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A mahogany twin pedestal dining table, 20th century, the boxwood strung top above a blind fretwork frieze, upon outswept legs terminating in paw feet and castors, 76 x 99 x 213 cm, (with one extra leaf), together with a mahogany sideboard, 20th century and a two drawer bedside cabinet, (3).

A 19thC gilt gesso over mantel mirror, with Corinthian column supports enclosing six bevelled panels surmounted with a blind fret moulded frieze, 160cm wide.

A leather walking stick travelling case by Drew & Sons, London, containing; blind persons tapping sticks, carriage driving whip, estate map pointer, umbrella, riding crop and metal braided stick (10)

An early 20th Century Maxitone oak cased gramophone with applied blind fretwork decoration, retailed by Lock`s of Swindon and a box of various 78`s

An early 20th Century mahogany bureau with blind fretwork decoration

Bradford. Dixon (Thomas), Map of the Borough of Bradford, Comprising the Townships of Bradford, Bowling, Horton & Manningham, from Actual Surveys made in the Years 1844, 1845 & 1846, Bradford, June 1846, large engraved map, sectionalised and laid on linen, bright original outline colouring, calligraphic title, compass rose, table of reference and engraved vignette of Bradford Infirmary, 1140 x 1420mm, contained in orginal gilt cloth slip case with blind embossed arabesque on both boards, gilt title to spine, together with, Mawson (H. O. pubs.), Map of Forty Miles Round Bradford, n.d. c.1860,engraved map with original hand colouring, sectionalised and laid on linen, 980 x 1260mm, marbled end papers, comtemp. gilt sheep boards, rubbed, worn and frayed (2)

Leeds. Brierley (W. pubs), Map of the Town of Leeds and its Environs, n.d., c.1890, wood engraved folding map, the map bordered with topographical vignettes and a list of streets and public buildings, small closed tears to old folds, overall size 455 x 635mm, orig. printed card wrappers, together with Geographia Ltd (pubs.),Plan of Leeds, n.d. c.1920,large colour printed folding map laid on linen, 1020 x 1150mm, index of streets on front paste down, orig. gilt cloth boards, with Bacon (G.W. & Co. Ltd. pubs.),Bacon’s New Plan of Leeds and Suburbs, n.d. c.1920,colour printed lithographic folding map laid on linen, 700 x 720mm, orig. printed cloth boards, together with,Cruchley (G.F. pubs.),Map of Forty Miles round Leeds, n.d. c.1870,engraved map with original outline colouring, sectionalised and laid on linen, 990 x 1260mm, marbled end papers, comtemp. sheep, blind embossed boards with gilt title to upper board, rubbed and worn, together with another eight folding plans of Leeds and its environs, various sizes and condition (12)

Yorkshire. Cruchley (G.F.), Cruchley’s Railway & Telegraph Map of Yorkshire Showing all the Railways & Names of Stations, also the Telegraph Lines & Stations Improved from the Ordnance Surveys, n.d. c.1865, folding lithographic map with original outline colouring, calligraphic title, some near contemp. ink annotations,485 x 545mm, orig. printed paper wrappers, contemp. ink ownership inscription, slight fraying, together with Collins (H.G.),Yorkshire, n.d. c.1858,folding lithographic map with original outline colouring, sectionalised and laid on linen, slight staining, 700 x 870mm, orig. cloth with printed label to upper board, with,Harding (J.W. & Co. pubs.),Map of Huddersfield District, 1922,decorative folding colour printed map, margins with colour printed advertisements for local businesses, 745 x 550mm, orig. printed paper wrappers, with Sampson (John pubs.),Map of the York and Ainsty Hunt Dedicated by Permission to Captn. Slingsby, Scriven Park, and Members of the Hunt, York, 1881,colour printed lithographic map, sectionalised and laid on linen, compass rose, list of meets and explanation table, 860 x 960mm, comtemp. gilt and blind embossed cloth boards, together with another thirteen folding maps, various sizes and condition (15)

