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[Papworth, John Buonarotti]. Select Views of London; with Historical and Descriptive Sketches of some of the most Interesting of its Public Buildings, 1st edition, R. Ackermann, 1816, 76 hand-coloured aquatint or engraved plates (5 folding), some offsetting to text throughout, modern blind-stamped half morocco over old marbled boards, large 8vo Abbey, Scenery 217; Tooley 361. (1)

Fenelon (Francois de Salignac de la Mothe). Little Tales, 4 volumes, 6th edition, Guben, Germany: F. Fechner, and London: A. & J. Myers, circa 1850s, eight hand-coloured lithographed plates, including frontispieces, each title with blind-embossed bookseller's stamp from Guben, scarce light spotting, similarly bound in original gilt patterned paper boards, each with embossed floral motif onlaid in centre of upper cover, some joints and spine ends lightly rubbed, rear joint of volume 3 slightly splitting at tail, contained together in original decorative cardboard box (worn), lid (two corners split) with remnants of embossed decoration and wording 'The Lilliputian Library', 71 x 102 x 26 mm (2.75 x 4 x 1 ins) See Welsh 2799 and 2800. Not in Osborne or Gumuchian. Ours agrees with the Bodleian Library's copy, although their description does not state edition. Volume 1 contains 'Story of Flora', 'The Ape', 'The Two Mice'; volume 2 'Alibée, 'The Young Princes', 'The Bee and the Fly'; volume 3 'A Journey to Fairyland', 'The Story of an Old Queen and a Young Peasant'; volume 4 'The Island of Delight', 'The Cat and the Rabbits', 'The Meeting of the Animals to Choose a King'. A rare survival. (1)

MacDougall (W.B., illustrator). Isabella or the Pot of Basil, by John Keats, 1898, numerous woodcut illustrations, decorative borders & initials, title printed in red & black, decorative half-title and final leaf with woodcut printer's device both lightly toned, free endpapers toned and spotted, top edge gilt, remainder untrimmed, original cloth, spine with gilt lettering and floral design, front cover with blind embossed design, spine a little darkened, corners slightly frayed and rubbed, slim 4to (1)

Pogany (Willy, illustrator). Parsifal, or the Legend of the Holy Grail, retold... by T.W. Rolleston, Harrap, 1912, 16 tipped-in colour plates, numerous colour and black & white illustrations and decorations, pictorial endpapers, top edge gilt, remainder untrimmed, original tan sheep, front cover and spine with design and lettering in gilt and blind, a little worn in places, head of (rubbed) spine slightly frayed, small folio, together with The Rime of the Ancient Mariner in Seven Parts, By Samuel Taylor Coleridge, Harrap, 1910, 20 tipped-in colour plates, numerous black & white and colour illustrations and decorations, scarce light spotting, pictorial endpapers, top edge gilt, original green cloth gilt, front cover with design in gilt and colours, slight wear to front lower edge, 4to, plus another copy of the same title, circa 1920s, 20 mounted colour plates, numerous black & white and colour illustrations and decorations, endpapers toned, front free endpaper with ink ownership name (dated 1926), original grey cloth gilt, small 4to (3)

Rackham (Arthur, illustrator). The Rhinegold & The Valkyrie, 1910/Siegfried & the Twilight of the Gods, 1911, by Richard Wagner, translated by Margaret Armour, 1st editions, thirty-four and thirty tipped-in colour plates respectively, one or two corners a little creased, Rhinegold with light dampstaining to some lower blank corners, marbled endpapers, top edges gilt, remainder untrimmed, modern brown morocco, each cover with design in gilt and blind, both rear covers with gilt-lettered title label, 4to Riall, pages 103 & 109. Deluxe limited editions 301/1150 and 369/1150 respectively, each signed by the artist. A handsome set in an unusual binding. (2)

