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After William Powell Frith (1819-1909), British, The private view, 1881, black and white etching, circa 1885, FLK blind stamp, signed in pencil in margin lower left.47 x 89cm

Montblanc, a limited edition Qing Dynasty fountain pen, no. 1850/2002, released 2002, the black lacquer barrel with gilt blind cap, the cap made from carved jade depicting a dragon, with gilt cap band and clip, the medium nib stamped ‘18K’ and engraved with a dragon, with a piston filler system, uninked, in its original green lacquer box with paperwork and outer card packaging

Patrick Scott HRHA (b.1921) MEDITATIONS, 2007 (SET OF 7) carborundum print; (each no. 26 an edition of 50) each print signed, numbered, and dated in the lower margin; with Stoney Road Press blind stamp lower right 24 by 24in., 60 by 60cm. P All uniformly framed. Sheet size: 28.5 by 28in. The present collection re-examines the artist`s introspective approach to creation as seen in his earlier works on canvas. Published in collaboration with Stoney Road Press in May 2007.A major retrospective of Patrick Scott`s oeuvre will take place in spring 2014 at the Visual Centre for contemporary Art, Carlow and at IMMA in Dublin. For an earlier work by Scott see lot 97 [25 November 2013].

Two pairs of cotton interlined curtains, the beige ground with green scrolling foliate pattern, together with matching pelmet and a Roman blind

A pair of "Fuschia" pattern cotton interlined curtains with matching pelmet and Roman blind CONDITION REPORTS Length approx 190 cm max. Light general wear but overall condition appears good.

Two pairs of Osborne & Little "Sundance" design cotton interlined curtains, together with matching tie-backs, pelmet, roller blind and curtain poles, together with a modern yellow ground rug

AFTER DEREK GARDNER "Defence" and "Orion", a pair of limited edition coloured prints, No'd. 77/750 and 343/750 respectively, bearing Solomon & Whitehead blind stamp, both signed in the margin

AFTER JAN FISHER "Iona - the North End", coloured limited edition print No'd. 57/950, signed in pencil, another similar No'd. 25/950, both bearing embossed blind stamp and a set of three coloured aquatints of mountainous lakescapes

AFTER LINDA JANE SMITH "Curtain up", limited edition colour print No'd. 249/750, bears "Washington Green Fine Art Guild" embossed blind stamp, signed in pencil

A Marion 3x4 Soho Reflex Camera, with Ross Xpres f/4.5 6" lens and Rada roll-film back, F-G, base re-fixed, shutter blind not traversing fully, lens, G, some scratching

Hitchcock, Edward 1853 [Maps with Report] A Geological Map of the United States and Canada [and] Outline of the Geology of the Globe "The first map (24.2 x 16”) is Hitchcock`s landmark map of 1853. Essentially, it is a compilation of Lyell’s map for the eastern portion combined with M. Boue’s “Geological Map of the World” for the western portion modified by the author’s generalizations derived from the relations of geography to geology, as argued in the report. In this respect, he freely admits that such generalizations for the western US might be greatly erroneous. This map provides early detail of the geological formations. An explanatory key to the colors indicates fifteen geologic formations. The second map (23 x 18”) is drawn on Mercator`s Projection. It shows the entire world with a separate hemisphere of the “Supposed Antarctic Continent” that locates Wilke`s Land, South Victoria, Enderby Land and Cook`s sighting of 1774. This map uses six different colors to locate as many geological formations. Along the bottom are the comparative heights of mountains and volcanoes aligned with the position on the map. Condition: Clean and bright with original color, a short binding tear at left that just passes the neatline, a few small abrasions along the left portion of the image, and two tiny holes to the left of the explanatory key. These important geological maps are bound in the original report “Outline of the Geology of the Globe, and of the United States in Particular; with Two Geological Maps, and Sketches of Characteristic American Fossils,” by Edward Hitchcock, Boston: Phillips, Sampson & Company, 1853, 5.5 x 9”. First edition, octavo, 136 pp., 6 plates, and 2 folding hand-colored geological maps. In original blue blind stamped cloth with gilt title on spine. This work is notable for containing his first attempt at a geological map of the United States. His son C. H. Hitchcock also notes that “the part relating to the United States is the first attempt to show the distribution of rocks from the Atlantic to the Pacific border.” The report and it`s two maps are rarely seen together." #VALUE! Maps are clean and bright with original color. Covers show light wear and a few stains.