Bridlington Quay. Views of Bridlington Quay, published by G. Furby, c.1870s, twenty-four eng. vignette plts. by Rock & Co., occ. minor scattered spotting, orig. gilt & blind dec. cloth, slightly rubbed to extrems., oblong 8vo, together with Thompson (J.), Historical Sketches of Bridlington, pub. Bridlington, 1821, eng. frontis., orig. cloth backed boards, with paper label to spine, slight splitting to spine ends, rubbed, 8vo, plus Coates (James), Bridlington Quay, a Descriptive Poem, 2nd ed. enlarged and improved, [1813], 48pp., folding eng. map frontis., disbound, 8vo, plus four others related (7)

Harrogate. Views of Harrogate, pub. Rock Brothers & Payne, c.1855, thirty eng. vignette views on 15 plts., occ. spotting mostly to margins, orig. printed boards with cloth spine strip, 8vo, togethjer with Views of Scarborough, pub. Rock & Co., c.1855, thirty eng. vignette views on 15 plts., orig. cloth gilt, slim 8vo, with Views of Ilkley & Neighbourhood, pub. J. Shuttleworth, c.1872, thirty eng. vignette plts. by Rock & Co., orig. gilt & blind dec. cloth, oblong 8vo, with Views of Ripon, pub. Rock & Co., c.1855, twenty-four eng. vignette views on 12 plts., occ. scattered spotting, orig. cloth gilt, slim 8vo, plus Views of Scarborough, pub. W. Brooke, Scarborough, c.1870s, twelve eng. vignette plts., occ. minor spotting, a.e.g., orig. printed boards with cloth spine strip, oblong 8vo (5)

Harrogate. Views of Harrogate and Neighbourhood, pub. Rock & Co., c.1870, eighty vignette eng. plts., occ. minor spotting, a.e.g., hinges repaired, orig. gilt & blind dec. morocco, rebacked and corners repaired, oblong 8vo (1)

Ripon. Ripon and Fountains Abbey, pub. Ormiston & Glass, Edinburgh, c.1870s, seven photo litho views bound concertina style, orig. blind embossed red cloth with gilt title to upper board, oblong 8vo, together with Leeds, The New Album of Leeds Views, n.p., c.1860s, twelve photo litho views bound concertina style, orig. printed wrappers, slightly dust soiled, oblong 12mo, with The Queen’s Album of Bolton Abbey, pub. Rock & Co., c.1873, twelve photo litho views bound concertina style, orig. gilt dec. cloth, rubbed, oblong 12mo, with Pictorial Guide Books, Views of Scarborough, pub. T. Nelson & Sons, c.1870s, seven col. litho plts. (inc. 4 double-page), orig. cloth with inset pict. panel to upper board, oblong 8vo, plus four others similar (8)

Wensleydale. Views of Wensleydale, pub. T. Cradock, Post Office, Leyburn, [1863], twelve eng. vignette views on six plts., orig. blind embossed printed wrappers, slightly dust soiled, slim 8vo, together with Pateley Bridge, Views of Pateley-Bridge, pub. Rock & Co., c.1866, twelve eng. vignette views on six plts., occ. spotting, first & last leaves detached, orig. blind embossed printed wrappers (detached & split at central fold), marked & soiled, slim 8vo, with Plumpton Rocks, Views of Plumpton Rocks, pub. Rock & Co., c.1857, twelve eng. vignette views on six plts., occ. spotting, orig. blind embossed printed wrappers, worn to spine and covers slightly dampstained & marked, slim 8vo, plus Fountains Abbey, Views of Fountains Abbey & Neighbourhood, pub. Fairburn, Market Place, Ripon, c.1866, twelve eng. vignette plts., orig. cloth gilt, oblong 8vo (4)

Whitby. Views of Whitby, pub. Rock & Co., c.1870s, twenty-four eng. vignette plts., occ. minor spotting, orig. gilt & blind dec. green cloth, oblong 8vo, together with Scarborough, Views of Scarborough, pub. Rock & Co., c.1870s, thirty eng. vignette plts., orig. gilt & blind dec. red cloth, oblong 8vo (2)

York. Views of York, pub. Rock & Co., c.1866, thirty eng. vignette plts., orig. gilt & blind dec. green cloth, oblong 8vo, together with Ilkley & Bolton, Views of Ilkley & Bolton, pub. J. Shuttleworth, c.1868, twenty-four eng. vignette plts., occ. spotting, orig. gilt & blind dec. cloth, slightly marked, oblong 8vo (2)

