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Lot 780

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Three Men and a Cat", signed in pen lower right, bearing blind stamp and letter to number stamp lower left indicating 569, 25 x 16.5cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Very slight yellowing to margin edges but image has retained colour, good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 818

After HELEN BRADLEY (1900-1979); a signed limited coloured print "Blackpool Station", signed in pencil lower right with Fine Art Trade Guild blind stamp, including letter to number stamp indicating 624 in a limited edition of probably 850, 40 x 56cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 782

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "View of a Town", signed in pencil lower right and with blind stamp and letter to number stamp lower left, 43 x 54cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Very slightly yellow to the mount, does not appear stuck down, overall in good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 804

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Group of Children", bearing blind stamp lower left and letter to number stamp indicating 715, 17.5 x 19cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 785

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "The Beach", published by Venture Prints Ltd 1973, signed lower right, bearing blind stamp and letter to number stamp lower left, image 26 x 51cm, framed and glazed and LAURENCE STEPHEN LOWRY (1887-1976), a signed limited edition black and white print "Deal", signed in pen lower left and bearing blind stamp and letter code lower left, 17.5 x 25cm, mounted nut unframed (2). (D) CONDITION REPORT: FATG blindstamp to both. Both retaining good colour and no condition issues. "The Beach": We cannot remove the picture from the frame so do not know if it is stuck down. No damage. No foxing. Signed in pencil. Does have Fine Art Trade Guild Stamp as detailed in description. "Deal": Attached to back of mount at top with tape behind image. Image in good condition, no damage or foxing. Mount has a small hairline type stain to upper left, small creasing to lower left. Signed in ball point pen as detailed in description. Does have Fine Art Trade Guild Stamp as detailed in description. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 801

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "The Contraption", signed in pencil lower right, bears blind stamp and letter to number stamp lower left indicating 208, 31.5 x 30cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Good condition. Non-reflective glass. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 799

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Mrs Swindell's Picture", signed in pencil lower right, bears blind stamp and letter to number stamp lower left indicating 063, 40 x 30cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Retains good colour and in good condition. We cannot remove the picture from the frame so do not know if it is stuck down. No damage. No foxing. Signed in pencil as detailed in description. Does have Fine Art Trade Guild Stamp as detailed in description. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 786

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Industrial Landscape", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 237, published in 1974 by Venture Prints Ltd, purchased from Hilliard & Sons, Bolton, 34 x 24.5cm, framed and glazed, included in the lot is the original bill of sale from Hilliards. (D) CONDITION REPORT: FATG blindstamp. Has retained colour. Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 777

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "St Luke's Church", signed in pencil lower right, no.784/850 and bearing blind stamp lower left, published in 1973 by kind permission of G.R. Mellor, 61.5 x 46cm, framed and glazed. (D) CONDITION REPORT: Possibly "Grove Art" blindstamp. Slightly faded. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 788

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Level Crossing, Burton-upon-Trent", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 271, 41 x 57cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. The colours are faded somewhat in this print, otherwise appears good with no further obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 783

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "The Cart", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left, bears Peter Durris Gallery label verso, 50 x 40cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. One spot of foxing to the margin to the left of the signature, apart from this good colour and in good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 807

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Station Approach", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 381, 40 x 50.75cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 789

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Britain at Play", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 712, 44.5 x 60cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. The colours are a little faded, otherwise appears good with no further obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 808

LAURENCE STEPHEN LOWRY (1887-1976); an unsigned limited edition coloured print, people queuing, 789/850, with blind stamp letter A, 30.5 x 49cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 796

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "St Luke's Church", signed in pencil lower right, no.805/850 lower left and bearing blind stamp, published in 1973 by kind permission of GR Mellor, 61 x 46cm, framed and glazed. (D) CONDITION REPORT: Possibly "Grove Art" blindstamp. Good condition. Narrow margins. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 797

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Woman with a Beard", published by Adam Collection Ltd, signed in pencil lower right, bearing blind stamp and letter to number code lower left indicating 129, 58 x 48cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Good condition. Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 802

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "The Pond", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 536, 43 x 57cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Foxing to mount. Slight yellowing to margins. Image in good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 775

