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After Cecil Aldin (1870-1935), Two prints on paper, Hunting scenes with horses and hounds, Each signed in pencil and blind stamped lower left margin, Each 39cm x 63cm, In matching glazed frames, With five further hunting prints (7)

A George III oak and mahogany cross banded eight day long case clock, by Richard Deaves, Whitchurch, with a moulded twin swan neck pediment above a blind fretwork frieze and fluted tapering pilasters, flanking the painted 31cm break arch dial, applied with Arabic and Roman numerals and centred with subsidiary date and second dials, below the makers name, the two train movement strikes upon a saucer bell, above the shaped and cross banded door flanked by conforming fluted quarter pilasters, and conforming lower panel, raised upon a plinth base with bracket feet, 236cm high, with two weights and a pendulum

A George III mahogany bureau, the moulded fall front enclosing a compartmentalised interior with a central cross banded door flanked by blind fretwork panels, above two short and three long graduated and cock beaded drawers, applied with brass swan neck swing handles, on later ogee bracket feet, 106cm H x 116cm W x 53cm D For condition information please view this lot on our website HERE. Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com or easyliveauction.com

A mid 19th century mahogany Wellington chest, the rectangular top above seven graduated and cock beaded drawers applied with turned button handles, and embraced by carved fruit and leaf brackets above blind fretwork uprights and conforming lower brackets, raised upon a plinth base, 142cm H x 70cm W x 43cm D For condition information please view this lot on our website HERE. Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com or easyliveauction.com

Albany C Howard "Ga D,oro Venice" Drypoint, Blind stamp to lower left, 34cm x 25cmCondition reportHas some age discolouring to the background of the picture.The etching and signature are clear.Minor age discolouring to the paper mount also.Considering the age the etching is in ok condition. 

Mahogany Bookcase, circa early 20th century, Having two blind doors enclosing a shelved interior, 129cm high, 96cm wide, 46cm deep

A Victorian Pine Bench, 3rd quarter 19th century, the back support of two plank construction above a boarded seat with turned supports, on square form legs, 185cm by 40cm by 90cm; together with a squab cushion decorated with cockerels and leaves, and four matching scatter cushions, a pair of matching curtains and a matching kitchen blind

A George III Mahogany Chest on Chest, late 18th century, the dentil cornice above three short and three long graduated drawers, all between blind fret carved canted stiles, the base of three deep drawers with moulded base and shaped bracket feet, 105cm by 54cm by 180cm

An Early 19th Century Mahogany Bowfront Hanging Corner Cupboard, with dentil cornice above a blind fret carved frieze and astragal glazed doors enclosing three shelves, 80cm by 56cm by 118cm

Laurence Stephen Lowry RA (Northern British 1887-1976): 'The Football Match', limited edition monochrome lithograph with blind stamp signed and numbered 464/850 in pencil 27cm x 37cm Provenance: with Charles Nicholls & Son, Royal Exchange Galleries, Manchester - original receipt dated Sept. 1st 1973 verso DDS - Artist's resale rights may apply to this lot Condition Report Very good condition and colourClick here for further images, condition, auction times & delivery costs

Laurence Stephen Lowry RA (Northern British 1887-1976): 'The Level Crossing - Burton on Trent', limited edition coloured lithograph signed in pencil with Fine Art Guild blind stamp numbered EJK, 43cm x 58cmDDS - Artist's resale rights may apply to this lot Condition Report Overall good condition but fadedClick here for further images, condition, auction times & delivery costs

AFTER CAESAR SMITH A LIMITED EDITION PRINT OF THE BLUEBELL WOOD, signed with publisher's blind stamp, in gallery mount and frame

James Holman 1786-1857 ALS. Blind Traveller. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.

A limited edition lithograph of Black Rhinos facing forwards entitled "Rhino Beware", signed in pencil lower right by David Shepherd, (1931-2017), blind stamp and a small sketch of Rhino lower left, 47cm x 76cm

A French Gilt Metal Mounted Porcelain Jardinière, late 19th century, of ovoid form with leaf cast scroll handles and scroll cast foot, painted with 18th century playing Blind Man's Bluff, 32cm wide

