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Frank Slade’s (Al Pacino) hero pistol from Martin Brest’s 1992 drama, Scent of a Woman. Frank is a retired Lt. Col. in the US army. He's blind and impossible to get along with. Charlie is at school and is looking forward to going to college. To help pay for a trip home for Christmas, he agrees to look after Frank over Thanksgiving. Frank's niece says this will be easy money, but she didn't reckon on Frank spending his Thanksgiving in New York. Frank Slade’s pistol is most notably seen when Charlie Simms (Chris O’Donnell) confronts Frank (Al Pacino) and talks him out of shooting himself. This is a Colt 1911 Mk. IV live fire pistol that has been deactivated since filming, and is no longer in functioning order. The pistol itself features a blued finish with a 5” barrel and features faux walnut grips with a checkered pattern. This pistol his accompanied with an LOA (Letter of Authenticity) from the prop master. Please note this is a decommissioned firearm and will require an FFL for transfer of ownership. Please check your countries state and local laws before purchase. This lot comes with a Certificate of Authenticity from Studio Auctions.

A 19th century oak cased mantel clock having an arched pediment with blind fret carved case, the silvered chapter ring with Roman numeral markers in twin winding holes for an eight day movement, striking on a gong, height 29cm

A Regency rosewood chiffonier, having twin blind frieze drawers, over twin lower fabric inset cupboard doors with acanthus leaf detail, w.106cm

Edwardian mahogany display cabinet with pierced arch pediment, two glazed doors and serpentine base with two doors and blind fretwork decoration, some losses throughout, 180cm high

FLEMING (IAN) Thunderball. First edition, first impression 1961, London, Jonathan Cape, original black-brown cloth gilt with blind-embossed skeletal hand to front, original dw.Provenance: private collection north Wales.Comments: Foxing/water stain to wrapper, foxing to early page edges/margins, toning, corners/spine slightly bumped, not price clipped, small tears to wrapper folds.

Fletcher (J. S.) The Air-Ship, ?first edition, rare variant red blind-stamped cloth, 1903 § Harvey (W.F.) Midnight House & Other Tales, ALs from the author loosely inserted, 1910 § Mundy (Talbot) The Ivory Trail, endpapers spotted, 1920 § Bellamy (Edward) Equality, spine browned, title detached, New York, 1897, original cloth, light bumping to extremities; and 6 others, mystery fiction, 8vo (10) *** We cannot trace another like example of the The Air-Ship in the red blind-stamped cloth. 

Fleming (Ian) For Your Eyes Only, ink ownership inscription on front free endpapers, very faint marking to contents page, boards with eye design in white to upper cover, spine lettered in silver, edges lightly rubbed, corners bumped, later issue dust-jacket, light fading on spine, very light creasing, 1960; Thunderball, boards with skeletal hand in blind to upper cover, spine lettered in gilt, jacket with small portion of damp-staining to upper panel, spine ends and upper edge a little creased, 1961; The Spy Who Loved Me, ownership name on pastedown, boards with dagger motif blocked to front board in silver and blind, spine lettered in silver, jacket edges and spine ends a little chipped and frayed, light shelf-lean, 1962, first editions, original boards, dust-jackets, 8vo (3) 

Steinbeck (John) The Short Reign of Pippin IV, first edition, signed presentation inscription from the author to his sister "Mary | avec l'aimité | from John the XXII" on front free endpaper, original yellow and salmon blind-stamped cloth, dust-jacket, small rectangular strip cut from flap joint, spine ends very lightly frayed, overall still excellent, [Goldstone & Payne A36a], 8vo, 1957. *** The work - a satirical fantasy about the French monarchy - represents a distinct departure from Steinbeck's typical gritty realism and presents his versatility as a genre writer. The personal inscription to his eldest sister Mary reflects their close and enduring relationship throughout his life. Provenance: The Mary Steinbeck Dekker Family Collection. 

Fleming (Ian) Goldfinger, first edition, original boards with skull design in gilt and blind, spine lettered in gilt, dust-jacket, toning and light rubbing along spine and joints, some nicks and tears along edges and spine ends, extremities a little chipped, still a very good unrestored copy, 8vo, 1959.