Leeds. Directory and Topography of the Borough of Leeds, and the Whole of the Clothing District of the West Riding of Yorkshire..., by William White, pub. Sheffield & Leeds, 1842, contemp. straight grain sheep, rebacked, 8vo in 6s, together with Williams’s Directory of the Borough of Leeds; giving an Entirely New Arrangement of the Partners in each Firm..., pub. Leeds, 1845, folding eng. map frontis. by Charles Fowler, numerous commercial ads., orig. sheep, gilt title & armorial to upper board, joints split and wear to spine, 8vo in 6s, with another copy without map, plus Directory and Topography of Leeds, Bradford, Halifax, Huddersfield, Wakefield, and the Whole of the Cloth Districts of the West Riding of Yorkshire..., by William White, Sheffield & Leeds, 1847, commercial ads. at rear including one folding eng. ad., orig. blind dec. sheep, slight wear to spine and extrems., 8vo in 6s (4)

Camden (William). Britannia: Or a Chorographical Description of Great Britain and Ireland, Together with the Adjacent Islands, 2 vols., 2nd ed., 1722, titles printed in red and black, engraved portrait frontispiece, ten engraved plates of coins, 49 (of 51) double page engraved maps by Robert Morden (lacking Britannia Saxonica & Herefordshire), two or three small paper repairs, near-contemp. gilt and blind-panelled russia, joints splitting, rubbed and scuffed, folio. Boyne 3. This work was intended to be completed in two volumes, and the plates inserted in the present volume were to have been placed in the second volume. With the author’s death on February 21, 1771, the design was never completed. According to William Boyne, the manuscript of the second volume is now in the library at Burton Constable. Dr. Burton is caricatured by Hogarth in the frontispiece to Tristram Shandy. Chubb CXV. (2)

Chapbooks. Specimens of the Yorkshire Dialect, in various Dialogues, Tales, and Songs. To which is added, a Glossary of Such of the Yorkshire Words as are Not Likely to be Generally Understood, Otley, printed by William Walker, c.1860, folding eng. frontis., title-page lightly finger-soiled, orig. printed wrappers, dusty and a little frayed to extrems., slim 8vo, together with Tom Treddlehoyle’s Trip ta Lunnan, ta see Paxton’s Great Glass Lantern. Dedicated, we all’t pleasure it warld, ta Prince Olbert, [by Charles Rodgers], Leeds, Alice Mann, [1851?], letterpress vigns., orig. printed wrappers, spine with sl. loss at ends, lower cover detached, slim 8vo, plusLife, Death, and the whole of the Wonderful Prophecies of Mother Shipton, the Northern Prophetess, Leeds, J. Johnson, c.1860, woodcut on title, uncut, orig. printed wrappers, sl. dusty, slim 8vo, plus fourteen others similar, incl. five printings of The Life of John Metcalfe, Commonly Called Blind Jack of Knaresborough (17)

Gent (Thomas). The Ancient and Modern History of the Loyal Town of Rippon..., 1st ed., York, 1733, folding eng. plan (with a few short closed tears, and a paper repair on verso), lacking the two single-page wood engs. Boyne calls-for (as often), numerous woodcut illusts. throughout, subscribers list at rear, press cutting tipped-in on prelim. blank, marbled endpapers and edges, bookticket of Richard Whincup on front pastedown, with catalogue description mounted below, 19th c. blind-panelled calf gilt, sl. rubbed, spine label a little chipped, 8vo, together with another copy, defective. Boyne 192. (2)

Metcalf (John of Knaresborough). The Life of John Metcalf, Commonly Called Blind Jack of Knaresborough. With Many Entertaining Anecdotes of his Exploits in Hunting, Card-Playing &c., Some Particulars Relative to the Expedition Against the Rebels in 1744. . and also a Succinct Account of his Various Contracts for Making Roads, Erecting Bridges, and Other Undertakings, in Yorkshire, Lancashire, Derbyshire, and Cheshire, 1st ed., pub. Peck, York, 1795, etched portrait frontispiece, bound with A Description of Buxton and the Adjacent Country; or the New Guide, for Ladies and Gentlemen, Resorting to that Place of Health and Amusement, Compiled by W. Bott, Buxton, Manchester, 1796, scattered light spotting, contemporary half calf, some wear to spine, 8vo, plus Peck (Edward), A Sketch of the Life and Eccentricities of the Late Mr. Lumley Kettlewell, of the City of York..., pub. York, 1821, publisher’s advert leaf at front, few wood eng. illusts. and one eng. port. plt., contemp. sheep, crudely repaired with bookcloth to board edges and spine, 12mo (2)