Moxon, Joseph 1715 The Holy Bible, Containing the Old and New Testaments... [bound with] The Book of Common Prayer [and 6 Biblical maps] "This magnificent folio-sized King James Bible is bound with “The Book of Common Prayer”, “The Books Called Apocrypha”, “The New Testament”, and “The Whole Book of Psalms: Collected into English Metre” by Thomas Sternhold and John Hopkins. This edition of the King James Bible includes marginal notes from the Geneva Bible, an ironic combination because the Geneva Notes apparently played a role in King James` decision to commission a new Bible. In addition, this Bible features a series of 6 Biblical maps originally by Nicholas Visscher and translated from Dutch by Joseph Moxon: A. “A Map of All the Earth and How After the Flood it Was Divided Among the Sons of Noah”. The map illustrates how the world was divided up among the sons of Noah after the Flood. It is centered on the Old World and only the place names are concentrated there. The rest of the world is shown only with continental outlines, rivers and lakes. The “island of California” appears across the expansive Pacific Ocean where there are partial outlines for Japan, Australia and New Zealand. A series of vignettes surround the map illustrating the Creation and the Garden of Eden at top, with scenes from the Fall of Man to the Crucifixion of Christ at bottom. Two cartouches further decorate the sheet, including a dedication to Gilbert Sheldon, Archbishop of Canterbury. This is the second state, with the addition of Pennsylvania marked on the map. Reference: Shirley #457; Laor #516A. B. “Paradise, or the Garden of Eden. With the Countries Circumjacent Inhabited by the Patriarchs”. An attractive and uncommon map of the Middle East, including Cyprus, a portion of the Persian Gulf and the north shore of the Red Sea filled with details of Old Testament locations, including Babel and Nineveh. There is a coat of arms at upper left and a cartouche at upper right showing the expulsion of Adam and Eve from Paradise by the Angel. Reference: Laor #517. C. “Israels Peregrination, or the Forty Years Travels of the Children of Israel out of Egypt through the Red Sea, and the Wilderness into Canaan, or the Land of Promise”. This lavishly decorated map of the Holy Land depicts the flight from Egypt and the wanderings of the Children of Israel. Includes a fine title cartouche, ships sailing in both the Mediterranean and Red Seas, numerous putti, several engravings of religious icons, Moses, Aaron, and a charming scene of Jonas and the whale. Reference: Laor #519. D. “Jerusalem”. This detailed bird`s-eye view was one of the most popular plans of Jerusalem during the seventeenth century. While it is imaginary, it provides great detail of the city walls and streets, with 36 principal sites numbered and keyed to a table in a scroll at left, which is held aloft by an eagle. Solomon`s Temple is at upper center and Herod`s Palace is located at the far left. The scenes in the foreground include the Crucifixion at left and Salomon`s anointment at right. Reference: Laor #1084A. E. “Canaan, or the Land of Promise. Possessed by the Children of Israel: and Travelled Through by our Saviour Jesus Christ; and His Apostles”. This fine map of present-day Israel is oriented with north to the right. There is a large, decorative title cartouche at bottom flanked by vignettes depicting the life of Christ. At top, putti hold banners with the key to the map and scale of miles. Tiny ships and the track of Apostle Paul are shown in the sea. At top center is a coat of arms with a dedication to Lord Bishop Humphrey. Reference: Laor #522A. F. “The Travels of St. Paul and Other the Apostles...” This map portrays the Eastern Mediterranean from Rome, through Asia Minor and the Holy Land, to Babylon. Territorial divisions reflect the political conditions of the first century A.D. The route of Apostle Paul is charted from Jerusalem to Rome. The decorative panels at top and bottom show the major events of Paul`s journey; each vignette being a composite of two or three episodes. The one at the left of the cartouche shows Paul`s conversion, his baptism by Ananias, and finally his daring escape from the city. Other scenes depict the young Paul before his conversion, healing the paralytic, his ship wreck at Malta, and his appearance before Nero. At bottom left is a coat of arms with a dedication to Seth, Lord Bishop of Salisbury. Reference: Laor #523A. This example also includes three pages of meticulous genealogical notes of the Joseph Maude and Thomas Holme families (from 1662-1863) written in delicate manuscript by a previous owner. 6 maps, 91pp, 719pp, 160pp, 248pp, 54pp. Original full diced paneled brown calf over beveled wooden boards, with a central, ornate blind-stamped lozenge to each board, and raised bands on spine. The original brass clasps and catches are no longer present." 10.6" W x 16.8" H Five of the six maps are in very good condition with faint, scattered foxing and minor offsetting. The sixth map (Canaan) is in good condition with some show-through of old manuscript ink on verso. The text is mostly very good with light scattered foxing and toning, with heavy toning on the first and last few pages. The binding is sound but the hinges are starting. The front cover is cracked vertically near the fore-edge and has been professionally repaired. The spine is cracking and is missing a 4x2" piece at bottom. There is a bookplate from a previous owner (Rosa Walter Meertief, born c. 1872) on front pastedown.

