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Hans Hartung. (1904 Leipzig - 1989 Antibes). 1 Lithographie in: Un monde ignoré vu. 1973. Auf BFK Rives Velin (mit WZ). Blattmaße 56,5 x 45 cm. Signiert und nummeriert. Separat zum Buch mit 33 Offsettafeln nach Photographien des Künstlers zu Gedichten von Jean Tardieu. Im Impressum nochmals signiert und drucknummeriert. Das Buch im original Papier- und Kartonumschlag. - Die Lithographie vereinzelt mit schwachen Braunfleckchen, ebenso der Papierumschlag des Buches. Insgesamt gut. Prachtvoller, kräftiger Druck der formatfüllenden Darstellung. Mit dem Schöpfrad an zwei Seiten. RMM 434. - Eines von 75 Exemplaren der Vorzugsausgabe. - Die Lithographie hg. von Erker-Presse, St. Gallen (mit dem Blindstempel). - Das Buch hg. v. Éditions d'Art Albert Skira, Genf 1974. 1 lithograph. On wove paper. Signed and numbered. Separate to the book with 33 offset plates after photographs by the artist to poems by Jean Tardieu. Signed and numbered again in the imprint. The book in the original paper and cardboard cover. - The lithograph sporadically with faint brown spots, as well as the paper cover of the book. Overall good. Splendid, strong impression of the full-sized image. With the scoopes edges on two sides. - One of 75 copies of the special edition. - The lithograph published by Erker-Presse, St. Gallen (with the blind stamp). - The book published by Éditions d'Art Albert Skira, Geneva.

Ben Vautier. (1935 Neapel). Art is a question of signature. Portfolio von 9 Arbeiten. 1977. Je Serigraphie (tls. mit werkimmanenten Fehlstellen), davon 8 auf leichtem Vélinkarton, 1 auf klarem Kunststoff. Je ca. 23 x 32 cm. Eingelegt in Original-HLeinen Portfolio mit Schließbändern, Lwd. Ecken u. DTitel. Überwiegend signiert, im Innendeckel stempelnummeriert. Die Arbeiten je mit Blindstempel des Atelier Laage sowie verso mit weiterem Editionsstempel. - Wenige Arbeiten mit minimal angestoßenen Kanten sowie materialbedingtem leichten Oberflächenabrieb. Der VDeckel der Mappe mit unwesentlicher Druckspur. Insgesamt sehr gut erhalten. Durchweg prachtvolle Arbeiten in Original-Portfolio. Eines von 80 nummerierten Exemplaren. - Wiederkehrend beschäftigt sich Vautier in seinem Schaffen mit dem Motiv der Künstlersignatur. Im Portfolio "Art is a question of signature" experimentiert der Künstler mit der Künstlerunterschrift, indem er verunstaltet, unkenntlich macht oder als Fehlstelle aufzeigt. portfolio of 9 works. Each serigraph (partly with inherent defects), 8 of them on light cardboard, 1 on clear plastic. Loosely inserted in original half cloth portfolio with closing bands, cloth corners and covertitle. The serigraphs mostly signed, the portfolio numbered with a stamp on the inside cover. The works each with blind stamp of the Atelier Laage as well as with another stamp on the verso - A few works with minimally bumped edges as well as slight surface abrasion due to the material. The front cover of the portfolio with insignificant pressure mark. Overall very well preserved. Splendid works throughout in original portfolio. - One of 80 copies. - Recurrently, Vautier deals with the motif of the artist's signature in his work. In the portfolio "Art is a question of signature", the artist experiments with the artist's signature by defacing it, making it unrecognisable or exposing it as a missing part.

Georg Baselitz. (1938 Deutschbaselitz). Jaffa. 1995. Aquatintaradierung auf BFK Rives Velin (mit WZ). 41,8 x 30 cm (66,5 x 50 cm). - In ausgesprochen gutem Zustand. Prachtvoller, tiefschwarzer und gratiger Druck mit breitem Rand und umlaufendem Schöpfrand. Aus einer unbegrenzten Auflagenhöhe. - Exklusiv für die Chalcographie du Louvre realisiert (mit dem Blindstempel). - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. - Seit 1989 beauftragen das Musée du Louvre und die Réunion des Musées Nationaux zeitgenössische Künstler mit der Herstellung von Gravurplatten für die Werkstatt der Chalcographie, die für den exklusiven Druck verantwortlich ist. Aquatint with drypoint on wove paper. - In very good condition. Splendid, deep black and burr-like print with wide margins and surrounding scooped edges. - From an unlimited edition.- Realised exclusively for the Chalcographie du Louvre (with the blind stamp). - Ed. by Ateliers dart de la Rmn-GP, Saint-Denis.

Expressionismus - - Otto Dix. (1891 Untermhaus bei Gera - 1969 Singen). Nelly I. 1924/1968. Radierung auf Kupferdruckpapier. 19 x 14 cm (24,1 x 22,8 cm). Signiert. Punktuell auf Passepartoutrückseite montiert. - Punktueller, kaum sichtbarer Fleck, insgesamt sehr gut. Ausgezeichneter Druck mit zartem Plattenton und blind mitdruckender Facette, links mit breitem Rand. Karsch 121, 2b. - Eines von 20 nicht nummerierten Exemplaren. - Mit den bei Karsch genannten Oxidationsflecken in der Platte. - Späterer Abzug von 1968, der im Rahmen der Vorzugsausgabe "Otto Dix Handzeichnungen" im Fackelträger Verlag 1968 erschien. - Druck bei Jaeckel. - Dargestellt ist Nelly, das erste Kind des Künstlers, geboren 1923 in Düsseldorf. Etching on copper printing paper. Signed. Spot-mounted to mat. - Isolated, hardly visible stain. All in all very good. Superb impression with delicate plate tone and blind impressed facet, with wide margin on the left . - One of 20 unnumbered copies. - With the oxidation spots in the plate mentioned by Karsch. - Later print from 1968, published as part of the special edition of "Otto Dix Handzeichnungen" by Fackelträger Verlag. - Printed by Jaeckel.

