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A 19th Century Anglo Chinese well carved hardwood console table, having a shaped serpentine front, marble inset top (cracked), gadrooned rim, the deep apron blind carved with central eagle reserve flanked by scrolls, blossom and berries and all raised on four heavy blind carved scrolling supports, width 181cm

An Edwardian walnut freestanding corner cabinet, having a dentil moulded cornice above a blind carved frieze and twin astragal glazed doors enclosing three shaped shelves, the base fitted twin astragal glazed doors enclosing single shaped shelf and raised on bracket feet, width 206cm

A 19th Century Isnik miniature on ivory, framed as an oval, depicting the interior of a temple, heightened in gilt, 5cm x 6cm, all housed in a blind carved ebony easel frame

A Victorian mahogany chiffonier, the raised back with scroll pierced fretwork frieze above twin blind frieze drawers and recessed panelled doors and all raised on a plinth, width 122cm

A pair of late Victorian oak lady's and gentleman's armchairs, each having blind scroll carved top rails above end turned and reeded pilasters, the whole upholstered in button back red rexine, scroll carved arms, stuff-over seats and raised on turned and reeded forelegs with castors

A set of six late Victorian walnut framed library armchairs, each upholstered in various fabrics and requiring re-upholstery, having show scroll arms with blind flowerhead and acanthus leaf carving, stuff-over sprung broad seats and raised on scroll acanthus leaf cabriole forelegs with scrolling terminals

A circa 1700 oak coffer, the top having a moulded edge on replacement iron strap hinges above a three panel front with later Victorian blind carving and applied mouldings and all raised on replacement stile end supports, width 126cm

A Victorian figured walnut tilt top breakfast table, the shaped oval top having a four-quarter veneer, thumb moulded edge and wavy cut frieze on a turned and knopped column with blind carving, all supported on four hipped and blind carved cabriole supports and castors, width 152cm

A set of four George IV mahogany dining chairs, each having a blind carved bar back, moulded centre rail, stuff-over seats and raised on ring turned tapering forelegs

A George III oak and walnut crossbanded longcase clock, circa 1780, the square hood with ogive cornice and blind fretwork carved frieze above a square glazed door enclosing a 12" brass dial with roman numerals, subsidiary seconds dial and date aperture and marked 'Sam Harley, Salop', with foliate engraved centre and figural spandrels representing the seasons, eight day movement striking on a bell, above an ogive moulding and shaped top, crossbanded three quarter length trunk door flanked by fluted quarter columns, a further ogive moulding and crossbanded base board and later plinth, distressed, 88" high.

An oak and walnut crossbanded longcase clock, 18th century, the ogive cornice above a blind fret carved frieze and square glazed door flanked by gilded pilasters enclosing a 12" brass dial with roman numerals, subsidiary seconds dial and date aperture and marked 'Ralph Cappor, Salop', cherub mask spandrels, eight day movement striking on a bell above an ogive moulding and full length crossbanded trunk door, further moulding and plain base board and on bracket feet, old damage and repair, 81" high

A mahogany display cabinet, circa 1920, with arched foliate pierced cornice above a blind fretwork frieze and diamond ribbed glazed doors enclosing two shelves above a serpentine front top and two blind fretwork carved drawers with gilt brass handles and raised on square tapering legs and spade feet joined by a shaped under tier, 30" wide, 18" deep, 71" high

A mahogany rectangular table in George III style, the top with a moulded edge above a blind fret frieze, on cluster arch legs with stepped block feet, 72cm high, the top 57 x 114.5cm wide, (in part George III)

A mahogany sofa in George III style, with a padded back, arms and squab cushion on blind fret carved square legs with stretchers, (incorporating some old timber), 224cm wide

An early 20th century mahogany four post bed, with a blind fret carved canopy, above slender turned posts, with a shaped head and foot on cabriole legs with ceramic casters, 106 high x 145 wide x 211cm long