Schoener (Johann) Opera mathematica, 3 parts in 1, first edition, collation: α6, β4, A-Z6, Aa-Cc6, Dd-Ee8, Ff-Mm6, Nn8; a-h6, i8, including errata, colophon and final blank leaf, but lacking 2 other blanks, Roman and Greek type, title printed in red and black with two large woodcut ornaments, woodcut printer's device at end, woodcut portrait of the author on β4v, numerous woodcuts and diagrams, 4 full-page woodcuts, including terrestrial globe, celestial globe and planisphere, complete with eleven diagrams with working volvelles (some with original threads, others sometime replaced), woodcut initials, generally very fine, wide-margined copy, title gutter reinforced, quire R lightly browned, few other leaves toned, small wear to lower blank margin of b3v, tiny wormhole in blank outer margin of last several leaves, contemporary blind-tooled pigskin over wooden boards, covers within two blind-stamped rolls, outer roll dated 1541 and depicting the Crucifixion, David, the Resurrection, and St. John, inner roll dated 1556 and showing Lucretia, Caritas, and Justicia, later stamp of Schola Altenburgensis printed in gold in centre of upper cover and in black on lower cover, some minor abrasion to binding, spine slightly chipped at head, corners lightly rubbed, folio (306 x 201mm.), Nuremberg, J. Montanus & U. Neuber, 1551.⁂ Rare and important work with a most distinguished provenance, in excellent condition and in its strictly contemporary binding. The Honeyman copy of the first edition of the collected works by Johann Schöner, mathematician, astronomer, cartographer, and scientific instrument maker from Karlstadt, in Bavaria. Schöner was a contemporary of Nicolaus Copernicus and in 1526 he became the first professor of mathematics at the University of Nuremberg. His most illustrious pupil was Georg Joachim Rheticus, who in the Narratio prima (1540) announced Copernicus' discoveries. Schöner was also active as a printer and even set up a press in his house, printing numerous previously unpublished works by Johannes Regiomontanus, as well as the first printed terrestrial globe to name the recently discovered continent of America. The Opera mathematica was published posthumously by his son Andreas and is introduced by a preface by the outstanding humanist and reformer Philipp Melanchthon (1497-1560). The volume contains a representative sample of Schöner's wide and diverse interests, and a digest of some of his separately published works, most of which are extremely rare. Part 3 contains the most important section, which describes and illustrates eleven instruments, under the title Aequatorium Astronomicum, ex quo errantium stellarum motus, luminarium configurationes, & defectus colliguntur, a revised and enlarged version of the work which first appeared in 1521. The Aequatorium Astronomicum contains the earliest collection of printed equatoria-diagrams, as well as a catalogue of stars adapted by Schöner from that published by Copernicus in his De revolutionibus of 1543. The text is illustrated by an elaborate series of volvelles (movable wheel charts) used to determine planetary positions. Each part of these volvelles was printed on a separate page, such that the reader could cut them out or trace them on separate pieces of paper, and then assemble the various parts with string. These fragile 'paper instruments', which Schöner was among the first to employ, are frequently lacking or only partially present in most other copies of this work, and they are very often constructed incorrectly. This copy is exceptionally complete and includes all the volvelles, some still with their original thread. Provenance: from the library of the Latin school in Altenburg, Germany (stamp on the binding 'Biblioth. Schol. Altenburgensis'); the English politician and book collector Sir Robert Leicester Harmsworth (1870-1937; his sale at Sotheby's London, 9 February 1953, lot 9605); Robert Honeyman IV (1897- 1987; see The Honeyman Collection of Scientific Books and Manuscripts. Volume vii. Printed Books S-Z and Addenda, Sotheby's New York, 19-20 May 1981, lot 2802A); Astronomy & Science Books from The Library of Martin C. Gutzwiller, lot 175. Literature: Adams S-678, 685; VD16 S-3465; Alden 551/35; BEA, pp. 1027-1028; Houzeau - Lancaster 2388; Sabin 77806.

Architecture.- Vitruvius Pollio (Marcus) Les Dix Livres d'architecture de Vitruve, translated by Claude Perrault, additional engraved title and illustrations, some full-page, bookplate to pastedown, ownership blind-stamp to endpapers and signature to title, occasional light spotting, heavier to final ff., contemporary calf, rebacked with original gilt spine laid down, lightly marked and faded, corners rubbed, folio, Paris, Jean-Baptiste Coignard, 1673.⁂ First edition of the French translation and comments by Claude Perrault.