Robinson (Jas. Fraser). The Flora of the East Riding of Yorkshire, including a Physiographical Sketch. To which is added a List of the Mosses of the Riding, by J.J. Marshall, London & Hull, 1902, folding col. map, b & w chapter headings, orig. dec. cloth, a trifle rubbed, 8vo, together with Lees (Frederic Arnold), The Flora of West Yorkshire, with a Sketch of the Climatology and Lithology in Connection Therewith, 1888, folding col. map, orig. cloth gilt, a little rubbed, thick 8vo, plus Nelson (T.H. and Clarke, W. Eagle), The Birds of Yorkshire. Being a Historical Account of the Avi-fauna of the County, 2 vols., London & Hull, 1907, col. frontis. and title to each, b & w illusts. from photos (one or two pages loose in vol. 1), orig. cloth gilt, sl. rubbed, thick 8vo, and Hobson (Richard), Charles Waterton: His Home, Habits, and Handiwork. Reminiscences of an Intimate and Most Confiding Personal Association for Nearly Thirty Years, 1st ed., London & Leeds, 1866, sixteen uncol. wood-engs., orig. blind-stamped and gilt-dec. cloth, sl. rubbed on spine (front inner joint cracked), 8vo and others of Yorkshire natural history and botanical interest, etc. (approx. 35)

Thoresby (Ralph). Ducatus Leodiensis: or, the Topography of the Ancient and Populous Town and Parish of Leedes, and Parts Adjacent in the West-Riding of the County of York..., 1st ed., 1715, eng. port. frontis., folding eng. map and eleven eng. plts. (inc. 6 folding), numerous eng. illust. to text, some occ. browning and spotting to text, contemp. blind panelled calf, joints cracked, spine rubbed and some wear, folio. Upcott pp.1381-1383; Boyne 93. (1)

Young (Rev. George). A Geological Survey of the Yorkshire Coast: Describing the Strata and Fossils Occurring between the Humber and the Tees, from the German Ocean to the Plain of York, 1st ed., Whitby, 1822, eng. frontis. and double-page hand-col. eng. map, double-page hand-col. eng. plt. of strata, seventeen hand-col. litho plts., some occ. browning, initial leaves creased to foredge margins, frontis, title and map with small blind embossed ownership crest, contemp. half calf, upper board detached and lower joint cracked & weak, some wear and loss of leather to spine, worn, 4to (1)

VICTORIAN OAK AND POLYCHROME PAINTED BOOKCASE LATE 19TH CENTURY in the manner of Pugin, the moulded rectangular top above a geometric frieze and open adjustable shelves, flanked by blind fret carved sides and raised on a plinth base 94cm wide, 137cm high, 32cm deep

A 20TH CENTURY LACQUERED CHINOISERIE DECORATED BREAKFRONT CHINA CABINET, overall decorated with oriental figures, birds and buildings and having blind centre panel cupboard flanked by two bevelled glass panels, fitted shelves to the interior on cabriole legs. 52" Wide x 18" Deep x 68" High.

AN EARLY 19TH CENTURY WELSH OAK DOUBLE CORNER CUPBOARD, having moulded cornice above two blind panel doors revealing fitted shelves to the interior, the base with similar blind panel doors standing on bracket feet. 36" Wide x 79" High x 20" Deep.

A LATE VICTORIAN WALNUT MIRROR BACKED SIDEBOARD, the back with arched bevelled plate under a broken foliate moulded cornice flanked by side mirrors and gallery shelves, breakfront base with curved open end shelves, freize drawer and two blind foliate carved panel doors standing on square tapering supports. C1900. 48" Wide x 14.5" Deep x 92" High.

