Hirsau Reforms, which explains the reason they held copies of this version of the Liber ordinarius. The pastedown leaves also bear small manuscript notations and an inscription in a near contemporary, but different hand, reading 'anno millesimo quingentesimo primo' [1501].This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

HALE (THOMAS)An Account of Several New Inventions and Improvements now Necessary for England, in a Discourse by way of Letter to the Earl of Marlborough, relating to Building of our English Shipping, Planting of Oaken Timber in the Forrests, Apportioning of Taxes, the Conservacy of all our Royal Rivers, in Particular that of the Thames, the Surveys of the Thames, etc. Herewith is also published at large. The Proceedings relating to the Mill'd-Lead-sheathing ... Also a Treatise of Naval Philosophy, written by Sir Will. Petty, 2 parts in 1 vol., [with additions], FIRST EDITION, imprimatur leaf, 2 folding tables and 2 additional folding broadsides bound in (see footnote), extensive early manuscript naval notes in margins of C5, E12 and F1, small burn hole to title, some worming at foot of initial gatherings (c.10 leaves with text affected, single hole through sections of first part), contemporary sheep, covers with blind rule borders and roll tool border to one side, slightly rubbed, slight chips to corners of spine [ESTC R28685; Goldsmith 2873; Keynes 39; Kress S747], 12mo, James Astwood, and are to be sold by Ralph Simpson at the Harp in St. Pauls Church-yard, 1691Footnotes:HALE'S PASSIONATE PLEA FOR THE UNIVERSAL INTRODUCTION OF MILLED LEAD ON SHIP'S BOTTOMS, WITH TWO RARE BROADSIDES BOUND IN:'That bringing on Boards above, and Paying the Plank with Stuff under a Mill'd-Lead-Sheathing, is Damageable...', 2pp., setting with last full line of text on p.1 ending 'elsewhere.' and the text signed 'Tho. Hale' on p.2, early manuscript note in one margin [ESTC R218189], folio, 'This paper, with some others, and the Book about the Mill'd lead... may be had at Mr Nelme's... and... Mr Basset's', October 1697.'An advertisement, shewing that all former objections against the milld-lead sheathing have been answered by the Navy-board themselves. And what's lately objected, is answered herein', 4pp. [ESTC R226291], folio, 'The said Book may be had at these Book-sellers Shops... At the Milld-Lead Sign in Aurange Street.. where Mr. Charles Hale lives, who undertakes the said Sheathing... sells his Solder for 6d. a-pound', May 1696.As is more usual, this also has bound in the two-sheet folding table headed 'A Survey of the Buildings and Encroachments on the River of Thames', printed recto only [ESTC R222173], folio, Navy-Office, R. Haddock [etc.], 30 October [16]84.Provenance: James Hustler of Acklam in Cleveland, bookplate dated 1730 on verso of title.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

HAUCHINUS (JOANNES) AND MATTHIAS HOVIUSPastorale, ad usum romanum accomodatum, engraved vignette on title, one full-page engraved illustration, early blind-stamped vellum, upper cover stamped in gilt 'Aelsmaria. Anno 1616', soiled, Antwerp, ex officina Plantiniana, 1607-[CHASTEIGNER DE LA ROCHEPOSAY (HENRI-LOUIS)] Nomenclator sanctae romanae ecclesiae cardinalium qui ab anno Christi Millesimo quippiam commentati sunt, later limp vellum, Toulouse, apud Domicum de la Case, 1614--Processionale ritibus Romanae ecclesiae accomodatum, woodcut ornament on title, 7 pages of manuscript music bound at end, with index added on lower free endpaper, contemporary calf gilt, red edges, Antwerp, ex Architypographia Plantiniana, 1774--Pontificale Romanum Clementis VIII, title with engraved vignette, woodcut printer's device on final leaf, title with signature excised from 2 places filled, nineteenth century green morocco gilt, rebacked preserving original spine, Antwerp, ex officina Plantiniana, 1627--Pontificale romanum summorum pontificum... a Benedicto XIV. Pont Max., parts 3 and 4 only bound in 1, engraved vignette on titles, engraved illustrations in the text, red morocco gilt, g.e., Rome, Vincent Guerrin, 1818, folio--Missale romanum, woodcut vignette on title, 10 full-page woodcut illustration, light soiling, remnants of tabs at some fore-margins, early calf, IHS with Crucifix within heart shaped tooled in gilt on covers, rebacked to match, worn, 8vo, Paris, apud Societatem Typographicam Librorum Officii Ecclesiastici, 1603, all but the second mentioned printed in red and black, some spotting or light soiling; and 23 others, mostly theology of sixteenth and seventeenth century (29)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BREVIARY, USE OF PASSAUBreviarum pars hyemalis [estevalis], 2 vol., printed in black and red, large armorial woodcut printed in red, yellow and black on opening leaf, and large device printed in red on final leaf of each volume, first part lacking T6 (leaf 209), and repair to inner margin of B8 (leaf 75) repaired at inner margin, small loss through adhesion to device at end of second volume, a few single wormholes, contemporary non-uniform blind-stamped calf, spines worn with some loss, scattered worming to sides, remnants of old ink labels (including 'dupl' on spines) [Bohatta 2576], 8vo, Augsburg, Erhard Ratdolt, 10 July 1503Footnotes:Provenance: Carthusians at Buxheim, ink note on blank recto of opening leaf, and 'Bibl. Buxheim' stamp on second leaf of each volume; Alan G. Thomas (1911-1992, bibliophile), book label; his sale, Sotheby's, 21 June 1993, lot 108.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

