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Rectangular dark green earthenware jardiniere, decorated with black leaves and red fruits and black craquele pattern, Austrian, ca. 1910, maker's mark Wachtersbach, 2838/2, C.H.H. (blind marks) and 6733, dim. 23,5 x 13 x 12 cm. €100-140

Alechinsky, P. (born 1927), colour litho, Composition, signed b.r., edition number. IX/XX e.a., dim. 87 x 59 cm. (paper with blind stamp Atelier Clot Paris, in very good condition) €250-300

Dorazio, P. (born 1927), colour litho, Composition with triangles, signed and dated b.r. 1991, edition number 2/100, dim. 70 x 50 cm., with blind stamp Erker Presse, St. Gallen (in very good condition) €80-100

An Edwardian mahogany bijouterie cabinet, in Chippendale style, with blind scroll carved borders, on four tapered legs and splayed feet, united by a platform stretcher, 49cms wide

1920s mahogany dwarf bookcase, the rectangular moulded top above a blind-fret carved frieze and a pair of astragal glazed doors enclosing 3 adjustable shelves, on a shaped apron and bracket feet, 121.5cm wide

A George III mahogany chest on chest, the cornice with carved mouldings above two short and three long drawers between canted corners with blind fret decoration over three long drawers on ogee feet with carved gadrooning, 99cm wide x 192cm high

A 108 Piece Hanover Pattern Canteen by Cooper Bros of Sheffield contained in a Mahogany Chippendale style cabinet (50.4 cm wide) with blind fret carving on bracket feet.

Henry Singleton (British 1766-1839), THE PARABLE OF THE BLIND; A SKETCH FOR A PICTURE OF THE ENTOMBMENT, two, one pencil, one brown ink, both unframed. This lot contains 2 item(s). one 42x57cm.; 16.5x22.5in.; other 40.5x55.5cm.; 16x22in.

AFTER MORLAND, "Children Nutting" and "Blind Mans Buff". Coloured prints. 16" x 21". (2)

A GEORGE III STYLE MAHOGANY DISPLAY CABINET ON STAND, in one stage, the blind fret moulded upper part with a single glazed door enclosing glass shelves, the sides also glazed, the Stand having square moulded legs with open fret angle brackets and united by stretchers. Width 24". Height 60".

AN EARLY 20TH CENTURY BAMBOO and RATTAN DISPLAY CABINET OR BOOKCASE, the upper part with a pair of glazed doors enclosing shelves, the lower with a pair of blind doors, the rattan now painted white. Width 37". Height 76".

A MID 19TH CENTURY WELSH MAHOGANY DOUBLE CORNER CUPBARD, the upper part with swan neck pediment above a pair of glazed doors with shaped framing enclosing shaped shelves, the lower part with a pair of blind doors with similar framing, the angles canted, raised on bracket feet. Width 41". Height 84".

A George III mahogany chest on chest, the dentil and moulded cornice above a blind fret frieze and two short and three long drawers with gilt metal handles, the base with three long drawers with original brass handles on ogee bracket feet, 178 high x 54 deep x 113 cm wide

A mahogany longcase clock, the eight-day two-train movement with rack strike on a bell, the arched and painted gilt dial with roman numerals, subsidiary seconds dial and date aperture, the chapter ring inscribed Smorthwait Colchester, the case with a lancet door inlaid with a shell motif, the hood with gilt-metal-capped Corinthian columns and a blind fret frieze, 213cm high

An Edwardian mahogany chiming longcase clock, the eight day, three train movement with deadbeat anchor escapement and striking and chiming the hours on coiled gongs, the arched brass 12in dial with silvered chapter ring with Roman numerals, subsidiary seconds dial, the arch with chime/silent dial, the case with astragal glazed door, the hood with a blind fret frieze and broken pediment, 218cm high

John Key, Dumbarton; a George III mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the 13in arched brass dial with silvered chapter ring with Roman numerals, Arabic five minute divisions, subsidiary seconds dial, date aperture, the silvered centre of the dial with foliate engraving, the arch with dolphin spandrels about an inscribed central boss John Key, DUMBARTON, the case with an inlaid door with rosette motif and spirally fluted pilasters, the hood with similar pilasters, blind-fret frieze and flat pediment, 202cm high

Pratt ware dish c.1860, printed with 'The Blind Fiddler' pattern after Sir David Wilkie, of oval form on low pedestal, with twin handles, printed marks to base, (one handle restored), 33cm 13" wide

An early George III oak longcase clock, circa 1770, the stepped cornice with a blind fretwork frieze and doric supports enclosing an 11 inch brass dial with Roman numerals and date aperture within cast brass spandrels, signed Baddeley, Albrighton, thirty hour movement, the case with arched door on a stepped plinth base, height 207cm, 81.5 inches..

