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A David Shepherd colour print 750/850, blind stamp of a horse and pony titled "High Noon", signed in pencil

Summertime a signed limited edition colour print of horses, blind stamp, 807/1000

A Set of Blind Mans Dominoes, pair of resin figures, model car, clay pipes, Wedgwood dish:- One Tray. Greens mixing bowl, signed Terry Gorman print and Sheffield pictorial map.

Arthur Delaney 'Neepsend Post Office', artist proof print, blind backstamp 34.5 x 47cm.

Edwardian mahogany display cabinet, frieze with blind fretwork, two astragal glazed doors covering two fixed shelves, lower section with two blind cupboards with oval moulding, all standing on carved cabriole legs with ball-and-claw feet. Label to rear 'Wylie & Lochhead Ltd, 45 Buchanan Street, Glasgow'.width 122cm (48”), depth 38cm (15”) height 187cm (74in)Condition report: Interior covered with modern wallpaper original linings missing, overall condition of cabinet good.

Victorian carved oak bookcase, rectangular top with ogee mould above 4in frieze, decorated with trailing vine, relief moulding, two adjustable shelves, flanked by two term figures, each playing musical pipe, blind base.width 176cm (69"), depth 31cm (12in), height 104cm (41in)Condition report: Top with rain water damage to one end, section of cock beading missing, plinth with small section of veneer missing also with water damage.

George III mahogany breakfront linen cupboard, two central blind cupboards with ebonised string flanked by two stacks of four graduated drawers, each with original turned ebonised handles, all now standing on block feet.width 187cm (73in), depth 60cm (24in), height 102cm (40in)Condition report: Central cupboard with four brushing slides to the interior, two appearing to be later replacements as the drawer fronts are constructed using differing coloured timbers, also supplied with this cupboard a set of turned wooden legs which were apparently originally fitted to this cupboard but have now been removed.

An early 19th century lady's commonplace book or drawing-room album, compiled and illustrated with ink manuscript verse and prose from belles-lettres, with further friendly sentiments, and 18th century and later portrait engravings, two Abolitionist engravings (1 of Wilberforce, another a chained slave imploring on the Bible), some later 19th century Hogarth prints, etc., three later 19th century sepia photographs: Christchurch Priory, Herstmonceux Castle, and the coast, infrequent tipped-in leaves of writing embellished with in-text drawings, etc., contemporary claret morocco, elaborately tooled in gilt and blind, rounded 'ledger' spine with raised bands, 4to, [1]

Antiquarianism - Birch (Walter de Gray, F.S.A., editor), Cartularium Saxonicum: A Collection of Charters Relating to Anglo Saxon History, three volume set: A.D. 430-975, London: 1885-1893, titles printed in red and black, 20th century institutional brown buckram, contemporary yellow-stained edges, 4to, (3); Domesday Book, 1086: Domesday Book, or The Great Survey of England of William the Conqueror [...], Fac-Simile of the Part Relating to Cheshire, Photo-Lithographed by [...] the Ordnance Survey Office: 1861, [&] Beaumont (William, Esquire, editor), A Literal Extension and Translation of the Portion of the Domesday Book relating to Cheshire and Lancashire, and to Parts of Flintshire and Denbighshire, Cumberland, Westmoreland, and Yorkshire [...], Chester: Minshull & Hughes, 1863, each title printed in red and black, uniform black cloth, gilt-lettered and blind-stamped, red-stained edges folios, (2); Bonney (The Rev. H.K.), Historic Notices in Reference to Fotheringay, Illustrated by Engravings, Oundle: T. Bell [...], 1821, disbound, 8vo, (1); Warwick (The Countess of), Warwick Castle and its Earls, from Saxon Times to the Present Day [...], two-volume set, London: 1903, contemporary cloth, 8vo, (2); [Allen (Thomas)], The History of the County of Lincoln [...], Embellished with Numerous Views, volume I only, London: John Saunders, Junior, 1834, original boards, 4to, (1); etc., [11]

Bindings - Scotland, Theology, Bonar (The Rev. Andrew, editor), Letters of Samuel Rutherford, With Biographical Sketches of His Correspondents, With Sketch of His Life, first and only edition, two-volume set, Edinburgh: William P. Kennedy, 1863, uniformly bound in contemporary Gothic Revival black morocco, the bevelled boards panelled in blind with a double-fillet border, the angles enclosing quatrefoils gilt, the spines gilt-lettered and tooled within raised bands, all-edges gilt, marbled endpapers, 8vo, [2]

