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A Victorian mahogany Scotch chest with a blind frieze drawer and four short drawers above three further graduated long drawers with turned knob handles flanked by cylindrical columns, a blind plinth drawer and bun feet, 51in. (130cm) wide.

An early Victorian mahogany pedestal Pembroke table with one blind and one opening frieze drawer on a turned column, splayed legs and scrolled toes, 41in. (104cm) wide.

A George III mahogany chest of two short and three graduated long drawers with brass swan-neck handles, blind frieze and ogee bracket feet, 46 1/2 in. (118cm) wide. See lot 915 for illustration.

An Edwardian mahogany 'blind fret' display cabinet, circa 1910, in the Chippendale revival style, h.160cm, w.68cm., d.46cm.

A fine Victorian painted satinwood semi-elliptical side cabinet, in neo-classical style, fitted with a shallow drawer and two blind drawers to frieze above a pair of doors, painted with five classically draped female figures standing on clouds and holding flower sprays and garlands, the top with Venus and Cupid resting amidst clouds, outlined throughout with tulipwood and mahogany crossbands, boxwood and ebony stringing, embossed brass oval handles, the square tapering legs and spade feet beneath panelled pilasters headed by moulded ovals, 53in wide, 58in high, c.1880

Victorian mahogany Dickens desk, circa 1860, fitted with eight small drawers to the back and centred with a single shelf over a slope front with later tooled leather inset, opening to reveal drawers and pigeonholes, fitted three frieze drawers over pedestals with three further drawers opposing a cupboard door with a three blind drawer front, all with turned wooden knobs, raised on a plinth base, width 150cm

Mahogany serpentine front open bookcase, circa 1910, blind fretwork frieze over four open shelves and raised on ogee bracket feet, width 100cm, height 125cm

Victorian Chippendale revival mahogany bureau bookcase, upper section with blind fret pediment over 2 astragel glazed doors, moulded fall, 2 short and 3 graduated long drawers on bracket feet, 230cm high, 107cm wide, 56cm deep.

Collins, Greenville, Des Costes D' Angleterre, D'Ecosse et D'Irelande, [n.p.], ca. 1755, folio (510 x 355mm.), 16 engraved plates and charts (of 19), later hand-colouring, all disbound and mounted, lacking title and preliminary leaves, index leaf loose and laid down, contemporary calf, coat-of-arms blind stamped in gilt on front and back cover.

Beche, Henry Thomas de la, A Geological Manual, London, by Richard Taylor for, Treuttel and Wurtz, Treuttel Jun, and Richter, 1832, 12mo (190 x 100mm.), half title, illustrated title, illustrations, new endpapers, contemporary calf, rebacked, title label pasted down onto spine, Second Edition. Beche, Henry Thomas de la, How to Observe. Geology, London, Charles Knight, 1836, 12mo (200 x 110mm.), illustrations, a few leaves blind stamped with 'The North Devon Athenaeum, Barnstable', contemporary green cloth, title label pasted down onto spine, bookplate of The North Devon Athenaeum, Barnstable. With Hugh Miller's 'The Old Red Sandstone or, New Walks in an Old Field' (Edinburgh, 1865).

AN EDWARDIAN MAHOGANY DISPLAY CABINET of George III inspiration, all with blind fret carving, 74in. (188cm.) high x 24in. (61cm.) wide

A MAHOGANY DISPLAY CABINET of Chinese Chippendale inspiration with blind fret carving, 76 1/2in. (194cm.) high x 32 1/2in. (82cm.) wide

Edwardian mahogany corner cabinet having a moulded cornice, blind fret frieze and sides enclosed by an astragal glazed door with turned drop finials, 85cm.

George III mahogany card table, the rectangular fold-over top baize lined with blind fret frieze, pierced spandrels raised on cluster columns with moulded detail. 94cm.

A George III style library open armchair, the rectangular back and padded arms upholstered patterned woolwork, on moulded mahogany and blind fret scroll supports and conforming square legs united by an H stretcher.

Charles Johnson Payne 'Snaffles', (1884-1967), 'Merry England', photographic reproduction, signed in pencil, bears blind stamp, 10.5" x 10"

After Brooks. 'The Bridesmaid', colour print by George Baxter, mounted on card bearing the Baxter blind trade stamp and title, no 260, 1855, image size 14.75" x 10.25".