An oak sideboard with beaded low raised back, three central drawers with blind fretwork mouldings flanked by two pairs of cupboards on square tapered legs, 59in (150cm) wide.

A mahogany and rosewood crossbanded sofa table with chamfered drop flaps, box stringing, two blind and two opening frieze drawers, on end supports with a turned stretchers, brass paw caps and castors, 58in. (147cm) extended.

A George III mahogany corner washstand, the inset top with pierced wells, three blind drawers to the frieze and two blind and one opening drawer to the undertier with a further shaped undertier on square tapered legs, 25 1/2in. (65cm) wide.

A George III mahogany bowfront corner washstand with a low gallery to the back, pierced wells, shaped frieze, the undertier with two blind and one opening drawer on splayed legs, 21in. (53cm) wide. See lot 1131 for illustration.

A George IV mahogany library writing table, the rectangular chamfered and leather inset top above two blind and two opening drawers on end columns with splayed legs, brass caps and castors, 36in. (92cm) wide. (repairs).

An engraving, 'The Blind Fiddler', after David Wilkie, 41cm x 56cm.

Thomas Gaugain, after James Northcote. COUNTRY GIRL OF TUSCANY; BLIND GIRL OF THE ENVIRONS OF ROME. Coloured stipple engravings, label on reverse inscribed "London published Jan 1794 by A Molteno, oval, (24cm by 19cm) (2)

Thomas Landseer POINTERS IN A LANDSCAPE Engraving, signed by the artist in pencil in the margins, published circa 1871, Print Sellers Association blind stamp, (83cm by 58.5cm); and another engraving of A SPANIEL WITH PHEASANT, (67cm by 47cm) (2)

After Sir William Russell Flint, R.A., R.W.S. 'THE MAUVE FROCK' Limited edition reproduction printed in colours, published by Adam Collection Ltd. 1970, with Fine Art Trade Guild blind stamp, (29cm by 18cm); and another, 'THE PINK FROCK' (2)

After Sir William Russell Flint, R.A., R.W.S. 'VARIATIONS ON A THEME' Limited edition reproduction printed in colours, signed in pencil, with Fine Art Trade Guild blind stamp, published 1963 by Frost & Reed, (44.5cm by 61cm)

After Laurence Stephen Lowry, R.A. 'THE RIVER BANK' Limited edition reproduction printed in colours, numbered 752/850, with blind stamp, (39cm by 50cm)

A Repeating Lever Carriage Clock, unsigned, uncut bi-metallic balance and silvered platform, with silvered dial and plain brass mask, in a case of Anglaise style with fluted columns and pierced blind frets, (55mm)

An Eight Day Longcase Clock, by J Halliwell, Warrington, the 13 3/8" square brass dial engraved with a ship and bird amongst scrolls, with seconds and date, in an oak case with fluted columns and blind fret panels, shaped headed door with mahogany crossbanding, the hood with brass mounted columns, moulded door and dentil scroll pediment, the plinth with fluted angles and crossbanded panel, upon bracket feet, circa 1770, (217cm)

A George III Mahogany Chest on Chest, the pierced dentil cornice and Chinese blind fretted frieze over two short and three long drawers between canted fretted corners, the base with three long drawers on ogee bracket feet, (190cm by 120cm by 59cm)

Flint (William Russell, RA, PPRWS) Primavera, colour-printed offset lithograph, 235 x 290mm., signed within the image, in pencil, lower left, blind-stamp of the Fine Art Trade Guild, lower left, slight uneven sun fading from over-mount, Adam Collection Ltd, 1969; with a small group of 9 late 19th century erotic (and 1 non-erotic) postcards and 10 later copy prints (21)

Daniel Maclise RA (1806-1870). The Story of the Norman Conquest, Art-Union of London, 1866. Oblong folio in blind-stamped green buckram, with a gilt title vignette on upper board. Inside are forty-two tinted, wood-engraved plates- historical tableau of scenes illustrating the fall of Harold, the last Saxon King of England under siege from William, Duke of Normandy. 50-80 Euros (IR £0-£100 approx.)