Cameos.- Prendeville (James) Photographic Facsimiles of the Antique Gems Formerly Possessed by the Late Prince Poniatowski, Second Series only (of 2), 228 mounted albumen photographs of engraved gems, decorative gilt borders, tissue-guards, perforated blind stamp and ink stamp of Brooklyn Public Library to title, library cloth, 4to, 1859.⁂ Rare first photo-illustrated work of engraved gems, one of only 75 copies.

Ornament.- Elliot (A.) A Study of Ornament, a composite [?] architectural student's album with over 20 pp. of manuscript text on the history of ornament, the text illustrated with numerous small original vignette diagrams tipped in, followed with over 100 further original illustrations pasted onto album leaves thereafter, including five folding diagrams of the architectural orders, pen and inks, pencil, some fully finished in watercolour, pencil inscription to front free endpaper 'a study of Ornament by/ A. Elliot', one sheet with watermark date '1869', various sizes, the folding diagrams each approx. 450 x 310 mm (17 3/4 x 12 1/4 in), and smaller, some loosely inserted in album, handling creases, finger-soiling and surface dirt throughout, Ex Libris blind stamp of 'Derek Gair Gibson', contemporary half calf, spine gilt, rebacked, worn, folio, [circa 1870].

South Seas.- Burney (Capt. James) A Chronological History of the Discoveries in the South Sea or Pacific Ocean, 5 vol., first edition, 28 engraved maps, 15 folding, and 13 plates, one folding, a few woodcut illustrations in text, vol.2 & 3 with final blank, some light spotting or soiling, more concentrated foxing to one or two gatherings, ex-library copy with perforated stamps to titles & maps and one or two other leaves, ink stamp to plates, ink reference number or code to foot of titles and final leaf, map at beginning of vol.2 soiled and torn with slight loss (repaired), handsome modern calf with leafy border in blind, spines gilt with red morocco labels, a few minor scuffs, [Hill 221; Sabin 9387], 4to, 1803-17.⁂ Account of all the voyages to the South Seas by Europeans, from the earliest navigators to Sir Francis Drake. James Burney was the brother of the novelist Fanny Burney, a lieutenant on Cook's second and third voyages, who gave his name to Burney's Beach in Queen Charlotte Sound, New Zealand.

Steele (Richard) An Account of the Fish-Pool: consisting of a description of the vessel ... for the importation of fish alive, first edition, woodcut illustrations, 1718; bound after Cerri (Urbano) An Account of the state of the Roman-Catholick Religion throughout the World, first edition, translated by Richard Steele, one or two contemporary marginal annotations, 1740 § Erskine (John) A Letter from the Earl of Mar to the King ... with some remarks on my lord's subsequent conduct by Sir Richard Steele, lacking half-title, 1715 § Steele (Richard) A Letter to the Earl of O-d, concerning the Bill of Peerage ..., second edition, 1719; The Crisis of Property, publisher's advertisements, 1720; A Nation a Family, first edition, 1720; The Spinster in Defence of the Woollen Manufactures, publisher's advertisements, 1719; The State of the Case Between the Lord-Chamberlain ... and the Governor of the Royal Company of Comedians, publisher's advertisements, 1720, together 8 works in 1 vol., previous owner's ink signature 'Th. Clarke', Macclesfield South Library bookplate, blind-stamp to first 3 leaves, occasional faint spotting, contemporary vellum, 'Steele' in manuscript to title, a little rubbed, slight bumping to spine extremities, 8vo.⁂ A collection of pamphlets by and relating to Sir Richard Steele, army officer, playwright, theatre manager, essayist, editor of the Tatler, Spectator and Guardian, Whig MP and propagandist. These pamphlets cover many facets of his diverse career. This belonged to Sir Thomas Clarke, a protegé of the first Earl of Macclesfield, who left his library and fortune to the family.

Scrap albums.- Anonymous (active 1820s and later) Two volumes with over 500 prints and over 30 original drawings, including many inset alongside manuscript verse and poetry, the majority of the prints are engravings after paintings, some views and landscapes, the original work is by various hands, some monogrammed and dated in the 1820s, several of birds and insects, one view of Rome, various sizes, all neatly presented on album leaves, a few leaves loose, one or two pictures missing, contemporary green morocco, gilt and blind tooled, corners rubbed and slightly worn, unidentified bookplate to front pastedown of each, folio, 19th century (2)