BIBLE, IN LATINBiblia cum concordantiis veteris et novi testamenti et sacrorum canonum, title printed in red and black within a wide historiated border, text printed in red and black, woodcuts and woodcut initials throughout, fragment of early manuscript tipped onto front free endpaper, some ink annotations to margins and title, small tear to upper margin of title and following leaf repaired, upper right corner of final 5 leaves repaired just touching a couple of letters, single wormholes to opening few leaves, occasional toning, a few marginal stains, later calf retaining contemporary blind-stamped boards, clasps missing, worn [USTC 145497, not in Adams or Darlow & Moule], large 4to (260 x 190mm.), [Lyon], [Joh. Moylin alias de Cambray for Etienne Gueynard alias Pinet], [24 March 1522]Footnotes:Provenance: Early manuscript inscriptions on verso of last leaf; 'De St Loup [...] De [...] 1702' and 'De St Loup de Cvades 1700', manuscript inscriptions on upper paste-down and first leaf of Genesis.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

JUSTINIAN IInstitutiones... libri IIII, 2 vol., gothic letter, printed in red and black, large devices on title, large woodcut of Justinian with his spiritual and temporal princes (repeated in volume 2), genealogical tables, some defects including the loss of one leaf (2Ci) in volume 1 and significant loss to A3 in volume 2, final leaf of volume 2 repaired affecting letters, large fragments of two fifteenth century manuscript leaves (in Latin) used as binder's waste retained and mounted on stubs, contemporary French blind-stamped calf over wooden boards, rebacked, wanting clasps, folio (410 x 285mm.), Lyon, [Thomas Bertheau] for Hugo & haered. Aemonia a Porta, 1542--Digestum novum pandectarum iuris civilis, vol. 3 only, large woodcut device on title, contemporary blind-stamped pigskin over wooden boards, stamped 'E.M.H.' with date '1566' on upper cover centred on a a portrait of Lucretia with sword, the lower a female allegorical figure of 'Justice', lacks clasps, folio (345 x 230mm.), Paris, Merlin and Deshoys, 1566--[GREGORY III] Corpus juris canonici emendatum et notis illustratum. title printed in red and black, old vellum chapter tabs at fore-margins, small stain at fore-edge of title, a few single wormholes at end, contemporary blind-stamped pigskin over wooden boards, lacks metal corner-pieces, soiled, 4to, Basel, Emanuels Konig & Sons, 1670 (4)Footnotes:Provenance: First title, Birmingham Law Society, bookplate.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Laurence Stephen Lowry RA RBA (British, 1887-1976), Level Crossing, offset lithograph, signed in pencil to lower margin, bears Fine Art Trade Guild blind stamp to lower left, 16x22ins, framed and glazed.

A GEORGE III MAHOGANY SERPENTINE FRONTED BACHELOR'S CHEST OF DRAWERSCIRCA 1770With a brushing slide and blind fretwork decorated corners84.5cm high, 87cm wide, 52.5cm deep

A 19th century mahogany Pembroke table of small proportions, two drawers opposite two blind drawers, on turned legs and brass castors 73cm x 58.5cm x 40.5cm (when unextended) x 81.5cm (when extended) Location:

Edwardian mahogany and inlaid corner washstand, circa 1900-10, with a splash back over an open space, fitted with a single drawer and two blind drawers, raised on a platform stretcher, height 119cm, width 59cm

Late Regency mahogany pedestal Pembroke table, circa 1820-30, the top with drop leaves over a single frieze drawer opposing a blind drawer, raised on a short baluster turned column and four reeded splayed legs with brass paw toes and castors, length 116cm, width 56cm

A collection of silver bangles and bracelets. The bracelets to include an amber set bracelet and a moonstone set bracelet together with a Mexican sterling silver bangle inscribed with brave of the brave and another 925 silver bangle inscribed Love is Patient love is blind. Weight 66.4g. Bracelets measure approx  20cm.