Amerikanische Moderne Alan Cote (1937 Windham, Connecticut)1 Farbserigraphie aus: New York Ten (New York l0/69). 1969. Auf leichtem Velinkarton. 43,8 x 56 cm (50,8 x 66 cm). Signiert, datiert und nummeriert. - Partiell mit leichten Oberflächenbereibungen. Ecken wenig bestoßen. Insgesamt sehr gut. Prachtvoller, farbkräftiger und samtener Druck mit Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 Colour silkscreen from: New York Ten (New York l0/69). On light wove cardboard. Signed, dated and numbered. - Partially with slight surface rubbing. Corners a little bit bumped. All in all very good. Splendid, colour-intense and velvety impression with margin. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.

Amerikanische Moderne David Diao (1943 Chengdu)1 Farbserigraphie aus: New York Ten (New York l0/69). 1969. Auf Bütten, aufgewalzt auf leichtem Velinkarton. 22,7 x 38 cm (51 x 66 cm). Signiert und nummeriert. - Punktuelle Griffspur und minimal bestoßen. Insgesamt sehr gut. Prachtvoller, atmosphärischer Druck mit breitem Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. von Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour silkscreen from: New York Ten (New York l0/69). 1969. On laid paper, applied to light wove cardboard. Signed and numbered. - Isolated grip traces and minimally bumped. All in all very good. Splendid, atmospheric impression with wide margin. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.

Amerikanische Moderne Ronnie Landfield (1947)1 Farbserigraphie aus: New York Ten (New York l0/69). 1969. Auf leichtem Velinkarton. 37 x 53 cm (50,8 x 66 cm). Signiert, datiert und nummeriert. - Partiell Ecken wenig bestoßen. Insgesamt sehr gut. Prachtvoller, farbkräftiger und nuancierter Druck mit Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. von Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour silkscreen from: New York Ten (New York l0/69). On light wove catrdboard. Signed, dated and numbered. - Partially corners a little bit bumped. All in all very good. Splendid, colour-intense and nuanced impression with margin. - From the portfolio "New York Ten (New York l0/69)". - One of 100 copies. - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.

Amerikanische Moderne Alan Shields (1944 Harrington - 2005 Shelter Island (New York))Lonely night, aus: New York Ten (New York l0/69). 1969. Farblithographie und Aquarell auf perforiertem, leichtem Velinkarton. 46 x 45,4 cm (48 x 45,4 cm). Signiert, datiert und nummeriert. - Punktuelle Griffspur, insgesamt sehr gut. Prachtvoller und farbintensiver Druck mit differenzierter Aquarellierung, unten mit Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. Tvon anglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour lithograph and watercolour on perforated, light wove cardboard. From: New York Ten (New York l0/69). 1969. Signed, dated and numbered. - Good condition. Splendid and colour-intensive impression with differentiated watercolour, with margin at the bottom. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.

Amerikanische Moderne Kenneth Showell (1939 - 1997, Huron)Gryun, aus: New York Ten (New York l0/69). 1969. Farbserigraphie und -offset auf glattem Velin. 46 x 62 cm (50,8 x 66 cm). Signiert, datiert und nummeriert. - Vereinzelte Griffspuren, verso punktuelle Anschmutzung, insgesamt sehr gut. Ausgezeichneter und farbintensiver Druck mit schmalem Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. Tvon anglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. Colour silkscreen and -offset on smooth wove paper. From: New York Ten (New York l0/69). Signed, dated and numbered. - Isolated grip traces, spot-soiled on the verso, all in all very good. Superb and colour-intensive impression with margin. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.

Amerikanische Moderne Lawrence Stafford (1938 Kansas City)1 Farblithographie aus: New York Ten (New York l0/69). 1969. Auf Japanbütten. 46,7 x 62,5 cm (51,5 x 65,5 cm). Signiert, datiert und nummeriert. - Punktuell kaum merkliche und schwache Braunfleckchen. Unter Kante kaum merklich gegilbt. Insgesamt sehr gut. Ausgezeichneter und farbintensiver Druck mit Rand, unten mit dem Schöpfrand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. von Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour lithograph from: New York Ten (New York l0/69). On Japan laid paper. Signed, dated and numbered. - Faint and barely noticeable brown spots in places. Lower edge hardly yellowed. At all very good. Superb and colour-intensive impression with margin, deckle edge at the bottom. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.