A 19th century mahogany chest, the rectangular top above a blind fret frieze and seven graduated long drawers on bracket feet, 95.5cm wide by 47.5 cm deep by 162 cm high

An early 20th century mahogany desk with red leather writing surface over three drawers with blind fret work carving on shaped legs, 107cm

A mahogany serpentine chest of drawers in the George III style, 20thC, with four cock beaded drawers, each with brass swing handles, flanked by blind fret canted corners, on bracket feet, 82cm wide x 52cm deep x 91cm high

ƒ Jane Evelyn Atwood (née en 1947)Departmental Institute for the Blind and Visually Deficient, Vertou, France, 1981Tirage argentique postérieur signé au verso23,7 x 35,4 cm

STEVENSON (R. L.) Virginibus Puerisque, demi 12mo, finely bound by Hatchards, in red morocco gilt & blind, a.e.g., Thomas Mosher, 1910.

[GEORGE BAXTER PRINTS] MUDIE (R.) The Earth, Air, Heavens, Sea, 4 vols., 12mo, each with frontis. & add. t.p. by Baxter, black cloth gilt & blind, L., 1835. (4)

MAYHEW BROTHERS: Acting Charades or Deeds not Words. A Christmas Game, sq. 8vo, hand-col’d frontis & pict. title, text illus., red cloth gilt & blind, L., n.d. (ca. 1850).

[INDIA] MILL & WILSON, The History of British India, 10 vols. in 9, 8vo, original cloth gilt & blind, bookplate Earl of Portsmouth, L., 1858. (9)

FLORIST’S JOURNAL and Gardener’s Record …, 3 vols., 8vo, vol. 1: Dictionary of Flowers, h-col’d frontis, add. h-col’d pictorial title & 11 col. plates & 1 b/w; vol. 2: Trees & Shrubs, h-col’d frontis & add. h-col’d pict. title, 11 h-col’d plates; vol. 3: Fruits and Vegetables, add. pict. h-col’d title & 13 plates, uniform original green cloth gilt & blind, L., Groombridge, n.d. (ca. 1830) (3).