A later 20th Century Royal Worcester reproduction serving dish of fluted form in the Blind Earl pattern with a relief moulded flowering rose bough, width 21 cms.

An Officer`s Silver Mounted Sword, circa 1775, green stained ivory oval section and wrythen fluted grip, with silver smiling mask pommel, hoof form quillons with stamped maker`s mark TS (reputed to be Thomas Sumpner, See Jackson, pg.620), the tooled brown sheath inscribed Shephard Blind Quay Dublin, with slightly curved blade engraved with stars, 81.5cm long overall

A Group of Eleven Copper Workman`s Tokens, late 18th century, each circular, engraved on the face with a lion rampant crest, and engraved on the back Carpenter (2), Mason (2), Labourer (3), Paver (2) and Sawyer (2), contained in an associated blind tooled red morocco teardrop case, the tokens 32mm diameter; and A Green Stained Ivory Mounted and Silver Tongue Scraper, circa 1780, the plain arched head over two slender turned ivory handles, 9cm high (2)

A Mahogany Eight Day Longcase Clock, the nicely figured case of good colour with a broken arched pediment and turned central finial, stop wood fluted columns, circular moulded hood door with blind fretwork corners, flame veneer trunk door flanked with stop wood fluted pilasters, crossbanded rectangular plinth raised upon bracket shaped feet, 13-inch circular painted dial with Roman numerals and signed J & W Howden, Edinburgh, subsidiary dials for seconds and date, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 234cm high (dial and movement circa 1810, associated to the case circa 1780)

A Late George III Mahogany Linen Press, circa 1800, the dentil and blind fret cornice above two cupboard doors enclosing four sliding trays, the base with two short over two long drawers with brass swan neck handles, raised on bracket feet, 117cm by 64cm by 206cm (restorations)

A George III Mahogany Linen Press, late 18th century, the dentil cornice above a blind fret frieze and two fielded panel doors, the base with two short over one long drawer, raised on bracket feet, (converted to a wardrobe, lacking trays) 121cm by 56cm by 187cm

AUTOGRAPH (?) PREACHING MANUSCRIPT. [SERMONS] the twenty-one sermons written in ink in a clear and easily legible hybrid secretary-italic hand on 542 leaves, paginated, the contents and textural references listed in "A catalogue of the Sermons contained in this Boke" including The Godlie Mans Guide, The husbands happiness, A Muzzle for ye mouth and Whordoms Wages, each ending with 1p. invocation, catchwords, references and marginalia, several with preaching dates from the 1630s to 1650s, preceded and followed by two p. of prayers (one of those at the front missing) including one for Charles [I] and Prince Charles, the latter`s name struck out presumably during the Commonwealth, and THE WHOLE BOOK OF PSALMES. Collected into English meeter by Thomas Sternhold, John Hopkins and others, black letter, text in two columns, title within woodcut border, large woodcut initial letter at head of first psalm, some with music, ending with a final MS leaf of "The Psalmes Digested into a breefe Table... accordinge to... Mr Beza", London: Printed for the Companie of Stationers, 1620, two works in one volumne, 8vo (195 x 147mm) contemporary calf centrepiece binding (worn, frayed and wanting spine) tooled in blind with frame and fleurons Provenance: B[arnabas] Pool, Rector of Brailsford (ownership inscription on end pastedown). According to Lichfield Diocesan Registers, Barnabas Pole was given the living of Brailsford, Derbyshire on 18 June 1668, which he held until his death on 6 December 1698. On his monument in the church, his name is spelt Poole and the stone lintel over the door of the early 16th c (former) rectory at Brailsford is inscribed "Restored by/Rev`d J G Croker/1883/Rev`d B Pool/1682". Several of the sermons share titles with those of Immanuel Bourne (1590-1679) whose published sermons appeared between 1617 and the mid 17th c. A preacher at St Christopher`s Church, London, he held the living of the nearby parish of Ashover from 1622 until his pronounced sympathies for the Puritan cause compelled him to return to London on the outbreak of the Civil War in 1642. There he was appointed preacher at St Sepulchre`s Church. Whilst it is conceivable that the present lot is Bourne`s own preaching manuscript, Pool could well have obtained it from a scribe, who carefully copied at least some of Bourne`s published sermons. Hardly any manuscript material by Bourne is known to have survived other than two hastily written letters to Sir John Gell, 1st Baronet (1593-1671) of Hopton Hall (Derbyshire Record Office) and his signature on a document dating from the end of his life (British Library).