Gerard (John). [The Herball or Generall Historie of Plantes, very much enlarged and amended by Thomas Johnson, citizen and apothecarie of London, London: Printed by Adam Islip, Joice Norton, and Richard Whitakers, 1636], without title, first and last blank leaves also lacking, numerous botanical woodcut illustrations throughout, dedication leaf lined to verso, final leaf of table creased and with repairs to fore-edge, occasional spotting and few marks (slight ink stain to final leaves of tables), dust-soiling mostly to first & last few leaves, 19th century blind panelled calf, joints partly split, extremities worn, folio Henrey 156; STC 11752. The third edition, in which D1r last line begins "of"; 7B5v has editor's "An Aduertisement to the Readers". (1)

*E. P. Goldschmidt and Company. Collection of business effects, comprising an E. P. Goldschmidt and Company blind stamp desk embosser with gilt painted floral decoration (some rubbing), Lloyds Bank accounts book for the years 1926-8, small brass-inlaid rosewood box with micro-mosaic roundels and button catch (containing numerous copies of Goldschmidt's personal gilt morocco bookplate), a small pedimented glass-fronted 2-tier wooden bookcase, and 2 copies of the Christie's sale catalogue 'The Stock and Reference Library of E. P. Goldschmidt and Co. Ltd.', Christie's, 1993 (one disbound and apparently marked up by Goldschmidt's partner Jacques Vellekoop, the other in modern half morocco with leather-entry slipcase) (a carton)

A GEORGE III OAK AND MAHOGANY BANDED EIGHT DAY LONGCASE CLOCK, the hood with moulded pediment above blind fret work cornice, plain columns, the glazed door enclosing an engraved brass 28cm dial, gilt metal spandrels, Roman and Arabic numerals, subsidiary seconds dial and date aperture, signed 'William Vale Coleshill', the trunk door with papered back with no back boards, plinth base with later kick board surround, with pendulum and two weights, height approximately 198.5cm (condition: movement not sitting flush to frame, some losses)

A GEORGE VI RECTANGULAR SILVER CIGARETTE BOX, engine turned hinged lid with blind cartouche, sloped sides to bracket feet, wood lined interior, interior of lid with polished finish, maker William Adams Ltd, Birmingham 1948, width foot to foot 18.5cm x depth foot to foot 12cm x height 5.5cm, together with another rectangular cigarette box, marks rubbed, width 16cm, approximate gross weight 37.9ozt, 1180 grams (2) (condition: one foot lifted on a flat surface, some dents and creases, the other has thin silver to the lid and dints to all sides)

A LATE VICTORIAN IRISH SILVER DISH RING, of circular waisted form, embossed and pierced with dogs and other animals and birds amongst fruits, flowers and foliage, blind cartouche, makers James Wakely & Frank Clarke Wheeler, Dublin 1899, diameter 18cm (condition: a split noted at rear of dogs leg below cartouche, otherwise appears to be in good order, possibly had crest erased from cartouche but no sign at front and gauge still good)7.9ozt, 245 grams, smaller diameter 15.7cm, base diameter is 18cm, height 7cm

A GEORGE V SILVER GILT RECTANGULAR TABLE BOX, the hinged cover cast with foliate scroll borders enclosing engine turned decoration with a blind oval cartouche, all four sides with horizontal ribs, the base with foliate cast rim and engine turned underside, gilt interior, makers D & J Wellby Ltd, London 1911, width 15cm x depth 10cm x height 5cm, approximate weight 16ozt, 498 grams (condition: good condition, lid closes flush, engraving crisp, makers mark poor to lid interior)

A 19TH CENTURY RECTANGULAR PORCELAIN PLAQUE, painted with children in mid/late 18th Century costume playing blind man's buff in a garden, unmarked, framed 24cm x 37.5cm (condition: A few traces of gold around the edges transfered from the frame, otherwise appears to be in good condition)

Sherree Valentine Daines Picnic by the river Lithograph, signed and numbered 206/500 in pencil with blind stamp 36cm x 45cm And another signed print by Anne Williams titled 'The Cottage Table' 31cm x 38cm (2)

William "Bill" Hess Ward - "No madam I'm not blind, I know the fires on the other side of the street - but you're on this side of the street!", signed, pen, ink and letratone, 28.5 x 19cms, unframed.