W. WHITELEY, LONDON, LATE VICTORIAN CARVED MAHOGANY DISPLAY CABINET, the back with blind fret carved frieze above two bevel edged mirrors and shelf with scroll supports, flanked by a pair of mirrors and lattice pierced panels, the lower section with bow fronted blind fret carved drawer above an open shelf with scroll supports, flanked by a pair of mirrors and lattice pierced panels, the lower section with bow fronted blind fret carved drawer above an open shelf with galleried rails, flanked by a tall pair of astragal glazed cupboard doors, enclosing fixed shelves to the polished interior, over short drawers, fitted with brass handles and raised on moulded cabriole supports, 82" (208.3cm) high, 55" (139.7cm) wide

A set of ten Victorian oak hall chairs, with blind tracery arcaded backs and triple acorn-shaped finials (10) CONDITION REPORT: Some bosses and decoration loose. One seat detached.

A Chippendale design mahogany elbow chair, with scroll arms, blind fret carving and chamfered 'H' stretcher CONDITION REPORT: Both arms loose. Left arm has lost front carving and is split in half and repaired. One ball and claw foot has split. One back leg badly split and repaired badly. Breaks beneath have been replaced. Much evidence of animal glue (recent) Needs inspecting in person.

Philip, The Rev. John RESEARCHES IN SOUTH AFRICA ILLUSTRATING THE CIVIL, MORAL AND RELIGIOUS CONDITION OF THE NATIVE TRIBES - 2 VOLS London: James Duncan, 1828 first edition 8vo frontis and map Full calf blind-stamped original cover boards with new banded titled spine, re-cased. Bookplate of Lanzerac. The frontispiece and fold-out map are foxed but as for the rest of both volumes, clean and bright condition. The title pages of both volumes have been slightly browned by the foxing of the map and frontis A fundamentally important work regarding black/white relations in South Africa. 0 1

Historical DocumentsNapoleon III1845 (4 Aug.) A.L.S. of Napoleon III from Ham to Giuseppe Orsi in London. The stationery has the blind-embossed crown stamp of a British stationer in Bath at the upper left. Napoleon was serving life imprisonment in the fortress town of Ham and was writing to his friend on the subject of artillery and gunpowder, in part, "... The drawings which you promise me will, no doubt, be very useful to me at this time, but do not forget to inform me of the exact number of the manuscript, so thus I believe that the drawing you sent me is from the Chronicle of St. Denis, Sloan No. 2433, because I was already familiar with it, but the drawing that I had of it was very inaccurately copied. Today I received a reply from Sir Robert Ellis who gives me an account of the origin of gun powder which is very curious... see if you cannot find some designes of English artillery of the time of Henry VIII. There should certainly be something either earlier or later, but I warn you that I possess the Military Antiquities of Grose which, however, contain little interesting matter. Perhaps there are at the British Museum French manuscripts especially concerning artillery which are not to be found in Paris..."; signed "L.N.B.". The letter with integral address panel includes the red wax seal, Ham, Paris and London c.d.s., boxed "pd" and rated "10"; filing creases and some ink stains on edges of the address panel. A fine and interesting letter. Photo The letter stems from Louis Napoleon’s desire to rule France. From childhood, he saw himself as an emperor. He was forced to live outside of France after 1816 when the French banished the Bonapartes and confiscated their property following the exile of Napoleon I to the island of St. Helena. Louis Napoleon failed in an attempted coup d’état at Strasbourg on October 30, 1836, and was himself exiled by King Louis Philippe, who treated him mercifully at the time.This first failed coup did not deter him. Less than four years later, on August 6, 1840, Louis Napoleon failed in a second attempted coup. Leading a small band of 56 loyal supporters, including Lombard, Orsi, and Parquin, he sought to provoke an uprising at Boulogne-sur-Mer, which he hoped would draw General Bernard Pierre Magnan to Lille and allow Louis Napoleon, in turn, to march upon Paris. He was defeated at Boulogne, however, and was captured and tried, along with his conspirators, by the Chamber of Peers. At his trial, he urged the Peers not to “believe that, yielding to a personal ambition, I wished to attempt in France, and against the nation’s will, to restore the Empire.” Instead, he explained, “the vote of four millions of citizens which elevated my family imposed upon us the duty of making an appeal to the nation, and of consulting the popular will.” Thus, he suggested, he sought only to let the French people make a “free decision” between republic or monarchy, empire or royalty. He did not persuade the Peers, and he was convicted and sentenced to perpetual imprisonment. This time, King Louis Philippe was more severe. On December 15, 1840—the day that the repatriated body of Napoleon I was interred at Les Invalides in Paris—Louis Napoleon was imprisoned in the fortress at Ham.Orsi had been sentenced to five years.Louis Napoleon escaped from the Ham fortress in 1846 and lived in England until the French established a republic with the overthrow of King Louis Philippe in 1848. He returned to France for a short time before returning to England at the request of the provisional government. While in England he was elected to the French Constituent Assembly created to draft a new constitution. On December 10, 1848, the first direct election under the constitution of the Second Republic, Louis Napoleon was overwhelmingly elected President of France. When the National Assembly refused to amend the constitution so that he could serve a second term, Louis Napoleon staged another coup d’état and seized dictatorial powers on December 2, 1851—the 47th anniversary of the crowning of Napoleon I as emperor and the 46th anniversary of Napoleon I’s victory at Austerlitz. He reigned as Emperor Napoleon III until 1870, when he was captured during the Franco-Prussian War and was deposed by forces of the Third Republic in Paris two days later.See lot 2094 for a related itemSubject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

