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A VICTORIAN OAK LIBRARY BOOKCASE, having moulded cornice above four arch glazed doors revealing adjustable shelves to the interior and divided by moulded corbels, the projecting base with moulded edge above four blind arch panel doors on platform support. 75" Wide x 96" High x 18" Deep.

AN EARLY 19TH CENTURY MAHOGANY BOOKCASE ON CHEST, the blind top having moulded cornice over two panelled doors revealing fitted shelves to the interior, the projecting base with crossbanded top and moulded edge above two short and three long cockbeaded drawers, all with oval brass plate handles and standing on bracket feet. C1810. 37" Wide x 82" High x 21" Deep.

A REPRODUCTION 17TH CENTURY STYLE SMALL OAK COURT CUPBOARD, having overhanging drop canopy with drop finials, recessed upper cupboard, projecting base with two blind panel doors standing on gun barrel turned legs, overall decorated with strap work and other foliate carved decoration. Mid 20th century. 39" Wide x 18" Deep x 54" High.

VICTORIAN MAHOGANY MIRROR BACKED BREAKFRONT SIDEBOARD, the back with scroll and foliate moulded decoration, the breakfront base with three cushion moulded freeze drawers over three blind panel cupboards on a platform support. Circa 1890, 72" High x 60" Wide x 24" Deep.

AN EDWARDIAN MAHOGANY FOUR SECTION WARDROBE, having moulded cornice above two glazed and two blind panel doors with two moulded drawers below on a platform base. 90" Wide x 24" Deep x 86" High.

A 19TH CENTURY WALNUT BEDSIDE CUPBOARD IN FRENCH TASTE, under a marble top with frieze drawer and blind cupboard on baluster feet, 19" Wide x 15.5" Deep x 28.5" High.

JERRARD, Paul (publisher). Groups from Flora’s Bower. London: [n.d. but circa 1860.] 8vo (270 x 180mm.) Printed in gilt throughout, 12 hand-coloured lithographic plates with gilt titles and borders. (Somewhat spotted or browned.) Original green cloth, the upper cover elaborately blocked in gilt, the lower cover uniformly blocked in blind, g.e. (head and foot of spine bumped, gutta-percha perished and some leaves now loosely inserted). (See illustration)

CATS, Jacob, and Robert FARLIE. Moral Emblems… second edition. London: 1862. 4to (264 x 188mm.) Numerous illustrations. Contemporary morocco, by Hayday, the covers blocked in blind, the spine in five compartments with raised bands, lettered in gilt to the second and third, the others with repeat decoration in blind (slightly scuffed, spine slightly faded). – And a quantity of other works and part-works, the majority 19th Century (a quantity).

A GEORGE III MAHOGANY CHIPPENDALE DESIGN FOLD-OVER CARD TABLE with flower and foliate carved edge to the top, the frieze with blind fret decoration, on shaped legs with fret brackets, the support leg opening to reveal a secret drawer (crack to top), 35 1/2" across x 29 1/4" high (see illustration)

AFTER JEAN LOUIS ERNEST MEISSONIER 'Annibal' and 'L'Homme a L'Epee', etchings, bears blind stamp of the Print Sellers Association, a collection of nine etchings after Turner and two further prints

A mid 20th Century walnut display cabinet/cupboard the astral glazed door enclosing four shelves over blind cupboard all raised on bracket feet, 61 cm wide.

A 19th Century pine kitchen floor standing cupboard, the upper glazed door enclosing a pair of shelves over single drawer and a pair of blind cupboards, 214 cm high x 76 cm wide.

WILLIS, BROWNE. Notitia Parliamentaria: Or, An History of the Counties, Cities, and Boroughs in England and Wales, 2 vols., vol 1 Second Edition, 1730 - 1716; (with) Notitia Parliamentaria: Containing an Account of the First Returns and Incorporations..., Printed for the Author, 1750. Together 3 vols., 8vo., uniformly bound in 19th c. blind tooled calf, spines gilt, a.e.g. Panshanger bookplates. (C) (3)

ANDREWS, HENRY C. Coloured Engravings of Heaths. 1802. 2 vols., folio, cont. maroon straight grained roan, decorated in gilt and blind (scraped). Engraved dedication, and 213 hand coloured plates. Half title in vol 2. (S) (2) See illustration.