Freeman (R. Austin) The Mystery of 31 New Inn, light foxing to endpaper and half-title, 1912; A Silent Witness, endpapers lightly browned, variant cloth with gilt blind-stamping, 1914, first editions, original pictorial cloth, spines very lightly faded, extremities a little scuffed, but overall remarkably crisp copies, 8vo (2) *** A pair of quite scarce Freeman detective volumes, with the first edition of The Mystery of 31 New Inn invariably rare at auction, published a year before the Philadelphia published American edition.

Fleming (Ian) Thunderball, ink gift inscription on pastedown, boards with skeletal hand in blind to upper cover, spine lettered in gilt, jacket price-clipped somewhat roughly, light creasing and nicks to edges, 1961; The Spy Who Loved Me, boards with dagger motif blocked to front board in silver and blind, spine lettered in silver, jacket with one or two scuff marks on joints, 1962; On Her Majesty's Secret Service, boards with ski trail design to upper cover, spine lettered in silver, 1963, first editions, original boards, dust-jackets, very light fading to spines, otherwise still excellent copies; and a first edition of Goldfinger in a later jacket, 8vo (4)

SPRATT G.  A Compendium of Toxicology Illustrated with Coloured Figures of the Principal Indigenous & Exotic Plants. Hand col. frontis & plates, all present. Orig. upper wrapper with title label bound in. Three quarter red morocco, some rubbing, soiling to many plates but rare. Bookplates of Cecil Nickisson & Wigan Free Public Library. Blind stamp to title with ink stamp to reverse of same. Published for the Author by Samuel Highley, n.d. but c.1843.Condition report:Light rubbing and wear to binding. Original wrapper bound-in. Slight split at upper hinge. Soiling and spotting to all plates. Text leaves generally clean. Title lightly tanned with lib stamps to reverse and a blindstamp.  

Bridget Jones and others a group of five items gifted by film productions to members of the crew; comprises: Bridget Jones Baby (2016) a pair of red penguin print lightweight fleece pyjama trousers with draw string tie to front, yellow embroidery on back pocket reads Bridget Joness Baby hashtag lets do this, label reads L, contained in a red card presentation box, marked in gold ink on the side Bruce Gallup, Painter, tied with a white satin ribbon printed With love and thanks from all on Bridget Jones; a red diary by Castelli, faux red leatherette, lettered in blind on front and rear covers, with pencil and gold ribbon marker, 8vo, 19. 5 x 25.5cm; together with, Emma (1996) long sleeve white cotton crew T. shirt, embroidered on right sleeve, Emma Matchmaker Films 1995, label reads, Hanes Beefy T, Size XL; Jurassic World Dominion (2022) crew cap, label reads Size 57cm; and Jurassic World Dominion (2022) hi-vis yellow gilet with the name of the cargo ship Arcadia printed above the front left pocket and across the back, Size XL. (5) Provenance: Bruce Gallup (Head of Department Painter) screen credited as Art Department crew on Bridget Jones Diary and Bridget Joness Baby. Bruce Gallup has worked on numerous films, including, Indiana Jones and the Dial of Destiny, Tinker Tailor Soldier Spy, Cruella, Paddington, Paddington 2, The Iron Lady, and many others.

Nickelodeon: The Ren and Stimpy Show - Original 1990s Production Animation Cel drawing, pencil on paper, mounted, Nickelodeon blind-stamp lower left, 20 x 16 inches overall.

Nickelodeon: The Ren and Stimpy Show - Original 1990s Production Animation Cel drawing of Ren, the temperamental chihuahua and his trusting feline sidekick, Stimpson J. Cat, pencil on paper, Nickelodeon blind-stamp lower left, 10 x 12 inches.Condition Report: light creasing to edges with loss to right lower edge.

Nickelodeon: The Ren and Stimpy Show - Original 1990s Production Animation Cel drawing, pencil on paper, mounted, Rens dialogue annotated in pencil above, Well, its breaktime. Were not on duty for another 6 years, Nickelodeon blind-stamp lower right, 20 x 16 inches overall.