"An Edwardian mahogany display table, the lifting lid with blind fret carving, raised on chamfered supports united by a galleried undertier, 74 x 58.5 x 71cm"

V. Charmian Pollok (Scottish, Contemporary) `Pergola, Winter 1` Blind embossed print Signed lower right and numbered lower left 5/15 Labels to reverse 65cm x 90cm

A Georgian style mahogany floor bookcase with shaped top, blind fretwork to the frieze, astragal doors with shelved interior on a shaped base

Various Albums; twenty one mainly Rock including Colosseum, Blind Faith, Steamhammer, Fat Mattress, William R Strickland, Paul Revere, Uriah Heep, Soft Machine, Taste, three compilations etc. Various years & conditions

William Russell Flint, 'White Interior', a large gilt framed and glazed polychromatic print, blind stamped and signed.

SASSOON, Siegfried: Picture Show, 1919 1st edn, consisting of ONLY 200 copies on handmade paper, privately printed at the Cambridge University Press by J. B. Pearce, under the supervision of Bruce Rogers, and bound in boards by John P. Gray & Son. 150 copies are for sale at one guinea net. 8vo. (238 x 168mm), PP-49. Original brown boards with blind-tooled Greek-key borders, printed paper lettering-piece on upper board; and with the original publisher's two-leaf flyer and order form, (loosely inserted). CONDITION: boards lightly rubbed and marked, more heavily at extremities. The armorial bookplate of Evelyn Henry Tschudi Broadwood (of the Broadwood Piano family) to front pastedown and with his name in ink to front blank endpaper; o/w VG. Very Scarce

(x) Rhodesia and NyasalandPostage Due Stamps1961 1d. vermilion horizontal pair, variety imperforate between, also 2d. block of six (3x2) with partially blind perfs. between vertical pairs and 6d. block of four with partially blind perfs. between horizontal pairs; fine unmounted mint. S.G. D1a, £650+. Photo Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

(x) Rhodesia and Nyasaland1954-56 Issueissued stamps: A selection including ½d. strip of four each with two blind perfs, 1d. mint block of nine with the centre stamp showing "Map of India" large printing intrusion at centre, 1d. used with "beard" inking flaw, 3d. mint block of four with the top pair showing offsets of the vignette, £1 Post Office training stamp pair and 5/- booklet (3) Subject to 5% tax on Hammer Price in addition to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

London Transport London Country canvas Bus Indicator Blind. Measures 37" wide with both top and bottom metal rollers still intact. Destinations include: RAILWAY; TO HIRE A COACH APPLY TO ANY LONDON COUNTRY GARAGE;TOUR FROM REDHILL & REIGATE; HORLEY; 424 DUXHURSTSIDLOW; REIGATE STATION; Green Line Express 727 GATWICK AIRPORT (in yellow); 727 Green Line Express WATFORD STATION (in yellow); 727 Green Line Express HEATHROW AIRPORT (in yellow); 727 Green line Express St. Albans (in yellow); 727 Green Line Express LUTON AIRPORT (in yellow).