Ashendene Press.- More (Sir Thomas, Saint) A Fruteful and Pleasaunt Worke of the Beste State of a Publique Weale, and of the Newe Yle called Utopia, one of 100 copies on handmade Batchelor paper, printed in red and black in Subiaco type, with initials in red designed by Eric Gill, bookplate of Jan van der Marck, bound in black goatskin, by J.Franklin Mowery, ruled in blind with criss-crossing lines of perspective across both boards and spine, "Utopia" inlaid in crimson goatskin at head of upper board, crimson goatskin label at head of spine, black suede doublures and flyleaves, signed at foot of rear doublure "JFM 94", top edge graphite, others uncut, preserved in board slip-case (slightly rubbed at edges), [Hornby 22], 4to, Ashendene Press, 1906. ⁂ The first book from the press with marginal notes printed in red.J.Franklin Mowery (b.1953) is an American conservator and bookbinder. Having trained in Europe he was head of Conservation at the Folger Shakespeare Library in Washington DC for over 35 years, retiring in 2013 to run his own conservation studio in Florida.Exhibited: The Art of Contemporary Bookbinding, Bibliotheca Wittockiana, Brussels; Koninklijke Bibliotheek, The Hague; Bibliotheque historique de la ville de Paris, 1997, p.135, repr.

Rogers (Bruce).- Bible, English.- Holy Bible (The) containing the Old and New Testaments, one volume edition [one of 1000 copies], designed by Bruce Rogers and printed in modified Centaur type under his supervision, printed in double column, contemporary black morocco, by Rivière & Son, upper cover with eagle in blind atop a sphere surmounted by a large cross in gilt, triple fillet border in blind, spine titled in gilt and with four raised bands, g.e., very slight rubbing to edges, [Herbert 2249], folio, Oxford, printed at the University Press [by John Johnson], 1935.⁂ Several copies of the Bible appear to have been bound in this manner.

Voyages.- Beechey (Capt. F.W.) Narrative of a Voyage to the Pacific and Beering's Strait, to co-operate with the Polar Expeditions, 2 vol., second edition, half-titles, 3 engraved maps (2 folding and one double-page), 23 plates (most engraved, some aquatint, 4 double-page lithographs of bones and a beehive), folding maps torn and repaired, title of vol.1 a little soiled, plates foxed, lithographed plates with water-staining to corner, contemporary ink inscription to front free endpapers, modern calf decorated in gilt and blind, spines gilt with brown and green roan labels, [Hill 93; Sabin 4347], 8vo, 1831.⁂ First octavo edition of "one of the most valuable of modern voyages." (Hill) Beechey explored the Pacific up to and through the Bering Strait with the aim of connecting with the overland and maritime expeditions exploring a possible northwest passage led by Sir John Franklin and William Parry respectively. They did not meet but Franklin came within 146 miles of Beechey. The work includes much information on Eskimos, the Californian coast and the Pacific islands, particularly details on the Bounty mutiny taken from the narrative of John Adams, the last surviving mutineer on Pitcairn Island.

Britain.- Cary (John) Cary's New and Correct English Atlas, being a New Set of County Maps, first edition, engraved title, dedication and 47 maps with partial hand-colouring, tissue guards, list of subscribers, modern calf ruled in blind, John Cary, 1787; Cary's New Map of England and Wales with Part of Scotland, second edition of 1824 version, engraved title, hand-coloured general map and 79 sheets (numbered 1-81), mostly engraved maps hand-coloured in outline but including dedication, key & scale as part of sheets, no sheets numbered 62 or 80 as issued (presumably unnumbered title and general map), 101pp. "List of Places" at end, contemporary sheep with wallet flap, rubbed, rebacked, red morocco label, flap worn and repaired, G. & J.Cary, 1828, both good clean copies, 4to (2)

Military.- Puysegur (Jacques François Chastenet de) Art de la Guerre, par Principes et par Règles, 2 parts in 1, engraved portrait by Daulle after Tourniere, title-vignette and head- & tail-pieces by Cochin, part I with 32 engraved plates, mostly battle-plans, one folding, the rest double-page, part II with engraved decorative title and 13 maps & plans on 9 sheets, 2 double-page, the rest folding including large map of Paris, mounted on stubs, title a little soiled, some light offsetting to plates but text clean, Lord Amherst's copy with his ink signature to front pastedown, with Act of Parliament relating to Amherst loosely inserted, modern calf ruled and stamped in blind, spine ruled in gilt with red morocco label, very lightly mottled by damp, [Cohen-de Ricci 830], folio, Paris, Charles-Antoine, 1748.⁂ Field Marshal Jeffery Amherst, 1st Baron Amherst, KB (1717-97), army officer and Commander-in-Chief of the Forces during the American Revolutionary War. The loosely-inserted Act is "for settling and securing a certain Annuity on William Lord Amherst, and the Representatives of the late Jeffery Lord Amherst, in Consideration of the eminent Services performed by him during his Command in America, 12th August 1803."