Nickelodeon: The Ren and Stimpy Show Six Original 1990s Production Animation Cel Drawings, pencil on paper, five with Nickelodeon blind-stamps, 12 ½ x 10 ¾ inches. (6)

Nickelodeon: The Ren and Stimpy Show Six Original 1990s Production Animation Cel Drawings, pencil on paper, each with Nickelodeon blind-stamp, 12 ½ x 10 ¾ inches. (6)

* LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887 - 1976), WOMAN WITH BEARD limited edition lithograph on paper, signed, numbered 46/750 label verso, with Fine Art Trade Guild blind stampmounted, framed and under glassimage size 59cm x 48cm, overall size 85cm x 72cm

A small Victorian mahogany platform dressing table mirror with arched plate and blind drawer to base, set on bun feet

A LOUIS PHILIPPE MAHOGANY DRESSING TABLE MID 19TH CENTURY The circular mirror on swan pattern supports above a marble surface, blind frieze drawer and lyre shaped supports 138cm high, 82cm wide, 44cm deep

A FLIGHT OF GEORGE III MAHOGANY HANGING WALL SHELVES CIRCA 1780 With blind fretwork sides in the manner of Thomas Chippendale 79cm high, 61cm wide Condition Report: Overall with marks, knocks, scratches, abrasions consistent with age and use Splits and cracks, chips and losses, damages and repairs to the fretwork elements notably one lower spandrel The elements of wood to hold plates etc are later applied Please see additional images for visual reference to condition  Condition Report Disclaimer

A particularly emotive Great War pair awarded to Sapper T. Cheshire, Royal Engineers, who was severely wounded in the face in the final few weeks of hostilities and was later sent to St Dunstan's in Regents Park to 'learn to be blind'  British War and Victory Medals (3398 Spr. T. Cheshire. R.E.) mounted with his St Dunstan’s brooch-badge pinned upon riband, nearly extremely fine (2) £70-£90 --- Thomas Cheshire was born in Luton on 11 November 1891 and attested for the Royal Engineers on 1 November 1915. Appointed Sapper and posted to the 20th Territorial Force Depot, he served in France and Flanders with the 483rd (East Anglian) Field Company and was soon mentioned in the Luton Reporter on 29 January 1918: 'Sapper T. Cheshire, whose parents live at 8, England's-lane, has received a script signed by the Major-General of his Division expressing appreciation of the reports received from his Commanding Officer and Brigade Commander relative to his conspicuous bravery in the field on Dec. 4 and 5.'  Remaining on the Western Front, Cheshire's luck finally ran out on 2 October 1918 when he received a severe gunshot wound to the 'eyes, face, left thigh'. Admitted to No. 24 General Hospital the following day, it soon became apparent that he had been permanently blinded in both eyes. Evacuated home, Cheshire was discharged due to wounds on 7 March 1919. Three months later he married Miss Nellie Impey - who had lost a brother at Gallipoli - and the young couple set about raising a family and re-building their lives; admitted to St Dunstan's Headquarters on 6 December 1920, Cheshire soon came under the wing of Sir Arthur Pearson and was one of hundreds of blinded ex-servicemen given the opportunity to learn new skills in woodworking, massage and poultry rearing.  It was around this time that Cheshire applied for a M.I.D. emblem, his M.I.C. later annotated 'no record found'. The National Archives note a second M.I.C. in his name, catalogued amongst five Military Medal index cards to other recipients; possibly 'set in motion' but ultimately ungazetted, Cheshire received no further recognition for bravery. Moving to Kenworth Road in Whitechapel, he did, however, survive the worst of the London Blitz and lived a further 35 years. He died on 1 May 1975. 