A Collection of Original Etchings a published collection of 194 plates, of 200 listed, by or after Rembrandt, Claude Lorraine, Hollar, Bega Runciman and others, etchings, later impressions on india paper, v.s., trimmed close and mounted at edges onto album eaves, as issued, one leaf detached, generally in good condition contemporary gilt- and blind-embossed green morocco, edges worn, lower board detached, a.e.g., folio, printed by J. Kay, 1826.

Fouqué (Baron F.H.C. de la Motte) Undine, a Romanc translated by George Soane, first edition in English, title-page and outer margin of first few leaves slightly stained, modern half morocco, 12mo, Simpkin and Marshall, 1818; Undine, or the Spirit of the Waters, translated by Thomas Tracy, double columns, contemporary wrappers, J. Cunningham, 1840; Undine, a Tale from the German, translated by the Hon. C.L. Lyttleton, wood-engraved pictorial title-page and 5 illustrations, signed F.B, original blue blind-stamped decorated cloth, [Chiswick Press for] Bell and Daldy, 1859, the last two first editions of these new translations, 12mo and 8vo(3)

Speaking Picture Book (The),1890 8 chromolithographed plates with 9 string-pull tabs that operate a bellows system to produce voice of each animal and "mama" & "papa", final plate slightly browned at edges, original blind-tooled cloth with chromolithographed title mounted on upper cover, gilt sides in style of book, very slight staining to upper joint but a very good copy, n.p., [c.1890].

Upton Borbee and the Wisp 1st first edition, 31 full-page colour illustrations and vignettes by Upton, blind-stamped presentation copy to upper margin of title, original cloth-backed pictorial boards, corners bumped, slightly rubbed, dust-jacket, torn, with loss, ink name to upper panel, soiled, oblong 4to, 1908.

Shakespeare.Tragedy of Hamlet,ltd,1933 one of 1500 copies signed by the artist, wood-engraved pictorial title and illustrations by Eric Gill, book-label of Peter Stockham, original pigskin with image of the ghost of Hamlet`s father in blind on upper cover and colophon device on lower, uncut, spine slightly rubbed at head and foot, slip-case (rubbed), 8vo, [New York], printed by Hague and Gill for Members of the Limited Editions Club, 1933.

Garden of the Night,1/35,Whitt.Pr translated by Iftikhar Azmi, number XIV of 35 specially-bound copies signed by the translator and artist and with an additional etching, from an edition limited to 240, illustrations by Richard Kennedy, etching numbered and signed in pencil and loosely inserted (slightly yellowed at edges), original pictorial blue morocco, gilt, by Paul Collet and David Sellars, spine faded, 1979 § Scott (Paul) After the Funeral, number XIV of 25 specially-bound copies signed by the artist, from an edition limited to 200,plates by Sally Scott, original tan morocco, upper cover with pictorial panel in blind, 1979, both with prospectuses loosely inserted, t.e.g., others uncut, slip-cases, 4to, Andoversford, Whittington Press(2)

Clarke (S.W.) and A. Blind. Biblography of Conjuri original cloth-backed boards, 8vo, 1920 § Hall (Trevor H.) A Bibliography of Books on Conjuring in English from 1580 to 1850, limited to 500 copies, plates, original buckram-backed boards, 4to, Minneapolis, 1957 § Findlay (J.B.) Conjurers Coins and Medals, plates, original cloth, dust jacket, 4to, Shanklin, 1964 § Alfredson (James B.) and George L. Daily. A Bibliography of Conjuring Periodicals in English, 1791-1983, portrait frontispiece, original cloth, folio, York, Pennsylvania, 1986 § Witt (Wittus) Zauberkästen, illustrations, some coloured, original pictorial boards, 4to, Munich, 1987 § Magicol no.5-148, 96 issues only, 8vo, Oak Park, 1960-Glenwood, 2003; Indices to Magicol, including reprint of first series, limited to 250 copies, original wrappers, small 4to, Glenwood, 1998, various sizes(102)

A Cinematographic camera no. 194 by Williamson Kinematograph Co. Ltd, London; the wooden case with no.194 blind-stamped on base, lacquered-brass fittings, leather carry handle, hand-cranked mechanism with original hand-crank, two internal magazines, with Carl Zeiss Jena no.219597 lens and makers plate marked "The Williamson Kinematograph Co. Ltd. Manufacturers & Shippers, 28 Denmark St, Charing Cross Rd. W.C" (Illustrated).