England & Wales.- Walker (John) Map of the Inland Navigation, Canals, and Rail Roads with the Situations of the various Mineral Productions throughout Great Britain, large detailed folding map with calligraphic title and dedication, compass rose and table of explanation, with inset map of Scotland in the upper right quadrant, engraving, an excellent crisp impression with with original hand-colouring, 1910 x 1570 mm. ( 75 1/4 x 61 3/4 in), dissected and mounted on linen, minor offsetting and some light browning, edged with green linen, some edges a little rough, folding with marbled ends, presented in contemporary book-style slipcase, gilt and blind tooled, rubbed and worn, 4to, 1830.

After Richard Smythe Coloured engraving of Venice with blind stamp and signed in pencil, 56cm x 42cm

Good quality old reproduction mahogany two section bookcase, the top having astragal glazed doors, the base with two quarter veneered circular satinwood panel doors above two drawers with blind fretwork cornice and frieze, raised on bracket feet, 78cm wide x 190cm high x 45cm deep

A George III mahogany tallboy chest on chest, with moulded dentil cornice and blind fret frieze, two short over three long drawers, between quarter recessed fluted columns, the base with three long drawers, between blind fret canted corners, on ogee bracket feet, 125cm (a/f)

After Sir William Russell Flint P.R.A. P.R.W.S., RSW., ROI., RE (1880-1969) - 'Le Quatroze Juillet', signed artist proof, also bearing the blind stamp for the Fine Art Trade Guild, coloured reproduction, originally published by Frost & Reed, London and Bristol, originally published in 1956,19.25" x 24.75"

Only 26 Copies Botanical Interest: Nelson (Charles) John Lyons and his Orchid Manual, 12mo Kilkenny (Boethius Press) 1988, Ltd. Edn., 26 copies, Signed by the Author, illus., full blue calf, blind decor. on front cover, mor. labels. Good copy. (1)

Illustrated Volume: West (Michael), Paul (Evelyn) illus. Clair de Lune and other Troubadour Romances, 4to L. (George G. Harrap & Co.) Special Copy, illus. hf. title 'To the Viscountess Clifden,' illuminated title page, illus. throughout, full blind decor calf. (1)

Illustrated Volume: Burton (R.)trans. [Anaga - Ranga] The Illustrated Kama Sutra, 4to [L. (Harrington Octopus) 1996] illus., full leather blind design and gilt lettering. Clean copy. (1) * Valuable Research Book.

Thompson (Wm.) The Natural History of Ireland, 4 vols., L. (Reeve, Benham etc) 1849 - 1856, (complete), hf. titles, uniformly bound in blind decor. green cloth, gilt lettered spine. Good Set. (4)

The Lindisfarne Gospels [Illustrated Volumes] Evangeliorum Quattuor, Codex Lindisfarenis, 2 vols., Ottent Lausanne (Urs Graf) 1956 - 59, sm. folio, No. 562 (680) copies, Facsimile Editon, 34 tipped in colour plts., and various other monochrom plts., Vol. 1 in full blind decorated vellum, & volume 2 hf. vellum, oatmeal cloth boards, paper wrappers, and original card boxes as issued. (2) * A fine facsimile copy of one of the most significant books from Anglo-Saxon England.

Liverpool-Irish Callihan (William). In Memoriam and other Poems, with Notes. With a Portrait. Illustrated with lithographic sketches by F. Howard, Esq., and by the Author. To which is appended "An Essay on Poetry," by F. Howard. Liverpool: A. Holden, Church Street. 1864. Green pebbled cloth, blind-stamped, titled in gilt on upper cover, spine untitled. A handsomely produced volume. The portrait of the author is a real photograph, laid down opposite t.p., with a printed signature; seven attractive lithographic drawings with tissue guards. Dedicated to the author's two brothers, Charles and Matthew, of Her Majesty's 56th Regiment. The notes make it clear the author was Irish born, raised near Rockview in Tipperary, close to the River Suir. A very rare book. Not found in NLI online catalogue; not in COPAC. (1)