Helen Bradley (Britsh, 1900-1979),'The Punch and Judy Show',Limited edition print on paper,Signed in pencil lower right, Fine Art Trade Guild blind stamp for number 549 lower left,48cm x 62cm,Framed and glazed

Frances Mabel Hollams (British, 1877–1963),A hunting party at rest,Engraving on paper, published by J P Mendoza, London 1900,Signed in pencil and blind stamped to lower margin,The plate 56.5cm x 76cm,The sheet 73cm x 94.5cm,Framed and glazed (at fault)

An oak and chinoiserie five piece bedroom suite, circa 1920, comprising wardrobe, double bed, washstand, chest of drawers and pot cupboard, each applied with conforming moulding, blind fretwork and black lacquer roundels depicting figures, wardrobe measures 205cm H x 160cm W x 56cm D, dressing table 78cm H (not including mirror) x 115cm W x 55cm D (5)Condition reportJoint splits to both the washstand doors with some loss of beading.Minor marks and stains to the top of the dressing table and washstand.Beading loose on both wardrobe panels, general light wear overall, however no major visible faults or damage. 

After Beryl Cook (British, 1926-2008),'Clubbing In The Rain',Limited edition print on paper, published by Alexander Gallery Publications LtdSigned in pencil and numbered '512/650' in blind stamp to lower margin, Portal Gallery label verso,54cm x 38.5cm,Framed and glazed CONDITION REPORT:The print is framed under glass and has not been removed for inspection.  The print surface appears to be in good condition showing now obvious damage.  The colours are clear and strong, but may have faded slightly over time.  The mount shows some light staining throughout.  The frame is in good order.

Snaffles [Charles Johnson Payne] (British, 1884-1967),'That far, far-away Echo',Hand-coloured lithograph on paper,Signed in pencil and snaffle bits blind stamp to lower margin,The print 24.5cm x 35.5cm,The signed and titled mount 36.5cm x 49cm,Framed and glazed (at fault) CONDITION REPORT:The picture is framed under glass and has not been removed for inspection.  There is a stain to the lower left corner approximately 7cm x 5cm, with further small fox marks around the margins.  The colours are reasonably bright, but are likely to have faded somewhat over time.  The paper shows a slight vertical ripple across the sheet.

With dentil and blind fret carved pediment, the upper section with astragal glazed doors, the base with fall enclosing a fitted interior and four long graduated drawers below, on bracket feet, 104.5cm wide, 207.5cm high, 58cm deep. CR * Losses to dentils on the pediment, small cracks to the glass panels, drawer handles are later, the bureau fall brass lock plate is missing a screw, scratches and marks throughout.

A Mid 19th Century Mahogany 8 Day Longcase Clock with Moon Phases. Rich'd Burn, Manchester. The hood with swan neck pediment over a blind frieze and fitted columns to a gothic shaped trunk door flanked by cluster columns on a plinth base with bracket feet. The 14 inch painted 3rd period dial with lunar/maritime phases to a Roman and Arabic dial with subsidiary seconds and date sector to a signed false plate and 4 pillar movement with anchor escapement, strike on a bell. Height 254cm. CR * Case - Slight losses throughout, 2 old splits to arch door. Slight warp & lift to plinth. No trunk door key or lock. Dial - Refreshed at some point. Movement - appears complete. Pendulum suspension A/F. 2 weights & winder.

An Edwardian mahogany bijouterie tablein the George III Chippendale stylewith blind fret decoration to the glazed hinged top and shaped frieze, on square tapered fluted legs joined by an openwork X-form stretcher height 76cm, width 41cmCondition: With key. In good tired houseworn condition overall.

Francis Russell Flint (British, 1915-1977). Sir Winston Churchill, seascape, print, signed, with blind stamp, 50.5cm x 64.5cm.

Walsh,R.: Constantinople and the scenery of the seven churches of Asia Minor illustrated. 2 Bde. London, Fisher (ca. 1850). 4°. Mit 2 gest. Titelbl., 2 Stahlst.-Karten u. 94 Stahlst.-Taf. nach T. Allom. 2 Bl., XXXVI, 84 S.; 2 Bl., 100 S. Blind- u. goldgepräg. Ldrbde. d. Zt. mit Goldschn. Andres III, 904. - Tls. etw. fleckig, Innengelenke brüchig. - ╔Dabei: Guys,P.A.╗ Voyage litteraire de la Grece, ou Lettres sur les Grecs, anciens et modernes... 3. ed. 4 Bde. Paris, Duchesne 1783. Mit 10 gest. Taf. - Zus. 6 Bde.