A George III mahogany rounded rectangular Pembroke table, crossbanded top outlined with boxwood stringing above a drawer with turned handles, blind to verso, turned legs, brass socket casters, 87cm wide, 73cm high, c.1820

An Edwardian mahogany 'Chinese Chippendale' display cabinet, the dentil ogee cornice above a blind fret frieze and pair of astragal glazed doors, enclosing three shelves, canted angles skirted base, tapered square legs, spade feet, 107cm wide, 176cm high, c.1905

A Victorian Gothic oak hall chair, the shaped back carved with blind fret quatrefoils, centred with a vacant shield shaped cartouche, the X-frame supports conforming, c.1860

A Chinese Chippendale style mahogany elbow chair, the upholstered back and serpentine shaped seat with open pierced arms and on blind fret carved legs, 24in (61cm) w

A George III mahogany longcase clock, the 8 day movement striking on a bell to a circular silvered dial with subsidiary seconds and date dials inscribed `Mordan, Nottingham' to foliage engraving, the hood with a dentil moulded architectural pediment centred a gilt brass ball and eagle finial, to corinithan capped pilasters and a blind fret cornered door, above a shaped waist door, the base crossbanded on bracket feet, 8ft 0.5in (245cm) h

After Edouard Manet - Lady seated full-length; lithograph, signed within the plate, bears publisher's oval blind stamp, 32 x 24.3cm: together with a quantity of lithographs after different hands including those after: Vlaminck, P. Bonnard, L. Dubignon, E. Vuillard, A. Sisley, M. Utrillo, A. Masson, (a lot), (unframed).

A George III mahogany chest on chest, the top with dentil moulded cornice and blind fret work frieze, over two short, three long graduated drawers, the base of three long drawers, with pull-out brushing slide, upon ogee bracket feet, (177x113cm).

A George III mahogany chest on chest, the top with moulded cornice over two short, three long graduated drawers, flanked by blind fret work pillars, the base of three long graduated drawers, upon bracket feet, (192x120cm).

A Victorian Oak Dresser having open shelves to the back, flanked by two glazed cupboards, the base with arched dog kennel, single drawer and two blind panelled cupboards, on stile feet. Width 58". Depth 17". Height 76".

An Early 20th Century Welsh Oak and Mahogany Press Cupboard having two door blind top under moulded cornice, three graduated drawers to the base. Width 50". circa 1910. Carmarthenshire

An Early 19th Century Mahogany Two Stage Press Cupboard, having moulded cornice above two arch panelled crossbanded and ebony string blind doors, flanked by spiral turned columns on a projecting base with two short and two long crossbanded drawers, standing on bold feet. Width 54". Depth 24". Height 80". c1825.

Late 19th Century Figured Pitch Pine Two Stage Press Cupboard having swept cornice over panelled blind doors above three drawers on platform base. Width 50". Depth 22". Height 90".

An Early 19th Century Welsh Oak Double Corner Cupboard having moulded cornice above astragal glazed two door cabinet, blind two door base on bracket freize base. Width 48". height 82".

An Early 20th Century Welsh Double Corner Cupboard in mixed woods with moulded cornice over two glazed doors, with shaped shelves on a blind cupboard base with bracket feet. Width 34". Carmarthenshire.

A Late Georgian Mahogany Fold Over Tea Table having moulded edge over rectangular top, blind freize drawer, and square tapering legs. Width 36". Depth 17.5". Height 19.5".

HOLY BIBLE, 2 vols, 1811, Sussex Press, Lewes, printed by John Baxter, map, coloured-in outline, illustrations; Cassell's Illustrated Family Bible, full blind-stamped and gilt calf, brass edges and clasps; and two other editions of the Bible (5 vols).