Thomas G Appleton, after Wheatley. 'Milk Below', from Wheatley's 'Cries of London', mezzotint, signed in pencil in margin, blind trade stamp, published by Graves, c.1907, 15.5" x 12".

H Alken (by and after). Sporting Anecdotes 'The Hunting Sweep and the Duke, or Gallantry and Galloping', pl 14, and 'Serious Times - Three Blind 'Uns and a Bolter', pl 3, coloured aquatints, first pub c. 1833/6. 11.25" x 15".

An Eastern influence carved teak folding folio stand with pierced and blind fret decoration.

Sir John Lavery RA RHA RSA (1856-1941), W. Shaw-Sparrow, John Lavery and his Work, Kegan Paul, Trench, TrŸbner & Co., London, n.d. (circa 1911), Crown quarto, green cloth with gilt at spine and stamped in blind on upper board. With many colour and photogravure plates. Scarce. €100-€150

Special bindings - small press, John J. O'Meara (trans.) The Voyage of Saint Brendan: Journey to the Promised Land, Dolmen Press, Dublin, in association with Humanities Press, New Jersey, 1976. ONE OF ONLY 50 COPIES with hand-coloured illustrations and specially bound in calf with a vignette of St Brendan stamped in gilt and blind on upper board; top edge gilt and in original slipcase. SIGNED by O'Meara who translated the ninth century Latin text and also wrote the introduction. The woodcut illustrations are reproduced from Sankt Brandans Seefahrt printed in Augsburg in 1476; book design is by Dublin artist Liam Miller and set in Pilgrim type with uncial initials in Victor Hammer; printed on Van Gelder mouldmade 'Union' paper. Whilst 750 copies were made, only 50 had coloured illustrations and the special binding. A beautiful book to be treasured. €300-€400

William Russell Flint SILVER FROCK reproduction in colours, signed in pencil, with Fine Art Trade Guild blind stamp, 28.5 x 14cm

After Montague Dawson A WINNING TACK pencil signed print, with Fine Art Trade Guild blind stamp, 42 x 63cm

William Russell Flint VARIATIONS ON A THEME reproduction in colours, signed in pencil, with Fine Art Trade Guild blind stamp, published by Frost & Reed, 1966, 45 x 61cm

William Russell Flint REFLECTIONS reproduction in colours, signed in pencil, with Fine Art Trade Guild blind stamp, published by Frost & Reed, 27 x 46cm

William Russell Flint CAMPO SAN TROVASO reproduction in colours, signed in pencil, with Fine Art Trade Guild blind stamp, 61 x 45cm

A Chippendale style mahogany library chair with blind fret carving and floral upholstery

A SET OF EDWARDIAN MAHOGANY THREE TIER GRADUATED HANGING WALL SHELVES, the sides pierced, the three short drawers beneath with blind fret fronts. Width 28". Height 36".

A mahogany bureau bookcase of Georgian design, the upper part with moulded and key pattern cornice and blind fret frieze, fitted three adjustable shelves enclosed by a pair of "thirteen pane" astragal glazed doors, the slope enclosing shaped interior fitted central cupboard, pigeon holes and six small drawers, two short and two long drawers under, on bracket feet, 34ins wide x 86ins high

A 30 Hour Longcase Clock by John Shepley (Stockport), the brass 107.8-inch dial with matted centre and date aperture, the chapter ring with bold 1.2 hour markers, in an oak case with shaped headed door and turned quarter columns, the hood with blind fret panel and dentil moulding, circa 1750, 207cm.

A 19th Century French Carved Giltwood Bergere, in the Louis XVI style, upholstered in turquoise damask, the back with a leaf carved frame between fluted uprights descending to padded arms and blind sides, the scrolled terminals raised on twist fluted balusters, the bowed seat on leaf carved rails and tapered twist fluted legs

A Joined Oak Buffet, the raised back with two tiers of pierced tracery panels between finialled posts over a stage with sliding panels carved with endless knot blind tracery, the canted base having three panels carved with Renaissance designs, two of these being hinged doors, over two drawers flanking a fixed panel, all carved with endless knot tracery, raised on moulded stile feet. Mid 16th century, stripped and repaired in places 152cm by 137cm by 60cm.