Christopher Cheetham (b.1951) Sand Dunes Death Valley, USA, 1991Gelatin silver print, printed later, signed and editioned 1/25 in pencil with photographer's blind stamp in the margin, signed in pencil verso, 36 x 45cm (14 1/8 X 17 3/4in)

Dupuis (François) Cathena Aurea Super Psalmos, collation: AA8 BB4 a-y8 A-Q8 R6, double column, Gothic type, printed in red and black, title with woodcut printer's device at foot, full-page woodcut of King David at his harp to verso of BB4, handsome woodcut criblé initials, early ink marginalia, p3&4 upper corners torn away, with loss of part of a side-note on p3, wormholes within text, some staining, mostly marginal, contemporary blind-stamped panelled calf over wooden boards, rebacked in 20th century calf, some loss of calf on covers, corners repaired, 4to (253 x 176mm.), Paris, Jean Petit, March, 1520.⁂ First edition of these commentaries on the Psalms, by the Carthusian Dupuis, handsomely printed in Paris. Rare at auction. Literature: Adams P2294 (under Puteo).

A Chippendale style blind feet carved and glazed mahogany display cabinet on stand,c.1910, the broken arch fretwork top over a dentil and blind fret carved frieze, the thirteen pane astragal glazed door beneath enclosing three shelves, on a bowfront stand with pierced fretwork frieze and brackets, over an incuse undershelf with lattice pierced gallery, on blind fret carved square tapered supports with spade feet, 24ó x 16in. (63 x 40.5cm.), 74in. (188cm.) high.

An Edwardian ebonised mirror backed vitrine, the broken scrolled pediment over trinket shelves around bevelled kidney and rectangular plates, the base with blind fret carved frieze drawer above a pair of glazed cupboards flanked by corner shelves, on French cabriole legs united by an undertier, 220 x 120cm

Giorgio de Chirico (Italian, 1888-1978), 'Cavalli in Riva al Tirreno, Paggio', lithograph, signed in pencil lower right 'G. de Chirico', numbered 14/80, Giorgio de Chirco blind stamp lower left, Alberto Caprini blind stamp lower right, H.62cm W.47cm

Marcel Gromaire (French 1892-1971), 'Nude, 1955', ink drawing on paper, signed lower left 'Gromaire' dated 1955, H.32.4 cm W.24.5cm Provenance: Gallerie de La Presidence, Paris, certificate with blind stamp to verso

Kelsey Brookes (b.1978), street artist, a limited edition screen print 89/120, 'Thai Terror II', signed and dated 2007, with picture on walls blind stamp, 52 x 52cm

Mysterious Al, street artist, limited edition screen print 17/25, signed and dated 2007, with stolen space blind stamp, 76 x 57cm

SIR WILLIAM RUSSELL FLINT ARTIST SIGNED COLOUR PRINT 'Isabella of Lucenay' Signed in pencil and with blind stamp 19 ½" x 26" (49.5cm x 66cm)

A wooden blind

(Douce, Francis, editior) - The Custom of London, otherwise called Arnold's Chronicle ..., reprinted from the first edition, with the additions included in the second, 19th century, gilt ruled, blind decorated calf, panelled spine, marbled endpapers and edges, 4to, 1811; (Pegge, Samuel) - Fitz-Stephen's Description of the City of London, newly translated from the Latin original; with a necessary commentary ... rebound half calf and marbled boards, sm. 4to, 1772, with 2 other related books 1) good copy; 2) reasonable binding, front inner hinge wear, prelim leaf loose; 3) Riley's Memorials of London and London Life (1276-1419), 1868, rebound half calf, good copy; 4) Pennant's London (1790), plates, contemporary tree calf, rebacked with original spine mounted, good copy.