Twamley,L.A.: The romance of nature; or the flower-seasons illustrated. London, Tilt 1836. Mit gest. kolor. Front. u. 26 gest. kolor. Taf. XVIII S., 1 Bl., 253 S., 1 Bl. Grüner Ldr. d. Zt. mit Blind- u. Goldpräg., Rverg. u. Goldschn. (Fleckig u. berieb.). Vgl. Nissen BBI 1338 (anderer Verlag) und Plesch 334 (Ausgabe 1839). Erste Ausgabe. - Die reizvollen, kräftig kolorierten Blumendarstellungen zeigen Krokusse, Rosen, Seerosen, Veilchen, Vergißmeinnicht, Lilien u.a. - Tls. leicht fleckig, N.a.V.

Beethoven,L.v.: Erste (bis Achte) Sinfonie für das Pianoforte zu vier Händen bearb. v. J.B. Andre. Offenbach, Andre (um 1850). Qu.Kl.Fol. 31, 43, 55, 47, 43, 49, 47, 35 S. Hldr. d. Zt. (Etw. lichtrandig, leicht berieb. u. best.). (= Pl.-Nr. 6121-6128). - Aus dem Vorbesitz der Baronin Bassus. - Nicht in KH. Constapel S. 329 f., dort mit der Datierung 1835-38 (belegt durch Eintragungen im Verlagsbuch. Erstdruck dieser Bearbeitung ohne internationale Händlerangaben auf den Titelblättern der Sinfonien 1-7. Die Sinfonie 8 mit internationalen Händlerangaben, dabei Augener in London (tätig ab 1853). Die Probleme der Datierung neben der Händlerangabe Jean Baptiste Andre (1823-1882), der Sohn des Verlegers Johann Anton Andre und Komponist, wäre als Bearbeiter zum von Constapel angegebenen Zeitpunkt erst zwölf Jahre alt gewesen. Das Beethoven-Haus Bonn datiert daher die Bearbeitungen auf ca. 1850 und vermutet eine Reservierung der Verlagsnummern im Verlagsbuch 1835 für eine später erfolgte Bearbeitung. - So vollständig sehr selten, im Worldcat nur 2 Bibl. mit allen 8 Sinfonien. - Jedes Titelbl. mit Blind-St. "Jos. Aibl, Musikalienhandlung, Kaufingergasse 26, München". - Insgesamt gutes Ex.