Botany, Husbandry and Gardening - Grew (Nehemjah, M.D., Fellow of the Royal Society, and of the College of Physicians), The Anatomy of Plants/With an Idea of a Philosophical History of Plants/And several other Lectures, Read before the Royal Society, first collective edition thus, [London]: Printed by W. Rawlins, for the Author, 1682, title printed within a black-ruled border, floriated initials, defective, pp: [xx], 24, [x], 14, 41-49, [1] (blank), [ii], 57-[214], [ii], 221-290, 297-304, [20], 27 full-page scientific plates, [4] (blanks), contemporary blind-panelled calf, some MS inscriptions, folio, (1); Bradley (Richard), two titles in one volume: New Improvements of Planting and Gardening, Both Philosophical and Practical [...], [bound and issued with], The Gentleman and Gardener's Kalendar (sic) [...], corrected third edition, London: W. Mears, 1720, only Part II and Kalendar (sic) with title-pages - printed in red and within black-ruled borders, lacking overall frontispiece, illustrated with 11 plates (of which 8 are folding), profuse ornamental headers, tailpieces, vignettes and opening letters, contemporary two-tone panelled calf, contemporaneous ink MS and ownership stamp: D. George, 8vo, (1); [Mortimer (John), The Whole Art of Husbandry [...], London: 1716], lacking title-page but retains frontispiece, opens on A2, illustrated with in-text illustrations, contemporary panelled calf, slightly later ink MS ownership inscription: George Scattergood's Book July 24 1756, 8vo, (1); Bradley (Richard), A General Treatise of Husbandry and Gardening [...], volume I only, London: T. Woodward, 1724, illustrated with 5 plates (of which 3 fold-out), contemporary panelled calf, 19th century ink MS ownership inscription: Thos Taylor Gooding, 8vo, (1); Harrison (Joseph), The Floricultural Cabinet and Florists' Magazine, January to December, 1840: Volume VIII, London: Whittaker and Co., 1840, additional engraved title, 13 full-page hand-coloured plates, contemporary green quarter-calf gilt over marbled boards, marbled endpapers en suite, 8vo, (1), [5]

Bunyan (John), The Pilgrim's Progress and Other Works [...], Glasgow: William Mackenzie, [n.d., c. 1870], printed in parallel columns, additional engraved title-page, fold-out plate, full-page engravings and in-text illustrations throughout, contemporary black calf, blind and gilt, marbled edges, marbled endpapers, 4to, [1] Provenance: Joseph Fletcher, Codnor Park, [Derbyshire], 1870, red morocco book label gilt lettered, dated, and tooled, to recto pastedown.

Crabbe (The Rev. George, LL.B.), Crabbe's Works: Poems, Tales, and The Borough, six-volume set, mixed fourth and sixth editions, London: J. Hatchard, 1812-1814, uniform contemporary speckled calf, the boards and backs tooled in blind and gilt, contrasting black and green morocco pieces, marbled edges and endpapers, contemporary ink MS presentation inscription: Wm. L. Pope from his friend T.J. Hilliard, 1816, 8vo, (6); The Spectator, eight-volume set, London: Printed for J. and R. Tonson, 1767, frontispieces engraved after Francis Hayman RA (1708-1776), contemporary calf, refreshed with later contrasting red and green morocco pieces gilt, marbled edges, slightly later ink MS presentation inscriptions, 8vo, (8), [14]

History and Politics - Eachard (Lawrence, of Christ's College, Cambridge), The Gazetteer's, or Newsman's Interpreter: Being a Geographical Index [...] in Europe, London: Printed for Tho. Salusbury, 1692, black-ruled title-page, disbound, 12mo, (1); Fairfax (T.), The Complete Sportsman [...], London: J. Cooke, 1765, contemporary calf, 8vo, (1); The Spectator, eight-volume set, London: Printed for J. and R. Tonson, 1767, engraved frontispieces, Shakespeare vignettes, contemporary calf, marbled endpapers, slightly later Plain Armorial bookplates: Hon. Edw:d Turnour, Saint Mary Hall, Oxford, 8vo, (8); miscellaneous volumes of the Spectator and Tatler; Johnson (Samuel), The Rambler, two-volume set, London: Rivington, 1820, original boards, 12mo, (1); Strickland (Agnes), Lives of the Queens of England [...], six-volume set, London: Henry Colburn, 1841-1843, contemporary half-calf, 8vo, (6); The Lady's New and Elegant Pocket Magazine [...], For January 1795, contemporary quarter-calf (disbound), 12mo, (1); Lodge's Portraits, London: Harding and Lepard, 1829, contemporary calf, gilt and blind, marbled edges and endpapers, 8vo, (1); Howlett (The Rev. John Henry), Metrical Chronology [...], second edition, London: 1832, contemporary green moiré over boards, 4to, (1); The Atalantis Reviv'd, odd volume defective, calf, 8vo, (1); bindings; etc., [41]