Jahrhundertwende Emil Orlik (1870 Prag - 1932 Berlin)2 Arbeiten. 1914. Je Lithographie auf Velin. Blattmaße von 31 x 25 cm bis 49,8 x 31,3 cm. Je signiert und datiert sowie betitelt. 1 Arbeit zusätzlich im Stein signiert. Je mit zwei schwer leserlichen Sammlervermerken. 1 Arbeit mit Blindstempel. - 1 Arbeit an der oberen Kante mit horizontaler Knickspur. Insgesamt gut. Ausgezeichnete und kräftige Drucke mit breitem Rand. Enthält die Arbeiten: - Zeitung aus der Heimat - Kaiserjäger und Husar. - Vermutlich auf die Eindrücke des Weltkrieges, die Emil Orlik hatte, lassen sich die Motive dieser Arbeiten zurückführen. Die Soldaten im Fokus, potraitiert er sie einmal heroisch im Seitenprofil, einmal unprätentiös beim Alltag. 2 works. Each lithograph on wove paper. Each signed and dated as well as titled. 1 work additionally signed in the stone. Each with two hardly legible collector's notes. 1 work with blind stamp. - 1 work with horizontal crease at the upper edge. Overall good. Excellent and strong impressions with wide margins. - With works as mentioned above.

Ostdeutsche Kunst Gerhard Altenbourg (1926 Rödichen/Schnepfenthal - 1989 Meißen)Ein Stück Erde. 1986. Lithographie auf Velin. 19 x 23 cm (27,5 x 30,3 cm). Signiert, datiert, betitelt und nummeriert sowie im Stein monogrammiert. Zusätzlich mit dem Künstler-Blindstempel. - Insgesamt etwas lagerspurig. Im unteren Bereich knickspurig. Hervorragender Druck mit breitem Rand. Lindenau-Museum Bd. 3, L195B. - Eines von 50 Exemplaren. Lithograph on wove paper. Signed, dated, titled and numbered as well as monogrammed in the stone. Additionally with the artist's blind stamp. - Overall a little bit worn. A little bit creased in the lower part. Excellent impression with wide margin. - One of 50 copies.

Thomas Kefford of Royston - early 18th century 8-day black-lacquered longcase clock c1730, hood with a flat topped box pediment, blind decorative spandrels beneath and glazed side panels, break arch hood door with attached pilasters and gesso capitals, long trunk door with a conforming break arch top and gesso decoration in chinoiserie style, short plinth with a stepped skirting, brass dial with matching steel hands, twin cherub and large crown spandrels, matted dial centre, seconds dial and square calendar aperture, silvered chapter ring with inner quarter hour track, minute track, Roman numerals and five minute Arabic's, arch with strike silent facility and makers name, dial pinned directly to a rack striking movement with pull repeat, striking the hours on a bell, makers name also engraved on the movement backplate. With weights and pendulum.Thomas Kefford �At the dial in Fore Street� Royston (Herts) born 1686 c1710-1770.Dimensions: Height: 230cm  Length/Width: 47cm  Depth/Diameter: 26cm

Thomas Speakman of London - early 18th century 8-day walnut longcase clock c1720, with a flat-topped hood, shallow cornice and blind frieze beneath, glazed panels to the sides, square hood door with attached pillars and wooden capitals, long trunk with a conforming flat-topped door, circular glass lenticle with a brass bezel and concave moulding to the edge, short rectangular plinth with a broad skirting, brass dial with steel hands, matted dial centre and ringed winding apertures, twin cherub and crown spandrels, silvered chapter ring with inner quarter hour track and minute track, Roman numerals, five-minute Arabic's and makers name, seconds dial and square date aperture, dial pinned to a rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With weights and pendulum. Thomas Speakman was apprenticed to his father William Speakman in 1676, member of the clockmakers company 1685 died c1720. Dimensions: Height: 210cm  Length/Width: 46cm  Depth/Diameter: 27cm

An Edwardian dry mahogany two tier occasional table, the tray top on bowed stretchers, blind fret cut frieze with shaped apron, raised on square tapered and splayed supports, H85cm, W53cm, D38cm

Sir William Russell Flint (1880-1969) - 'Victorian Diversion', of girl on a swing, colour print, signed in pencil with FATG blind stamp, 57.5cm x 42.5cm, mounted in a gilt glazed frame

John Arnatt, a signed (in white ink) 6x4 photo. A British actor who appeared in over 20 films, including Dr. Crippen (1962) and two imitation James Bond films, playing M in Licensed to Kill and Where the Bullets Fly (1966). A good quality photo, blind stamped 'Walter Bird' and stamped Feb 54 to back. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

A Mahogany Cabinet with twin doors, chamfered sides,with blind fret decoration, central drawer, two small drawers, on carved cabriole legs, scroll feet 76 wide.

Robert Chailloux, Vase of Globe Thistles, limited edition colour print of 375, pencil signed and blind backstamp to margin, 45 x 37cm.

George Cunningham, 'Journey's End', limited edition colour print of 500, graphite signed, blind backstamp to border, 31 x 44.5cm.

George Cunningham, 'The Markets', limited edition colour print of 500, pencil signed, blind backstamp, 32 x 43.5cm.

