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POPE (Alexander) The Dunciad, 2nd edition, with some additional notes, London: for Lawton Gilliver 1729, 8vo, lacks free end papers, contemporary blind-panelled calf; and - another copy, 1735, small folio, lacking title, slight staining, disbound; and - Essay on Man, in Four Epistles to a Friend, London: for J. Wilford, [no date, but 1733-1734], 3rd edition of Epistle I, first editions, first issues, of Epistles II-IV, folio, some pages missnumbered, recent full calf

BURNET (Gilbert) History of the Reformation of the Church of England, vols. I and II, first edition London: for Richard Chiswell 1679-71, folio, vol. I with seven full-page engraved portraits, mostly by Hans Holbein, (Henry VIII in facsimile), vol. II with nine full-page portrait engravings; and Supplement vol. III, 1753, all professionally rebound in full blind-stamped panel calf; also - The Abridgment, 4th edition 8vo, title laid down, lacking first and last leaves, rebound; and - History of his Own Time, in 4 vols., London: J F Dove for J Nunn and R & M Priestley, 1818, 4to, old polished calf gilt

A 19th century black and white engraving. Blind Man`s Bluff. and a quantity of further pictures. There is no condition report available on this lot.

Quantity of art toys: four boxes of KidRobot AllCity Breakers; two KidRobot + Adult Swim Series 1 blind boxes; two KidRobot Peecol BR01 Bernd; Playstix Project Neptoon Captain Jack Maddox; KidRobot Gloomy The Naughty Grizzly Version Pound; KidRobot Booger Big Mongers. Boxed, overall appear E. (9)

J. Barrie-Haste, a pair of signed limited edition prints of Venetian scenes, with gallery blind stamp, framed

Oak longcased clock, the brass dial with strike/silent ring to the arch, silvered chapter ring, matte field, reserved subsidiary seconds, date aperture and name plate "Jno De Chemin, London", eight day movement striking on a bell, in a swan`s neck hood, the case with blind fret friezes, on plain plinth, height 225cm (pendulum, two weights). *See clocks and watches proviso. Condition report: see terms and conditions

A 1920`s oak three piece bedroom suite comprising triple wardrobe enclosed by three doors with applied mouldings and blind fret detail enclosing a partially fitted interior, bedroom chest of four long graduated drawers and kneehole dressing table with triple mirror back

A Georgian oak longcase clock, the case with carved foliate detail beneath an architectural hood with blind carved scrolling acanthus fretwork frieze enclosing an eleven inch square brass dial with cast foliate and face mask spandrels, silvered chapter ring and eight day movement by John Franklin, Cranborn

A Chippendale revival side/centre table of rectangular form with blind fret detail and pierced corner brackets raised on square cut and moulded column supports

George Baxter (19th century) "The Day Before Marriage" "Loves Letter Box" "The Bridesmaid" "The Swiss Girl" two inscribed with the blind stamp, coloured reproductions, each, 37.5 x 26.5 cm (4)

A late 19thC ebonised centre table in aesthetic style, the top and frieze decorated with Japanese style lacquer depicting stalks within flowering branches, the base with reeded legs and blind fret X shaped stretcher, 89cm diameter.

An Edwardian mahogany card table, on tapering blind fret carved legs, with galleried undertier, 53cm wide

John Safley, Edinburgh. An early 19thC longcase clock, the arched dial with foliate scroll spandrels and subsidiary strike silent and seconds hands with silver chapter ring, engraved centrally with leaves, eight day four pillar movement, striking a bell, the figured mahogany and boxwood strung case with a swan neck pediment and blind fret decoration, 211 cm high.

An Edwardian mahogany card table, on tapering blind fret carved legs, with galleried undertier, 53cm wide

Description :""Blind Date"", 1987 Condition : Good Condition with Fold Marks Size:30""x40

Twain (M.), More Tramps Abroad, London: Chatto & Windus, 1897. 32 pp ads dated Sep 1897.. Original blind-stamped maroon cloth. First English edition of the book.

Holloway (Thomas), The Practical Surveyor: A Treatise Upon Surveying. London: Horace Cox, 1881. First Ed., 8vo. pp. xii, 104, [8]ads. text illus. original blind-stamped cloth. Millner (Col. JK), The Irish Setter - It`s History and Training. London: Witherby 1924 (2).