Scheuchzer,J.J.: Kupfer-Bibel, in welcher Die Physica Sacra, oder geheiligte Natur-Wissenschaft der in der Heil. Schrifft vorkommenden natürlichen Sachen, deutlich erklärt und bewährt .. ausgegeben und verlegt durch J. A. Pfeffel. 4 Bände. Augsburg und Ulm, Chr. U. Wagner 1731-1735. Folio. Mit gestochenem Frontispiz, 1 (von 3) gestochenen Portrait und 757 (1 ankoloriert, 2 doppelblattgroß, 3 gefaltet; statt 760, ohne Taf. 370, 384 und 583) Kupfertafeln. Lederbände der Zeit mit etw. Blind- und Goldprägung. (Berieben, Rücken verfärbt. Etw. beschnitten). Nissen, Zool. 3660. Rümann 1018. Lanck./Oehler I, 32ff. Faber du Faur 1855. Slg. Schäfer S. 124. - Erste deutsche Ausgabe, "ein Höhepunkt der Augsburger graphischen Kunst des 18. Jahrhunderts". (Lanckoronska/Oehler). - Erste deutsche Ausgabe, gleichzeitig mit der lateinischen erschienen. Diese Bibelausgabe zählt zu den schönsten Erzeugnissen der Augsburg Buchillustrationen des 18. Jahrhunderts; die Kupfer wurden von den besten Stechern der Zeit gefertigt, darunter Sperling, Corvinus, Tyroff u. a. Die Vorlagen zeichnete der Züricher Maler Johann Melchior Füßli, ein Freund Scheuchzers. Die Darstellungen jeweils in phantasievollen Umrahmungen mit Blatt-, Ranken- und Muschelwerk. "Unter Scheuchzers Anleitung zeichnete sein Freund, der Züricher Maler Füßli, die Vorlagen der Tafeln. Diese selbst bringen alles was sonst im botanischen, zoologischen, astronomischen, geographischen, im architektonischen, emblematischen und religiösen Tafelwerk vorliegt. Auch die aus dem Ornamentstich bekannten Motive, Blatt-, Ranken- und Muschelwerk, Phantasieumrahmungen aller Art sind in vorbildlicher Form hier zu finden. Die von Johann Daniel Preißler geschaffenen 'abwechselnden Nebenzierraten' gehören zu den phantasievollsten Leistungen ihrer Gattung. So bildet die Scheuchzerische Kupferbibel wirklich einen Höhepunkt der Augsburger graphischen Kunst des 18. Jahrhunderts, gleichzeitig ein wichtiges Denkmal des Tafelwerkes und die Überleitung zum illustrierten Buch, vor allem zur illustrierten Bibel." (Lanck./Oehler) - Mit den oft fehlenden A, B und C bezeichneten Tafeln. - In Bd. II fehlt S. 563/564, Bd. IV. ohne Titel und Inhaltsverzeichnis. - Tlw. etw. fleckig und gebräunt, mehrere tlw. restaur. Randeinrisse. - First German edition, published at the same time as the Latin edition. With engr., frontispiece and 760 copper plates (of which 5 double-page). Contemp. calf with gilt spine. - Lacking pp. 563/564 in vol. 2, without title and table of content in vol. 4. Minor staining and browning, binding rubbed, spine a bit discolored. Slightly trimmed copy.

Pferderennen.: Race for the gold cup at as cor 1852. Cup Valne L 300 and L 200 added a. Joe Miller beating 2. Black Doctor 3. Hobbie Nobbie. Kolor. Lithographie, 1852. Bei B.Moss, London. 36,5 x 37,5 cm. - Minimal fl. außerhalb der Darstellung. ╔Dabei:╗ Going it blind. Kolor. Lithogr., um 1840. 27,5 x 36 cm. - Außerhalb der Darstellung fl. R

An early 19th century mahogany longcase clock by Thomas Barry, Bolton, the hood with brass finials and paterae, blind swan neck pediment and square side pillars, the trunk with reeded square side pillars, and full length triple arch door, canted base and ogee bracket feet, the painted dial with moon phase and 8 day striking movement

Y&nbspA REGENCY ROSEWOOD AND GILT METAL MOUNTED BOOKCASE IN EGYPTIAN REVIVAL TASTE CIRCA 1820 Of narrow proportion, with two drawers above a shelf 97cm high, 48cm wide, 31cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSome dirt and discolouration to the gilt metal mounts including gallery, masks, feet The drawer handles are later and occupy the place previously fitted with locks, the drawers were presumably blind as there are no old filled holes to the drawer fronts either - probably a central escutcheon that is covered by the present handles. Marks and scratches to the surfaces of the shelves from age and use Some chips and losses to some beadingsPlease see additional images for visual reference to condition Condition Report Disclaimer

A BLACK PAINTED AND PARCEL GILT LOW CENTRE TABLE IN 18TH CENTURY STYLE OF RECENT MANUFACTURE With a pair of blind frieze drawers above columnar supports and shaped X-frame base 51cm high, 123cm wide, 62cm deep

Set of mahogany open wall shelves in the Chippendale style, trellis sides, blind fretwork to the three drawers, 91x76cm.