Jacobitism and Jacobites - A Grandee of Carlisle's Copy, Mounsey (George Gill, editor), Carlisle in 1745, An Authentic Account of the Occupation of Carlisle [...] By Prince Charles Edward Stuart [aka Bonnie Prince Charlie], first and only edition, London: Longman and Co., &, Carlisle: James Steel, 1846, pp: x, 270, additional engraved title-page with numismatic vignettes, fold-out map, 5 full-page plates, some vignettes, contemporary gilt pictorial and blind brown cloth, yellow endpapers, 8vo, [1] Provenance: George Head Head (c. 1795-1876), of Rickerby Hall, Cumbria, his crested bookplate to pastedown. Head, a well-noted slavery abolitionist, was also a mayor, magistrate, banker, and mine owner in his native Carlisle.

Judaica, Jewish Prayer Book - Machzor, volumes I-III, Vilnius: "ROM", [n.d., c. 1880-1886], printed in Hebrew, architectural title-pages, contemporary marbled calf, blind-stamped to a Rococo design, green foliate endpapers, pastedowns with ink manuscript labels, folios (39.5cm x 28cm), [3]

Miscellaneous - Literature, Binding: Moore (Thomas), Lalla Rookh: An Oriental Romance, London: Longman [...], 1861, printed in black-lined borders, full-page chromolithograph, in-text engravings, finely bound in red morocco elaborately gilt, all-edges gilt, 20th century armorial bookplate: Chapman-Purchas, 4to, (1); [Barham (Richard)], The Ingoldsby Legens [...], Second Series, third edition, London: Richard Bentley, [n.d., 1842], engraved title, contemporary quarter-morocco over marbled boards by J. Collins, Bookbinder, Dublin, ticket, marbled edges and endpapers, 8vo, (1); Crabb (George), English Synonymes (sic) [...], third edition, London: 1824, half-calf over moiré boards, 8vo, (1); The Casquet of Gems [...], Edinburgh: William P. Nimmo, [n.d., c. 1875], printed within black-lined borders, contemporary blind-stamped green morocco, all edges gilt, 8vo, (1); Goldsmith (Oliver), A History of the Earth and Animated Nature [...], volume I only, London: Blackie and Son, 1861, illustrated, contemporary polished mauve calf, blind-tooled, 4to, (1); Browning (Robert), Dramatic Idyls (sic), first edition, London: Smith, Elder, & Co., 1879, 20th century gilt-lettered red morocco over cloth, ex-lib Nottingham Public Libraries, 12mo, (1); Neues Magazin für die Liebhaber der Entomologie, volume II only, Zürich: 1785, contemporary calf over speckled boards, 8vo, (1); The Quarterly Review, Vol. XLV, April & July, 1831, London: John Murray, 1831, quarter-calf, Plain Armorial bookplate: Gerard Noel, Catmose, 8vo, (1); etc, [10]

The Orient, China - Bindings, Sir John Lubbock's Hundred Books, three volumes, comprising: Firdausí and Atkinson (Rev. J.A., editor), The Sháh Námeh [...]; Saint-Hilaire (J. Barthélemy), The Buddha and His Religion; Jennings (William, translator), The Shi King, The Old "Poetry Classic" of the Chinese [...], London: George Routledge and Sons Limited, [n.d., 1910], bound en suite in contemporary half-roan over marbled boards, top-edge gilt, marbled endpapers, small 8vo, (3); de Lamartine (A[lphonse]), Souvenirs Impressions, Pensées et Paysages pendant un Voyage en Orient [...], volume IV only, Brussels: 1835, contemporary blind-tooled green morocco, 8vo, (1); Chinese poetry, including Arthur Waley and the Tang Dynasty, (2), [6]