Jack Butler Yeats RHA (1871-1957) [His own library]. H. L. Swinburne, The Royal Navy, Adam & Charles Black, London, 1907. First edition. With 51 colour plates by marine artist Norman Wilkinson, and a further 10 illustrating sailor costumes by J. Jellicoe. PRESENTATION COPY (blind stamped on title-page) to poet John Masefield, who subsequently gave the book to Jack B. Yeats. INSCRIBED: "To the Admiral of the Gara Fleet from M", with the dancing figure of a man forming an 'M' and a boat on water under him. The "Admiral" was Yeats whose studio in Devon had overlooked the Gara River. (see Bruce Arnold, Jack Yeats, Yale University Press, London, 1998, pp.106-115). Masefield and Yeats sailed model boats along the Gara and the river features in Masefield's ribald ditties about the pirate Theodore, the illustrations to which Yeats supplied. SIGNED BY YEATS on the front free-endpaper. A fascinating piece of Yeats/Masefield memorabilia. 300-400 Euros (IR £200-£300 approx.)

2 Pce Vintage Photo Equipment, Hunter Light Metre, And Ensign Midget And Box Camera And Roller Blind Shutter

Wells (H.G.) The First Men In the Moon, FIRST EDITION, library blind-stamp to rear free endpaper, front free endpaper with ink inscription and upper corner cut out, 1902; In the Days of the Comet, FIRST EDITION, SECOND ISSUE, library blind-stamp and ink stamps to half-title and front pastedown, 1906, original cloth; and 2 others, Wells, 8vo (4).

Wells (H.G.) The Country of the Blind and Other Stories, FIRST EDITION, colour frontispiece, ink inscription to front free endpaper, original embossed cloth, 8vo, [1911].

TASSO, B. Le Lettere, woodcut device on title, occasional faint damp-staining, nineteenth-century calf-backed boards, 8vo, Venice, G. Cornetti, 1585; CURTIUS RUFUS, Q. De rebus gestis Alexandri Magni, title within woodcut border, early marginal annotations, lightly damp-stained, contemporary calf with central blind-stamped decorative oval, 16mo, Antwerp, P. Bellerius, 1586; SAPIENTIA SIRACHI sive Ecclesiasticus, edited by D. Hoeschel, Greek & Latin text, autograph on title of W. Fulbeck & M. Casaubon, title slightly soiled, contemporary calf, head and tail of spine worn, 8vo, Augustae Vindelicorum, 1604; and 1 other (Petronius, 1610, imperfect) (4)

ORTELIUS, ABRAHAM. Thesaurus geographicus, woodcut device on title, woodcut initials, hand-coloured armorial shield on front paste-down, contemporary blind-stamped pigskin over wooden boards, panelled with blind-stamped figures of Hope, Faith and Charity, and floral scrolls, slightly soiled, head of spine slightly chipped, folio, Antwerp, Christopher Plantin, 1587

HODGKIN, J.E. Rariora, being Notes of some of the Printed Books, Manuscripts, Historical Documents, Medals..., 3 volumes, plates, unobtrusive small library blind-stamp and bookplate of the Oxford & Cambridge University Club library (duplicate, sold), original buckram, 4to, 1902

LITURGY, Slavonic. Chetje-Meneje [Menaion for Feasts and all Saints whose Days are Celebrated by the Orthodox Church in January], printed in red and black, lower corners lightly soiled, seventeenth-century Russian blind-tooled calf over wooden boards, two covers differently decorated, rebacked, spine very worn, covers with a few small wormholes, clasps, folio, Moscow, 1644

After Edward King (19th/20th Century). "Victoria Embankment", coloured etching by D. Donald, signed in pencil by the artist, etcher, pub. 1926 by Museum galleries, blind trade guild, stamp bottom left, plate size 11 x 15".

After Edward King (19th/20th Century). "Marble Arch", coloured etching by Eugene Tilly, signed in pencil by the artist, etcher, pub. 1925 by Museum Galleries, blind trade guild, stamp bottom left, plate size, 11 x 14.75".

After Edward King (19th/20th century). "The National Gallery", coloured etching by Cecil Tatton Winter, signed in pencil by the artist and etcher, pub. 1925 by Museum Galleries, blind trade guild stamp bottom left, plate size 10.75 x 14.75".

After Edward King (19th/20th century). "Richmond Bridge", coloured etching by Eugene Tilly, signed in pencil by the artist and etcher, pub. 1925 by Museum Galleries, blind trade guild stamp bottom left, plate size 11 x 14.25".

After Edward King (19th both Century). "The Horseguards Whitehall". coloured etching by Eugen Tilly, signed in pencil by the artist and etcher, pub. 1925 by Museum Gallerikes, Blind trade guild stamp bottom left, plate size 10.75 x 15".

