We found 44918 price guide item(s) matching your search

George III Mahogany Chest on Chest, fitted with a dressing slide and decorated with blind fretwork, 111cm by 55cm by 190cm

Richard Smith (British, 1931-2016), 'Burning Bridges', 1996, lithograph in colours, unsigned, bearing Sky Editions blind stamp, sheet size 71 x 100cm.

Sir Eduardo Paolozzi RA (British, 1924-2005), two lithographs from the Kew Studies series, unsigned, bearing Sky Editions blind stamps, plate sizes 26 x 33cm and 29 x 39cm. (2)

OAK LONGCASE CLOCK OF EARLY 18TH CENTURY DESIGN with twin train eight day movement, the engraved brass dial with silvered Roman numeral chapter ring inscribed for Thomas Evans of London, subsidiary seconds dial, the hood with caddy top, orb and spike finials, over a blind fret frieze, the trunk door with glass lenticle, block base210cm high

GEORGE III MAHOGANY LONGCASE CLOCK LATE 18TH/EARLY 19TH CENTURY with two train eight day movement, the brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, with maker's plaque for Thomas Stobo of Strathaven, the hood with moulded swan neck pediment over a blind fret frieze and twist columns, the trunk door with marquetry star detail, block base200cm high

A 79cm 19th Century burr walnut veneered book cabinet with scroll pediment and adjustable shelves enclosed by a glazed panel door to top, over a base with blind fretwork decorated panelled door, set on rounded plinth base

A 1.81m Victorian mahogany break front sideboard with three blind frieze drawers, two central cupboard doors and flanking napery and cellarette enclosed by further panelled doors, set on plinth base

A 66.5cm eastern hardwood wall mounted three shelf open bookcase with three drawers to base, blind fretwork decoration and lattice sides

The HISTORY of the INDIAN REVOLT and of the expeditions to Persia, China and Japan 1856-7-8  634pp ills in text original blue  blind stamped buckram with gilt titles and coloured map, decoration to the spine nice condition 

Chinese blue and white plates including a Chinese blue and white plate, 19th century, the central reserve decorated with children playing various games including blind-man's bluff enclosed by a border of bats approx 20 cms diameter together with another blue and white plate decorated in poly-chrome boys playing to the center enclosed by a blue and white rim decorated with chasing dragon approx 20 cms diameter. Note: Property of a Yorkshire lady. 

A Regency mahogany and ebony inlaid sofa table, two drawers and two opposing blind drawers, the end supports joined by central turned stretcher, 96cm wide closed, 154cm wide open, 71cm deep, 70.5cm high

A Regency style mahogany, rosewood, and line inlaid writing table, the right hand drawer stamped E. Wignall, having a crossbanded top with reeded edge, over two frieze drawers and two opposing blind drawers, on lyre end supports, 125cm wide, 58cm deep, 78cm high

A Regency rosewood and brass inlaid sofa table, having two drawers (the right subdivided) and two opposing blind, on swept end supports joined by a turned stretcher, on swept legs with brass paw feet and casters, 149cm wide fully extended, 98cm wide when closed, 71cm deep, 74cm high

Bamboo blind, 2 folding camping chairs, Shakespeare Trion XT rod etc

Marc Chagall (Russian/French, 1887-1985). Printed by Mourlot, Paris. Published by Society of Friends of the National Marc Chagall Biblical Message Museum, Nice, with the angel blind stamp along the top center margin. Signed and dated 1977 lithograph poster depicting a portion of his work "The Song of Songs III" printed to publicize the National Biblical Message Museum in Japan. With text in French and Japanese.Lot Essay:Marc Chagall (born Moishe Shagal}) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is."Sight; height: 29 in x width: 19 in. Framed; height: 36 in x width: 25 1/4 in.Condition: No visible tears, creases, or losses. Light undulation throughout. The sheet is slightly toned. There is minute discoloration and foxing along the lower left quadrant and upper left margin. No signs of restoration under UV light. Framed under glass. Not examined out of frame. Light wear to frame.

Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase. Luster glazed stoneware. Decorated with sigils along the interior and exterior. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 5 1/2 in x width: 10 3/4 in.Condition: No visible cracks, chips, or losses. No visible signs of restoration under UV light. Very light wear throughout, particularly along the underside. Throughout the item, there are areas of uneven coloration; however, they appear to be original to the design.

"Snaffles" Charles Johnson Payne(1884-1967)"Gentlemen Unafraid",signed, with Snaffles "bit" blind stamp,mixed process colour print, 49.5 x 67cms, in frame.

Y A GEORGE IV ROSEWOOD LIBRARY TABLEIN THE MANNER OF GILLOWS, CIRCA 1825A central frieze drawer to one side, the feet with recessed brass casters72.5cm high, 151.5cm wide, 74.5cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and useSome scuffs and marks to the top but overall appears cleaned and repolished, There is a drawer which is 'blind' by design, it has never had handlesThe supports are a little loose where they meet the table top and there is some wobble in this area, may benefit from reinforcement if wished for regular use as a deskThe clearance from floor to the underside of the frieze is 61cm, As catalogued this table has recessed castors, these could be taken off and replaced or the recessed gaps filled by the purchaser if wished, Dreweatts cannot comment on how easy this may be or the ensuing costs of this workPlease see additional images for visual reference to conditionCondition Report Disclaimer

Y A GEORGE IV ROSEWOOD LIBRARY TABLECIRCA 1830, IN THE MANNER OF GILLOWSWith two blind frieze drawers72cm high, 147cm long, 68cm deep Provenance: From the Private Collection of a titled familyCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe top with old marks, some scratches and signs of age and useOverall solid and stableThis previously had castors, the undersides of the feet have recesses where these wereThere are some chips and losses to veneers, one frieze drawer with a noticeable lossSome dirt to the recesses, some colour variation, may benefit from a sympathetic clean and repolishPlease see additional images for visual reference to condition Condition Report Disclaimer

A large early 20th century Japanese Satsuma vase decorated with birds in flight amongst foliage, twin butterfly with blind pendant ring handles, (lamped), a gilt brass clad Buddha lamp and a composition Okimono, Location:A2B

Classical History. A large collection of Greek, Roman & Byzantine history reference, including The Play of Character in Plato's Dialogues,2002 (Blondel/Cambs)Michael Psellos: Rhetoric and Authorship in Byzantium, 2013 (Papaioannou/Cambs) Morality and Behaviour in Democratic Athens: A Social History, 2006 (Herman/Cambs) Plato's Meno, 2006 (Scott/Cambs)M. Accii Plauti comoediae quatuor selectae, Amphitruo, Captivi, Epidicus, Rudens etc , 1724, (Plautus/J. & B. Sprint, W. Taylor etc). Near contemporary half leather and paper-covered boards, raised & gilt bands. Some rubbing to edges. Vg tight copyExcerpta quædam ex Luciani Samosatensis operibus, 1730 (Lucian/Cantabrigiae). later full leather with blind decorative tooling, raised bandsDecline and Fall of the Roman Empire, 1890, 4 volumes (Gibbon/Frederick Warne). The Chandos Classics edition in half leather and marbled boards, with raised bands and gilt to the spines. Vg with inscriptions to the ffeps and some rubbing to the edges. A further large selection of books on Greek, Roman and Byzantine history including many Oxford & Loeb Classics and a broken run of 23 Dumbarton Oaks Papers, an academic journal on Byzantine history. Approximately 175 volumesQTY: (6 shelves & a carton)

Binding. The Vicar of Wakefield by Oliver Goldsmith, with a preface by Austin Dobson and illustrations by Hugh Thomson, reprinted, London: Macmillan & Co., 1922, monochrome front and illustrations by Thomson, marbled endpapers, all edges gilt, contemporary brown calf by Riviere & Son, with pictorial scene and title in blind with dyed colouring, 8voQTY: (1)

