We found 44913 price guide item(s) matching your search

Greely (Adolphus W.). Three Years of Arctic Service, an Account of the Lady Franklin Bay Expedition of 1881-84 and the Attainment of the Farthest North, 1st edition, New York: Charles Scribner's Sons, 1886. 2 volumes, 8vo, original pictorial cloth, steel-engraved frontispieces, 42 wood-engraved plates, 9 maps (of which one folding in end-pocket), together with 7 others (all in original cloth; not fully collated), including: Adolphus W. Greely, Three Years of Arctic Service, 2nd UK edition London: Richard Bentley, 1886 (2 volumes, gilt-stamped 'second edition' on spines); R. E. Peary, Northward Over the "Great Ice", 1st UK edition, 1898 (2 volumes, old manuscript library labels to front covers, volume 1 spine nicked); idem, Nearest the Pole, 1st UK edition, London: Hutchinson & Co., 1907 (title-page blind-stamped 'with the publisher's compliments' and with ink-stamp of Manchester Guardian Library, spine-ends worn, old manuscript library label to front cover); idem, The North Pole, 1st UK edition, 1910 (folding map loose, photogravure plate facing p. 153 absent); and similar (qty: 11)

Corinthian Master Bagatelle in box and Guide dogs for the blind snooker cue

A late Georgian Vulliamy table clock, in a fruitwood case, swing handle, blind fret scroll back plate, double fusee movement striking on the hour, signed and marked London 1017, in a five part glazed case, on squat bracket feet, with key, 20cm high, 13cm wide, 10cm deep, with keys. Auctioneer Announce: There is no Turbett crest to the clock.

Instrument Panel. A WWII RAF aircraft cockpit instrument panel, with Air Ministry stamp and numbered .. 1335?, retaining five instruments including Turning Indicator Mk I.A., Air Speed Indicator and Directional Gyro, Side Slip Indicator, 27 x 36cm, together with a large composite cockpit instrument panel, 55 x 136cm plus an unused Spitfire Blind Flying Instrument Panel, 28 x 36cm, in original card box with stores reference paper labelQTY: (3)

GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the key moulded cornice above a blind-fret frieze, over two short and three long drawers flanked by angles with further blind fret moulding; the base with three long graduated drawers, raised on bracket feet(108cm wide, 182cm high, 55cm deep)

Festival of Britain ephemera: the Royal School of Church Music Festival Service Book VGC and 1951 Royal Festival Hall Souvenir Programme - Ceremonial Opening and Inaugural Concerts 3 May - 9 May 1951 in good condition and Commemorative Poster Stamps Sold in Aid of The Greater London Fund for the Blind, 2s6d in VGC and Edition of Punch magazine, good condition and 1951 Festival of Britain Cable & Wireless Telegram Souvenir Message via Imperial and 1951 Festival of Britain Information Summary Mar 3rd - Sept 30th published by HMSO and "News Chronicle" London Map and Guide, full colour, 1951 News of the World Almanac and Household Guide, good and Royal Air Force 'Flying Review' Magazine September 1955 with an exclusive on Britain's Guided Missiles, cover showing Folland's Gnat. VGC

A LARGE TOO HOT TO HANDLE MARILYN MONROE ROLLER BLIND W- 90CM

AN OPTOMA HD 1080P PROJECTOR, SONOROUS PROJECTOR MOUNT, SELECTION OF LAPTOPS PLUS A BLIND.

Roy Lichtenstein (1923 - 1997), Lithograph exhibition poster, with blind stamp verso, dated 20th November 1965; And a signed print, limited edition 61 of 300, 24 x 31cm . Arts magazine, summer 1969. Provenance: purchased by the vendors late father who lived in New York, he was a collector of art and visited the exhibition. Condition: there is some wear Signed print in good order, slight discoursing to the border.  Light damage to the folds of the poster (including a split) commensurate with age.  Light water stain verso.

FLORA WOOD oil on board - busy village scene with figures and horse and cart, signed, 47 x 60cms, JESSIE FURBER vintage print - working figures on the beach with boats in the background and horse and cart, blind stamp and signed in pencil, 30 x 41cms and S TONETTI oil on board - mother and child at the fairground, signed, 49 x 54cms

Sixties LPs, twelve albums of mainly Sixties artists comprising The Who (Tommy, Who's Next, Who By Numbers and Face Dances), Cream (Wheels of Fire and Best Of), Graham Bond - Holy Magick, John Taverner - The Whale, Bob Dylan - Bringing It All Back Home, Bee Gees (Life In A Tin Can and To Whom It May Concern) and CCR - Cosmo's Factory - sold together with Blind Faith Tour Book (Hardback) - various years and conditions