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "Group of Children", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 87, 18 x 19cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Retains good colour and in good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 791

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print "St Luke's Church", signed in pencil lower right, bearing blind stamp and numbered 258/850 lower left, published 1973 by kind permission of G.R. Mellor, 61 x 46cm, framed and glazed. (D) CONDITION REPORT: Possibly "Grove Art" blindstamp. Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 772

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition print "Man Holding Child", signed in pencil lower right, bearing blind stamp and letter to number indicating 287, 45 x 70cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp, some foxing to margins and fading, a little staining to image top right and left. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 773

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition print "The Pond", signed in pencil lower right, bearing blind stamp and letter to number indicating 144, 43 x 57cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp, foxing to margins, spreading into image. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 809

LAURENCE STEPHEN LOWRY (1887-1976); a limited edition black and white print "Bank Failure", published by Adam Collection Ltd, bearing blind stamp and letter to number stamp indicating 495, 27.5 x 37.5cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 795

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Street Scene", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 368, 25 x 20.25cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 779

LAURENCE STEPHEN LOWRY (1887-1976); a signed limited edition coloured print, "Two Brothers", signed in pencil lower right, bearing blind stamp and letter to number stamp lower left indicating 632, published by Adam Collection Ltd 1972, 59.5 x 30.5cm, framed and glazed. (D) CONDITION REPORT: FATG blindstamp. No margin at top edge and mount possibly over the top of the image. At the bottom, the mount is over the printed description. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

Lot 1083

Modern 20thC Occasional Table, Blind Fretwork, Carved Chinnoiserie Design, 2 Single Drawers, Height 22 Inches, 22x26 Inches Deep

Lot 400

A small Edwardian mahogany folding table with blind fret detail to legs

Lot 347

BERYL COOK (1926-2008) 'Gare De Nord', limited edition silkscreen print signed in pencil, numbered 273 from an edition of 300, with a blind stamp, published by Alexander Gallery Publications 1990, 43cm x 71cm.

Lot 353

SIR WILLIAM RUSSELL FLINT (1880-1969) a pair of Limited Edition Print No 706/850 with blind art stamp 31cm x 20cm.

Lot 335

PAULA REGO, FRAMED PENCIL SIGNED LITHOGRAPH- THREE BLIND MICE, No.38/50, APPROXIMATELY 21cm x 22cm

Lot 261

Franklin Expedition. An interesting early to mid 19th-century scrap album, containing pasted in watercolours, drawings, hand-coloured lithographs and prints, plus handwritten leaves, a total of approximately 64 leaves plus blanks, the original drawings including an oil on paper depicting the Franklin Expedition to the Arctic in 1845, 13 x 18cm, an original pencil drawing of a landscape view signed by Montague Stanley [1809-1844] and dated 1820, an unsigned watercolour and india ink portrait of a young man playing the flute, a monochrome watercolour of an old man writing with a child about his shoulder, etc., contemporary gilt and blind-stamped calf, covers and spine detached, 4to (1)

Lot 277

Scrap album. A mid 19th-century scrap album, containing watercolours, drawings, engravings, aquatints, lithographs, etc., including 3 Isle of Wight sand paintings by Ed. Dore, a multimedia picture of a bird using feathers, cut paper and watercolour, signed Sarah Dalton, other Dalton family names appearing including Hannah, Hawkins, Sarah and James, various sizes and some illustrations arranged as multiples to a page and sometimes rectos and versos, occasional leaf of writing, all unsigned, a total of 112 leaves used plus further blanks, contemporary gilt and blind-stamped straight grain calf, upper cover with gilt name of Eliza Dalton, spine gilt-dated 19 March 1825, rebacked with original spine relaid, rubbed and some edge wear, 4to (1)

Lot 286

Baskerville Press. Paradise Lost, a Poem in Twelve Books, the Author, John Milton, from the Text of Thomas Newton, 2 volumes, printed by John Baskerville for J & R Tonson, 1709, minor scattered spotting, marbled endpapers, contemporary diced calf, rubbed to joints and extremities, 4to, together with Symmons (Charles), The Life of John Milton, 2nd edition, Nichols and Son, et al, 1810, engraved portrait frontispiece, one engraved folding plate, minor scattered spotting, all edges gilt, contemporary blind and gilt decorated calf, rubbed to joints, 8vo, plus Horace's works, printed at the Bodani press (4)