Bronte (Charlotte, i.e. "Currer Bell"). The Professor, A Tale, 1st edition, 2nd issue, 2 volumes in one, London: Smith, Elder & Co., 1857, half-titles, advertisement leaf at end of volume I, 8 pp. & 16 pp. advertisements at end of volume, a few light finger marks, hinges reinforced, previous owner signature, original green blind stamped cloth, spine and corners repaired, 8vo, together with Marryat (Frederick). Masterman Ready; or, the Wreck of the Pacific, 3 volumes, 1st edition, London: Longman, Orme, Brown, Green & Longmans, 1841, illustrations, a few light spots, contemporary presentation inscription to volume II, bookplates, contemporary calf gilt, a little rubbed, 8vo, plus Thackeray (William Makepeace). Vanity Fair. A Novel without a Hero, 1st edition, London: Bradbury and Evans, 1848, engraved frontispiece (laid down), additional title and 38 plates, some usual spotting and browning, previous owner inscriptions, bookplate, contemporary half calf, joints repaired, a little rubbed, 8vo, with others including 1st editions of W.M. Thackeray's The History of Pendennis, 2 volumes, 1849-50, The Virginians, 2 volumes, 1858-59, Travelling Sketches, by Anthony Trollope, 1866, He Knew He Was Right, 2 volumes in one, 1869, and Phineas Finn, the Irish Member, 2 volumes, 1869 QTY: (24)NOTE:Charlotte Bronte's The Professor was originally issued in two volumes, the present copy is the one-volume first edition issue, one of 719 bound up from unsold sheets, this copy is the second issue with the 16-page advertisements dated 1858.

Tacitus (Publius Cornelius). The Annales of Cornelius Tacitus. The Description of Germanie [and] The End of Nero and Begining of Galba, 2 parts in one, 3rd edition, London: Arnold Hatfield for John Norton, 1604 [1605], front blank bound between preliminary leaves and A1, woodcut initials, engraved plan illustration to second part (close-trimmed to fore-edge), 1605 imprint from colophon, occasional early underlining, couple of worm holes to lower blank margins of first half of text block, early owner signature Cornelius Suffeild(?) and 19th-century armorial bookplate of Joseph S. Shepard to front free endpaper, light damp stain to last few leaves and rear free endpaper, early text leaf to pastedowns, contemporary calf Oxford binding, blind-stamped with rolls used by Nicholas Smith and afterwards by Richard Billingsley (the latter probably being the binder of this volume), later green morocco title label to spine, joints rubbed, foot of lower joint with small strengthening repair, without ties, folioQTY: (1)NOTE: ESTC S117624; STC 23645.A good example of an Oxford binding. “Oxford binders developed a habit for two-way hatching patterns [on the board edges], finishing a row of diagonal hatching with a few rows running horizontally, or diagonally the other way; this can be a useful rule of thumb for recognising Oxford work between about 1580 and 1650, …” – David Pearson, English Bookbinding Styles, 1450-1800 (London: British Library, 2005), p. 113. “One very distinctive feature of nearly all Oxford bindings executed between 1580 and 1620, and of a certain number between the latter date and about 1670, is the ‘hatching’ at the head and tail of the back. This consists of diagonal lines, …” — Strickland Gibson, Early Oxford Bindings (Oxford: Bibliographical Society, 1903), p. 41.

Heywood (Thomas). The Generall History of Women, containing the Lives of the most Holy and Prophane, the most Famous and Infamous in all ages, exactly described not only from Poeticall Fictions, but from the most Ancient, Modern, and Admired Historians, to our Times. By T.H. Gent., London: Printed by W. H. for W. H., 1657, additional engraved title slightly frayed to lower margin, erratic pagination, lacking final blank, some browning, light dust-soiling and scattered spotting, all edges gilt, 19th-century blind decorated calf, joints rubbed, 8vo (16.3 x 10.5 cm)QTY: (1)NOTE:Wing H1784.Scarce work on women by the playwright and author Thomas Heywood, which includes a section on witches.