Peter Scott, hand signed print - Ducks in flight, with blind stamp, glazed frame

Heilige OdiliaWohl Oberrhein/Elsass, um 1480H. 60 cmStehende Heilige in ihrem Äbtissinengewand mit Kelch und Augen. Laubholz, rückseitig gehöhlt. Eventuell Obstholz. Wenige Reste originaler Fassung, Großteil der Fassung abgenommen und später übergangen. Rest. Altersschäden.Aus der Auflösung einer süddeutschen Sammlung. Die Heilige Odilie (geb. ca. 660 im Elsass oder Burgund - um 720 Kloster Niedermünster beim Mont St. Odile) war Äbtissin und gilt als Schutzpatronin des Elsass. Sie kam blind zur Welt und erlangte, der Überlieferung nach, nach der Taufe im Alter von 12 Jahren das Augenlicht. Daher gilt sie ebenfalls als Schutzpatronin des Augenlichts. Sie bekam von ihrem Vater, Herzog Eticho, ein Besitztum auf der Hohenburg im Elsass geschenkt, wo Sie ein Kloster gründete. Heute der wichtige Wallfahrtsort Odilienberg, bzw. Mont St. Odile südlich von Obernai.

Herman Brood (1946-2001)Too blind to see, signed (center right), acrylic on canvas.120 x 80 cm.

A bronze group of royal children playing blind man. Second half of the 20th century.H.: 28 cm.

Bernard McMullen limited edition print 199/500 Bolton Wanderers football club Burnden park, signed in pencil with blind stamp

A sketch, Lucy Kemp Welch, Leading the Team, blind stamped, 13 x 9cm, plus frame and glazed slight damage to frame and mount

A cream and gilt-painted three piece bergere suite, 1920's, comprising a three-seat sofa, with acanthus and scrolled crest rail over double caned arms, with squab cushions upholstered in a teal fabric, above blind fret-carved apron, raised on hairy paw supports, the pair of armchairs en suite. Sofa 72cm by 197cm by 92cm

The Comprehensive Bible; Containing the Old and New Testaments, According to the Authorized Version...', published by Samuel Bagster and Sons, London, circa 1860, with maps, the full brown morocco leather binding with blind tooled decoration and gilt inner-dentelles, the ornate hand painted fore-edge decoration to all sides and fitted with gilt metal mounts and clasps, bearing inscription from Reverend William Bell MacKenzie dated 28 January 1867, and family tree entries relating to the Morrison family from 1865, housed in fitted red velvet lined hinged oak box, 14cm x 37cm x 41.5cm CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.

An early 20th century walnut chest; the half veneered sloping fall with a blind fret border and opening to reveal central panelled cupboard door, pigeonholes and four small drawers, further over three full-width graduated drawers with similar carved borders, raised on cabriole legs (78cm wide x 46cm deep x 101cm high)

A small collection of trade medallions for letters or correspondence blind stamps

Erstausgabe: "A Million and one Nights" in 2 Bänden, 1926 A History of the Motion Picture, limitierte Erstaus-gabe, signiert von Thomas A. Edison und Terry Ramsaye, Exemplar Nr. 229 von 327, Simon and Schuster, New York, 1926, Band 1 und 2, gebunden in verlagstypischem blauem Leinen mit Blindprägung und Goldprägung, guter Zustand, Vorsatzblätter leicht gebräunt. – Die erste offizielle Geschichte des Kinos, geschrieben von dem Filmjournalisten Terry Ramsaye und illustriert mit zahlreichen schwarzweißen photographischen Reproduktionen. – Edison über dieses Buch: "Dies ist, glaube ich, der erste Versuch, die ganze und wahre Geschichte des Kinofilms niederzuschreiben. Ich bin mit den Recherchen des Autors während seiner jahrelangen Vorbereitungen in Berührung gekommen und bin mir seines nie nachlassenden Bemühens um exakte Fakten bewußt. Es wurde ein hoher Grad an Detailgenauigkeit erreicht. Ramsayes Theorien, Meinungen und Schlußfolgerungen sind seine eigenen." Start Price: EUR 1.800 Zustand: (2-3/-)First Edition: "A Million and one Nights", 1926 A History of the Motion Picture, limited first edition signed by Thomas A. Edison and Terry Ramsaye, copy no. 229 of a limited 327, Simon and Schuster, New York, 1926, volumes 1 and 2, bound in publisher's original blue cloth ruled in blind and stamped in gilt, fine condition, light browning to endsheets. – The first official history of cinema, written by film journalist Terry Ramsaye and illustrated with numerous black-and-white photographic reproductions. – Edison states: "This is, I believe, the first endeavor to set down the whole and true story of the motion picture. I have been in contact with the author's researches through his years of preparation and I am aware of an unrelenting effort at exact fact. A high degree of detailed accuracy has been at-tained. Ramsaye's theories, opinions and deductions are his own." Start Price: EUR 1.800 Condition: (2-3/-)