Theology - [Drexel (Jeremias, S.J.)], The Considerations of Drexelius Upon Eternity/Translated by R. Winterton, Fellow of Kings Colledge (sic) in Cambridge, 1632, Cambridge: Printed by Roger Daniel, Printer to the Universitie (sic), 1646, title printed within a foliate border, defective and incomplete, some full-page plates, contemporary calf lower-cover only (worn), 12mo, (1); Bohun (W.), The Law of Tithes [...], In the Savoy: Printed by E. and R. Nutt [...], 1730, title printed within a black double-line border, contemporary blind-tooled calf, contemporaneous ink MS inscription: The Bishop, 8vo, (1); [Sherlock (Thomas)], The Tryal (sic) of the Witnesses of the Resurrection of Jesus, thirteenth edition, London: Printed for John Whiston and Benjamin West, 1755, calf rebacked contemporary boards, Plain Armorial bookplate: H.G.W. Sperling, 8vo, (1); Blunt (The Rev. Henry), Lectures Upon the History of Our Lord and Saviour Jesus Christ [...], sixth, seventh and ninth editions, three-volume set, London: J. Hatchard and Son, 1841, contemporary calf gilt, red speckled edges, contemporaneous ink MS presentation inscriptions, 8vo, (3); Writings of the Rev. Thomas Becon, Chaplain to Archbishop Cranmer, and Prebendary of Canterbury, London: Printed for The Religious Tract Society [...], [n.d., c. 1830], portrait frontispiece, 20th century black morocco over marbled boards, 8vo, (1); Secker (Thomas), Lectures on the Catechism of the Church of England [...], volume II only, London: 1769, contemporary calf, lower cover with ownership inscription, 8vo, (1), [8]

Theology, Scripture, Liturgy, and Ethics - Whitby [(Daniel)], Ethices Compendium, in usum Academicæ Juventutis [...], fourth and final edition, Londini: Gulielmi & Johannis Innys, 1724, contemporary two-tone panelled calf, gilt spine with contrasting red morocco piece, red-speckled edges, 8vo, (1); Provincial Imprint, Tuke (Henry), The Life of George Fox, from Biographical Notices of Members of the Society of Friends, volume I (the biography complete in itself), York: Printed by C. Peacock [...], 1813, 19th century and later ownership inscriptions, contemporary calf, 8vo, (1); Hervey (James), Meditations and Contemplations, volume II only (its sections complete in themselves), second edition, London: Printed for John and James Rivington, 1768, contemporary calf over marbled boards, 8vo, (1); Barclay's Apology for the True Christian Divinity, as Professed by the People Called Quakers [...], second edition, London: Harvey and Darton, 1822, rebacked contemporary marbled boards, contemporary and later book labels: The Library of the Meeting of Friends, In Castle-Donington, 8vo, (1); The Holy Bible [...], London: George E. Eyre and William Spottiswoode, 1861, printed in parallel columns within black-ruled borders, contemporary Gothic Revival brown morocco, architectural blind-stamped framework to covers, all edges gilt, 4to, (1); later Bibles (4); etc., (2), [11]

A VERITAS blind nailer, brass anvil, 3 carving tools and a plane G+

A late 19th to early 20th Century carved mahogany Chippendale style floorstanding display bijouterie cabinet, the upper section enclosed by a pair of blind fret decorated doors below a pierced cornice above a glazed base on square tapering legs terminating in spade feet united by a shaped undertier, height 182cm x depth 47cm x width 76cm.

A late 18th to early 19th century long case clock by John Bates Atherstone, engraved brass dial with date aperture and 30hr striking movement enclosed by a pierced blind fret pillared hood over a long trunk door flanked by receded pilasters on a canted panelled plinth base, height 200cm.

A GEORGE IV ROSEWOOD SOFA TABLE, C1830, THE TOP FITTED WITH TWO DRAWERS AND OPPOSING BLIND DRAWERS, ON PLAIN TAPERING PILLAR, INCURVED PLATFORM AND PROJECTING FEET, 73CM H; 76 X 149CM Leaves warped, veneers slightly damaged and repaired around platform

A GEORGE III OAK CHEST ON CHEST, WITH DENTIL CORNICE AND BLIND FRET FRIEZE, FITTED TWO SHORT AND THREE GRADUATED MOULDED DRAWERS, THE LOWER PART WITH THREE FURTHER DRAWERS, ON BRACKET FEET, 191CM H; 112 X 55CM Shrinkage cracks to both sides, beading split, chips and losses to feet and cornice