[Heywood, Thomas]. The Life of Merlin, Sirnamed Ambrosius. His Prophesies, and Predictions Interpreted; and their truth made good by our English Annalls. Being a Chronographicall History of all the Kings, and memorable passages of this Kingdome, from Brute to the Reigne of our Royall Soveraigne King Charles. A subject never published in this kind before, and deserves to be knowne and observed by all men, London: Printed by J. Okes, and are to be sold by Jasper Emery, 1641, engraved frontispiece (torn to fore-margin at foot, not affecting image or text), "To the Reader" leaf present bearing letterpress name 'Thomas Heywood' at end, light dust-soiling and few marks mostly to initial leaves, some light toning throughout, early 19th-century calf, blind and gilt decoration to spine, extremities rubbed, 4to QTY: (1)NOTE:ESTC R10961; Pforzheimer, 478; Wing H1786.The first edition of "one of Heywood's most interesting pot-boilers" (Pforzheimer). Merlin is an important figure from British myth, associated primarily with the tales of King Arthur but with roots going further back into the mists of Welsh legend. This popular account by Thomas Heywood presents his story for contemporary English audiences.

* Payne (Charles Johnson, pseud Snaffles). Swagger - but a Workman, circa 1919, photolithograph, printed in colours and finished with water and body colour, uncoloured remarque of an elegant huntsman sitting on a horse, snaffle bit blind stamp and signed by the artist in pencil to the lower right, some spotting to the backboard, overall size 385 x 350 mm, mounted, framed and glazed QTY: (1)

Hooke (Robert). Micrographia Restaurata: Or, the Copper-Plates of Dr. Hooke's Wonderful Discoveries by the Microscope, Reprinted and fully Explained: Whereby the most valuable particulars in that celebrated author's Micrographia are brought together in a narrow compass; and intermixed, occasionally, with many entertaining and instructive discoveries and observations in Natural History, London: John Bowles, 1745, title with oval ink and blind library stamp and strengthened to gutter margin, 33 engraved plates (including 3 folding), plates 8, 10, 15 & 16 with oval blind stamp at head, some offsetting, toning and spotting, without final blank, edges of few folds to plates discreetly strengthened to verso, modern calf gilt, slim folioQTY: (1)NOTE:Keynes, Hooke, 10. Norman 1092 & PMM 147 (first edition)The second edition of the most important book in the history of micrography which was originally published in 1655, "... not only the first book devoted entirely to microscopical observations, but also the first to pair its descriptions with profuse and detailed illustrations ... his famous and dramatic portraits of the flea and louse, a frightening eighteen inches long, are hardly less startling today than they must have been to Hooke's contemporaries" (Norman 1092).

Cleveland (John). The Works Mr. John Cleveland, containing his Poems, Orations, Epistles, collected into one volume, with the Life of the Author, London: Printed by R. Holt, for Obadiah Blagrave, 1687, engraved portrait frontispiece frayed to edges, blind stamp to title, 4 pp. publisher's list at rear with small hole to first leaf, browning throughout, occasional spotting to margins, library bookplate to front free endpaper 'The Brother Julian, F. S. C. Collection, donated by Mr. Christian A. Zabriskie, New York City'., late 19th/early 20th-century gilt decorated panelled calf, rebacked preserving spine, morocco labels to spine, 8vo (Wing C4654), together with:Woty (William), The Poetical Works of Mr. William Woty, 2 volumes, London: William Flexney, 1770, browning to margins of first and last few leaves, bookplate of David Rice trees of Llandovery to upper pastedown, contemporary diced calf, both volumes rebacked, board corners worn, 8vo, with another set of the same edition bound in contemporary calf,Norris (John), A Collection of Miscellanies: consisting of Poems, Essays, Discourses & Letters, Occasionally Written, 2nd edition, corrected, London: J. Crosley and Samuel Manship, 1692, imprimatur leaf present, early signature 'Wm. fawconer' at head of title, damp staining at front and rear, old label of Tortworth Rectory to upper pastedown, contemporary speckled calf, worn at head and foot, 8vo,Orrery (John Boyle, Earl of), Remarks on the Life and Writings of Dr. Jonathan Swift, Dean of St. Patrick's, Dublin; in a Series of Letters from John, Earl of Orrery, to his Son, the Honourable Hamilton Boyle, 2nd edition, corrected, London: A. Millar, 1752, engraved portrait frontispiece, contemporary calf, joints cracked, 8vo,[Blackwell, Thomas], An Enquiry into the Life and Writings of Homer, 2nd edition, London: Printed in the Year, 1736, engraved frontispiece, title with engraved vignette, folding engraved map, engraved illustrations, contemporary blind panelled calf, rebacked, joints cracking at head and foot, extremities rubbed, 8vo,Waller (Edmund), Poems, &c. Written upon several Occasions, and to several Persons, 8th edition, with additions, London: Jacob Tonson, 1711, engraved portrait frontispiece, toning and scattered spotting, armorial bookplate of George Rous to upper pastedown, contemporary calf, rebacked, joints and extremities rubbed, 8vo, plus other mostly 18th-century antiquarian, mostly poetry and relatedQTY: (29)