A George III Style Carved Mahogany Dressing Stool, early 20th century, with green and cream geometric floral pattern drop-in seat above a moulded seat rail, on blind fret carved legs with pierced and scroll brackets52cm by 42.5cm by 48cm; together with A Mahogany Bowfront Hanging Corner Cabinet, circa 1790, 72cm by 52cm by 106cm

19th century mahogany chest on chest with dentil corners over a blind fret freeze, the top section with two short and three graduated long drawers, the bottom section with brushing slide over three long drawers on oge bracket feet W113 x D56 x H186cms

Late 19th/early 20th century breakfront cupboard bookcase with pierced trelice work and blind fret cornice surmounted by a pair of urns, top section with three astragal glazed doors, having three panelled doors to base supported on bracket feet, W207 x D43 x H253cmsCondition Report: Broken pediment, fixed shelving, good colour, doors not warped, original locks and glazed, bookcaase is uniform in colour, overall condition is good, except for pediment as seen in image.14 shelves in totalinterior depth for books front to back 10"

George III style mahogany display cabinet, late 19th/early 20th Century, of canted form with blind fret frieze, above astragal glazed door with three shelves, on a separate base of Chippendale style, the square legs joined by stretchers, 164cm high x 57cm wide x 35.5cm deep

Emaildose. Außenwandung mit hellblauem Schuppenmuster und in ausgesparten Reserven der Wandung und des Bodens stilisierte Landschaftsmalerei, montierter Deckel mit angelndem Paar. Innenwandung mit weißem Email, Deckel innen verspiegelt (fast blind). Starke Alters- und Gebrauchsspuren, Bemalung und Vergoldung der Montage überwiegend stark berieben. 18. Jh. 2,5x 7x 5,5 cm.

L.S. Lowry R.A. (British 1887-1976) "Peel Park, Salford" Signed in pencil in the margin, with Fine Art Trade Guild blind stamp, published in 1975 by Venture Prints Limited of Bristol, limited edition colour print.image size 38cm x 76cm (15in x 30in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours are slightly down across the print and there is some light time staining and browning around the edges of the paper near the mount board. The print is framed and glazed. The original metal frame has some knocks and the lower edge is loose.

L.S. Lowry R.A. (British 1887-1976) "The Football Match" Signed and numbered 537/850 in pencil in the margin, with publisher's blind stamp, limited edition print from an original pencil drawing.26.5 x 37cm (framed 45.5 x 56cm)Artists' Resale Right (droit de suite) may apply to this lot.The print is in good, original condition. The paper has browned universally across the sheet and there is some time staining and browning around the edges of the paper near the mount board. There are some spots of foxing and browning across the paper. The print is framed and glazed. The original metal frame has some minor scracthes and knocks commensurate with age.

L.S. Lowry R.A. (British 1887-1976) "Woman with a Beard" Signed in pencil in the margin, from the edition of 750, with the Fine Art Trade Guild blind stamp, published by Adam Collection Ltd in 1975, printed by Chorley & Pickersgill Ltd, limited edition colour print.60.5 x 49.5cm (framed 74 x 62.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some minor creases and spots of foxing across the paper. The print is framed and glazed.

L.S. Lowry R.A. (British 1887-1976) "Street Scene" Signed in pencil in the margin, from the edition of 850, published by the Adam Collection Ltd., printed by Chorley and Pickersgill Ltd., Leeds, with the Fine Art Trade Guild blind stamp, limited edition colour print.27.5 x 21.5cm (framed 48.5 x 42cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition with strong colours. There is a minor crease running across the paper approximately halfway down the print. The print is framed but not glazed. The original metal frame has some scuffs and knocks.

L.S. Lowry R.A. (British 1887-1976) "People Standing About" Signed in pencil, with Fine Art Trade Guild blind stamp, from an edition of 500, limited edition colour print.33.5 x 49.5cm (framed 54.5 x 68.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some minor spots of browning across the sheet and some light time staining and browning around the edges of the paper near the mount board. The print is framed and glazed.

L.S. Lowry R.A. (British 1887-1976) "Britain at Play" Signed in pencil in the margin, with Fine Art Trade Guild blind stamp, published by Mainstone Publications, Norfolk, printed by Beric Press, London, limited edition colour print.47 x 61.5cm (framed 69 x 82cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours have faded across the print and the paper has slightly yellowed across the sheet. There are some minor spots of foxing and browning across the paper. The print is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.

L.S. Lowry R.A. (British 1887-1976) Preliminary sketch for 'Woman with a Beard' Unsigned, with the Fine Art Trade Guild blind stamp, from the edition of 750, published by Adam Collection Ltd, printed by Chorley & Pickersgill Ltd, limited edition print.25 x 15.5cm (framed 51.5 x 40.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor creases across the paper. The print is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.

v 3 Riedel Sommeliers Blind Tasting Lead Crystal Glasses original tubes 1 Riedel Blue Sommeliers Long Stem Wine Glass original tube Above four glasses

Laurence Stephen LOWRY (1887-1976) "Going to work" limited edition off-set lithographic print (57/850), blind stamp for Henry Donn Gallery, Whitefield, Manchester.Provenance - Purchased directly from the gallery by the vendorThe overall framed size is 67 x 81cm

Laurence Stephen LOWRY (1887-1976) "The Arrest" limited edition off-set lithographic print (588/850), blind stamp for Ashenden Fine Art, wood framed,The overall framed size is 75 x 63cm

Laurence Stephen LOWRY (1887-1976) "The football match" limited edition off-set lithographic print (1037/1500), blind stamp for Grove Fine Art, Manchester,The overall framed size is 51 x 61cm

Laurence Stephen LOWRY (1887-1976) "The Park" limited edition off-set lithographic print (370/850), blind stamp for Henry Donn Gallery, Whitefield, Manchester, wood framed,The overall framed size is 70 x 87cm