Lot 288

Bible [Old Testament - Leeser, Isaac]. The Twenty-Four Books of the Holy Scriptures: Carefully Translated According to the Massoretic Text, on the Basis of the English Version, After the best Jewish Authorities; and Supplied with Short Explanatory Notes. By Isaac Leeser, 1st edition, Philadelphia: Published at 371 Walnut Street. 5614 [1853-1854], [iv],1011pp., occasional spotting to first & last few leaves, light toning mostly to margins, all edges gilt, marbled endpapers with purple cloth hinges and gilt dentelle decoration to turn-ins, contemporary plum morocco (label to lower pastdown of Valentine, Printer, Bookseller & Binder, 34 Alfred St., W.C.), elaborate gilt and blind decoration to binding and board edges, large pierced & engraved brass clasp, joints and extremities rubbed, large 4to, page dimensions 275 x 211mm (approximately 10 6/8 x 8 3/8 inches) Deinard 847; Singerman 1271; Goldman 12. This volume is of great importance, being the first edition of the first English translation of the Hebrew Bible by an American Jew, commonly called The Leeser Bible. Isaac Leeser (1806-1868) was an Ashkenazi Jew born in Neunkirchen, Westphalia, Prussia and orphaned at an early age. He moved to Richmond, Virginia to join his uncle Zalman Rehine at the age of 18. In 1829 he received an invitation to occupy the pulpit of Philadelphia's congregation Mikveh Israel. Leeser became a pioneer of the Jewish pulpit in the United States, and founder of the Jewish press of America. In producing this translation of the Hebrew Bible, his aim was to provide the Jewish community of America with an accurate English text of the Bible, unaffected or influenced by conversionist motivations. In his preface to the volume, Leeser writes "The translator is an Israelite in faith, in the full sense of the word... that in his going through this work, he has thrown aside all bias, discarded every preconceived opinion, and translated the text before him without regard to the result thence arising for his creed." and he continues to state that this translation produced for those of the same religious persuasion is "a version of the Bible which has not been made by the authority of churches in which they have no confidence." (1)

Lot 297

The Book of Common Prayer and administration of the Sacraments, and other Rites and Ceremonies of the Church of England, 2 parts in one, London: Printed by Robert Barker, and by the Assignes of John Bill, 1639, general title printed in red & black within decorative woodcut border, separate title to the Psalter or Psalmes of David with decorative woodcut border, black letter text throughout, contents and calendar in red & black, decorative woodcut initials, close-trimmed to lower margin with occasional loss of signatures and catchwords, lacking G1, torn at gutter of leaf G8 with some text loss, leaves to final gathering frayed to edges and with early 19th century genealogical notes to verso of final leaf, occasional short worm trail to gutter blank margins of few leaves, some dirt & finger-soiling, marks & spotting etc., bound with The Whole Book of Psalmes. Collected into English Meeter by Thomas Sternhold, John Hopkins, and others. Conferred with the Hebrew, with apt notes to sing them withall..., London: Printed for the Company of Stationers, 1640, double-column black letter and roman text, lacking L1, fraying to edges of last few leaves, few worm holes, soiling, occasional dampstaining and marks,contemporary blind panelled sheep, repaired at head & foot of spine, rubbed, 4to, contained in modern slipcase (1)

Lot 303

Cundall (Joseph, publisher). The Good-Natured Bear. A Story for Children of all Ages, 1846, black & white frontispiece and three plates, 4 pages of publisher's book list at rear, manuscript provenance Alderley Park to upper pastedown, hinges cracked, all edges gilt, original dark blue cloth, blind blocked decoration, gilt title to upper board & spine, 8vo (1)