A late 19th century arts and crafts influence oak mirror-back sideboard, the scroll cresting above twin beveled mirrors flanking a central cupboard with leaded glass door, above two frieze drawers and twin cupboard doors having blind fretwork panels, raised on shaped supports.137cm wide, 177cm high, 54cm deep.Condition report: Provenance: The Southport home of poet Helen Fielden (1859-1950), supplied by the PIoneer Complete House Furnishing Store, Liverpool. A slim volume accompanying this lot shows the sideboard in situ, in a photograph taken in circa 1898.

Rowlands, after, The Result of Purchasing A Blind Horse, Doctor Syntax, setting out on his second Tour, Dr Syntax with the Skimmington Riders, The Garden Trio, A Noble Hunting Party, Dr Syntax Painting a Portrait, coloured engraving, 13.5cm x 21cm, framed (6)

VICTORIAN WALNUT DAVENPORT having a fretwork back rail with a serpentine front slope inset with gilt tooled leather opening to reveal a satinwood interior of drawers and pigeon holes, fully opening flight of four large and one small drawer to the right with blind drawer fronts opposite, all with turned wooden knobs, the front on shaped carved supports and modern replacement castors (fretwork A/F, some pieces present, leather in poor condition, some shrinkage splits apparent with overall areas of fading), 93cms overall H, 57cms W, 55cms D

WATERCOLOURS - a pair of Venetian scenes, 12 x 19cms, blind stamped 'E S K' within an oval

Single records (approx 60) including After the Fire, Clockdva, Blind Mice, Half Man Half Biscuit, Duran Duran and Departments

Pair of luxury interlined curtains with tie backs, 46" x 72" drop and matching blind 24" wide. Not available for in-house P&P

S. FLETCHER, DEWSBURY. A GEORGE III MOONPHASE EIGHT-DAY LONGCASE CLOCK having an oak case with blind fret decoration and swan neck pediment enclosing a 12" arched brass dial with rolling moon fronting an eight-day weight driven movement 226cm high

AN EARLY 19TH CENTURY MALACCA CANE WALKING STICK WITH FINELY CARVED IVORY HANDLE AND CARVED MOTHER OF PEARL CAMEO PORTRAIT INSET TO THE TOP the ivory handle depicting Cavalry soldiers on horseback with blind gothic bands, the top with a hinged bulls-eye glass covering a finely carved mother of pearl portrait of a gentleman, possibly the young Prince Albert, 89cm overall

Early 19th century mahogany chest on chest, projecting Greek key cornice with two short and six long graduating drawers, canted blind fret corner, ogee supports, W124cm, H170cm, D57cm - Condition Report Damage to feet, pieces present, light in colour, structurally sound, some moulding missing to front

Late Victorian oak mirror back side cabinet, sloped arched pediment with dentil detail, the large rectangular mirror with bevelled edge, two astragal glazed display cabinets to each side, lower section fitted with drawer and cupboards, panelled doors with floral and ribbon carved mounts, blind fret work throughout, foliage carved supports, W154cm, H240cm, D51cm - Condition Report

Francois (Fanch) Ledan (French 1949-): The Living Room, limited edition colour print signed and numbered 266/495 with blind stamp 50cm x 59cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

William Tatton Winter RBA (British 1855-1928): 'Sudbury Watch Tower Canterbury' and three other town views, four etchings signed in pencil two with blind stamps approx 28cm x 31cm & 38cm x 23cm and another etching of Glasgow University and Tower, signed in pencil (5)Click here to view further images, condition reports, sale times & delivery costs for this lot.

A Chippendale Revival Carved Mahogany Desk, late 19th/early 20th century, the upper section with a pierced three-quarter gallery above four blind fret carved drawers joined by a shelf, the base with a carved border above an arrangement of five drawers around an arched apron, the sides and legs with conforming blind fret carved decoration, 111cm by 63cm by 111cm no illustration . Some variations in colour/ fading, the writing surface with some minor shrinkage splits, numerous scratches to the top, drawers oak lined, drawers are open but no key, carved scroll work around the kneehole small repair, carved brackets around legs, also with faults

Our National Cathedrals. 1887. Three volumes. Illustrated. Decorative cloth binding; and The Works of Shakspere. 1893. Three volumes. Illustrated by Kenny Meadows. Blind stamped cloth binding with gilt spines (6) - Condition Report

Ord John Walker: The History and Antiquities of Cleveland. 1846. Blind stamped brown cloth; The History of Thirsk. 1821; Calvert M.: The History of Knaresbrough. 1844; and Hughes Rev. Joseph: The History of the Township of Meltham. 1866 (4) - Condition Report

Poulson George: The History and Antiquities of the Seigniory of Holderness. 1840. Two volumes. Blind stamped brown cloth. - Condition Report Boards and spines detached from both volumes but present.