A Royal Worcester Blind Earl pattern plate

Selection of dexterity puzzles and games, includes Magico `Rub-It`; Three Blind Mince Patience Puzzle (in original packaging); Big `Ead; Merit Pitch `Em Cowboy Puzzle (in card sleeve), etc. Overall appear G. (7)

‡LAURENCE STEPHEN LOWRY, R.A. (1887-1976) Great Ancoats Street signed and numbered 527/850 in pencil with blind stamp in lower left margin, limited edition print 10 1/4 x 14 1/4ub (26.1 x 36.3cm) Sold with one other reproduction after Lowry depicting ` Figures queuing on a pavement`, with blind stamp and number 758/850 ; two (2)

‡DAVID SHEPHERD R.A. (b.1931) Tiger in the Sun reproduction in colours signed and numbered 453/850 with blind stamp, published by Solomon and Whitehead 19 1/2 x 37in (49.6 x 94.1cm); and four other unframed colour reproductions by David Shepherd titled `The Mountain Gorillas of Rwanda; Hot Springs, Yellowstone; Guilford Stream; and Kilaguni Babies; five (5)

India Punjab – Coloured Lithograph book on the Sikh Wars. Fine 1849 1st ed of Mooltan^ during and after the Siege. Being Twenty-one Drawings^ from Sketches taken on the Spot by John Dunlop^ M.D. Assistant Surgeon H.M.`s 32nd Regiment. And lithographed in Tints^ by Andrew Maclure. With a descriptive and historical account of the Siege of Moolta. Uncommon plate book recording the five month siege of Mooltan^ now Multan in Pakistan. The attempt of the British to impose a new ruler on the city led to the defiance of Dewan Mulraj^ and to the siege which precipitated the Second Sikh War. The plates include images of the city itself^ the participants including “Moolraj” and his brothers^ and key moments during the siege^ the text offers a reasonably full description of events^ partly drawn from Dunlop’s own account. Folio (370 x 265 mm). Original red cloth lettered in gilt on the upper board and with panels in blind and gilt^ light cream endpapers. Hand-finished tinted lithographic pictorial half-title and 21 similar plates^ original tissue-guards intact. A little rubbed and soiled^ light browning and foxing internally^ some light marginal foxing^ very good.

A good quality Edwardian Chippendale Revival mahogany semi-circular tall display cabinet, the moulded cornice above blind fret frieze, the central glazed panelled door flanked by corresponding glass panels and enclosing an elegantly lined interior with glass shelves, the base with decoratively panelled central door flanked by corresponding panels, raised on four beaded square supports terminating on beautifully detailed bracket feet and flanked by pierced brackets, width approx 122cm (illustrated)

A Chinese hardwood Table, 19th century, having a pierced frieze above blind fretwork with traces of red lacquer, 76cm wide 39cm deep 42cm high CONDITION REPORT: Joints loose and repaired.

A Victorian oak bracket clock with a 17cm silvered dial, signed Bakers Wigan, with subsidiary seconds and chime silent dials in the arch, with mask and leafy spandrels, the substantial three train Winterhalder & Hofmeier movement striking on five gongs, with a shell and leaf carved bell top case, the side panels with blind fret carved panels decorated with flowers and leaves, raised on an inverted breakfront plinth base, 65x39x26.5cm (illustrated)

potlid, potlids, pot+lid, pot+lids, prattware A shallow comport: The Hop Queen (414) an oval comport: Highland Music (418) handles restored, two other comports: Chiefs Return from Deer Stalking (418) and The Mountain Stream (423) and an oval dish: The Blind Fiddler (417) (5)

potlid, potlids, pot+lid, pot+lids, prattware An oval malachite comport: The Blind Fiddler (417) a similar tall comport: The Last In (412) handles restored and another tall comport, maroon ground, 1-2-3 and scroll border (3)

potlid, potlids, pot+lid, pot+lids, prattware Blind Man’s Buff (246) stained and six other lids each chipped (7)

potlid, potlids, pot+lid, pot+lids, prattware The Begging Dog (270) chipped Blind Man’s Buff (246) cracked and four small lids each repaired (6)