* Heath (William). Ten caricatures relating to the Duke of Wellington, A Vision, The Th----e in Danger, Leaving the House of Lords - through the Assembled Commons, There is none so Blind as Him who will not See, Morning and Nigth (sic), Refuge for the Destitute!!!, That old Thief..., A Political Reflection, There Never was such Times!!! [and] A Portrait of that Excellent Old Dog Waterloo, circa 1830, etchings with contemporary hand-colouring, each approximately 275 x 380 mm, framed and glazed (two with cracked glass)QTY: (10)

Humphrey (Laurence). Ioannis Iuelli Angli, Episcopi Sarisburiensis Vita et Mors, 1st edition, London: John Day, 1573, title within typographic border, woodcut initials, typographic ornaments, numerous marginal manuscript notes in an old hand, old inscription to upper margin of title, ‘pietas periculosa sed, Faelix Henricus Hill’ with another line beneath inked out, some dust-soiling and old dampstaining to upper margins and lower outer corners of several early and later leaves, ink ownership inscription of George Reading Leathes [1779-1836, curate of Shropham and botanist] and armorial bookplate [of the Davidson family] with motto ‘sapienter si sincere’ to front pastedown, paper loss to upper outer corner of front flyleaf, contemporary blind-stamped calf with gilt-decorated spine, rubbed, some wear to spine ends and extremities, joint cracked, 4to (195 x 140 mm)QTY: (1)NOTE:STC 13963. First edition of Humphey's biography of his friend John Jewel (1552-1571), Bishop of Salisbury and Anglican reformer.

* Marine. Durand-Brager (H.), Le Lendemain de Trafalgar, Capitaine Cosmao Commandant le Pluton poursuit l'escadre victorieuse et reprends plusiers vaisseaux, published by H. Jeannin Paris & the Anaglyphic Company London, 20 August 1844, lithograph with contemporary hand-colouring, publisher's blind stamp to the lower left, slight dust soiling, 355 x 490 mm, mounted, framed and glazed, together with Mayer (A.). Prise a L'Abordage, m. Aumont, Paris, circa 1845, lithograph with contemporary hand-colouring, some staining and dust soiling, some repaired marginal closed tears, 380 x 510 mm, mounted, framed and glazed, with Gaucci (Paul). To Rear Admiral Mundy C. B. This print Representing the Capture of the Fort & Vessels in the Spanish Harbour of Begu by H. M. Ship Hydra, Capt. G. Mundy is Respectfully dedicated..., circa 1845, hand-coloured lithograph after G. Chambers, slight staining, 290 x 315 mm, mounted, framed and glazed, plus Picken (T.). H. M. S. Excellent, circa 1850, hand-coloured lithograph after R. S. Thomas, 280 x 365 mm, mounted, framed and glazedQTY: (4)

Dostoevsky (Fyodor). The Possessed. A Novel in Three Parts, from the Russian by Constance Garnett, 1st edition in English, London: William Heinemann, 1913, half-title, 'Presentation Copy' blind-stamp to title upper margin, spotting to endpapers, original red cloth with decorative spine, rubbed and dust-soiled with light stain to top outer corner of upper cover, spine slightly faded, 8voQTY: (1)NOTE:First published in Russky Viestnik (The Russian Messenger) in Moscow in 1871-72, this was the work's first appearance in English. It was the third volume of Dostoevsky's works translated by Garnett between 1912 and 1920.