Catnach Press.- Hindley (Charles) The Catnach Press: a Collection of the Books and Woodcuts of James Catnach, fine paper copy, one of 250 copies, printed subscription leaf of George Skelly of Alnwick, life of 'Old Jemmy Catnach', essay on 'The Literature of the Streets', reproductions of 21 children's chapbooks and many woodblock images, many by Bewick, near fine copy in original morocco-backed boards, 1869; The History of the Catnach Press, dedication to George Skelly, numerous woodcut illustrations, some by Bewick, 20 printed with colour background, book label of Oliver Simon, endpapers browned, variant publisher's original paper-backed boards, a little soiled and rubbed, 1886; The Life and Times of James Catnach, additional engraved title vignette, woodcut illustrations, some by Bewick, a few hand-coloured, endpapers browned, some pages carelessly opened but not affecting text, original cloth, spine ends nicked and paper label worn, 1878; A History of the Cries of London, one of 500 copies, numerous woodcut illustrations, many by the Bewicks, lower hinge broken, rear endpapers damaged by damp and slight staining to advertisements at end, unobtrusive blind-stamp of the Thatched House Club, original cloth, spine wrinkled and faded and damaged at head, 1881, 8vo (4)⁂ George Skelly wrote a history of Alnwick, and local guidebooks.

NO RESERVE James (Henry) The Awkward Age, title in red and black, 17pp. advertisements at rear, 1899; The Spoils of Poynton, 1897; Portraits of Places, 1883, first editions, some endpapers browned, original cloth, the first two blind-stamped, spine ends bumped and creased, first spine marked; and 39 others, by or relating to James, v.s. (42)

Wells (H.G.) The Passionate Friends, signed presentation inscription from the author to half title, 12pp. advertisements, contemporary ink ownership inscriptions to front free endpaper, hinge a little weak, 1913; Ann Veronica, 1909; The Soul of a Bishop, dust-jacket, 1917, first editions, light foxing and browning to endpapers, original blind-stamped cloth, light rubbing to extremities, still excellent overall; and 4 others by Wells, 8vo (7)⁂The first is inscribed by Wells: "H. G. to The Model Solicitor who solicits alas no more." A pencilled note indicates this copy belonged to George Whale, a lawyer friend of Wells, who became involved in the dissolution of the relationship between Wells and Rebecca West about 9 years after this was published.

Britain.- [Boyle (Patrick)] Complete List of all the Market Towns in Great Britain, their Distance from London, the Market Days ... for the Year 1796, small hole affecting odd letter (G1), faint blind-stamp to final two leaves, trimmed, modern boards, 8vo, 1796.

NO RESERVE St Paul's.- Dayes (Edward) The Royal Procession [of King George III] in St. Pauls on St. George's Day, 1789, etching and engraving by James Neagle, on laid paper without visible watermark, platemark 480 x 700 mm (18 7/8 x 27 1/2 in), sheet 520 x 740 mm (20 1/2 x 29 1/8 in), small loss restored in margin at centre right, spotting and browning, minor nicks to extremities, unframed, 1793; together with a group of 14 portraits, including mezzotint portraits, a portrait of the blind German-born Indonesian-based botanist Georg Eberhard Rumphius (1627-1702), four portraits of Russian interest, one lettered in Cyrillic, another of Alexis Michailovich, Tsar of Russia, and others similar, engravings, mezzotints, various sizes, all unframed, 18th and 19th century (15)

NO RESERVE Binding.- Epistolae et Evangelia totius anni secundum Missale Romanum..., chromolithographed frontispiece and title heightened with gold, printed in red & black, illustrations, decorative initials and musical notation, contemporary red morocco elaborately stamped in gilt and blind, spine gilt, g.e., folio, Regensburg, Rome, New York & Cincinnati, 1909.⁂ Printed by Pustet, the official liturgical printers to the Vatican, known for their lavishly bound editions.