18th century oak single door blind panelled vestment cupboard, the moulded cornice above blind four fielded panelled door, the interior revealing modern brass hooks and rail with key. 90x54x174cm approx. (B.P. 21% + VAT)  Photos of interior added.

19th century painted pine two stage dresser, the moulded cornice above boarded rack with two fitted shelves, the projecting shaped base above an arrangement of four drawers with modern ceramic and enamel nob handles above four blind panelled fielded doors to the base. 184x46x199cm approx. (B.P. 21% + VAT)

18th century chinoiserie lacquered cabinet upon cupboard, having arch moulded resting above two blind panelled doors revealing a fitted interior of drawers and shelves, above a base of two cupboards revealing fitted drawers on baluster turned legs. Overall with chinoiserie decoration of figures, elephant and buildings within woodland to the front panels and sides. 119x52x186cm approx. (B.P. 21% + VAT) Some chips and losses to lacquer work in places, original steel key, some evidence of old woodworm and general wear and tear commensurate with age.

18th century oak cheese/food cupboard, the moulded cornice above a single blind panelled door with carved decoration, the interior revealing two fitted shelves, standing on stile feet. 75x44x155cm approx. (B.P. 21% + VAT)

*Item to be collected from Friargate, Derby*A 20th century mahogany twin pedestal desk, leather inset top above drawers and blind cupboards to base, approx 75cm high x 160cm wide x 75cm deep (missing central drawer)Condition - wear and tear commensurate with age Object location - Cellar 3

GIOVANNI BATTISTA PIRANESI (ITALIAN, 1720-1778)Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres with Calcografia blind stamp (lower right) etching 48 x 70cmCondition reportThe sheet is sound and the impression good throughout.  Framed and under glass, unexamined out of frame.

Caravan LPs, seven UK Release albums comprising Caravan (MGM Reissue), In The Land Of Grey and Pink (Red / White Labels), Waterloo Lily (Red / White Labels), For Girls Who Grow Plump In The Night (Red / White Labels), Blind Dog At St Dunstans, Cunning Stunts and Better By Far - mainly all in Excellent to EX+ condition

Progressive Rock LPs, Sixteen Albums of mainly Progressive Rock with artists comprising Hawkwind, Kings X, Blind Faith, Electric Light Orchestra, Be Bop Deluxe, Supertramp, Stretch, Kansas and Argent - light wear to a few sleeves, otherwise mainly in Excellent condition

John Fahey LPs, ten albums comprising Railroad 1, Fare Forward Voyagers, The Transfiguration of Blind Joe Death, America, I Remember Blind Joe Death, Live In Tasmania, Visits Washington D.C. , The Best Of 1959-1977, Requia / The Yellow Princess and Yes Jesus Loves Me - various conditions but mainly Excellent

Blues LPs, eleven albums on the UK Matchbox / Saydisc Label comprising Blues Piano, Sonny Boy and his Pals, Black Diamond Express To Hell (Double), Blind Boy Fuller - On Down Vol 1 and On Down Vol 2, Peetie Wheatstraw Volumes One and Two, Kokomo Arnold, Skoodle Um Skoo, Home Town Skiffle and Those Cake Walking Babies From Home Vol 1 - mainly all in Excellent to EX+ condition

Georgian wall mirror, the old rectangular plate surmounted by a painted blind panel in walnut fret frame with pediment of two winged cherubs holding a basket of flowers, for restoration, 132cm high, 63cm wide.

"Autumn glory", a pencil signed colour print of pheasants in flights after an original by John Cyril Harrison, published by The British Art Company, London, blind stamp, signed in pencil, inscribed with title on Roland Ward label verso, 28cm x 37.5cm; also Nigel Hemming colour print of partridge, 59.5cm x 39.5cm.  (2).

Robert "Mouseman" Thompson, oak sideboard, the rectangular top with scroll incised corners above pair of Gothic carved doors with iron latches and hinges, central carved blind panel on chamfered stile supports, 59cm deep, 165cm wide, 80cm high.

MICHAEL ROTHENSTEIN RA (1908-1993) 'Japanese Kites', unframed limited edition print in colours, pencil signed bottom right and numbered 66/75, blind stamped bottom right corner. Overall size 50cm x 66cm

A 20th century mahogany Bergère caned settee with outswept arms, on blind-fret frame and carved feet, 168cm wide, 83cm deep, (small damage to cane work).