A George III mahogany gentleman`s press, with moulded cornice above a blind fretwork carved frieze, with pair of panelled cupboard doors below flanked by fluted pilasters, the base fitted with three long drawers with brass drop handles and oval backplates and with cockbeading to each drawer front, with moulding below and raised on shaped bracket feet. Width 46 ins.

A George III oak and mahogany crossbanded chest of drawers, with shallow blind fretwork carved frieze drawer above a series of short and long drawers with brass drop handles with oval backplates and crossbanded and inlaid drawer fronts, flanked by quarter column corners and raised on bracket feet. Width 40 ins.

A fine George III mahogany tallboy, in two sections, the top half with a moulded dentil cornice above a blind fretwork frieze with two short and three long graduated drawers beneath with cast brass drop handles with shaped backplates and foliate lock escutcheons and with cockbeading to each drawer front, flanked on either side by fluted and reeded quarter column corners, the base fitted with three drawers, with moulding below and raised on bracket feet. Width 47 ins, depth 21 ins, height 70 ins.

An Edwardian blind fretwork carved bijouterie table, the rectangular top glazed and hinging to a cloth lined interior, raised on four legs of square section with pierced corner brackets. Width 23.5 ins.

A 19th century mahogany serpentine fronted chest of drawers, with moulded edge and canted angles above four long graduated drawers with brass drop handles with shaped backplates and circular lock escutcheons, with cockbeading to each drawer front and flanked by canted angles with blind fretwork and raised on bracket feet. Width 41 ins.

A 20th century carved oak monopodia, with ionic capital and blind fretwork decoration, 123.5cm high

A George III mahogany kneehole desk, circa 1780, with blind central drawer and cupboard 81 x 94 x 48cm (31 x 36 x 18in)

A Regency mahogany sofa table, circa 1825, blind frieze drawers with outline panel mouldings on a stepped base and swept legs 72 x 131 x 58cm (28 x 51 x 22in)

After Andre Dunoyer de Segonzac (1884-1974) - `La Route de Grimaud`, blind stamped, label for Ganymed Press London Ltd for the Tate Gallery verso, colour reproduction print, 19.25" x 27.75"

After Lawrence Stephen Lowry (1887-1976) - `The Meeting Point`, signed in pencil, blind stamp, colour print, 18.25" x 28"

A GEORGE III MAHOGANY LONGCASE CLOCK having an arched brass dial, silver chapter ring and embossed spandrels, signed Josh. Denton, Hull with eight day striking movement, the case with blind fretwork decoration, brass finials, fluted columns and arched panel door on a plain base with bracket feet, 97" high overall (see illustration).

A George V oak sideboard fitted with two blind fretwork drawers above panelled cupboards, on turned legs and bracket feet.

Frank Brangwyn - `The National Institute for the Blind` (Book Cover Design), woodblock printed in colours, signed in pencil, approx 23cm x 15cm, together with a collection of prints after Brangwyn.

A part 18th century mahogany open waterfall bookcase, on later blind plinth, 87cm (34in) wide

An 18th century American mahogany bureau bookcase, the upper section with a pair of blind panel doors, the base with two short over two long drawers, the interior with concealed drawers and open pigeon holes, raised on bracket supports, 113cm (44 1/2in) wide

A Victorian mahogany kneehole desk, the top with inset leather writing surface, fitted nine drawers, raised on blind box plinths, 107cm (42in)

A Victorian mahogany three-door gentleman`s compactum wardrobe, with one glazed and two blind panel doors, the interior fitted with short drawers, 198cm (78in) wide

A George III mahogany tallboy, the projecting cornice over two short and three long drawers with brass loop handles, blind fret canted corners, the base with three long graduated drawers, on shaped bracket feet, Height 71", Width 42"