Dodd (J.S.) M.D. The Traveller's Directory Through Ireland; Being a Topographical Description not only of all the Roads, but of the Several Cities, Towns etc.,... 8vo D. (J. Stockdale) 1801, fold. plan of Dublin, and fold. map of Ireland (also loosely inserted Map of England and Wales), Ex. Libris Walter Strickland 82nd Regiment, (with bookplate) full leather (worn); Caird (James) The Plantation Scheme; or The West of Ireland as a Field for Investment, 8vo Edinburgh (Wm. Blackwood) 1850, First, map frontis, blind decor. cloth, worn. (2)

Hatton Flood (Warden) Historical Review of the Irish Parliaments.. Addressed to the Provost and Fellows of Trinity College, Dublin, 8vo, L. (J. Kenny) 1863, First, (all pub.) 182pps, blind decór. blue cloth gilt lettering by Kavanagh, Dublin (with label). Good Copy. (1)

Bibliography: Evans (S.W.)comp. Catalogue of the Books in the Library of the Incorporated Law Society of Ireland, with an Index of Subjects, 8vo D. (J. Falconer) 1895, First Edn., inscribed by the compiler, gilt lettered green blind decór. cloth. Clean Copy. (1)

[Walsh (John Edward)] Sketches of Ireland Sixty Years Ago, sm. 8vo D. (J. Mc Glashan) 1847, First, frontis, blind decor., green cloth with gilt lettering. Clean copy. (1)

Mitchel (John) Jail Journal; or Five years In British Prisons, 8vo New York (Office of the Citizen) 1854, First, blind decor cloth, with central gilt design, and gilt lettering on spine, some staining, otherwise good and Scarce. (1)

[Berkeley (George)] Siris, A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tar Water, 8vo D. (Margt. Rhames) 1744. First Edn., 261 pp plus errata at end, sm. pce. torn from top corner of title, slightly affecting "S" in Siris, cont. calf, single blind line border, raised bands, mor. label. V. good Rare. (1)

Co. Wexford: Griffiths (George) Chronicles of the County Wexford, sm. 4to, Enniscorthy (The Watchman) 1877, First, blind decor. green cloth, gilt lettered spine. Scarce. (1)

A late 17th century walnut marquetry longcase clock by a Tompion apprenticeRobert Pattison, Greenwich. The case with overhanging cornice and blind-cut fret raised on spiral ebonised columns, the long door inlaid with three panels of bird and foliate scroll marquetry over a (restored) base on bun feet, the 11 inch square brass dial with winged cherubs head spandrels and engraved foliage, the Roman and Arabic silvered chapter ring with half-quarter marks enclosing the minute band, the finely matted centre with ringed winding squares and a chamfered decorated date aperture, signed in flowing script between V and VI, the weight driven movement united by five latched, knopped and finned pillars, the going train with anchor escapement,the strike acting via an internally mounted countwheel 2.05m (6ft 8.5ins) highFootnotes:Robert Pattison was bound as an apprentice on 5th June 1676 for seven years to Thomas Tompion. He was born circa 1662 and therefore would have joined the workshop in his mid teens. He was working on his on account in Greenwich by about 1690, and married Elizabeth Crayford at St James's Aldgate on 2nd June 1695. His will, proved at the Prerogative Court of Canterbury in 1710, described him as 'a watchmaker of East Greenwich, Kent'. Although he appears never to have officially gained his Freedom, five longcases by him are recorded in Evans, 'Thomas Tompion at the Dial and Three Crowns' Ticehurst 2006, p114. See also Loomes 'Clockmakers of Britain 1286 - 1700', Mayfield, 2014, p391.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A good early 18th century numbered 8-day burr walnut longcase clockGeorge Graham, London No.588, c.1717The flat-topped hood with blind fret carved frieze set on three-quarter and quarter columns mounted with brass Doric capitals and bases, the long door punch numbered twice to the front edge, veneered with lively figuring and framed by an elaborate moulded edge, over a feather-banded rectangular base, the sides further inlaid with feather banded panels. The 11 inch square brass dial with double screwed Indian mask spandrels interspersed by foliate engraving, the right hand edge set with the maintaining power lever, the silvered Roman and Arabic chapter ring with floating lozenge half hour markers, finely matted centre with subsidiary seconds dial, chamfered date aperture (with pin adjustment) and an applied nameplate, 'Geo: Graham, London', with original blued steel hands (the hour hand on a hexagonal boss) secured by four latched dial feet to the substantial weight driven, eight-day movement, the plates united by five heavy knopped pillars riveted to the back and latched to the frontplate, the going train with bolt and shutter maintaining power and anchor escapement with a long steel crutch to a pendulum with circular-section steel rod terminating in a brass bob with engraved rating nut. The striking train with pivoted steel rack striking on a bell, supported on an oak seatboard, set with a brass L-shaped bracket to the backplate keying into a reciprocal T-shaped bracket on the backboard. 2.02m (6ft 7.5ins) high.Footnotes:Provenance:A Private UK collection, purchased from Asprey 1972. Three letters from Asprey accompany the lot, all signed by Jack Pearce.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An Edwardian mahogany music cabinet by Edwards & Roberts, with blind fret decoration and glazed panelled door under, width 57cm, height 104cm