Vinyl - The Rolling Stones 2 Original UK 1st Pressing Mono albums to include : No. 2 (Original UK Mono, 2/A 2/A matrices, flip back sleeve and blind man mention on sleeve, LK 4661) VG+ / VG+, and Through The Past Darkly (Original UK Mono 1/A 3/A matrices LK 5019) VG / VG

Vinyl - 7 Cream & members albums to include: Fresh Cream (original UK stereo, Reaction 594 001), VG / VG+, Goodbye - 2 copies (both original UK gatefold sleeve Polydor Records), Jack Bruce - Songs For A Traitor (rare 1969 German pressing with different P/S), Ginger Baker - Stratavarious (original UK 1st pressing, Polydor Records), Cream On Top (original UK Polydor Records), Blind Faith - Blind Faith (original UK gatefold sleeve Polydor Records). Condition VG on sleeves overall and VG+ on vinyl overall

Vinyl - Over 60 Rock & Pop LPs including Pink Floyd The Piper At The Gates Of Dawn & A Saucerful Of Secrets (both German pressings), Lou Reed, Blind Faith, Bob Dylan, David Bowie, Grateful Dead x 3, Beach Boys x 3, The Byrds, Manfred Mann, Joni Mitchell, Steely Dan, J J Cale, Ry Cooder, Ian Dury, Jackson Browne, Gregg Allman and others. Vg+ overall

Vinyl - 13 Blues LPs, 1 box set and 1 EP to include Muddy Waters x 2, Bukka White, Sonny Boy Williamson, Memphis Minnie, Jimmy Reed, Lonnie Johnson, Blind Lemon Jefferson & Son House, Scrapper Blackwell, Johnny Mars, Genesis The Beginning Of Rock 4 LP box set with booklet on Chess Records. Vg overall

Vinyl - 11 Rolling Stones LPs to include Out Of Our Heads, Between The Buttons, No.2 (flipback sleeve, Blind Man on rear), No.1 (flipback sleeve) Vg/Vg-, Aftermath, Let It Bleed (boxed Decca), Big Hits... (mono), Through The Past Darkly (mono). Vg+ overall with some better other than where mentioned.

Vinyl - Blues, 3 Original UK 1950’s 10” albums on London records by Blind Lemon Jefferson to included : The Folk Blues Of Blind Lemon Jefferson (Original Black Green labels, AL 3508) VG+ / VG+. Penitentiary Blues (Original UK Gold Green labels, AL 3546), Blind Lemon Jefferson Sings The Blues (Original Uk Silver Green labels, AL 3564) VG+ / VG+

Vinyl - 17 x 7" singles to include The Beatles Love Me Do on the red Parlophone label and other Beatles examples, The Beach Boys, The Kinks, Blind Melon and others. Condition varies

A late 19thC mahogany Pembroke table in Chippendale style, rectangular top with a moulded edge, above a frieze drawer and legs, carved with blind fret, the legs with chamfered corners, 74cm high, 61cm wide. This lot is located at Oundle, Near Peterborough, PE8, viewing and collection by appointment only by calling our Lincoln office 01522 524984.

A 19thC longcase clock by John Mudie of Brechin, the brass arched dial with 29cm diameter silvered chapter ring, with Roman numeric and Arabic numerals, with date aperture, etched with scrolls, and with raised figure spandrels, above a shaped trunk door, on bracket feet, with blind fret hood, with eight day movement, two weights and pendulum, 213cm high.