A black and white etching after Sir Peter Paul Rubens showing a bust length study of Helene Fourment, inscribed Louis Senaum and Rubens, with further blind embossed stamp from the Louvre Museum, 18 x 13 cm in wooden frame

A PAIR OF LATE GEORGE II/EARLY GEORGE III MAHOGANY CAMPAIGN CHAIRS each back crisply carved with feathery foliage and scrolls, the moulded uprights with beading, drop-in seat on blind fret chinoiserie carved legs, the sides hinged. Each painted with TH 1826 and N.14 and 16.Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

AN OAK THIRTY HOUR LONGCASE CLOCK dial brass, signed Thos. Powell, Ravensthorp, calendar crescent, the hood with blind fret carved cornice, 81 3/4ins. (208cms.) highCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

Mahogany seven drawer tallboy chest with blind fretwork quarters

Oak single door hall wardrobe with panelled sides and canted front corners, the door with blind carved arch and frieze, iron pendant loop handle, 19th century, h183cm w90cm d50cm

A black and white etching after Sir Peter Paul Rubens showing a bust length study of Helene Fourment, inscribed Louis Senaum and Rubens, with further blind embossed stamp from the Louvre Museum, 18 x 13 cm in wooden frame

Bootham Bar York, coloured etching with 'Academy Proof'' blind stamp, signed in pencil A DuPont.

A William IV mahogany chiffonier with a three tier scroll carved upstand over a blind door and two cupboard doors - Height 1.96 m x Width 1.18 m x Depth 48 cm Condition report: One back foot missing

PRATT (A.) The Flowering Plants, Grasses, Sedges & Ferns of Great Britain . . . new edition (revised by Edward Step), 4 vols. many coloured plates; gilt & blind decorated cloth. 1899-1900

SOLLEYSEL (J. De.) The Compleat Horseman: or Perfect Farrier . . . abridged from the folio. done into English by Sir William Hope . . . 3rd edition corrected. printed & engraved pictorial titles & 5 folded plates; contemp. blind-decorated calf, cr. 8vo. 1717. * the 'Art of Riding' with separate part title; although one plate appears to be missing, collates with the folio edition (see Mellon Catalogue); BERENGER (Richard) The History and Art of Horsemanship. First Edition, 2 vols. frontispieces & 15 copper-engraved plates, half titles; contemp. half calf & marbled boards, 4to. 1771. * major publication by the 'Gentleman of the Horse to His Majesty'; old armorial bookplates of Paul Beilby Thompson. Illustrated.

SHAKESPEARE (W.) Shakepeare's Loves Labour's Lost. Newly printed from the Folio of 1623. Limited Edition. 3pp. of plans & 5 coloured (facsimile collotype) plates (by Norman Wilkinson) with tissue guards & each with relevant quotation; publisher's chocolate oasis morocco, gilt & blind-ruled & gilt decorated covers, gilt decorated & panelled spine, gilt top with other edges uncut (by Riviere) 4to. Ernest Benn, 1924. * 'The Players' Shakespeare'; limitation of 100 numbered copies - signed by the artist, by Albert Rutherson ( the art editor of the series) & Harley Granville-Barker (who supplied the Prefaces): printed on hand-made paper at the Shakepeare Head Press; SHAKESPEARE (W.) Shakepeare's A Midsommer Nights Dream. newly printed from the first folio of 1623. Limited Edition. 9 text drawings, a coloured costume plate & 4 others coloured (by Paul Nash), with tissue guards & leaf of relevant quotation; format & binding uniform with previous. Ernest Benn. 1924. * 'The Players' Shakepspeare'; limitation (etc.) as previous (but with Paul Nash's signature); 7 other titles were published in this series

MENNIE (D.) The Pageant of Peking: comprising sixty-six Vandyck photogravures of Peking and Environs from photographs . . . With an introduction by Putnam Weale . . . 3rd Edition. the photos. mounted & with description on opposite page; gilt & blind-decorated silk cloth, folio. Shanghai, 1922