A pair of Edwardian mahogany Chippendale revival cabinets on two drawer stands, with concave open shelf stretcher, each overall decorated with blind fret mouldings surrounding the twin rectangular single pane doors with top corner pierced fret decoration, 73.5cm wide, 134.5cm high, 35.5cm deep

After Lionel Edwards. Hunting Scene, artist signed print with blind stamp, a set of six (19thC) prints after Bentley and another print. (8).

A George III chest on chest, the dentil moulded cornice above an arrangement of two short over six long drawers, the top section with canted blind fret carved corners raised on shaped bracket feet, 179 x 101 x 56cms.

After Josephus Laurentius Dyckmans (Dutch 1811-1888) A blind beggar at a church door, oil on canvas, 55 x 45cms, in frame.

Hugh Pannell, Northallerton: a George III oak longcase clock , the arched brass dial with roman hours and arabic minutes with date aperture, fitted eight-day movement and anchor escapement striking a bell, the oak case with swan-neck pediment and Greek key moulded cornice, above an arched and glazed door flanked by three-quarter pilasters above an oak case with blind-fret carved decoration, the shaped waist door flanked by fluted quadrants, raised on a box base with shaped apron and bracket feet, 227cms high.

BANKS, Colin (1932-2002). London's Handwriting. The Development of Edward Johnston's Underground Railway Block-Letter. London: London Transport Museum, 1994. Folio (512 x 375mm). Half tone illustrations, specimen alphabets. Original red buckram by Smith Settle, Otley, with London Underground logo stamped in blind on the upper cover, black box. NUMBER 43 OF 160 COPIES.

BROGI, Giacomo (1822-81, photographer), and others. 75 albumen prints of mainly Italian subjects by Giacomo Brogi, J. Kuhn and others, some indistinctly blind-stamped, including views of Sienna, Perugia, Florence, monuments, sculpture, including Michelangelo's 'David', paintings and altar-pieces, various sizes, but the largest 250 x 190mm., [c. 1880], mounted in a contemporary half-roan album, gilt edges (extremities rubbed).

CONTEMPORARY ART AND PHOTOGRAPHY - Wolfgang TILLMANS (b. 1968, photographer). if one thing matters, everything matters. [London:] Tate Publishing, 2003. 4to (297 x 223mm). Coloured photographs by Tillmans, 8 subjects to a page. Original grey silk boards lettered in blind. WITH AN ORIGINAL PHOTOGRAPH BY TILLMANS, signed and numbered in pencil 16/50 on the verso, loosely-inserted in a pocket at the front, the book further SIGNED by Tillmans on the title. With 21 other books, pamphlets etc. including Allen Ginsberg (contributor, and others) Birth (New York, Esthetic Press, 1960, books 1 & 2, wrappers), John Cage's Diary: How to Improve the World (You will only make matters worse) Continued Part Three (1967) (West Glover, Vt., Great Bear Pamphlet, 1967, wrappers), Edward Ruscha's Crackers (Hollywood, 1969, plain wrappers), Dennis Oppenheim's Flower Arrangement for Bruce Nauman (New York, 1970, photographed accordion-leaf, folding into plain white wrappers), Eduardo Paolozzi (London, Tate, 1971, with cut-out boot on silk ribbon, original boards, dust-jacket, and another copy in wrappers), Julia Griffths's A drawing and an attachment. August. 1977 ([?London, no publisher, 1977, notebook with many stapled inserts including clippings, tickets, receipts, etc, wrappers), Robert Frank's One Hour (Madras & New York, Hanuman Books, 1992, 105 x 70mm., wrappers), Christian Boltanski's Lost (Glasgow, 1994, contained in grey file with elastic tie) and Martin Creed's Down Over Up ([?]London, Bloomberg & The Fruitmarket Gallery, [2010], original white paper boards, SIGNED by Martin Creed on the title). (23)