A 1920s oak cased Longcase Clock, the arched case with single door with blind fretwork, scrolling decoration to a convex glass and large oval panel revealing three weights and pendulum to a plinth base, the 12" circular silvered dial with applied Arabic numerals and black steel pierced hands, the 3 train movement with anchor escapement and strike on eight rods, height 75"

Blind Man's Buff (246) with registration mark

Blind Man's Buff (246) with registration mark

'Putti Playing Blind Man's Bluff', indistinctly signed, pencil and water-colour, 5" x 7"

GEORGE BAXTER AFTER BROOKS The Bridesmaid, colour print mounted onto card with Baxter blind trade guild stamp to margin, image size 12.75in.x 10.25in. (32.5 x 26cms)

French School 19th Century, The Blind Beggar, oil on canvas, 98x78cm.; 38.5x30.75

A three piece mahogany bedroom suite comprising 58" dress wardrobe enclosed by blind fret and panelled doors fitted two drawers in the frieze on bracket feet with fret work corner pieces and a 45" kneehole dressing table fitted one long and four short drawers with mirror over and a 4'6" mahogany rail end bed to match.

A mahogany shaped front sideboard, fitted two end compartments enclosed by two panelled doors, fitted three centre drawers with brass drop ring handles, pierced fret work panels and blind fret carving, on square tapered reeded legs with capped feet, and bevelled mirror over mantel with turned reeded brass mounted column supports 72" high.

William Lee-Hankey (1869-1952) four unframed etchings, Corner of the Market, Repas, Two Sisters & Blind Grandmother, signed in pencil, Largest 9 x 7.5 ins.

Studio Monographs - Salaman, Malcolm C. British Book Illustration. London: 1923. 1st edn, tall 4to, full-page b. & w. illus., t.e.g., bevelled blind-stamped black cloth; with The New Woodcut (1930); Old English Mezzotints (1910); The Great Painter-Etchers from Rembrandt to Whistler (1914); Modern Woodcuts and Lithographs (1919); The Woodcut of To-Day (1927); and six other works (latter sold with all faults), (12).

Milton, John. L'Allegro & Il Penseroso. London: Kent, 1859. 4to, steel eng. vignettes by Birket Foster, a.e.g., bevelled blind-stamped brown cloth gilt (binding broken: sold with all faults); and Armstrong, Sir Walter. Sir Joshua Reynolds: First President of the Royal Academy. London: Heinemann, 1900. Folio, 6 lithos & 78 photogravure plates with tissue guards, t.e.g., scarlet buckram gilt, (2).

Gilbert (Davies). The Parochial History of Cornwall, Founded on the Manuscript Histories of Mr. Hals and Mr. Tomkin, with additions and various appendices, 4 vols., 1st ed., 1838, half-titles, contemp. half calf, gilt and blind dec., rubbed, leather title and vol. labels, one lacking, 8vo (4)

[Dennis, John]. A Hand Book of Dorking, pub. John Rowe, Dorking, 1st ed., 1855, eng. folding map frontis., folding plan, lightly browned and with a few short repaired tears, two eng. plts., letterpress vignettes, num. pub's ads. at rear, school library ink stamp on pastedowns, upper hinge split, orig. blind-stamped cloth, rebacked, with orig. spine relaid, 8vo, together with [Timbs, John]. A Picturesque Promenade Around Dorking, in Surrey, 1st ed., 1822, somewhat foxed and browned, late 19th c. half calf, rubbed, with sl. loss at head of spine, 12mo, plus Bright (J.S.) A History of Dorking and the Neighbouring Parishes, 1st ed., 1884, port. frontis., folding map, with short handling tear, folding table, b & w plts. and letterpress illusts., Law Society library stamps, orig. cloth, spine darkened and rubbed at ends, 8vo, plus one other related (4)

Allen (Thomas). Lancashire Illustrated, from Original Drawings, by S. Austin, J. Harwood, and G. & C. Pyne, 1832, addn. eng. title and 108 eng. views on 56 plts., some scattered spotting, a.e.g., orig. green qtr. sheep, gilt dec. spine and blind embossed boards, some loss of leather on head & foot of spine, 4to (1)

Grose (Francis). The Antiquities of Scotland, 2 vols., 1797, 194 eng. plts., incl. frontis. and eng. title to each vol., lacking folding map, one leaf and two plts. to vol. 2 with tear in top margin just clipping edge of text and plt. marks respectively, occ. light spotting, contemp. blind-stamped diced calf, joints cracked and weak, 4to (2)

A Victorian mahogany bookcase, in two parts, the upper section fitted pair of glazed doors enclosing shelves, the lower section fitted pair of blind panelled cupboards enclosing single shelf, width 42cm.