4 Bücher mit Farbholzschnitten von Chi Zhu JaiChina. 32 x 22 cm. Eine Vielzahl kleiner, meist mehrfarbiger Holzschnitte mit Darstellungen von Pflanzen und Landschaften, alltägliche Dinge, aber auch Muster und Blindprägungen (Karazuri-e). Alle in einem Schuber. Laut einer beiliegenden handschriftlichen Übersetzung arbeitete der Künstler hauptsächlich von 1934 - 41 und war mit Lu Xun befreundet 4 books with woodblock prints by Chi Zhu JaiChina. 32 x 22 cm. A large number of small, mostly multicolored woodblock prints depicting plants and landscapes, everyday things, but also patterns and blind embossing (karazuri-e). All in a slipcase. According to an accompanying handwritten translation, the artist worked mainly from 1934 - 41 and was friends with Lu Xun .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Darstellung von Herkules & OmphaleKupferstich auf Bütten. Druckplatte: 41,5 x 52,5 cm, Blatt: 43 x 55,5 cm. Mythologische Szene mit Herkules und Omphale, der als Sklave zu Omphale kam. Nachdem sich beide ineinander verliebten, heirateten sie. In blinder Liebe tat Herkules alles, was Omphale verlangte: Wolle spinnen und andere Frauenarbeit verrichten oder Frauenkleider tragen, während sie sein Löwenfell und seine Holzkeule trug. Erst nach Jahren der Verblendung konnte sich Herkules der Macht Omphales entziehen und verließ sie Auf Karton montiert, verschmutzt, hinterklebte Risse. Depiction of Hercules & OmphaleCopper engraving on laid paper. Print plate: 41.5 x 52.5 cm, sheet: 43 x 55.5 cm. Mythological scene with Hercules and Omphale, who came to Omphale as a slave. After both fell in love with each other, they got married. In blind love, Hercules did everything Omphale asked: spinning wool and doing other women's work or wearing women's clothes while she wore his lion skin and wooden club. Only after years of delusion Hercules was able to escape the power of Omphale and left her Mounted on cardboard, soiled, backed tears. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BERGES, Werner(1941 Cloppenburg - 2017 Schallstadt) Liegende GestaltFarbsiebdruck. Bleistiftsignatur. 1972. Exemplar: 11/100, Blindstempel Edition Domberger.Blatt: 60 x 80 cm. Gerahmt & hinter Glas63,5 x 83,5 cm.Kleine Retusche am unteren Rand mittig.Deutscher Maler und Grafiker, bedeutendster deutscher Pop-Art-Künstler.Literatur : https://www.wernerberges.com/. BERGES, Werner(1941 Cloppenburg - 2017 Schallstadt) Lying figureColor silkscreen. Pencil signature. 1972. copy: 11/100, blind stamp Edition Domberger.Sheet: 60 x 80 cm. Framed & behind glass63.5 x 83.5 cm.Small retouch at the bottom edge centered.German painter and graphic artist, most important German pop artist.Literature : https://www.wernerberges.com/.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KOSTABI, Mark(*1960 Los Angeles) Ohne TitelGiclée auf Karton. Bleistiftsignatur. 2017. Exemplar: 13/50, Blindstempel "Galerie Edition". Blatt: 63,5 x 61 cm. US-amerikanischer Pop-Art-Künstler, Gründer der "Kostabi World" in New York City und Bruder des Künstlers Paul Kostabi (*1962). KOSTABI, Mark(*1960 Los Angeles) Without titleGiclée on cardboard. Pencil signature. 2017. copy: 13/50, blind stamp "Galerie Edition". Sheet: 63.5 x 61 cm. US pop artist, founder of "Kostabi World" in New York City and brother of artist Paul Kostabi (b. 1962). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Bestallungsurkunde mit Unterschrift von Kaiser Wilhelm II Bögen 33 x 42 cm, Briefumschlag 19 x 24 cm. Im erhaltenen Briefumschlag Bestallungsurkunde vom 17. 3 1906 für den Amtsrichter Kurt Zander in Schleusingen mit Ernennung zum Amtsgerichtsrat. Unterschrift manu propria von Kaiser Wilhelm II. mit Blindsiegel sowie Gegenzeichnung manu propria vom Justizminister Max von Beseler. Dazu Anschreiben vom Justizminister an den Amtsrichter mit undeutlicher Unterschrift im Auftrag. Beigelegt 2 Postkarten: Kriegspostkarte (Feldpostkarte) mit dem Bildnis Wilhelm II. (beschrieben und gelaufen 1915) und Foto-Postkarte "Unser Hindenburg", recto wohl Autograph mit Sinnspruch, Unterschrift und Datum 30.7.1917 Einige wenige Alters-/Gebrauchsspuren nur am Umschlag. Certificate of appointment signed by Kaiser Wilhelm II Sheets 33 x 42 cm, envelope 19 x 24 cm. In the preserved envelope certificate of appointment dated 17. 3 1906 for the district judge Kurt Zander in Schleusingen with appointment to the district court council. Signature manu propria of Emperor Wilhelm II with blind seal as well as countersignature manu propria of the Minister of Justice Max von Beseler. In addition, cover letter from the Minister of Justice to the district court judge with indistinct signature in the order. Enclosed 2 postcards: war postcard (field postcard) with the portrait of Wilhelm II (described and used 1915) and photo postcard "Our Hindenburg", recto probably autograph with motto, signature and date 30.7.1917 A few traces of age / use only on the envelope. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Art-déco-Rauchtisch mit Messingplatte20. Jh. Messing, Gusseisen, Blindholz. H ca. 64 cm, Ø ca. 59,5 cm. Runder Beistelltisch auf 3 spiralverzierten Eisenbeinen mit messingverzierter Sockelplatte, Tischplatte mit mosaikreliefiertem Messingblech ummantelt Alters-/Gebrauchsspuren. Shipping not availableArt deco smoking table with brass plate20th century brass, cast iron, blind wood. H ca. 64 cm, Ø ca. 59,5 cm. Round side table on 3 spiral decorated iron legs with brass decorated pedestal, table top covered with mosaic relief brass sheet Signs of age/use. Shipping not available.