1 bt 2015 Hardy's Crest Cabernet Sauvignon Shiraz Merlot. 1 bt Seppelt Great Western Chardonnay Sparkling. 1 bt 2014 Blind Spot Chardonnay. 1 bt Hardy's Crest Sparkling Pinot Noir Chardonnay. 1 bt Seaview Sparkling.

''Capriccio, Tänzerin mit Perlenkappe'' Gustav Oppel (Entwurf), Schwarzburger Werkstätten für Porzellankunst, 1919 Staffiert in Aufglasurfarben und Gold. Sockel mit kleinem Randchip. Auf dem Sockel bez.: G. OPPEL - 19 (geritzt). Unterseite bez.: Schwarzburger Werkstätten für Porzellankunst und U 263 (blind eingestempelt), schnürender Fuchs (blind eingestempelt und in Unterglasurblau). H. 33 cm Lit.: Ausst.- Kat. Museum der Deutschen Porzellanindustrie ''Schwarzburger Werkstätten für Porzellankunst'', Hohenberg/Eger, 1993, S. 345, Abb.- Nr. 263

Andrew Grey, Aberdeen: A late 18th century mahogany longcase clock, the arched gilt dial with silvered chapter ring, seconds and calendar apertures, and with pierced gilt spandrels, the case with blind fret carved hood and shell inlaid door, 224.5cm high With associated movement. From Wick Hall, the estate of Patrick Dockar-Drysdale.At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

An antique Chippendale style stool with an upholstered seat and square legs with blind fretwork decoration, 54cm wide x 40cm deep x 45cm highFor reupholstery, some minor surface marks to the legs, two cracks to one pierced corner

VISCONTI FOUNTAIN PEN, LIMITED EDITION "LA BIBLIA".Barrel made of whalebone engraved with drypoint and Indian ink filler.Limited edition 048/999.M nib in 18 kts. gold and 750 ml. silver, screw cap.No box.Measures: 15,70 cm. length, 19,4 mm. diameter.Visconti produces limited editions with themes that impact, change or describe our lives. His new collection is dedicated to the religions of the world. The first in the series focuses on the Bible, the most widely read and printed book on religions, and the world linked to it: Christianity and Judaism. The large pens are made from ivory-coloured resins using a design technique of whalebone, dry-point engraving and Indian ink filling. The intricate drawings depict scenes from the Old Testament on the barrel: Adam and Eve, Noah's Ark, David and Goliath, and the Ten Commandments. The Jewish version has a classic, antique look in natural ivory colour and unadorned. The cap depicts a spiritual moment of prayer at the Western Wall. Hidden in the blind cap is an engraving of a temple. Its cover presents the story of Jesus: his birth, baptism, the Last Supper and his Ascension into Heaven. An image of the shutter of the Holy Grail is hidden inside the cover. Both pens have a decagonal crown and end cap, the latter engraved with the Ten Commandments in Hebrew. The pen is fitted with a Visconti two-tone 18-karat gold nib and features a piston-filled shaft. Limited to 999 pens and 199 Rollerballs worldwide.