Bindings - including Whiston's Josephus, 4 vols, blind and gilt decorated black / brown calf, Glasgow, 1818-1820; Clerk's Works of William Hogarth, 2 vols, half calf and marbled boards, gilt decorated spines with maroon labels, marbled endpapers, 1812; together with 7 others (in 16 vols) (23 books) Good condition, some with plates;  incl. Lanes Arabian Nights Entertainments. 3 Vols, red half calf, gilt panelled spines and gilt tops, 1889.  All are larger 8vo. books  

Austen, Jane - Sense and Sensibility, Clarke's Cabinet Edition, 2 vols, 239 & 244pp, contemporary green half calf and marbled boards, gilt and blind decorated panelled spines with red labels, marbled endpapers and edges, with the original colour-printed pictorial and decorated upper wrappers bound-in, , sm. 8vo, H.G. Clarke & Co, 1844 Vol. 1 - spine worn at head (slight loss), joints weak, front inner hinge cracked, back one weak, corners reasonably good, title and wrapper browning, some text spotting (mostly early on); Vol 2 - some spine wear, corners reasonable, front inner hinge weak, some wrapper and title browning, 1 leaf (pp.51/52) carelessly opened, otherwise quite good inside.  Wrappers - Gilson E2: 'no copy has been seen in original wrappers or in original cloth .......... I have one in publisher's dark red morocco gilt...with the front 'illuminated' wrapper board in......'   No half titles called for (ie. wrappers are pp. 1 & 2), black before wrapper and end of text.  The wrapper design 'a curious Moorish/Gothic scene (Gilson) would be very suitable for Walker Scott (possibly was used as such); the (3) and (2) pp. following the respective texts were publisher's adverts/lists, not present here.  This, and the lot following, were the first separate editions following copyright expiry.

Austen, Jane - Pride and Prejudice, A Novel, Clarke's Cabinet Edition, 2 vols (3), 229 (3) & 247pp (lacking half titles), contemporary green half calf and marbled board, gilt and blind decorated panelled spines with red labels, marbled endpapers and edges, with the original colour-printed decorated upper wrappers bound-in, sm.8vo, H.G. Clarke & Co, 1844 Vol 1 - slight wear head of spine and corners, some browning front blank and title, mostly clean elsewhere, the front blank band before coloured wrapper, blank at end (following p.229); Vol 2 - lower band present, but detached together with approx. 8cms. (ex. 13) of spine upper part (which has approx. 1cm. at head missing and a central tear, with slight loss, label intact), slight wear at corners; detached board has taken with it pp.241-247, inside upper hinge weak, some slight stains and creasing inside, but generally good, as Vol 1 there is a blank before upper wrapper at one end of text. Wrappers-Gilson E3: 'binding presumably as E2, but no copy in original binding has been seen'; hf titles called for (white E2), also (3) and (9) pp. after respective texts - apparently these were the publisher's lists/adverts, but not present here.  The wrappers have a 'romantique' style appearance, in gold and colours, with the colour printer's name at foot - Gregory, Collins and Reynolds; being shaved from Vo. 2  

Sowerby, J. and Others. English Botany ... 3rd edition, edited by J.T. Boswell Syme, vols 1-11 (ex.13), several hundred hand coloured plates; publisher's gilt and blind decorative cloth, 1862-73 sold as found Mostly good condition, 12 and 13 were published later  

Six prints and engravings, various, including three by Winston McGoran, 'On Essex Beach', 'The Lonely Beach' and 'Moonlight Flight', two by James Priddey (1916-1918) of Northumberland castles and a Venetian canal scene after E. Berry, all signed and titled in pencil in the margins, some blind stamped