Early 19th century oak North Wales dresser base, the moulded top above an arrangement of five drawers with brass knob handles flanked by two further blind panelled doors on a projecting base and bracket feet. 157x48x91cm approx. (B.P. 21% + VAT)

18th century Welsh oak two stage corner cupboard, the moulded cornice above two blind panelled doors, the interior revealing two fitted shelves, the projecting base with a further two blind panelled doors, raised on baluster turned feet. 164x87x217cm approx. (B.P. 21% + VAT)

18th century Oak vestment cupboard, the moulded cornice above two blind panelled doors, the interior revealing wooden hooks above two later doors, on bracket feet. 143x48x197cm approx. (B.P. 21% + VAT)

An early Victorian rosewood and mother of pearl inlaid writing slope the hinged lid opening to reveal a blind tooled writing surface, sunken brass handlesheight 15.5 cm., width 41 cm., depth 25 cm., Condition: Crack to lid rear left corner. Velvet worn through on the hinge and faded around hinge. Divisions and pen rest absent. Secret compartment cover absent as are two drawers

An American bracket clock, surmounted by flame finials above a 13cm diameter silvered Roman numeric chapter ring, with raised brass cherub spandrels, flanked by a blind fret, metal grills on gilt metal scroll feet, with an eight day Westminster chiming movement, quarter striking, 19thC style, 43cm high, with pendulum.

A North Country Sheraton period mahogany longcase clock, the hood with shell inlay, blind swan neck pediment and reeded side columns with triple arch door and similar side pillars on ogee bracket feet with painted arch dial, moonphase to the arch and 8 day striking movement, ht. 240cm Weights and pendulum present. The case seems in fair original condition overall, The door is somewhat warped , some small veneer and cock beading loss

Good quality reproduction mahogany coffee table with a crossbanded top above a blind fretwork frieze and square cut moulded supports with crossover stretcher, 143cms x 64cms

Snaffles, (Charles Johnson Payne), signed print ' Peshwar Vale ', signed in pencil and with artist's blind stamp, 48cm x 71cm

William Tatton Winter, hand coloured etching, street scene ' St Jaques ' in Dieppe, bearing blind stamp and signed in pencil by the artist, framed, 37cm x 26cm

Ruskin Spear, signed print, figure study, signed in pencil and with blind stamp, 53cm x 37cm

George III mahogany linen press with an open and blind fretted cornice above two panel doors enclosing linen slides, above two short and one long drawer with brass swan neck handles, raised on ogee bracket feet, 127cms wide x 62cms deep x 226cms highYes, comes in to three parts from the cornice, upper and lower. The major fault with this item is the badly warped right hand door. Otherwise the piece is in reasonable overall condition. Consistent with age. Locks appear original, handles appear correct but some have new nuts.

Pair of good quality reproduction mahogany lamp tables, each with a glass inset top above a blind fretwork frieze and single drawer, on square cut moulded supports, 67cms x 56cms together with a matching coffee table, 107cms square and another reproduction rectangular coffee table with leather inset top, frieze drawer, turned stretcher and crossover supports

Antiquarian Books. [Bindings] Archer (Thomas), Pictures and Royal Portraits Illustrative of English and Scottish History,  two-volume set, London: Blackie & Son, 1880, illustrated, finely bound in contemporary brown morocco over bevelled boards, gilt and blind, rubbed, all edges gilt, marbled endpapers, 4to, various volumes of Punch, 19th & early 20th c, mixed original publisher's cloth and contemporary part-leather bindings, The Casquet of Literature, six-volume set, 1898, original decorative publisher's cloth, etc., (approx. 60)