Carter (Thomas). Medals of the British Army, and How They Were Won, 3 vols., (The Crimean Campaign; Egypt, Peninsula, Waterloo, and South Africa; India, China, etc.), 1st ed., 1861, eighteen chromo. plts., a.e.g., vol. 3 with stitching loose, orig. blind stamped cloth gilt, spines faded, front cover of vol. 1 stained, binding of vol. 3 becoming detached, 8vo, together with Mayo (John Horsley), Medals and Decorations of the British Army and Navy, 2 vols., 1st ed., 1897, fifty-five chromo. plts., stitching strained, one plt. loose, orig. cloth, spines faded, upper cover of vol. 2 with small ring stain, large 8vo, plus Long (W.H.), Medals of the British Navy and How They Were Won, 1st ed., 1895, twenty-one chromo. plts., some foxed, two oval ink stamps on front pastedown, contemp. linen, spine worn, with cloth torn and loose, most of leather label missing, 8vo, plus seven others on medals (13)

Holland (Major Trevenen J., and Hozier, Cpt. Henry M.). Record of the Expedition to Abyssinia, Compiled by Order of the Secretary of State for War, 3 vols. (including separate case of maps), 1870, additional tinted litho. title to each, forty tinted litho. plts., eighteen litho. maps and plans, some partly col., complete as list, incl. five folding maps and plans contained in separate map-case, orig. blind-stamped cloth gilt, minor wear to extrems., 4to (3)

Bible [English]. The Bible: that is, the Holy Scriptures Conteined in the Old and New Testament..., Imprinted at London by Robert Barker, 1610, general and Old Testament titles present, each with dec. woodcut borders, colophon dated 1611, woodcut illusts. and maps, some pages torn with loss, soiled and worn, bound with an incomplete Book of Common prayer at front and incomplete Book of Psalmes at rear of volume, contemp. blind embossed calf over wooden boards, brass corners and central bosses to boards, lacks clasps, crude reback and board repairs, covers detached from text block, 4to Herbert 306. With printing error to John vi. 67: Judas for Jesus. Sold with all faults. (1)

Bible [English]. The Holy Bible Translated According to the Ebrew and Greeke..., Imprinted at London by Robert Barker, 1605, general title within dec. woodcut border (with slight loss to upper inner corner, repaired to verso), Old Testament title within dec. woodcut border, initial pages with slight loss to upper inner corners (repaired), some slight staining and minor marks, bound with an incomplete book of Psalms at rear, lacking all after p.86 (F8), contemp. blind embossed calf over wooden boards, brass corners and central bosses to boards, lacks clasps, rebacked, with slight wear, 4to Herbert 280. (1)