HARDY PERFECT BRASS FACED 4.5 INCH SALMON FLY REEL- EARLY 1905 CHECK, ROD IN HAND AND STRAIGHT LINE LOGOS, STRAPPED TENSION REGULATOR WITH TURK'S HEAD, IVORY HANDLE, TWO PILLAR CAGE, FOUR SCREW SMOOTH BRASS FOOT, ORIGINAL DRUM LOCKING SCREW, NO RIM CRACKS, ORIGINAL FINISH, ORIGINAL HARDY LEATHER AND RED VELVET LINED CASE, BLIND STAMPED HARDY BROS, ALNWICK. & 61 PALL MALL. LONDON. S.W. (2)

CURTAINS, a pair, white with pink harvest detail, with pelmet and sheer blind for one window, 70cm x 260cm drop. (2)

Gerald Kelly (1879-1972) artists proof signed print. Peruvian Basket Weavers. Signed in pencil and with blind stamp, 53cm x 64cm.

Sir William Russell Flint (1880-1969) "Spanish Dancers" Signed Colour Print, with blind stamp, signed in pencil to lower right, 40 x 56cm, framed, with John Mathieson label to verso, also with a Medici print of the Hay Wain by John Constable, framed, (2)

An Edwardian mahogany chiffonier sideboardHaving two frieze drawers flanking a kidney shaped mirrored plate above a blind fretwork frieze and a galleried bowfront aperture enclosed by two glazed doors, raised upon leaf carved slender cabriole legs pad feet, 140cm wide.

An early 20th century mahogany display cabinetThe rectangular moulded top above two astragal glazed doors enclosing two shelves over a blind fretwork frieze and two lower cupboard doors, raised upon carved scroll feet and turned rear feet, 120x115x44cm.

Russell Flint (British 1880-1969) A limited edition coloured printed numbered 710/850 blind stamp, unsigned, framed and glazed (36x57cm) together with a further to Russell Flint prints (3)

AN ANTIQUE CARVED MAHOGANY SERPENTINE FORM CHEST WITH BRUSHING SLIDE IN THE CHIPPENDALE TASTE, BLIND FRET CANTED CORNERS FLANK FOUR DRAWERS, ON OGEE BRACKET FEET. W.91 X D.52 X H.89CMS.

A French porcelain casket, circa 1900, hand painted with an 18th century conversational scene of Blind Mans Bock, in the Sevres style, navette form, ormolu mounts, within tooled gilt borders, the interior with floral sprays, 19cm long

A Gothic Revival oak occasional table or footstool, in the style of A W N Pugin, 20th Century, octagonal moulded legs and blind moulded frieze, 62cm square, 42cm high

A pair of Secessionist silvered copper and abalone wall mounted lights, the oval lobed and blind fret decorated plaques with pierced butterfly design, backed in abalone shell, supporting hammered arms, the shades of octagonal section bell form, martele finish, in cranberry and blue opalescent glass, 25cm long, 28cm tall (2)

An Aesthetic Movement ebonised mirror, circa 1880, painted with gilt backed floral motifs and blind fretwork panels in the Chinoiserie style, within an incised geometric frame

An early 20th c. Oak Wardrobe having central mirrored door, flanked by seven panelled doors to either side and having blind fretwork frieze, 61" wide x 77 1/4" high, together with a matching Oak double Bedstead 4' 6" wide with iron frame, head and foot boards.

A pair of matching cane seated Oak bedroom Chairs having blind fretwork rail.

Charles F Tunnicliffe - The Gander, lithograph, with blind stamp, signed in pencil to the margin, 59x43cm

A reproduction mahogany press cupboard on three drawers, the upper half with panelled doors, moulded detail and blind fret work to the edges, the drawers with cross fret work decoration, 161cm high x 92cm wide x 50cm deep

An Edwardian mahogany corner cabinet with bow fronted glazed door with blind fret work, above a shaped panelled door, above an under-tier with pierced fret work gallery on square tapering legs with spade feet, 185cm high x 76cm wide x 45cm deep

An Edwardian mahogany corner cabinet, with broken swan neck pediment, above a blind fret work frieze and glazed door, 96cm high, 55cm wide, 28cm deep