David Shepherd (British, b.1931): a print of Rhino Beware, 512 of 1300, signed in pencil and blind stamped, published by Soloman and Whitehead, 1988, 52 by 80cm.

Edwin A Penley 1864 'Loch Lomond', a pair of prints with blind stamp mark, published by Moore and McQueen, monogrammed in pencil, 23 by 50cm. (2)

An oak 30 hour longcase clock, the 11 inch brass dial with rococo spandrels and silvered chapter ring, signed in the centre Rich. Gilkes, Devizes amongst engraved foliage and a bird, large calendar sector, four pillar movement in a plain case, flat hood with caddy top and blind fret, 77in (196cm) high.

An eight day walnut longcase clock, the 11 inch brass dial signed Jos. Cooper, Whitchurch, the matted centre with subsidiary seconds, date aperture and ringed winding holes, mask and scroll spandrels divided by engraved foliage, the five ringed pillar movement with inside locking plate striking and anchor escapement, in a case with glass lenticle to the trunk door, the flat hood with blind fret and flanked by barley twist columns, crossbanded sides, 83½in (212cm) high, circa 1710.

A walnut eight day longcase clock, the 10 inch brass dial signed John Martin, Londini Fecit beneath the silvered chapter ring, the matted centre with slender subsdidary seconds and date aperture, mask and scroll spandrels, the movement with five latched ringed pillars, bolt and shutter maintaining power, locking plate striking, the case with spoon and rising hood, blind fret flanked by barley twist columns, the slender trunk door with geometric boxwood stringing, crossbanded sides, on bun feet, 76in (193cm) high.

Hermes Kelly bag, brown grained leather, gilt metal fastening, gilt padlock, detachable shoulder strap, blind stamped "Hermes, Paris, made in France" in gilt, with original brown dust bag

Hermes 'Birkin' bag, in black leather, gilt metal fastenings, padlock on leather strap, blind stamped in gold 'Hermes Paris Made in France', one gilt metal fastening stamped Hermes, Paris, blind stamped C and 48+ to reverse of the same strap, with its original dust bag and Hermes no. 5 rain protection bag for Birkin 35, Birkin 40 and Sac Haut 32

Vintage Chanel quilted bag, gilt metal fastening with the Chanel logo, chain and plaited leather handle, blind stamped "Chanel" inside the bag, and also the double C logo stitched, navy blue

After Michel Delacroix (b1933) - colour print of snowy French street, signed in pencil lower right, FATG blind stamp, 74cm x 54cm, framed and glazed

George III mahogany linen press the upper section converted to hanging robe enclosed by two doors above two short and one long oak lined drawer blind fret frieze with bracket feet 135cm x 209cm high

α An L S Lowry limited edition print, View of a Town, signed in pencil to the margin, with a guild blind stamp See illustration Condition report Report by JB Frame and mount would appear relatively modern. Colours would appear to be in good order, and relatively clear. There does not appear to be any major scratches or rips Please see illustrations

A JAPANESE IVORY NETSUKE, two blind men, late Meiji 1880-1920

A pair of late Victorian carved oak collectors cabinets:, with lunette and fleur de lys decorated cornices, one having seven sliding fitted trays, the other with twelve drawers, each enclosed by a pair of domed glazed panel doors (one damaged) in blind fret foliate surrounds on similar moulded plinth bases, 78cm (2ft 6 3/4in) and 79cm (2ft 7in) wide, 90cm (2ft 11 1/2in) high.