ATKINSON (T.W.) Travels in the Regions of the Upper and Lower Amoor and the Russian Acquisitions on the confines of India and China . . . First Edition. colour-printed lithographed frontis., folded map, num. engraved illus., gilt-pictorial & blind-decorated cloth. 1860. * Mudie's label on upper cover

DOWN (Alec) & Others. Chichester Excavations, vols. 1-7. num. illus. (incl. photo. plates & folded plans); d/wrappers, 4to. Chichester, 1971-90; sold with KNIGHT (C.) London. 6 vols. (in 3) num. wood-engraved illus., publisher's gilt & blind-decorated cloth, roy.8vo. 1851. * sold as found;

An early 18th Century oak coffer, the hinged lid above a triple panelled front with a carved blind fretwork frieze and lozenge motifs, on stile supports, height approx 70cm, width approx 116cm (some alterations).

Albany Wiseman (Modern British school, b.1930). Four studies of London's four Inns of Court, to include Middle Temple, Inner Temple, Grey's Inn, and Lincoln's Inn, each signed in pencil and blind stamped lower right, limited edition lithographs no.12/300. H: 26cm W: 39cm

Lionel Edwards (British, 1878-1966). Study of figures on horseback following the huntsmen and hounds down into a valley, signed in pencil and blind stamped lower left, polychrome print, published by Eyre & Spottiswoode, London. H: 38cm W: 52cm

Great Britain - Covers - QV : (SG 8a) 1841 1d red-brown on very blue paper, AD, (blind A), on long 1851 EL from Sheffield to Manchester [US1]

Canada : (SG 63) 1875 QV 5c Olive-Green, Perf. 11½ x 12. f.u. some blind perfs. Cat £85

LAW & WHITTAKER (publishers). A Cruise; or, Three Months on the Continent, by a Naval Officer. London: 1818. 8vo (210 x 127mm.) 4 hand-coloured aquatint plates. (Some spotting and browning.) Contemporary red straight-grain morocco tooled in gilt and blind, g.e. (extremities scuffed). Provenance: J. Hodgkinson (signature to front-free endpaper).

HILLIER, George. A Day at Arundel: comprising the Antiquities of the Castle, and History of its Possessors. Arundel & London: 1847. Small 8vo (156 x 104mm.) (Occasional spotting.) Original limp cloth blocked in gilt and blind, g.e. (upper cover detached). - And two other volumes of topographical interest (3).

MORRIS, Francis Orpen. A Natural History of British Moths. London: 1872. First edition, 4 vols., 8vo (250 x 150mm.) 132 hand-coloured lithographed plates. Original cloth, blocked in gilt and blind (slightly soiled and bumped). Provenance: Bernard Leslie Jones (respected stockbroker in the City of London for over 40 years and a founder member of the Society of Technical Analysts) (4).

SHERIDAN, Louisa Henrietta (editor). The Comic Offering; or Ladies` Melange of Literary Mirth. London: 1834. 8vo (158 x 97mm.) Frontispiece, additional decorative title, 59 plates. (Some spotting.) Contemporary calf blocked in blind, by De La Rue & Co., g.e. (spine slightly faded and rubbed). - And twenty-nine others, most leather-bound (30).

GALIGNANI, A. & W. (publishers). Galignani`s New Paris Guide for 1851. Paris: [n.d. but 1850.] 8vo (163 x 95mm.) 2 folding plans. (Light browning.) Contemporary calf blocked in blind (extremities slightly rubbed, spine rubbed and faded). - And seventeen others (18).

BINDINGS. - John BUNYAN. The Pilgrim`s Progress. London, Edinburgh & Dublin: [n.d. but circa 1865.] 4to (267 x 176mm.) Engraved illustrations by David Scott. (Spotted.) Contemporary red morocco blocked in gilt and blind, gauffered g.e. (extremities slightly scuffed). - And a quantity of others, leather-bound (a quantity).

Six French coloured engravings, `PYRAMIDES DE MEMPHIS`, after Balzac, engraved by `Baltard`, 51 x 94cm, `THEBES. MEMNONIUM`, after Dutertre and engraved by Lienard, `THEBES. MEDYNET - ABOU` after Cecile and engraved by Lienard, with plates `25`, `7` and `26`, some with publisher`s blind stamp, all in glazed giltwood moulded frames. (6)

A good, early Victorian rosewood open bookcase, twin adjustable shelves above panelled cupboard with blind-fret scroll detail, stiles with carved corbels, 2ft. 11in.