Lot 325

Horatius Flaccus (Quintus). Opera, 2 volumes, Johannes Pine, 1733-37, all-engraved, list of subscribers present in both volumes, lacking list of antiquities (as often), contemporary manuscript index tipped in at rear of volume one, short closed marginal tear to final engraved leaf and final blank, bookplate of William Henry Harford to upper pastedown of each volume, contemporary calf, gilt and blind decorated, gilt decorated spines, a little rubbed at joints, labels partially deficient, 8vo (2)

Lot 36

Wild (Charles). Wild's Foreign Cathedrals. A Selection of Choice Examples of Ecclesiastical Architecture of the Middle Ages Chiefly in France..., circa 1825, title printed on small piece of paper and affixed to recto on front endpaper, twelve fine mounted aquatint plates with bright contemporary hand colouring with manuscript title below each image in a contemporary hand, each with tissue guard, slight spotting to card mount margins, contemporary blind embossed morocco with gilt title to upper siding, rubbed and worn at extremities, folio Abbey Travel 93. This copy collates almost exactly to the copy held in the BM. (1)

Lot 363

Brookes (Richard). The Art of Angling, in Two Parts... , the Whole Forming a Sportsman's Magazine, and Comprizing all that is Curious and Valuable in the Art of Angling, 4th edition, 1774, engraved frontispiece, numerous woodcuts of fish to text, old ink marginalia to foremargin of leaf D6 and contemporary ownership name of J. Hosken to title, some offsetting and browning to title, old dampstain to upper margins of some leaves, later gilt and blind-stamped tan morocco by Bickers and Son, Leicester, spine slightly darkened and light rubbing and stain to upper cover, 12mo (1)

Lot 42

Britton (John). The History and Antiquities of the Cathedral Church of Salisbury..., 1814, additional engraved title, 29 engraved plates and plans, few illustrations to text, double-page table, bound with The History and Antiquities of the See and Cathedral Church of Norwich, 1816, additional engraved title, 24 plates and plans, dampstaining and mottling throughout, contemporary half calf, gilt decorated spine, green morocco title label, extremities slightly rubbed, large 4to, together with [Woolls, Charles], The Barrow Diggers. A Dialogue in Imitation of the Grave Diggers in Hamlet, 1839, 12 lithograph plates, some spotting, original cloth gilt, spine faded, slim 4to, with Crawford (O.G.S., & Keiller, Alexander), Wessex from the Air, Oxford: Clarendon Press, 1928, numerous black & white plates and plans, original cloth gilt, 4to, and Wyndham (Henry Penruddocke), Wiltshire, Extracted from Domesday Book..., with a Preface, in which is included a plan for a General History of the County, Salisbury: Printed by E. Easton, 1788, some spotting, contemporary half calf, amateur reback and corner repairs, 8vo, and Pitt-Rivers (Augustus Henry Lane Fox), Excavations in Cranborne Chase, vols. 1-4 (of 5, lacking index), Printed Privately, 1887-98, numerous black & white plates, plans & maps (some folding), ink library stamps throughout, library bookplates, top edge gilt, original gilt decorated cloth, blind embossed library stamp to upper boards and classification numbers at foot of spine, large 4to, plus other mostly Wiltshire topography related (approx. 35)

Lot 43

Bullar (John). A Historical and Picturesque Guide to the Isle of Wight, 4th edition, Southampton: Printed by T. Baker, 1818, engraved frontispiece, annotation to upper margin of page 65, some spotting, contemporary cloth, spine torn at head & foot, 12mo in 6s, together with Phillips (C.J.), The New Forest Handbook: Historical and Descriptive, Lyndhurst: J.G. Short, [1876], folding lithograph map frontispiece, ten mounted albumen photograph plates by J.G. Short, title reattached, title and plates with removed ink stamp to verso, all edges gilt, original green cloth with blocked decoration in gilt and black, 8vo, with Wise (John R.), The New Forest: its History and its Scenery, 1st edition, 1863, black & white frontispiece and vignette illustrations, all edges gilt, original green cloth, with gilt blocked decoration, slightly frayed at head & foot of spine, 4to, and White (William), History, Gazetteer, and Directory of Hampshire and the Isle of Wight..., Sheffield: Printed for the Author, by Robt. Leader, 1859, one leaf detached, original blind decorated brown cloth, slightly frayed to upper joint and head & foot of spine, 8vo, and Fowler (Sir James K.), A History of Beaulieu Abbey, A.D. 1204-1539, London: The Car Illustrated, [1911], black & white plates and folding plans, half-title inscribed 'P. Clare Bestwishes Montagu of Beaulieu, Christmas 1955,' with loosely inserted typed letter signed from Montagu of Beaulieu to Mr Clare dated 20.12.55, original cloth gilt, 8vo, plus Van Raalte (Charles), Brownsea Island, 1906, colour frontispiece and plates by Florence Van Raalte, top edge gilt, original cloth gilt, spine faded, 4to, plus other Isle of Wight and Hampshire related, including Victoria County History, Hampshire and the Isle of Wight, 6 vols. including index, 1900-1914, numerous black & white plates and folding plans etc., top edge gilt, original red cloth gilt, spines faded, folio (approx. 30)