CRABBE, Rev. GEORGE. The Borough: A Poem, in Twenty-Four Letters. First Edition, Printed for J. Hatchard 1810. 8vo., cont. straight-grained green goatskin gilt, blind tooled small harps in corners, with gilt flower ornaments in outer corners within double borders, a.e.g. (possibly by George Mullen, binder of Dublin). Half title. Bookplate of William Legge.

An early 20th Century mahogany long case clock with an eight day movement by Douglas of Stourbridge. The pedestal base rising to an ornately glazed panel door below an arched top hood enclosing the brass blind fret- work dial. The movement having a repeat chime function on Westminster, Whittington & St Michael chimes, some damage and gong missing, 48cm wide by 207cm high.

A George III Mahogany Chest on Chest, the moulded cornice above a blind fretwork frieze and two short and seven long graduated drawers, flanked by quarter pilasters and raised upon ogee bracket feet

A George III mahogany, marquetry and blind fretwork serpentine commode, circa 1770, 94cm high 112cm wide, 60cm deep (faults). The elegant serpentine form of this commode relates to various designs for 'French Commodes' by Thomas Chippendale,The Gentleman and Cabinet -Maker's Director , 3rd Edition, 1764, pls LXIV- LXXX. This commode has several similar attributes to an example sold from the contents of Barnwell Manor, Northamptonshire by Sothebys, 28-30 May 2002, particularly in terms of proportion and the blind fretwork decorated angles. Comparable commodes have also been offered in the following previous sales: Sotheby's London 19 November 1993 Lot 68, a pair sold at Christie's London 19 April 1990 Lot 109. Visit www.dnfa.com for condition reports.

A George III mahogany eight day longcase clock, by William Taylor, Whitehaven, the twin train movement striking on a bell, the hood with dentilled and rosette carved swan neck pediment centred by a brass ball finial, above arched glazed door, flanked by fluted columns, the brass dial with Roman chapter ring and additional seconds hand, moonphase dial to the arch, cast spandrels, the case with moulded trunk door flanked by fluted quarter column angles, on panelled base with blind fretwork canted angles, on ogee bracket feet, 240cm high

A Mixed Assortment in Three Cartons. Also an unopened bag of pre decimal one pennies. Sold on behalf of Guide Dogs For The Blind. Please bid generously

A walnut stool, the floral tapestry top above blind fret carved, square chamfered supports united by an 'H' stretcher, 18th century and later, 18in (45.6cm) h, 16in (40.4cm) w, 12in (30.5cm) d. Stretchers replaced, cracks to legs.

A George III mahogany chest on chest, the detachable blind fret cornice above two short and three long graduated drawers flanked by reeded canted angles, above three long graduated drawers, on bracket feet, 73.25in (186cm) h, 43.5in (11.5cm) w, 22.25in (56.5cm) d. Old damages, restorations and replacements.

A George III style mahogany silver table, early 20th century, with pierced gallery above blind fret carved frieze, upon triple barrel supports united by pierced cross stretchers, 76 x 72 x 41 cm, together with an early 20th century mahogany Sutherland table, 67 x 84 x 76 cm. (2)

A second quarter of the 19th Century Mahogany cased Irish 8-day Long Case Clock, Chrisr Clarke of Dublin, the hood with broken pediment centred to a baluster Brass finial with Greek key borders over a blind fret panel, to freestanding reeded columns and ogee throat, to a long and shaped trunk door flanked by quarter columns and moulded surround to a panelled plinth base, to a signed 13½" engraved Brass dial, with rose and foliate spandrels, enclosing a Roman and Arabic dial, further to subsidiary seconds and ringed winding squares with scrolling garland and later pierced hands, to a movement with plates united by four knoped pillars and anchor escapement, strike on a bell, height 95"