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Große Figurengruppe: Herkules und OmphaleKPM Berlin. 1914-1918. Modell-Nr. 721. Höhe: 35 cm. Herkules musste als Sühne als Sklave bei Omphale dienen. In blinder Liebe zu ihr ließ er sich herab, alles zu tun was sie verlangte, Frauenkleider zu tragen und Wolle zu spinnen, wogegen sie sein Löwenfell und die Holzkeule trug. Als die Sühne vorbei war, erkannte er seine Verblendung und verließ sie. Farbig bemalt, gold staffiert. Blaue Zeptermarke, rote Reichsapfelmarke, schwarze Kriegsmarke, Malermarke, Ritzmarke, Pressmarke Rückseitig von Amor Hals, ein Flügel, ein Armansatz, eine Hand, Spitze der Keule restauriert. * Partnerauktion Bergmann. Provenienz : Hessische Privatsammlung. Large group of figures: Hercules and OmphaleKPM Berlin. 1914-1918. model no. 721. Height: 35 cm. Hercules had to serve as atonement as a slave with Omphale. In blind love for her, he deigned to do whatever she asked, wearing women's clothes and spinning wool, whereas she wore his lion skin and carried the wooden club. When the atonement was over, he realized his delusion and left her. Colorfully painted, gold staffed. Blue scepter mark, red orb mark, black war mark, painter's mark, incised mark, press mark Restored on the reverse of Cupid's neck, a wing, an arm attachment, a hand, tip of the club. * Partner auction Bergmann. Provenance : Hessian private collection. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Figürlicher Leuchter und Dame mit Hut2. H. 19. Jh. Polychrom bemalt, goldstaffiert. 1x Sitzendorf, Modell-Nr. 851: 3-flammiger Leuchter mit einem jungen Paar beim Blinde-Kuh-Spiel (H 28 cm). / 1x E. & A. Müller: Auf einem Natursockel stehende Dame in bewegter Kleidung, einen rosenbesetzten Hut am Arm tragend (H 22,5 cm) Linker Arm einer Dame restauriert, 1 Finger und 1 Schleifenband bestoßen, Haarriss im Hutband, Bestoßungen an Blüten und Blättern. Figural candelabra and lady with hat2nd h. 19th c. Polychrome painted, gold decorated. 1x Sitzendorf, model no. 851: 3-burner chandelier with a young couple playing blind man's buff (h 28 cm). / 1x E. & A. Müller: Lady standing on a natural base in moving clothes, wearing a rose-trimmed hat on her arm (h 22,5 cm) Left arm of a lady restored, 1 finger and 1 bow ribbon bumped, hairline crack in hat ribbon, bumps on flowers and leaves. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Porzellangemälde: Blindenheilung. KPM Berlin. Zeptermarke KPM, 1. H. 20. Jh., ohne Malereimarke. Unsigniert.Polychrome Malerei. 40 x 25,5 cm. Rechteckige Platte mit der Darstellung von Jesus, wie er ein blindes Kind in den Armen seiner Mutter heilt, nach einem Gemälde von Gabriel Cornelius von Max (1840-1915). Porcelain Painting: Healing the Blind. KPM Berlin. Septer mark KPM, 1st half 20th century, without painting mark. Unsigned.Polychrome painting. 40 x 25.5 cm.Rectangular plate depicting Jesus healing a blind child in the arms of his mother, after a painting by Gabriel Cornelius von Max (1840-1915). .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Jugenstil-Figurengruppe: Mädchen, Blinde Kuh spielend. Meissen. 1905-1923. Modell-Nr. W 115.Höhe: 26,5 cm. Modell von Theodor Eichler 1905. Farbig bemalt, gold staffiert. Ritzmarke, Pressmarke, Schwertermarke dreimal gestrichen, darunter zweimal gestrichen. Rückseitig Sockelrand, Sockelboden partiell restauriert.Eichler, Bildhauer, studierte an der Akademie in Dresden. Schüler von Robert Diez. Seit 1903 Modelleur in Meissen, war halbtägig angestellt, unterhielt nebenbei ein eigenes Atelier, 1928 pensioniert * Partnerauktion Bergmann.Literatur : Bergmann (2010) Katalog-Nr. 489.Provenienz : Fränkischer Sammlungsnachlass.Youth style figure group: girl, playing blind cow. Meissen. 1905-1923. model no. W 115.Height: 26.5 cm. Model by Theodor Eichler 1905. colored painted, gold painted. Incised mark, pressed mark, sword mark painted three times, painted twice underneath. Replaced base rim, base bottom partially restored.Eichler, sculptor, studied at the Academy in Dresden. Pupil of Robert Diez. Since 1903 modeller in Meissen, was employed part-time, maintained his own studio on the side, retired in 1928 * Partner auction Bergmann.Literature : Bergmann (2010) catalog no. 489.Provenance : Franconian collection estate.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DARWIN (CHARLES)On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, FIRST EDITION, half-title (verso with quotations by Whewell and Bacon only), folding lithographed diagram by W. West, 32pp. publisher's catalogue dated June 1859 bound at end (Freeman's form 3, no priority), first few leaves very lightly foxed, light vertical crease to half-title and title, publisher's blind-stamped green cloth, spine gilt (Freeman's variant a, no priority), Edmonds & Remnants ticket on rear pastedown, cloth lifting slightly on upper cover, corners and spine ends lightly bumped but generally fresh and tight [Freeman 373; Garrison-Morton 220; Norman 593; PMM 344], 8vo, John Murray, 1859Footnotes:FIRST EDITION OF 'THE MOST IMPORTANT SINGLE WORK IN SCIENCE' and 'a turning point... in the history of ideas in general' (Dibner Heralds of Science 199, and DSB).Provenance: Ownership inscription of ?W. S. Harrison on front free endpaper; private Swedish collection.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