Lot 44

[Bullar, John]. A Companion in a Tour Round Southampton: Comprehending Various Particulars, Ancient and Modern, of New-Forest, Lymington, Christchurch, Romsey, Bishop's Waltham, Titchfield, &c, and a Tour of the Isle of Wight: with Notices of the Villages, Gentlemen's Seats, Curiosities, Antiquities, &c, Occurring in the different Roads described, 2nd edition, Improved and Enlarged, Southampton: Printed & sold by T. Baker, 1801, edges untrimmed, early 20th century calf, gilt decorated spine with red morocco title label, 12mo in 6s, together with Bullar (John), A Companion in a Tour Round Southampton..., 4th edition, improved & enlarged, Southampton, 1819, hand-coloured folding engraved map frontispiece, contemporary calf, gilt decorated spine, joints rubbed, 12mo in 6s, with Cooke (William), A New Picture of the Isle of Wight..., To which are prefixed, an Introductory Account of the Island and a Voyage round its Coast, 2nd edition, with Improvements, Published Southampton & London, 1813, double-page hand-coloured engraved map (torn to central fold and repaired), thirty-six engraved plates (including frontispiece, & one double-page), some spotting & offsetting, contemporary half calf, upper board detached and lower joint split, 8vo, and Gilpin (William), Remarks on Forest Scenery, and other Woodland Views..., 2 vols., 2nd edition, 1794, hand-coloured double-page engraved map, 28 etched plates (including sepia aquatint views), leaf I4 in vol. 2 torn to lower outer corner with loss of text, and N1 with repaired long horizontal closed tear, occasional spotting and offsetting, contemporary half calf, gilt and blind decorated spines, 8vo, plus Bullar (John), A Companion in a Visit to Netley Abbey: To which is Annexed, Mr. Keate's Elegy, 2nd edition, Southampton, 1807, engraved frontispiece, 20th century half calf, 12mo in 6s (6)

Lot 56

Sumner (Heywood, illust.). The New Forest, Its History and its Scenery, by John R. Wise, Artist's Edition, London: Henry Sotheran & Co., 1883, 12 etched plates by Heywood Sumner, 63 illustrations on india paper by Walter Crane, engraved by W. J. Linton (including frontispiece), two engraved map illustrations on india paper, top edge gilt, remainder untrimmed, original quarter morocco, wood veneer covered boards with blocked pictorial title to upper board, some wear to extremities, torn at head of spine, folio, (limited edition 216/350), together with The Ancient Earthworks of the New Forest..., London: Chiswick Press, 1917, black & white plates, illustrations & folding map by Heywood Sumner, top edge gilt, remainder untrimmed, original cloth with blocked decoration in black to upper board, small folio, (limited signed edition 98/200), with The Avon, From Naseby to Tewkesbury, 1882, 12 etched plates by Sumner, black & white illustrations, endpapers renewed, original gilt & blind decorated cloth, spine discreetly strengthened, folio, and The Book of Gorley, London: Chiswick Press, 1910, black & white frontispiece, illustrations and double-page map, marbled endpapers, original cloth, small folio, plus other topography, archaeology & literature books illustrated and by Heywood Sumner, including Cinderella: A Fairy Opera in Four Acts, Composed by John Farmer, [1882], Undine, A Romance, Translated from the German of Delamotte Fouque, 1888, Sintram and His Companions, A Romance translated from the German of Delamotte Fouque, 1883 (26)