A 19th Century Mahogany Chest on Chest, the top with blind fret carved cornice, over two and three drawers, all with cross banding and replacement brass swan neck handles, raised on bracket feet, 41" wide

A George III mahogany hanging corner cabinet with a dentil moulded cornice and blind fret carved decoration, the shaped shelves enclosed by an astragal glazed door

AFTER D WILKIE, ENGRAVED BY A RAIMBACH, PAIR OF BLACK AND WHITE ENGRAVINGS, "Rent Day"; and "Blind-Man's Buff", 16" x 24" (2)

CARINGTON BOWLES (PUBLISHER), LATE 18TH/EARLY 19TH CENTURY HAND-COLOURED ENGRAVING, "Christ Restoreth a Blind Man to Sight", 13" x 9" (A/f); and BLACK AND WHITE ENGRAVING, "La Citta die Firenze, Capitale del Gran Ducato di Toscana", 6" x 13" (2)

BERYL COOK, SIGNED IN PENCIL TO MARGIN, ARTIST'S COLOURED PROOF WITH BLIND STAMP, "Poetry Reading", 18" x 14"

LOUIS ICART, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (13/100), BLACK AND WHITE ETCHING WITH BLIND STAMP, Elegant Lady Wearing Fur holding a Hat Box, 14 ½" x 10"

MONTAGUE DAWSON, SIGNED IN PENCIL TO MARGIN, ARTIST'S COLOURED PROOF WITH BLIND STAMP, Published 1972 by Venture Prints, Bristol, "The Battle of Trafalgar", 28" x 36"

PETER SCOTT, SIGNED IN PENCIL TO MARGIN, ARTIST'S COLOURED PROOF WITH BLIND STAMP, PUBLISHED 1941 BY ARTHUR ACKERMANN, Geese in Flight over Salt Marshes, 14" x 20"

SIR ALFRED JAMES MUNNINGS, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH BLIND STAMP, Published 1927 by Frost & Reed, "Gypsies and Caravans", 17" x 21"

After William Russell Flint - Girls in a Continental Courtyard, 20th Century colour print, signed in pencil and with publisher's blind stamp, approx 45cm x 59cm.

Mahogany box, late 19th/ early 20th century, with parquetry inlaid cross-banded cover enclosing three small drawers and three compartments, with carved blind fretwork decoration on square base, h: 7 x w: 13 x d: 7 in.

A 19th Century carved oak court cupboard with blind fretwork, carved frieze, below 2 blind fretwork panelled doors, above 2 short drawers and 2 panelled doors. 145cm long

Adrian George (Brit. b.1944)-K and daffodils, lithograph, 62 x 51cm, and Adrian George-Reflections x 2, Ebury Fine Arts lithograph with blind stamp, No.75/150, signed in pencil and dated 1979, 104 x 74 (3) (Part Illus.)

A circa 1700 joined oak coffer, having a replacement two plank rising lid, the whole with three panel front, each with blind lozenge carving and raised on stile end supports, width 125cm

A circa 1700 joined oak single chair, having a blind carved panel back flanked by spiral turned columns to a panel seat, scroll carved frieze, all raised on spiral turned supports united by low spiral turned and square cut stretchers

An Edwardian mahogany wardrobe having blind fret cornice and oval mirror panel doors

E OE SOMERVILLE AND MARTIN ROSS, 2 ttls: SOME IRISH YESTERDAYS, 1919, new impress, sigd by Somerville on the ttl pge and with a pres inscr from her to C A Anstey on the ffep, orig blind stpd cl; THE SMILE AND THE TEAR, 1933, 1st edn, sigd by Somerville on small slip of paper pasted to ttl pge, pres inscr from C A Anstey to her grand-daughter Phoebe, loosely inserted autographed postcard from Anstey to Pheobe’s mother, orig cl, d/w (2)