Doderidge (Sir John) Judge Doderidges Reading of Advowsons, or Church-Livings, occasional faint spotting, ex-library with occasional discreet blind-stamps, short marginal tear (N2), lightly browned, later half-calf, a little rubbed, [Wing D1795], small 4to., for Laur. Chapman, 1663.⁂ Scarce. Only 2 on ESTC, at the BL and Thomas Plume's Library.

NO RESERVE Cleveland (John) The Works of ..., containing his Poems, Orations and Epistles, engraved portrait frontispiece, lacking initial leaf (?blank), one or two manuscript insertions (author's names & attributions), occasional discreet blind-stamps, occasional marginal spotting, bookplate, previous owner's signature to title, joints strengthened, later calf, rubbed, slight bumping to corners and extremities, [Wing C4655], 8vo, for O. B., and are to be sold by J. Sprint, 1699.

Locke (John) An Essay concerning Human Understanding, 2 vol., eighth edition, engraved portrait frontispiece, vol.1 small paper flaw to lower margin of a5 with slight loss of text to verso, vol.2 N3 with short tear just into text, otherwise internally fine and clean, contemporary blind-stamped calf, spines gilt, spine ends chipped, vol.2 lower joint worn and slight loss of leather to lower cover, 8vo, for A. Churchill and A. Manship, 1721.

Green (John) The Priviledges of the Lord Mayor and Aldermen of the City, lacking leaf (?preliminary blank), occasional underlining and annotations, tiny rust-hole affect odd letter (I3), short tear to final leaf, spotting, ex-Wigan Public Library with accession number to title verso and one or two discreet blind-stamps, modern calf-backed boards, a little rubbed, [Kress 3471], 8vo, for John Hooke, 1722.⁂ Only 4 copies in the UK: BL, Bishopsgate Institution, Dublin Honourable Society of King's Inn and, Senate House.

[Oates (Titus)] The Witch of Endor: or, a Plea for the Divine Administration by the Agency of Good and Evil Spirits, faint blind-stamp (A2), ex-library with very faint remnants of accession stamp to title verso, previous owner's pencil notes to endpapers, later morocco backed boards, rubbed, 8vo, John Millan, 1736.⁂ Relatively scarce with only 7 copies on ESTC.

Games and word puzzles.- New Collection of Enigmas, Charades, Transpositions, &c (A), new (third) edition, half-title, solutions included at end, contemporary signature on title, uncut in original boards, marked, joints broken, spine worn, 1810 § Wheatley (H.B.) Of Anagrams, first edition, unobtrusive blind-stamp of Wigan reference library, modern calf-backed boards, t.e.g., 1862, 8vo (2)⁂ The rare Wheatley work also covers macaronic poetry, chronograms, acrostics, palindromes and other literary devices.

Wedgwood Jasperware - Christmas Plates, 1969-1979, trinket boxes and covers, vases, trinket dishes, Guide Dogs for the Blind trinket dish etc qty

A reproduction mahogany coffee table with blind cut frieze with two drawers, on octagonal tapering legs, 50 x 107 x 61cm.

David Shepherd (British, 1931-2017). On the Sub Nigel Mining on the Transvaal; The Zambezi Saw Mills Railway, pair of limited edition prints, signed, blind stamped 28.5cm x 38cm. (2)

An early 20thC Chippendale style mahogany bowfront display cabinet, the pediment carved with blind fretwork above a pair of glazed and panelled doors flanked by side panels, opening to reveal three shelves, raised on cabriole legs and ball and claw feet, 169.5cm high, 113cm wide, 43cm deep.

L.S. LOWRY (1887-1976) 'FAMILY DISCUSSION' a limited edition print of a family 779/850, published in 1974 by Henry Donn with blind stamp, mounted, framed and glazed, approximate size 37cm x 25cm including visible margins (Condition:- some age related yellowing to the paper, later frame) (A)

A Juan Carlos Huergo 1889-1962 limited edition print of a battle scene, 1/20, signed in print and with blind stamp, in card mount and gilt frame. 42 cm x 60 cm. CONDITION REPORT: Some yellowing, discolouration and small foxing spots. Some marks to the frame but generally very good condition.

After Michael Angelo Buonarroti - an engraving of figures, publisher's blind backstamp lower right, framed & glazed, 23 by 35cms (9 by 14ins).