Lot 6

Literary Society of Bombay. Transactions of the Literary Society of Bombay, 3 volumes, 1st edition, London: Longman, Hurst, Rees, Orme and Brown, 1819-23, half-titles, list of members to rear of each volume, thirty-nine engraved plates, plans and maps, ten engraved folding plates, two engraved plates with contemporary hand colouring, minor scattered spotting, library blind-stamps to titles, library labels to front pastedowns, later half morocco, gilt lettered to spine, 4to A scarce collection of important contributions from key figures in early 19th century exploration of India and Asia. Contents include: Discourse at the Opening of the Society, by Sir James Mackintosh; An Account of the Festival of Mamangom, as celebrated on the Coast of Malabar, by Francis Wrede; Remarks upon the Temperature of the Island of Bombay, by Jasper Nicholls; Translations from the Chinese of two Edicts, by Sir George Staunton; Account of the Akhlauk-e-Nasiree or Morals of Nasir a celebrated Persian System of Ethics, by Edward Frissell; Account of the Caves in Salsette, by Henry Salt; On the Similitude between the Gipsy and Hindostanee Languages, Francis Irvine; Translations from the Persian, illustrative of the Opinions of the Sunni and Shia Sects of Mohamedians, by Sir John Malcolm; A Treatise on Sufiism or Mahomedan Mysticism, by James William Graham; Account of the present compared with the ancient State of of Babylon, by Edward Frederick; Account of the Hill-Fort of Chapaneer in Guzerat, by William Miles; The fifth Sermon of Sadi, translated from the PErsian, by James Ross; Account of the Origin, History and Manners of the Race of Men called Bunjaras, by John Bruggs; An Account of the Parisnath-Gowricha worshipped in the Desert of Parkur, by James Mackmurdo; Observations on two sepulchral Urns found at Bushire in Persian, by William Erskine; An Account of the Cave-Temple at Elephanta, by William Erskine; Remarks on the Substance called Gez found in Persia and Armenia, by Edward Frederick; Remarks on the PRovince of Kattiwar, by James Mackmurdo; Account of the Cornelian Mines in the Neighbourhood of Baroach, by John Copland; Some Account of the Famine in Guzerat in the Years 1812 and 1813, by James Rivett Carnac; Plan of the Comparitive Vocabulary of Indian Languages, by James Mackintosh; Notice and Extracts of the Miritolmemalik of Sidi Ali Capoodawn, by Joseph Hammer; A small but true Account of the Ways and Manners of the Abyssinians, Nathaniel Pearce; An Essay on Persian Literature, by Vans Kennedy; Description of a volcanic Eruption in the Island of Sunbawa, by Andrew Stewart; Remarks on the Chronology of Persian History previous to the Conquest of Persia by Alexander the Great, by Vans Kennedy; On the Ruins of Boro Budor in Java, by James Crawford; Account of a curious Case in Surgery, by Charles Linton; Account of the Progress made in deciphering Cuneiform Inscriptions, by Charles Bellino; Some Account of the Caves near Baug, by F. Dangerfield; An Account of the Province of Cutch, by James Macmurdo; Notice respecting the Religion introduced into India by the Emperor Akbar, by Vans Kennedy; Description of a curious Bird of the Otis Genus, by John Stewart; Notes respecting the Trial by Punchiet, by Thomas Coats; Some Account of Mahummud Mehdi, the wali of the Mehdivis; On the Sacred Books and Religion of the Parsis, by William Erskine; On the Authenticity of the Desatir, by William Erskine; Remarks on the State of Persia from the Battle of Arbela to the Rise of Ardashir Babegan, by Vans Kennedy; Account of a Bed of Native Sub-Carbonate of Soda found in Malwa, by John Stewart; Notes respecting the principal Remains in the ruined City of Bejapoor, by W. H. Sykes; An Account of the Origin of the Living God at the Village of Chinchore, by W. H. Sykes; On the Institution and Ceremonies of the Hindoo Festival of the Dsrah, by Sir John Malcolm; Papers relating to the Earthquake which occurred in India in 1819; Remarks on the Sixth and Seventh Chapters of Mill's History of British India, by Vans Kennedy; Account of the Present State of the Township of Lony, by Thomas Coats; An Account of the Caves Ellora, by W. H. Sykes; Description of the Pandoo Coolies in Malabar, by J. Babington; A Statistical Account of the Pergunna of Jumboosur, by Thomas Marshall; Translation of a Grant of Land in the Concan, by Dr. Taylor of Bombay; Remarks on the Character of Muhammad, by Vans Kennedy; Account of a Journey from Katif on the Persian Gulf to Yamboo on the Red Sea, by G. T. Sadlier; Observations on the Remains of the Bouddhists in India, by William Erskine; Geological Notes on the Strata between Malwa and Guzerat, by John Stewart. (3)