CHARLES DICKENS: CHRISTMAS BOOKS, 1852, 1st coll edn, orig blind stpd cl worn

FRANCIS BOND: AN INTRODUCTION TO ENGLISH CHURCH ARCHITECTURE, 1913, 2 vols, orig blind stpd cl gt (2)

L ROOS: WINE-MAKING IN HOT CLIMATES, Melbourne 1900, 1st edn, orig blind stpd cl + NOEL ANTOINE PLUCHE: SPECTACLE DE LA NATURE OR NATURE DISPLAY’D ------, Trans Samuel Humphreys, L 1737, 2nd edn, vol 2 (of 4), includes the sections on Vines & Wine, old cf worn + W J TODD: A HANDBOOK OF WINE, 1922, 1st edn, orig cl bkd bds, ptd paper labels (3)

JUSTUS FRIEDRICH CARL HECKER: THE EPIDEMICS OF THE MIDDLE AGES, Trans B G Babington, 1846, orig blind stpd cl gt worn

MISS CHANDOS LEIGH HUNT: PRIVATE INSTRUCTIONS IN THE SCIENCE AND ART OF ORGANIC MAGNETISM, L, [1885], 3rd edn, revised and enlarged, folding frontis, olf hf cf worn + JOSEPH W HADDOCK: SOMNOLISM AND PSYCHEISM -----, L, 1851, 2nd edn, orig blind stamp cl gt + JOSEPH HANDS: WILL- ABILITY OR MIND AND ITS VARIED CONDITIONS AND CAPACITIES, L, [1875], 1st edn, orig dec cl gt + JOHN BOVEE DODS: THE PHILOSOPHY OF MESMERISM AND ELECTRIC PSYCHOLOGY, L, 1886, orig pict cl gt + FRANK H RANDALL: VITAL MAGNETIC POWER MESMERISM HYPNOTISM AND THOUGHT- READING, L, 1896, privately printed, orig cl wraps, rebkd (not recent) (6)

ISAAC MYER: OLDEST BOOKS IN THE WORLD AN ACCOUNT OF THE RELIGION WISDOM PHILOSOPHY ETHICS PSYCHOLOGY OF MANNERS PROVERBS SAYINGS REFINEMENT ETC OF THE ANCIENT EGYPTIANS, 1900, 1st edn, orig cl gt worn + ALFRED WIDEMANN: RELIGION OF THE ANCIENT EGYPTIANS, 1897, 1st edn, orig cl gt, inner jnt weak + SIR E A WALLIS BUDGE, 3 ttls: THE EGYPTIAN HEAVEN AND HELL, 1906, 1st edn, vol 1 (THE BOOK AM-TUAT), vol 3 (THE CONTENTS OF THE BOOKS OF THE OTHER WORLD DESCRIBED AND COMPARED), orig decor cl; THE ROSETTA STONE IN THE BRITISH MUSEUM, 1929, 1st edn, orig blind stpd cl (5)

JOHN CASPAR LAVATER: ESSAYS ON PHYSIOGNOMY -------, Trans Thomas Holcroft, L 1858, 10th edn, orig blind stpd cl worn + E KRETCHMER: PHYSIQUE AND CHARACTER ------, Trans W J H Sprott, 1925, 1st edn in English, orig cl + two other phrenology interest (4)

SAMUEL COLLIBER: COLUMNA ROSTRATA OR A CRITICAL HISTORY OF THE ENGLISH SEA-AFFAIRS, 1727, 1st edn, old blind stpd cf rebkd

[WILLIAM SCLATER] “A PRESBYTER OF THE CHURCH OF ENGLAND”: AN ORIGINAL DRAUGHT OF THE PRIMITIVE CHURCH IN ANSWER TO A DISCOURSE ….., Dublin 1723, 3rd edn, old blind stp cf worn

THE HOLY BIBLE …., Oxford, T Wright and W Gill, 1772, fo, old blind stpd reversed cf, not in Herbert