A Large Curtain Pole with Reeded Finials together with a Fabric Blind

VARIOUS ARTISTS, James Priddey, four aquatints with Warwick Galleries artist proof blind stamps, 'Nant Ffrancon', 38 x 27.5cms, 'Bala Lake', 24 x 32cms, 'Norfolk Windmill', 28 x 36.5cms, 'Tal y Llyn Lake', 2 x 32cms, H Hughes Richardson watercolour titled verso 'Bangor from Beaumaris', signed lower left, 27.5 x 40.5cms and Philip Snow limited edition 8/100 colour print 'Owls of Wales', 28 x 38cmsComments: all framed and glazed

*Margaret Thomas (1916-2016) oil on board - The Venetian Blind, monogrammed, 76cm x 46cm, titled verso, in glazed frameProvenance: Messum's 2001

L. S. Lowry (1887-1976) limited edition print - The Pond, signed in pencil with blind stamp, 43cm x 57cm, in glazed frameGood condition overall and ready to hang. The work has not been removed from the glazed frame and therefore we can not state if it has been stuck down or not. There don't appear to be any foxing marks and the colours are good.

Edwardian mahogany bijouterie table, with hinged glazed top and sides and blind fret carved borders, on square tapered legs and spade feet, with shaped undertier, 75cm wide x 45cm deep x 74cm high

Good quality early 20th century mahogany cased chiming longcase with gilt and silvered blind fretwork arched dial with chime/silent dial to arch, chiming movement striking on gongs and chimes in inlaid mahogany case with bevelled glazed door, complete with three brass cased weights, pendulum and key 219cm high

A George III mahogany chest on chestWith oak lined drawers, the cavetto moulded cornice above two short and three long graduated drawers, flanked by canted blind fretwork angles, over three long graduated drawers, flanked by conforming angles, on shaped reverse ogee bracket feet, 125cm wide x 59cm deep x 163cm high, (49in wide x 23in deep x 64in high)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

BOB DYLAN - PRIVATE RELEASED LPs. Another wonderful selection of 13 private released LPs by Bob Dylan. Titles include John Birch Society Blues (BD509), Blind Boy Grunt and Talkin Bear Picnic (TB2), Earls Court: 20th June 1978, Talking Bear Mountain Picnic Massacre Blues, Stealin, The Villager: Live At The Gaslight In Greenwich Village 1963, The Dylan Cash Sessions, Paris: All Roads Lead To Dylan. Dylan And Young: Snack, The Zims Picnic, No Quarter (DSI 78654), Bob Dylan/ The Band - Charlotte North Carolina 1974 and Bridgett's Album: A Vinyl Headstone Almost In Place. Condition is generally VG+ to Ex+.

THE ROLLING STONES - LP COLLECTION. A great collection of 25 LPs, 5 x 7" and 1 x 12". Titles include Let It Bleed (UK stereo boxed RE, Ex/ Ex+ inc poster in Ex+ condition), Voodoo Lounge (V2750, Ex+ records w/ printed inners, Ex gatefold sleeve), No. 2 (mono UK stock unboxed, LK4661, 1A/2A, VG+/ VG flipback sleeve with blind man), After-Math (stock UK mono unboxed, LK4786, 4B/4A, VG record/ VG+), Out Of Our Heads (stock UK mono unboxed, LK4733, 11B/10A, glossy VG+/ Ex sleeve), The Rolling Stones (UK mono unboxed, LK4605, with mona label, 2A/5A, VG/ G sleeve), Between The Buttons (UK mono unboxed, LK4852, 6A/5A, VG+/ VG+), Exile On Main St (UK original, COC 69100, A2/B1/C2/D1, Ex records w/ printed inners, no postcards, VG sleeve - 1 section unglued but an easy repair), Bright Lights Big City (TMOQ, TMQ71075, stock black vinyl, Ex/ Ex), Beggars Banquet (UK stereo boxed RE), Some Girls (UK celebrity inner), Through The Past, Darkly (boxed stereo RE), No Stone Unturned, Goats Head Soup, Metamorphosis, Black And Blue, Emotional Rescue, Tattoo You, Still Life and Undercover. Condition elsewhere is generally Ex to Ex+.

THE ROLLING STONES - LP PACK. A lovely selection of 5 LPs by The Rolling Stones. Titles include The Rolling Stones (LK.4605, unboxed red Decca label. 2A/ 3A matrix. Record VG+/ sleeve VG+), No.2 (LK.4661, unboxed red Decca. 1A/ 1A. Record VG+/ Blind Man sleeve VG+), Their Satanic Majesties Request (x2) inc (TXL 103, UK turquoise label. 1P/ P1. Printed inner. Record VG/ lenticular cover VG+) & (NPS-2, US boxed London blue label. Printed inner. Record VG+/ lenticular cover VG+) & Between The Buttons (LK 4852, unboxed red Decca label. 2A/ 2A. Ex/ VG+).

