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Lot 649
A late 18th Century oak cased eight day longcase clock by Rob Webster, ShrewsburyThe clock with an openwork broken twin swan neck pediment above a blind fretwork frieze and tapering columns flanking a 12" brass dial, the dial painted with Roman and Arabic numerals and centred with a subsidiary second dial and date aperture along with the makers name, enclosed by foliate spandrels, the slender crossbanded case with a conforming rectangular door above a lower panel and bracket feet, two weight and pendulum, 209cm high.
Lot 347
Lawrence Stephen Lowry, Signed black and white print, The Circular Library, St Peters Square, Manchester, Signed in pencil and with Fine Art Trade Guild blind stamp, From an edition of 850,26.5cm x 36.5cm, Framed and glazed CONDITION REPORT: Clear signature and blind stamp. Paper perhaps very lightly browned, but overall appearance good. Not able to ascertain if it is laid down or not.
Lot 351
Lawrence Stephen Lowry, Limited edition black and white print, The Football Match, No 217/850, signed and with blind stamp, Label verso for Hilliard & Sons Bolton, 26.5cm x 37.5cm, Framed and glazed CONDITION REPORT: Clear signature, stamp and limited edition numbers. Paper appears not laid down as there is a hint of undulation. Feint paper creases to the bottom edge to the left of the signature, please see additional image. There is one small foxing spot between the legs of the footballer to the right of the scene. The other small brown mark by this is on/in the glass. There is a feinter small brown spot just above the crease to the bottom edge. There is a line mark to the head of one of the footballers to the middle of the scene and there is a small spot to the top edge which may be part of the printing or a light piece of fluff sitting on the top of the paper.
Lot 352
Lawrence Stephen Lowry, Deal Beach, Signed in pen and with Fine Art Trade Guild blind stamp, 17cm x 25cm, Framed and glazed CONDITION REPORT: Paper appear cut all the way to the green coloured edge. The top left corner has lifted a little. Signature to bottom right and in biro. Not as crisp as the pencil signatures. Blind stamp visible in the image. Perhaps lightly browned.
Lot 184
18th Century oak longcase clock by Nathaniel Hedge of Colchester, stepped hood having blind fret decoration, arched shaped glazed door flanked by tapered cylindrical pillars, copper trunk with arch shaped long door and standing on bracket feet, arched shaped brass dial with silvered chapter ring, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight day striking movement Condition:
Lot 232
A part tram destination blind for the Liverpool area with destinations for Dovecot, Edge Hill, Edge Lane, Edwards lane and Fazakerley, length 108cm (af). CONDITION REPORT A part section, as stated. The vendor has confirmed it is a Liverpool tram blind, but is unsure of the date. However Liverpool trams ceased functioning in 1957, so it will date to no later than then.
Lot 723
A Victorian oak mirror backed sideboard, the flared cornice above acanthus and blind fret decorated frieze, raised on turned reeded supports in front of three bevelled mirror panels, the base fitted two long drawers above a short drawer and alcove flanked by a pair of carved panel doors, raised on bun feet, 213cms wide.
Lot 198
BADFINGER - BLIND OWL - 7" APPLE TEST PRESSING - Never seen before single sided 7" white label test pressing of the 1973 cut (APPLE 49) that was the B side of Apple Of My Eye (see above). The record is in superb Ex+ with perhaps just one or two extremely faint, tiny and wispy marks. Outstanding.
Lot 211
THREE MAN ARMY APPLE ACETATE - A stunning 7" acetate with Apple 'Custom Recording' labels of the Gurvitz brothers group Three Man Army 'I Can't Make The Blind See' track that saw light of day on 1974s 'Two' LP. The recording is a nice one and the disc plays through at a solid VG+, with refreshingly little surface noise for an acetate.
Lot 1012
An 18th Century walnut longcase clock with later movement, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the matted centre with turned winding holes to the eight day movement striking on a bell, contained in walnut case inlaid with herringbone bandings, the hood with moulded cornice, blind fret frieze and split turned columns, the trunk door with brass framed circular lenticle, on plinth base, 81ins high (with adaptations and alterations)
Lot 1261
A late Victorian walnut side cabinet, the back inset with six bevelled mirrored panels (marked), fitted with a shelf, with fretted apron and on quadruple turned cluster column supports, the base fitted with a frieze drawer with blind fret ornament, above fretted apron, flanked by display cabinets enclosed by bevelled glass panels and with cupboard under and open shelves enclosed by a pair of carved panel doors, on turned feet, 54ins wide x 16ins deep x 72ins high
Lot 509
After Guernico an 18th century engraving by F. Bartolozzi, R.A, study of a mother with an infant son, holding an alphabet, with a vase of lillies in the background, oval mount, 24 by 20cm together with a Georgian mezzotint of a beauty, signed indistinctly below in pencil H.Scott B.. and a blind stamp. (2)
Lot 575
Yiannis Psychopedis (Greek, b. 1945): two limited edition prints, both signed in pencil lower right margin, with blind stamp dated 2000, one depicting a female nude in moonlight, no 210/300, the other a man with ruler and rope, no 155/300, unframed with margins, 50 by 35cm. (2)Professor at Athens School of Fine Arts, the artist is the main exponent of Europe's Critical Realism Movement, in the late 1960's.
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