H C BROCKLEHURST: GAME ANIMALS OF THE SUDAN THEIR HABITS AND DISTRIBUTION A HANDBOOK FOR HUNTERS AND NATURALISTS, 1931, 1st edn, orig blind stpd cl + LORD CRANWORTH: A COLONY IN THE MAKING OR SPORT AND PROFIT IN BRITISH EAST AFRICA, 1912, 1st edn, orig pict cl gt worn + LORD ALTRINCHAM: KENYA’S OPPORTUNITY, 1955 1st edn, orig cl, d/w (3)

E J LOWE: A NATURAL HISTORY OF BRITISH GRASSES, 1871, 1st edn, orig blind stpd cl gt, v worn

REV J G WOOD: THE ILLUSTRATED NATURAL HISTORY, [1874-80], 5 vols, orig decor blind stpd pict cl gt (5)

REV R H WEBB AND REV W H COLEMAN: FLORA HERTFORDIENSIS OR A CATALOGUE OF PLANTS FOUND IN THE COUNTY OF HERTFORD, 1849, 1st edn, lacks map, orig cl gt + KENNETH LEMMON: THE GOLDEN AGE OF PLANT HUNTERS, 1968, 1st edn, orig cl, d/w + PATRICK , SYNGE: IN SEARCH OF FLOWERS, 1973, 1st edn, orig cl, d/w + SAMPSON CLAY: THE PRESENT-DAY ROCK GARDEN, 1937, 1st edn, orig cl gt + ROBERT LLOYD PRAEGER: THE BOTANIST IN IRELAND, Dublin 1934, 1st edn, orig cl gt + FRANCIS GEORGE HEATH: OUR BRITISH TREES, nd, 5th edn, orig blind stpd cl (6)

CHARLES JOHNSON: BRITISH POISONOUS PLANTS, 1856, 1st edn, 28 hand col’d plts, orig blind stpd cl gt, lacks backstrip

WILLIAM WHITE: HISTORY GAZETTEER AND DIRECTORY OF STAFFORDSHIRE ….., 1851, lacks map, orig blind stpd cl

JAMES MCQUADE: THE CRUISE OF THE MONTAUK TO BERMUDA THE WEST INDIES AND FLORIDA, NY 1885, orig blind stpd pict cl + WILLIAM ZUILL: BERMUDA SAMPLER BEING A COLLECTION OF NEWSPAPER ITEMS EXTRACTS FROM BOOKS AND PRIVATE PAPERS TOGETHER WITH MANY EXPLANATORY NOTES AND A VARIETY OF ILLUSTRATIONS, Bermuda [1937], 1st edn, orig cl, ptd paper label, d/w + JAMES H STARK: STARK’S ILLUSTRATED BERMUDA GUIDE ……, Boston 1890, orig pict cl + J LAW REDMAN: ISLES IN SUMMER SEAS (BEAUTIFUL BERMUDA), NY 1913, orig cl, pict paper label (4)

JOHN AND EDWARD TAYLOR: HISTORY OF THE OCTAGON CHAPEL NORWICH, L 1848, 1st edn, double pge tinted litho frontis, orig blind stpd cl gt + IAN ATHERTON AND OTHERS (EDS): NORWICH CATHEDRAL, 1996, 1st edn, orig cl, d/w + H MUNRO CAUTLEY, 2 ttls: NORFOLK CHURCHES, Ipswich 1949, 1st edn, orig cl gt; SUFFOLK CHURCHES AND THEIR TREASURES, Ipswich 1954, orig cl gt, d/w (4)

HAND-BOOK TO THE CATHEDRAL CHURCH OF ELY, Ely T A Hills and Son [1864], 8 engrd plts, orig blind stpd cl gt worn + JOHN HENRY PARKER: THE ECCLESIASTICAL AND ARCHITECTURAL TOPOGRAPHY OF ENGLAND ….. CAMBRIDGESHIRE, 1852, old cl worn (2)