A pair of Victorian silhouettes, the ladies standing facing sinister, their details highlighted in gold, the ebonised frames with Gothic blind fret band on gold, 33.5 x 27cm overall (2)

A 19th century Continental walnut armoire, step moulded cornice with strap work carved frieze, above a pair of doors, each panel carved with anthemion and scrolled foliage on a matted ground, enclosed by reeded full turned column supports, a moulded blind drawer below, on bun turned feet, 120cm x 194cm

[INDIA]: An album containing 43 original sepia-toned photographs taken in India comprising 15 group portraits, 4 views of the cave temples of Elephanta (10.75 x 8 inches), and 28 landscapes and architectural subjects. The landscapes include three views of the landslip at Noini Tol (one panoramic, 21.75 x 9.25 inches, stamped 'Lawrier' in blind); views in the Kangra Valley (Punjab) including bridges under construction; one with printed label "Bara Duree & Palace former residence of Katoch Raja Soojanpore". Also two Burmese subjects including "Burmese Ladies" (9.5 x 7.25 inches). Mostly captioned to the mount, a few dated 1881-1883. Largely full or half-plate, a few larger. With other material, engravings, domestic photographs, etc. Folio, contemporary half morocco; binding worn.

PHOTOGRAPHS: AFRICA / MILITARY / INDIA. A good album of 98 original photographs including 27 sepia toned images of Zulu girls, warriors, and groups, each approx. 8 x 5.5 inches; some taken in natural settings, others studio portraits (those of Zulu girls would appear to have been taken for the delectation of the military) - some stamped 'J.Wallace Bradley, Durban, Natal' in blind. There is also a page of 13 small photographs taken in Pretoria, a military group 'Det.38th Co. RE' and others taken in S. Africa. Together with, at end, photographs of Lucknow, Benares, a few in Burma; and military groups (up to full-plate), these however unidentified. Folio, old cloth-backed boards. c. 1890-1910.

An early 20th century mahogany duet stool, the upholstered hinged seat above a blind fret frieze and shaped seat rails carved with foliage and shells, on leaf carved slender cabriole legs and scroll feet, stamped Waring and Gillow, Paris, 51 high x 43 deep x 47cm wide

An oak joined cupboard, the door with blind fret stylised flower heads and pierced sides, on stile feet, 73 high x 55 deep x 92.5cm wide (constructed from late 17th/early 18th century timber)

A late 19th century oak wall timepiece, the single train fusee movement with anchor escapement, the enamelled round dial with Roman numerals and hinged and glazed door, the case with a blind-fret foliate carved apron and foliate bracket, 40cm high (small areas of old repair to the case)

A GOOD EARLY GEORGE III OAK DRESSER BASE, circa 1770, having a two piece top with canted front corners, on three graduated cockbeaded central drawers with original brass swan neck bale handles, flanked by twin shaped arch-panelled cupboards enclosing original shelving, between Chippendale-style blind fretwork to the canted corners, on original ogee bracket feet, 177.5cm x 50cm x 78.5cm high, (70in x 19.7in x 31in)

HEAL & SONS, LONDON, AN EARLY 20TH CENTURY MAHOGANY TRIPLE DOOR WARDROBE, the dentil moulded cornice above a blind fret carved frieze, central mirror door flanked by moulded outline panel doors, three drawers under, raised on ogee bracket feet, 75ins wide, max.

AN EARLY 20TH CENTURY CHIPPENDALE REVIVAL MAHOGANY CHINA CABINET, the dentil moulded and blind fret carved frieze above a pair of fifteen pane astragal moulded doors, astragal moulded glazed end panels, raised on a carved moulded edge stand with cabriole legs and pad feet, 39.5ins wide x 72ins high.