PROG - LP COLLECTION. A fantastic collection of 25 mostly prog rock LPs. Artists/ titles include Atomic Rooster - In Hearing Of (PEG 1, record VG+/ sleeve VG+), Caravan - In The Land OF Grey And Pink (SDL R1, red/ white labels. VG+/ VG+), Chicken Shack - Accept (7-63861), The Doors - LA Woman (K42090, PVC window sleeve with yellow inner), Colosseum inc Daughter Of Time, Colosseum Live. Lol Coxhill - Welfare State, Blind Faith - S/T, The Savage Rose - In The Plain, Canned Heat - Boogie With, Captain Beefheart - Dropout Boogie. Kevin Coyne, ELO, Family, Chris Forsyth, Badfinger, Free, Babe Ruth, Balaklava, Arthur Brown's Kingdom Come, Cartoone, Creedence Clearwater Revival and Dillard & Clark. Condition is generally VG to Ex.

FOLK/ FOLK ROCK - LP PACK. A lovely selection of 10 folk/ folk rock LPs. Artists/ titles include John Martyn inc The Tumbler (ILPS 9091, pink bullseye label. Record VG+/ sleeve VG+), The Road To Ruin (ILPS 9133, pink-rim label. Ex/ VG+). Fairport Convention inc S/T (583035, VG/ Ex), Unhalfbricking (ILPS 9102, pink-rim label. VG+/ Ex). T Rex - My People Were Fair (LRZ 1003, VG/ VG). Roy Harper inc Flat Baroque And Berserk (SHVL 766, EMI logo on label. VG/ VG+), 1970-1975 (SHSM 2025, Ex/ VG+). Ian Matthews - If You Saw Thro My Eyes (VEL-1002, VG/ VG), JSD Band - Country Of The Blind (SLRZ 1018, VG+/ VG+) & The Pentangle (TRA 162, VG/ VG).

BLUES LPS/COMPILATIONS. 35 LPs/comps to inc: Murderers' Home and the Blues In The Mississippi Night (UK, Vogue, RE, VJD 515-2, 2xLP, Ex+/VG with some foxing to inner gatefold), BB King in London (Probe, UK, SPB 1041, inner, Ex/VG+), Rev Gary Davis - Ragtime Guitar (Translantic, TRA 244, Ex+/Ex), Blind Lemon Jefferson - Cat Man Blues (Aldabra, ALB 1009, Ex+G with sticker and stamp to sleeve), Little Walter, Leadbelly, Bobby King and Terry Evans, Songsters and Saints, American Festival Fok Blues, a good selection of Blues comps. Condition generally VG+ to Ex+, sleeves slightly below that - VG to VG+ in the main.

Edwardian mahogany Chippendale revival bookcase / display cabinet. Raised on cabriole legs with claw and ball feet having twin astragal glazed doors with shelved interior. Blind fret worked carved detail beneath top. Measures approx 140 x 107 x 35 cm. 

2 PAIRS OF CURTAINS WITH DOUBLE BED VALANCE & SILK BLIND BY COLEFAX & FOWLER

A bamboo blind

12 BOTTLES GINSouth Coast Distillery Breakwater Navy Strength; The Farmer's Wife Distillery Autumn Dry; Mr Gaston Organic; Threespirits Piùcinque; Heritage Gin Magnolia (50cl); Gingum (50cl); Aconcagua Lime Special Edition; Staunstrup (50cl); Turner Stillhouse Three Cuts Pinot Barrel Rested; Crafter's Wild Forest Spruce + Pine; Blind Tiger (50cl); Four Pillars Southern Coastal

L S Lowry Limited edition print with blind stamp (faded)

Large Tom Dodson limited edition print titled when i was 10 33/500 signed with blind stamp. Dedication from artist verso