A George III satinwood, rosewood and line inlaid sofa table,  the drawers and opposing blind drawers to the frieze flanked by reeded oval mouldings, brass castors, 73cm h; 65 x 149cm Veneer loss, mainly to edges, shrinkage crack to top, old repair to one foot

George III mahogany chest on chest, key and cavetto moulded cornice, the upper section with two short and two long graduating drawers flanked by blind fretwork, the base with three long graduating drawers, bracket feet, width 118cm, depth 56cm, height 173cm.Condition report:Both sides have significant and noticable old scars and patches of wear and scratching. Structurally it is all ok, the drawers have some old splits to the pine linings but all are sound. Some random losses to mouldings/ drawer spacing, etc. Old repairs to bracket feet.

Victorian mahogany wardrobe, moulded cornice with a blind fret frieze, central cupboard and drawers flanked by mirrored doors, on ogee bracket feet, width 196cm, depth 61cm, height 220cm.

A mahogany display cabinet on stand. Astral glazed and blind frieze below. On tapering square supports with spade feet. L86cm x D43cm x H179cm

Book : H C Andersen, Fairy Tales (W H Robinson illustrator). Constable 1913. Blind stamped with 'Presentation Copy' to title page.

MONTAGUE DAWSON print - titled "In Full Sail", The Training Ship Sir Winston Churchill, Gallery blind stamped and signed in pencil, 61 x 93cms

WARREN WILLIAMS ARCA 1863 - 1918 limited edition colour prints - 1. (481/850) - sunset over Conwy, numbered in pencil and with North Wales Fine Art blind stamp, 39 x 58cms, 2. (356/500) - sailing boats and steamboats with rowing boats and figures ashore, North Wales Fine Art blind stamp, 26.5 x 46cms

Thackeray, William Makepeace. The Virginians, two volumes bound as one, London: Bradbury & Evans, 1858, octavo, plain pebble cloth, illustrated by the author, plates foxed. Together with two others by the same author: The History of Pendennis, in two volumes, half-calf, and The Irish Sketch Book, by M. A Titmarsh [pseud. Thackeray], in two volumes, second edition, all illustrated by the author, octavo, blind-stamped cloth, spines worn with splits started, London: Chapman & Hall, 1845 (5)

19th century school, 'St Pierre Evreaux, Normandy'Watercolour, unsigned49cm x 35cm the frame 61cm x 74cmQty: 1Colour generally good, some slight foxing and marks particularly to the sky. The mount reasonably clean. The gothic frame with blind tracework decoration with some losses and marks, and in need of some restoration

K Jepson signed print with blind stamp

Geneva Bible [English]. - The Holy Bible, 8vo, contemporary calf, covers with lozenge shaped blind stamped device, lacking title, commences at leaf 3, concludes at leaf 445, end papers renewed, London, 1565.

AFTER LAWRENCE STEPHEN LOWRY (BRITISH 1887-1976) 'THE AUCTION', an unsigned limited edition lithographic print, numbered 52/850 with blind stamp to lower margin, published by Michael Stewart Fine Art, approximate size 45cm x 54cm including visible margins, together with a William Geldart limited edition print depicting a cattle auction taking place at Frank R. Marshall auctioneers, signed and numbered 70/600 bottom right, approximate size 37cm x 47cm (2) (Condition Report: both prints are in good condition, frames marked in places)

Helen Layfield Bradley, 1900-1979, Keep Off The Grass, print, signed in pencil by the artist, with a gallery blind stamp, 30 x 50cm, together with a limited edition print, The Snip, John Skeaping, The Break, signed print and two others (5)

AN AMERICAN STERLING SILVER NURSERY RHYME MUG, CIRCA 1900 by Whiting Manufacturing Co., New York, the waisted body chased and engraved with three mice and the rhyme "THREE BLIND MICE / Did you ever see such ...". 9.5cm high, 3.8 troy ounces