Wordsworth, William. Poems, Chiefly of Early and Late Years, FIRST EDITION, 2 pp. advertisements and 4pp. half-title and title of The Poetical Works at end, original blind-stamped cloth, faded, head and tail of spine rubbed, 8vo, E. Moxon, 1842

The New Testament, Cambridge, John Field, 1662; The Whole Book of Psalms, for the Company of Stationers, 1684; The Book of Common Prayer, Oxford, Peter Parker, 1686, 3 works in one volume, ruled in red throughout, late eighteenth century black morocco panelled and decorated in blind, gilt edges, slightly rubbed, upper hinge broken, 8vo

*Bridget, Saint, of Sweden. Revelationes celestes pelecte spose christi beate Birgitte vidue: de regno Suecie, title within woodcut border, lacks a2, rather wormed affecting text, shaken, foot of title repaired folio, Nuremburg, Joannes Kobergers, 1517;[Le Fevre d'Etaples, Jacques, editor ] Liber trium virorum & trium spiritualium virginum. Hermae Liber unus. Ugetini Liber Unus. F. Roberti Libri duo, [&c.], title with six woodcut portraits, lacking leaf a12 of index (?blank), woodcut initials, some gatherings loose, some worming of text, chiefly from y3 to end, folio, Paris, Henri Estienne, 1513, 2 works in one volume, some damp staining, mainly of first work, contemporary blind stamped calf over wooden boards, somewhat wormed, lacks clasps, spine defective, corners worn

Victorian carved oak side table in Carolean style, circa 1880, with a later rectangular top over two frieze drawers opposing similar blind drawers, raised on turned legs united by an H stretcher, width 145cm

Good Victorian burr walnut harlequin davenport, circa 1850-70, fitted with a brass galleried secret rise and fall top with drawers and pigeonholes over a pull out tooled leather writing surface with pen trays and inkwell and two boxwood lined stationery drawers, all over a base with the usual configuration of four real drawers opposing four similar blind drawers with a recessed panel to the front and acanthus carved cabriole supports, all raised on bun feet and wooden castors, width 57cm

Mahogany bow front corner wash stand, early 19th Century, splash back and undertier shelf with a single drawer with ebony and boxwood stringing and two blind drawers, raised on square section sabre legs, width 56cm

Maple & Co. rosewood pillar chest, circa 1900 but reconstructed from a wardrobe, formica top and sides enclosing five drawers, en suite to the two previous lots, raised on a blind base, width 64cm, height 138cm

Mahogany corner display cabinet, 19th Century, flat fronted with dentil cornice over a blind fretwork frieze, single astragal glazed door opening to three shaped shelves, raised on later bracket feet, height 121cm

A stained mahogany pedestal cabinet with blind fret carved cornice above a glazed panelled door enclosing plate glass shelves, raised on fluted square tapering legs with spade feet, 24.5in. x 47.5in. high.

A Georgian style mahogany press with a blind fret carved Greek key border above a pair of panelled doors enclosing hanging space, two short and one long drawer below with ornate moulded brass handles raised on a gadrooned base with ogee bracket feet, carved with leaf pattern designs in relief, 49in. x 74in. high.

A brass-faced longcase clock with roman numerals, subsidiary seconds and date dials, decorated with applied spandrels to the corners and the arch, fitted eight-day striking movement, the mahogany hood with scrolling swan neck pediment and applied blind fret carved panels, flanked by fluted corinthian pilasters, a single panel door to the trunk decorated with inlaid stringing, raised on bracket feet, 86in. high. See lot 1340 for illustration.

A Victorian partner's oak pedestal desk, the moulded rectangular green leather-lined top above three short drawers to the frieze, decorated with blind fret carved lion masks and scrolls, the sides carved with the date 1877 flanking the initials N.G., with four short drawers to each pedestal similarly decorated, the obverse similarly fitted, one drawer stamped DEK, possibly the initials of Daphne Keith, 72in. x 42in. x 28.5in. high, possibly made for George Nathaniel Clayton in 1877 by Thomas Robertson of Narrowgate, Alnwick.

William Russell Flint REFLECTION IN THE MIRROR reproduction in colours, signed in pencil, with Fine Art Trade Guild blind stamp, published by Frost & Reed, 1962, 27 x 46cm

An 18th century oak longcase clock with a 30 hour movement, the square brass dial with date aperture by 'Jn. Pratt, Saffron Walden', above a blind fretwork frieze

A 19th century Scottish mahogany longcase clock, the case with a dentil cornice blind fretwork and quarter spiral corner columns, the arched brass dial inscribed 'Dan Brown Glasgow', with an eight day movement, 2.14m high

A carved softwood male figure playing a violin, possibly "Blind Willie" by Tweedy, signed, 10.5in. high; and another carved softwood figure of a wild woman brandishing a stick, 11in. high.

A bronze group of a boy holding a helmet leading a bearded blind man holding a staff, 20in. high.