A late 19thC neo-classical revival display cabinet having blind fret and applied mouldings to the serpentine top supported by turned and reeded pillars with oval patera and pendant husks, single astragal glazed door, the base having serpentine urn carved frieze with conforming pillars, shaped undershelf and turned feet 3' wide 5'6" high.

Jardine (Sir William, editor) The Naturalist's Library: Ornithology, by the editor, Prideaux John Selby, W. Swainson & others, vol. 1-14 (complete, comprising Humming-Birds, Sun Birds, Flycatchers, Parrots, Pigeons, Peacocks, Game Birds, Birds of Western Africa & British Birds), additional engraved vignette titles, all but 2 hand-coloured, engraved portrait frontispieces and 437 hand-coloured engraved plates, some pp. unopened, slightly browned, ex-library stickers on frontispieces, some offsetting, some hinges splitting, original blind-stamped cloth, gilt, a few joints splitting, head and tail of spines chipped, t.e.g., 12mo, Edinburgh, [c. 1833-34].

Bartoli (Pietro Santi) and Giovanni Pietro Bellori. Columna Antoniniana Marci Aurelii Antonini Augusti, first edition, engraved title, 75 numbered plates (pls 2 & 3 joined) and 2 plates of coins, tear (paper flaw) to pl.22, Rome, [1672]; bound with: Stylobates Columnae Antoninae, engraved title and 3 plates by Aquila, Rome, Domenico de Rossi, 1708, contemporary blind-stamped vellum, short splits at head of spine and top edges, oblong folio

Ricauti (T.J.) Sketches for Rustic Work, 18 lithographed plates and plans, some spotting, original blind-stamped cloth, rubbed and marked, spine damaged, 4to, 1848.

Fraser (James Baillie) A Winter's Journey (Tatar,) from Constantinople to Teheran, 2 vol., first edition, frontispiece to each vol., titles and frontispieces slightly browned. contemporary polished calf, elaborate blind-stamped covers, [Ghani p.141], 8vo, 1838.

Bongars (Jacques) Gesta dei per Francos, sive Orientalium Expeditionum, et Regni Francorum Hierosolimitani Historia ... , 2 vol. in 1, first edition, engraved device on titles, 5 engraved maps and plans, 3 double-page, folding table, browned, contemporary blind-stamped vellum, rebacked in reversed calf, rubbed, [Atabey 127, Brunet I, 1098 "Important recueil"], folio, Hanau, 1611.

Catlin (George) Letters and Notes on the Manners, Customs, and Condition of the North American Indians, third edition, 2 vol., 3 maps, 1 folding, uncoloured illustrations by the author, title vol.I loose, 1f. vol.II almost loose, hinges cracked, original blind-stamped cloth, 8vo, 1842.

Gaspey (Thomas, editor) The Upper Rhine ... from drawings by Messrs. Rohbock, Louis and Julius Lange, engraved frontispiece, additional title and 132 plates, some slight spotting, tissue guards, original blind-stamped cloth, gilt, g.e., 8vo, 1859.

Newbold (T.J.) Political and Statistical Account of the British Settlements in the Straits of Malacca, 2 vol., 8 maps and plates, half-titles, vol. II advertisements at end, vol. I frontispiece slightly frayed and repaired at edge, slightly foxed, original blind-stamped cloth, gilt lettering on spines slightly rubbed, recased, 8vo, 1839.

Estienne (Robert) Thesaurus Linguae Latinae, 4 vol. in 2, woodcut devices on titles, ink inscriptions to titles, small hole to title of vol.2, first few ff. of vol.2 with light water-stain and top margin a little frayed, contemporary blind-stamped vellum, lacks ties, spines torn, folio, Lyons, 1573.

Brome (Richard) The Northern Lasse, A Comedie, first edition, cropped close with occasional loss of text including imprint and date on title, F1 ?supplied from another copy, modern blind-stamped calf, [STC 3819], small 4to, by Aug.Mathewes, 1632. *** Includes commendatory verses by Ben Jonson.

Rushworth (John) Historical Collections of Private Passages of State ... portrait frontispiece, double-page map, preliminary **3 marginally torn with slight loss to single rule border, new endpapers, bookplate, contemporary blind-stamped calf, rebacked, original backstrip preserved, corners repaired, [Wing R2316], folio, Printed by Tho. Newcomb for George Thomason, 1659.

Taylor (Jeremy) Ductor Dubitantium, or the Rule of Conscience in all her General Measures, the Third Edition, engraved portrait and title-vignette, new endpapers, original pastedown preserved, contemporary blind-stamped calf, rebacked, morocco label, outer corners worn, [Wing T326], folio, 1676.