Lot 61

Woodward (B.B., Wilks, Theodore, & Lockhart, Charles). A General History of Hampshire, or the County of Southampton, including the Isle of Wight, 3 vols., circa 1860s, engraved frontispiece and additional engraved title to each, 2 single-page map, numerous engraved plates, closed tears to letterpress title of vol. 1, some spotting, all edges gilt, armorial bookplate of Wellington College, all edges gilt, contemporary red half morocco, gilt decorated spines with library classification mark at foot of spines, rubbed and some wear, 4to, together with Klitz (Philip), Sketches of Life, Character, and Scenery in the New Forest..., 1850, contemporary ownership to title, original cloth gilt, some fading, 8vo, with Wise (John R.), The New Forest: Its History and its Scenery, 1867, black & white frontispiece, illustrations and folding map, original gilt and blind decorated green cloth, 8vo, plus other New Forest and Hampshire related (approx. 50)

Lot 92

Buckinghamshire. Cary (John), A New Map of Buckinghamshire. Divided into Hundreds, Exhibiting its Roads, Rivers, Parks &c. [with secondary title above map] Geological Map of Buckinghamshire by W.S.Smith, Mineral Surveyor, 1824, engraved maps with contemporary hand colouring, sectionalised and laid on linen, some staining, margins strengthened on recto with old tape, 600 x 510 mm, contemporary blind stamped sheep boards with gilt title to upper siding, retaining old silk ties, worn and heavily frayed with slight loss at corners, together with, Stephenson (John), An Actual Survey of the Coast of Kent from Dim Church to Rye Harbour with the New Shoal to the Westward of Dungeness by John Stephenson a Master in the Royal Navy, published Robert Sayer, 1787, uncoloured engraved chart with two horizon profiles, old folds, 490 x 695 mm (2)

Lot 425

After Helen Bradley (1900-1979); a set of four signed limited edition colour 'Seasons' prints depicting spring, summer, autumn and winter, each with blind stamp lower left and signed in pencil lower right, each 23 x 30cm, all framed and glazed.

Lot 59

A Worcester Blind Earl pattern plate, circa 1770, unmarked, 19.5cm diameter (scratched)

Lot 101

Cumberland. Speed (John), Cumberland and the Ancient Citie Carlile Described with many Memorable Antiquities therein found observed, publisher Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Carlisle, occasional marginal closed repaired tears, small library blind stamp to margin, 385 x 505 mm, English text on verso (1)

Lot 104

Derbyshire. Speed (John), Anno Darbieshire described, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Derby and inset view of St Anne's well at Buxton, small library blind stamp to margin, short split to central fold, repaired on verso, slight staining, 385 x 510 mm, English text on verso (1)

Lot 106

Durham. Speed (John), The Bishoprick and Citie of Durham, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Durham, small hole to image, small library blind stamp to margin, very slight creasing, 385 x 505 mm, English text on verso (1)

Lot 118

Hampshire. Speed (John), Hantshire described and devided, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Winchester, central fold split and crudely repaired on verso, some staining affecting image, small library blind stamp to margin, occasional marginal closed tears, 380 x 510 mm, English text on verso (1)