MURCHISON (RODERICK IMPEY) The Silurian System, 2 parts in 1 vol., FIRST EDITION, COMPLETE WITH ENGRAVED HAND-COLOURED MAP, 3 engraved maps, 14 lithographed plates (2 folding, 3 hand-coloured), 9 folding hand-coloured geological sections by Murchison, 31 engraved plates of fossils, one large hand-coloured engraved geological map on 3 sheets (laid down on linen, institutional blind-stamp to margins), light spotting and some damp-staining, occasional marginal pencil annotations, contemporary half morocco, rebacked preserving the original spine, rubbed, the geological map sheets housed separately in an slightly later half morocco solander box, 4to, John Murray, 1839 (2) Footnotes: FIRST EDITION OF A SEMINAL WORK ON FOSSIL CLASSIFICATION, COMPLETE WITH THE RARE LARGE GEOLOGICAL MAP, often missing. Murchinson established the Silurian system following research he carried out in 1831 along the border between England and Wales. He grouped for the first time a remarkable series of formations, which were very different from those of the other rocks of England. Provenance: Wigan Public Library, stamp on map and box. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com

AERONAUTICA - 'PUSS MOTH' LOG BOOK OF LT.-COMMANDER GEOFFREY RODD Two finely presented log books relating to the De Havilland aircraft D.H. 80A Puss Moth and its playboy adventurer owner Lt. Geoffrey Rodd, together approximately 680 pages, detailing all flights (departure/arrival locations, list of crew/passengers, incidents), numerous additional photographs, press cuttings, ephemera, etc relating to Rodd, Puss Moth and their adventures pasted in, contemporary blue morocco by Truslove & Hanson of Sloane Street, gilt lettered 'G-AAYB. Journey Log Book. Vol. 1[-2] July, 1930 to July, 1931 [-To]' on upper covers, oblong 4to (190 x 240mm.), July 1930-July 1931[-1933] Footnotes: 'COMMANDER GEOFFREY RODD'S AEROPLANE AND EXPERT SERVICES AS A PILOT ARE IN MUCH REQUEST BY THE FAIR SEX' - the flight log books (enlivened with photographs, press cuttings and ephemera) of a playboy pilot's De Havilland aircraft Puss Moth, from the time of his learning to fly under the tutelage of ace pilot Maxwell Hutcheon Findlay, to flights with celebrated female pilots Amy Johnson and Peggy Salaman, aerial filming for the cinema, lending his plane to collect Hollywood actress Gloria Swanson from Paris, and his tragic death, aged only thirty-two, crashing during take-off from the glamorous holiday resort of St. Moritz. Born in Australia, Rodd (1901-1933) served in the Royal Navy during the First World War, then aboard the Royal Yacht. As evidenced from these evocative albums his trajectory from amateur pilot on the waterlogged airfields of Sussex and Kent, to success in competitions, blind flying with Amy Johnson, immersion in the world of celebrities and film stars, and airfields of glitzy Biarritz over a period of under two years was astonishing. His early flights were taken in the company of his teacher at Hanworth Aerodrome, Scottish flying ace Maxwell Hutcheon Findlay (including one resulting in an official report to the Accidents Investigation Committee concerning the 'Meopham Accident', 25 Sept. 1930); flights with associates from his naval days followed, including Admiral of the Fleet Reginald Tyrwhitt (who wrote that the flight 'had entirely changed my ideas as regards travelling by air!'); increasingly confident he was soon piloting successfully at the King's Cup with Peggy Salaman (a letter signed by Peggy to Rodd after her return to England having flown from Lympe in Kent to Cape Town, November 1931 is tipped-in). Other notable notices include a report relating to a dangerous driving charge against Rodd at Blackheath (he admitted guilt); a letter of chastisement from the Chief Constable of the Hastings Police for distributing handbills (relating to the 'Navy Week at Chatham', a copy of which tipped-in) from his aeroplane (15 Aug. 1930); correspondence with the Air Ministry concerning an 'Alleged flight over prohibited area' (14 Oct. 1930) with Rodd's reply admitting the offence and apologising for his late reply due 'to a serious accident in starting 'G-AAYB' involving amputation of my right thumb' [31 Oct. 'engine back fired and propeller cut off my right thumb at top joint... fainted a couple of times', but flown back by Max Findlay]; forced landings including one due to 'stick jambing... a nut which must have caused this' (Oct. 23 1930), and 'Smoke Bomb ignited in its release box in cabin: pretty nearly choked'; 'Shoreham aerodrome flooded, but landed in field alongside' (24 Jan. 1931), piloting Vice-Admiral Snagge to the Epsom Derby; achieving the fastest time ('982.5 miles at 127.56 m.p.h.') at the Kings Cup Air Race, 24 Aug. 1931, with pasted in letters and newspaper reports on the race ('... The lady pilots fared badly, as was to be expected'); 'Night landings by Bentley's headlights' at Hanworth, 31 Oct. 1931 (several newspaper reports show images of Rodd with his chauffer John Camp, who also acted on occasions as his co-pilot); 'House Party's flight in moonlight' at Lord Willougby de Broke's aerodrome at Kineton, '12000ft. taking cinema over the clouds' (8 Apr. 1932, beside a newspaper cutting reporting on actor John Loder telling Rodd a story about Gary Cooper); 19 Apr. 1932 'For Gloria Swanson' [flight from Lymphe to Paris and return, piloted by Maxwell Findlay], '...couldn't get permission to fly under Clifton Suspension Bridge. Flew over' (9 June 1932); August 1932 extensive public displays including at Burnham, and filming at Brooklands for the film 'The King's Cup'; 19 August starts a 'Blind Flying Course' (and includes aerial photo of 'The Rude Man of Cerne Abbas'); On 28 August flies to Le Toquet with Amy Johnson (during which time his £3000 car is stolen from Park Lane, and used 'in Wandsworth smash-and-grab raid'), and on the 31st takes her 'Night flying. Aerobatics'; aerial holiday to Biarritz (newspaper reporting that he 'has been offered £200 for one portion alone of his Biarritz film...'); 'Practice blind flying in clouds', flights to Cannes, Geneva, the Alps, and on 10 January 1933 landing on frozen lake at St. Moritz, where later in the month he was killed during a failed take off from the same lake. Provenance: Sotheby's, 15 May 1969, lot 199. This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com