Browning (Robert). Christmas-Eve and Easter-Day, a Poem, 1st. ed., 1850, half-title, 32pp pubs. cat. at rear, dated April 1850, contemp. booksellers ticket of Jaggard, Liverpool to rear endpaper, orig. blind-stamped brown cloth gilt (Carter Binding Variants, A), a little rubbed and a few minor marks, outer corners slightly bumped, together with Prince Hohenstiel Swangau, Saviour of Society, 1st ed. 1871, Fifine at the Fair, 1st. ed., 1872, Aristophanes' Apology, 1st ed., 1875, Agamemnon of Aeschlyus, 1st ed., 1877, La Saisiaz: The Two Poets of Croisic, 1st. ed., 1878, & Dramatic Idyls, Second Series, 1st ed., 1880, all orig. cloth gilt, generally in bright condition, small 8vo., plus Browning (Elisabeth Barrett). Last Poems, 1st ed., 1862, half-title, single pubs. ad. leaf at rear, old booksellers ticket of Farmer, Upper Norwood, to rear pastedown, orig. blind-stamped blue cloth gilt, rubbed and some soiling and discoloration, 8vo, and Symons, Arthur, An Introduction to the Study of Browning, 1st. ed., 1886, orig. dark green cloth gilt, rubbed, 8vo, plus other similar Victorian poetry, including Poems by Matthew Arnold, Second Series, 1st. ed., 1855, The Angel in the House, by Coventry Patmore, 1st ed., 1854 (rebacked with endpapers renewed), Poems by the Hon. Julian Fane, pub. Pickering, 1852, City Poems, by Alexander Smith, 1st ed., Cambridge 1857, Poems by a Painter [Joseph Noel Paton], 1st ed., 1861, etc., all orig. cloth, 8vo. (19)

Hatsell (John). Precedents of Proceedings in the House of Commons: with Observations, 4 vols., new ed., with additions, 1818, occ. minor spotting, contemp. diced calf, with attractive gilt & blind dec. spines, 4to (4)

Binding - Douglas Cockerell. The Essays of Emerson, 2 vols., Arthur L. Humphreys, 1899, titles printed in red and black, a.e.g., full smooth brown morocco, gilt lettered spines with five raised bands and blind-stamped floral motifs, both monogrammed "D.C. 1900" on turn-in, sl. rubbed, 4to Presentation inscription on half-title to first volume from Frances Evelyn Warwick (1861-1938), Countess of Warwick and close friend of Edward VII. In the 1890s she carried on a long affair with the Prince of Wales (later Edward VII), which was broken off as she began to show an increasing interest in Socialism. (2)

An Edwardian mahogany rectangular bijouterie table, blind fret carved glazed lidded top, on square tapering stretchered legs. 24in. (61cm).

[SHAKESPEARE (William)]. The Works of Shakespeare, Imperial Edition, edited by Charles Knight, 2 vols. folio., frontispieces additional t.p.'s & engraved plates, fine black morocco stamped in blind and gilt, L., Virtue, ca. 1865 (2).

[HORSES] a late 17th C. printed volume, possibly entitled "of the Running Horse and Divers of the Choice Secrets ...", 12mo, lacks title and all after p. 214, old calf, panelled in blind, published London, with all faults.

Prout (Samuel) . Hints on Light and Shadow, Composition, Etc., as Applicable to Landscape Painting, New Edition, 1876, tinted litho. plts., some minor scattered spotting, orig. blind stamped cloth gilt, rubbed and a little marked, slim folio, together with Hardy (Thomas), The Famous Tragedy of the Queen of Cornwall and Tintagel in Lyonnesse, 1st ed., 1923, two b & w illusts., orig. gilt dec. cloth, slightly rubbed, small 4to, plus other misc. books incl. illustrated and juvenile works, art and architecture reference, approx. 45 King Penguins series (incl. Egyptian Paintings), etc. (3 shelves)

Russell (W.H.) . The War. From the Death of Lord Raglan to the Evacuation of the Crimea, 1st ed., 1856, eng. port. frontis., orig. blind stamped cloth gilt, faded on spine, 8vo, together with Gibson (R.H. & Prendergast, Maurice), The German Submarine War, 1914-1918, 1st ed., 1931, ten folding maps and charts, orig. cloth gilt, rubbed and minor wear to extrems., with others of military and naval interest (3 shelves)

[BINDING-GARDENING]. AMHERST (Alicia), A History of Gardening in England, 8vo, illus., in a fine ARTS & CRAFTS pigskin binding, lettered border in blind to upper cover "A Garden is a Lovesome Thing Godwot Rose Plot Fringed Pool Fern'd Grot The Veriest School of Peace, enclosing a blind stamped floral chequerboard central panel, spine with raised bands, stamped in blind; the binding unsigned; 3rd Edn., L., 1910