Lot 127

Leicestershire. Speed (John), Leicester both Countye and Citie described, The Honorable Famylies that have had the titles of Earls thereof. With other accidents therein observed, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Leicester, small library blind stamp to margin, one small rust mark, very slight staining, 380 x 510 mm, English text on verso (1)

Lot 128

Lincolnshire. Speed (John), The Countie and Citie of Lincolne Described with the Armes of them that have bene Earles thereof since the Conquest, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Lincoln, small library blind stamp to margin, central fold partially split and repaired on verso, 385 x 510 mm, English text on verso (1)

Lot 14

Heylyn (Peter). Cosmographie in Four Books Containing the Chorographie and Historie of the Whole World and all the Principal Kingdoms, Provinces, Seas and Isles thereof, 1669, title printed in red & black, creased and worn, three (only of 4) engraved maps (lacking America), maps torn and frayed with loss, lacking last few leaves of index and endpapers, contemporary calf, worn and frayed with old paper label to upper siding, folio, together with another copy dated 1652 (1st edition) containing all four maps, but each map trimmed with some loss, some staining, contemporary blind stamped reverse calf, worn and frayed, folio, with another copy dated 1703 retaining only one map (Africa), contemporary panelled calf, boards detached, lacking spine, worn and frayed, folio, plus a further copy dated 1669, retaining three maps (lacking America) maps torn and creased with loss, tears crudely repaired, contemporary calf, chipped, worn and frayed, folio Sold as a collection of maps, not subject to return. (4)

Lot 163

Shropshire. Speed (John), Shropshire described The Sittuation of Shrowesbury shewed with the Armes of thos Earles and other Memorable things observed, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Shrewsbury, small library blind stamp to margin, 390 x 510 mm, English text on verso (1)

Lot 173

Staffordshire. Speed (John), Stafford Countie and Towne with the ancient Citie Lichfeild described, published Roger Rea, circa 1662, uncoloured engraved map, inset town plans of Stafford and Lichfield, slight staining, small library blind stamp in margin, 385 x 510 mm, English text on verso (1)

Lot 176

Sussex. Speed (John), Sussex described and divided into Rapes with the situation of Chichester the cheife Citie thereof and the Armes of such Nobles as have bene dignified with the title of Earles since the conquest and other accidents therein observed, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Chichester, very slight staining, small library blind stamp to margin, central fold strengthened on verso, slight creasing, 385 x 505 mm, English text on verso (1)

Lot 181

Warwickshire. Speed (John), The Counti of Warwick, The Shire Towne and Citie of Coventre described, published Roger Rea, circa 1662, uncoloured engraved map, inset town plans of Warwick and Coventry, small library blind stamp to margin, some creasing, slight staining, occasional marginal closed tears, 385 x 510 mm, English text on verso (1)

Lot 182

Westmorland. Speed (John), The Countie of Westmorland and Kendale the Cheif Towne Described with the Armes of such Nobles as have been Earles of either of them, published Roger Rea, circa 1662, uncoloured engraved map, inset town plan of Kendal, slight adhesion at base of central fold, one small repaired marginal closed tear, small library blind stamp to margin, 385 x 510 mm, English text on verso (1)

Lot 186

World. Bellin (Jacques Nicolas), Versuch von Einer Kurzgefassten Karte Welche die Bekannten Theile der Erdkugel, 1748, uncoloured engraved map of the world on a Mercator projection, elaborate cartouche, compass rose and numerous rhumb lines, restoration of upper margin causing partial loss to printed border, 500 x 700 mm, together with Rucelli (Girolomo), Carta Marina Nuova Tavola, [c.1561], uncoloured engraved map of the world on a Mercator projection, numerous rhumb lines, some worming to central fold with restoration on verso, Latin text on verso, 190 x 260 mm, with Brue (Adrien Hubert), Carte de L'Oceanie ou Cinquieme Partie du Monde, 1820, engraved map with original outline colouring, showing Australasia, South-east Asia and the western Pacific ocean, calligraphic cartouche, slight off setting, unobtrusive blind stamp to upper left corner, 380 x 520 mm (3)

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