HIRST, Damien (b. 1965). I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now. London: Booth-Clibborn Editions, 1997. 4to (330 x 288mm). Coloured photographs and illustrations, some folding, transformation plates operated by tabs, pop-ups and onlays by Damien Hirst. Original red leatherette stamped in blind and gold, spine lettered in black, dust-jacket. FIRST EDITION, SIGNED BY DAMIEN HIRST ON THE TITLE. "This publication - Hirst's first - is the artist's beguiling statement of his ideas and obsessions in life and art to date. Expressed in his own words, and illustrated by his own selection of over 700 images, pop-ups and special insets [the book] encompasses the entire range of his work - paintings, sculptures, installations and films. In this book, Hirst has created an iconoclastic work that challenges the boundaries of art, science, media and popular culture" (from the turn-in).

INCUNABLE - [John MARCHESINUS (late 13th-early 14th-century).  Mammotrectus super Bibliam.] [Colophon:] Expliciut expositiones et correctiones vocabulorum libri qui appellatur Mamotrectus tablie qualiorum plurimorus librorum. Venice: "impensis Francisci de madiis", 1485. 8vo (178 x 118mm). 242 leaves [collated complete], printed in double column, 39-lines to a page, small Gothic type, intials, capitals and decorations hand-painted in red and blue (some leaves mis-bound at the beginning, a few leaves lightly browned, some light mainly marginal spotting and staining). Contemporary panelled vellum decorated in blind over boards, plain spine with 5 raised bands, metal clasp (rubbed and stained). Provenance: copious 15th/16th-century annotation on vellum stubs and leaves at the front and beginning, and in some margins; E. Calvert (later library label on front pastedown); BIBLIOTHECA HEBERIANA (small label on [A1]); 2 old catalogue descriptions [for other copies] laid down on and tipped-onto front pastedown; [continuous] manuscript pagination throughout. First printed in Mainz by Peter Schöffer in 1470, Mammotrectus [with many variants] super Bibliam, a dictionary of words and terms extracted from the Bible and other religious works, was one of the most important scholarly texts of the later Middle Ages. It was criticised by Erasmus and Luther, then satirised by Rabelais in his Gargantua and Pantagruel. BMC V.333; cf. Brunet III, 250 (not citing this edition specifically); Goff M245; GW M20823; Hain 10564.

MACHIAVELLI, Niccolò (1469-1527). Il Prencipe [sic]... Con alcune altre operette, i titoli delle qualitroverai nella seguente facciata. Palermo [but London]: "Appresso gli heredi d' Antoniello dagli Antonielli" [but John Wolfe], 1584. 8vo (156 x 102mm). Woodcut printer's device of a palm tree with serpents and toads at its root on title, Italian text (heavy stain to corner of last few leaves, browned and spotted throughout with a few darker spots). Modern old-style calf decorated in blind, raised bands (extremities rubbed, some splitting and worming to upper joints). Provenance: two modern labels on front pastedown; old initials at foot of title; deleted signatures on verso of final text leaf; old library label at foot of spine. "The Prince" was first published by Anthony Blado in 1532 and was placed on the Index librorum prohibitorum in 1559. It has been suggested that this edition, with its false imprint, was produced for an Italian readership. However, it is just as likely that the publisher John Wolfe, in light of the scandalous nature of the book's contents, was simply trying to keep out of trouble. cf. PMM 63; STC (2nd ed.) 17167; this edition not in Brunet.

MANCHESTER - William Arthur SHAW (1865-1943). Manchester Old and New. London: Cassell, [c. 1894]. 3 volumes, 4to (315 x 250mm). Illustrations by H. E. Tidmarsh (occasional light mainly marginal spotting and staining). Original maroon pebbled and bevelled cloth lettered in gilt and decorated in blind, gilt edges (extremities rubbed). With 7 other works of related interest in 11 volumes including T. Swindells' Manchester Streets and Manchester Men (Manchester, 1906-08, first-fifth series [all published], cloth), Beppy Byrom's Diary. An Eye-witness Account of Bonnie Prince Charlie in Manchester ([No place, c. 1955], cloth, number 144 of an unstated limitation). (14)