A George V mahogany bookcase cabinet, block-fronted with central astragal-glazed door, pair of blind-panelled doors, each door enclosing three adjustable shelves, bracket feet, 4ft. 7in.

An signed colour print by Montague Dawson, ""The Battle of Trafalgar"", blind-stamped and signed by the artist in pencil on mount, published 1972, 31 x 37in.

Berners. J. : A Treatyse of Fysshynge Wythe an Angle, 1880. A facsimile reproduction of the Wynkyn De Worde 1496 edition. Commentary by M. G. Watkins, Folio, faux blind stamped, vellum binding, hand made paper, woodcut illustration. Very good copy.

Layard A. : Discoveries in the Ruins of Nineveh and Babylon, 1853. 1st.Ed. 8vo. Original blind-stamped cloth binding featuring mythological creature. Engraved plates, maps, plans some fldg; tinted lithographs. CONDITION REPORT: Vg

Coke. E. : The First Part of The Institutes of the Laws of England, 1684, 9th ed. The Second Part of The Institutes of the Laws of England, 1681, 6th ed. Both titles small folio, with contemp blind-stamped panelled, calf binding, re-backed. Engraved portrait frontis

AFTER HELEN BRADLEY `Evening On The Promenade`, print in colours, pencil signed by the artist and with the FATG blind stamp, 45 x 60cm

AFTER HELEN BRADLEY `Big Bertha Comes to Lees`, print in colours, pencil signed by the artist in the margin and with FATG blind stamp, 45 x 60cm

AFTER HELEN BRADLEY `The Fair at Daisy Nook`, print in colours, pencil signed by the artist and with FATG blind stamp, 53 x 77cm

AFTER HELEN BRADLEY `Fred Walmsleys Concert Party`, print in colours, pencil signed by the artist and with FATG blind stamp, 36 x 54cm

AFTER HELEN BRADLEY `Sunday Afternoon in Alexandra Park`, print in colours, pencil signed by the artist in the margin and with FATG blind stamp, 40 x 51cm

AFTER HELEN BRADLEY `Autumn` and `Summer`, two colour prints each pencil signed in the margin and with FATG blind stamp, 23 x 30cm; and one further - `Figures in a street outside Jazz Whittaker Newsagent`, also pencil signed and with FATG blind stamp, 27 x 37cm (3)

[FISHING] Ronalds, Alfred. The Fly-Fisher`s Entomology, second edition, Longman et al., London, 1839, blind stamped dark green cloth gilt, twenty colour plate illustrations, octavo.

A late 18th Century oak cased longcase clock, the hood with moulded cornice above a blind fretwork decorated frieze and square glazed door flanked by turned pillars over a plain trunk and base on bracket feet, the thirty hour movement with anchor escapement, striking on a bell, the square brass dial with pierced brass spandrels and silvered chapter ring and Roman numerals enclosing a silvered medallion inscribed "Adam Cleak Luppit"

Pushman - a signed, framed and glazed print of an oriental figure, published in 1937 by Frost and Reed with blind stamp and signature to lower left corner, mounted and glazed in a wooden frame, 21 1/2" x 18"

SIR ALFRED MUNNINGS PRA.The Prince of Wales on Forest Witch, reproduction in colours, pencil signed, with blind stamp of The Fine Art Trade Guild, Pl. 16 1/4 x 22 1/2 in; and an etching by William Walcot depicting Figures outside The Baptistry, Florence; two (2)

MODERN GEORGE III STYLE CARVED MAHOGANY CHEST ON STAND OF SMALL PROPORTIONS, the swan neck type pediment with three turning above a blind fret pierced frieze and two short and four long graduated drawers, flanked by scroll carved, chamferred forecorners, the conforming stand with one long and two short drawers, raised on acanthus capped cabriole legs with claw and ball feet, tied by a pierced apron with central shell, 62 1/2"" (158.7cm), 25 1/2"" x 13"" (64.8cm x 33cm)