Victorian Corner Cabinet with Mirrored Back with Japanese Blind Fretwork Design

George Clark Stanton (British 1832-1894): 'The Blind Beggar' Medieval Tableau, watercolour signed, original title label verso with artist's address '1 Ramsey Lane', 34cm x 65cm Condition Report Click here for further images, condition, auction times & delivery costs

After Laurence Stephen Lowry R.A. (British 1887-1976): 'The Auction', limited edition coloured print No.314/850 with Michael Stewart blind stamp in the margin and National Fine Arts Ltd label verso 45.5cm x 54.5cm Condition Report Click here for further images, condition, auction times & delivery costs

SEVEN VINTAGE PARKER DUOFOLD FOUNTAIN PENS all with original 14ct gold nibs together with two early black Duofolds with blind caps, one black Duofold Junior, three Duofold Stand (one black, one red, one green - with missing button) & one green Duofold Junior

CHINESE CARVED HARDWOOD TABLE TOP DISPLAY CABINET having configuration of five glazed doors surrounding small central drawer above carved blind panelled cupboard revealing fitted interior drawer raised on stile-type feet, 55 x 37.5 x 20.5cms deep Condition Report: appears in good overall condition, couple of the glazed panels are slightly loose in their fitting, some minor bumps & bruises to edges but no significant damage that's obvious.

JAPANESE LACQUERED TABLE TOP CABINET having blind panelled central cupboard flanked by open shelves above two short drawers, raised on rectangular platform base, 76 x 51 x 24cms deep Condition Report: appears in good overall condition, some wear to surfaces overall, minor dings & dents to edging but nothing serious.

19th Century mahogany two section bookcase, the upper with astragal glazed doors, the base fitted two blind panel doors, 114cm wide Condition:

Beryl Cook - Signed print 'Two on a Stool', signed in pencil lower right, blind stamped lower left, published by Alexander Gallery, 37.5m x 25.5cm, framed and glazed Condition:

Early 20th Century mahogany cabinet bookcase having a shaped moulded top, blind arcaded frieze below, fitted four shelves enclosed by a pair of astragal glazed doors and standing on cabriole supports united by turned stretchers Condition:

After Winston Spencer Churchill, 'View of the Lake at Chartwell', numbered print with blind stamp 196/750, 47x56cm

AN EDWARDIAN MAHOGANY BIJOUTERIE TABLE with blind fret cared decoration to the top, on square tapering supports united by open fret carved shaped stretcher and undertier, 62cm wide 43cm deep 73cm high

[TOPOGRAPHY]. YORKSHIRE Speight, Harry. Nidderdale and the Garden of the Nidd: A Yorkshire Rhineland, first edition, Elliot Stock, London, 1894, original pictorial brown cloth gilt, folding map frontispiece, plate and text illustrations, subscribers list, three pages of publisher's advertisements, quarto; Speight, Harry. Upper Wharfedale, being a complete account of the history, antiquities and scenery of the picturesque valley of the Wharfe, from Otley to Langstrothdale, first edition, Elliott Stock, London, 1900, original blue cloth, folding map frontispiece, plate and text illustrations, subscribers list, five pages of publisher's advertisements, quarto; Bogg, Edmund. From Edenvale to the Plains of York: A thousand miles in the valleys of the Nidd and Yore, Bogg / Sampson, Leeds / York, no date, pictorial crimson cloth, text illustrations, period advertisements, quarto; 'An inhabitant'. A Glossary of Yorkshire Words and Phrases, collected in Whitby and the Neighbourhood, Smith, London, 1855, original brown blind-stamped cloth (spine strip torn, frayed and glued, with losses at ends), octavo; Fletcher, J.S. A Picturesque History of Yorkshire, three volumes, Dent, London, 1899, armorial green cloth gilt, top edges gilt, frontispieces, full-page and text illustrations, quarto; Home, Gordon. Yorkshire, first edition, Black, London, 1908, decorative cloth, top edges gilt, paper-protected colour plate illustrations by the author, eight-page publisher's catalogue, quarto; and six other works, (14 vols).