SHIBATA ZESHIN (1807-1891)An Urushi-e (Lacquer Painting) of a Farmer's House Meiji era (1868–1912), dated 1888Depicting a peaceful scene of a farmer's rustic dwelling, well maintained but showing its age, in early spring: to the right a straw hat and mino (raincoat) hanging on the wall of the house by a tree and a ragged sudare (roller blind) hung from the eaves, sheaves of rice straw leaning against the walls, and in front a rooster and hen pecking grains of rice from a rice-mortar standing on a straw mat, the inside of the house with details including smoke rising from the hearth with its jizai (adjustable pot hanger), cups in a basket, a pair of zori (straw sandals), a bunch of daikon radishes, a sickle, a stone grinding-mill, and an uchiwa (non-folding fan), to the left, two children, one barefoot and one wearing zori, feeding hay to the family ox, a spider's web above its head, in the foreground, a stream with a plank bridge and timber reinforcements; all executed in a range of urushi-e colours, the smaller child's kimono with fine shell decoration and the plum blossoms in silver foil; parts of the paper decorated with gold dust; signed at lower right Gyonen hachijuni-o Zeshin (Zeshin, aged 82) with a seal Tairyukyo; with a cloth-bound storage box. Overall: 61.1cm x 81.4cm (24in x 31⅞in); image: 47.5cm × 67.9cm (18¾in × 26¾in). (2).Footnotes:Provenance:Grace Tsumugi Fine Art London, 2015, cat. no.4.A Royal Collection.Exhibited:Nihon Bijutsu Kyokai (Japan Art Association), 1888.Published:Goke Tadaomi, 'Shibata Zeshin', Nihon no bijutsu (Arts of Japan), 93, Tokyo, Shibundo, 1974, pl.7.Goke Tadaomi, Shibata Zeshin eyo tebikae (Sketches and Notes by Shibata Zeshin), Kyoto, Dohosa Shuppan, 1981, pl.140.Goke Tadaomi, Shibata Zeshin meihinshu: Bakumatsu kaikaki no shikko kaiga (Lacquer and Painting in Late Edo and Early Meiji: A Collection of Masterworks by Shibata Zeshin), Tokyo, Gakushu Kenkyusha, 1981, cat. no.140.Exhibited and Published:Nezu Museum, Shibata Zeshin no shikko, urushi-e, kaiga (Shibata Zeshin: From Lacquer Arts to Painting), exh. cat., Tokyo, 2012, cat. no.122.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A pair of oak sectional bookcases, the 1930s, each with Odeonesque moulded frieze above two pairs of glazed hinged doors with a pair of blind panel doors below, on plinth bases, height 127cm, width 89.5cm, depth 39.5cm.

H Ward (19th century), portrait of a boy, bears Examined School of South Kensington blind stamp 'ESK' (lower left); signed 'H Ward' (lower right), charcoal on paper, 42 x 31cm

JAMES JUSTINIAN MORIER: THE ADVENTURES OF HAJJI BABA OF ISBAHAN, ill H R Millar, London, MacMillan, 1893, 1st edition, 4pp adverts at end, original blind stamped cloth gilt worn + ANTHONY TROLLOPE: BARCHESTER TOWERS, London, Longman Green Longman & Roberts, 1861, new edition, original cloth worn and soiled, Bibliotheca Lindesiana bookplate on front paste down (2)

THE SERMON ON THE MOUNT, illuminated by Samuel Stanesby, London, Charles Courtier & Sons, [1865], each page with an illuminated border, original blind stamped calf gilt worn, inner joints reinforced, scarce, one copy only on COPAC held at The University of Cambridge Library

SIR DAVID WILKIE: THE WILKIE GALLERY, A SELECTION OF THE BEST PICTURES OF THE LATE SIR DAVID WILKIE, RA INCLUDING HIS SPANISH AND ORIENTAL SKETCHES, London, Virtue & Co, circa 1845, 4 divisions complete, engraved port added engraved vignette title, 17 engraved plates as list, division 1 a few plates with marginal water staining, large 4to, original blind stamped green cloth gilt, gutta percha perished, contents loose, (4)

THE NATIONAL COMPREHENSIVE FAMILY BIBLE, THE HOLY BIBLE WITH THE COMMENTARIES OF SCOTT AND HENRY..., ed Rev John Eadie, Woking, John J Scase, circa 1856, thick 4to, old calf, brass mounts, lacks clasps + THE PRACTICAL AND DEVOTIONAL FAMILY BIBLE, THE HOLY BIBLE...COMMENTARIES OF HENRY AND SCOTT, ed Rev John M'Farlane, Glasgow and London, William Collins, 1869, fo, old blind stamped calf worn, boards detached, lacks backstrip + REV JOHN FLEETWOOD: THE LIFE OF OUR LORD AND SAVIOUR JESUS CHRIST..., London, Virtue, circa 1860, 4to, old half calf worn, inner joints reinforced + THE LIVING BIBLE PARAPHRASED, Wheaton Illinois, 1973, de luxe illustrated edition, 4to, original rexine and gilt, vgc. Note: this Lot generously donated to Barnabas Fund re Ukraine Appeal (4)

MRS PHEBE LANKASTER: WILD FLOWERS WORTH NOTICE, ill J E Sowerby, London, Robert Hardwicke, 1861, 1st edition, 8 plates as called for, some neatly hand coloured, adverts at front and end, some leaves loose, original blind stamped cloth gilt worn

MARGARET A MURRAY: EGYPTIAN TEMPLES, London, Samson Lowe Marson [1931], 1st edition, inscription on ffep, original cloth, d/w (tatty) + WILLIAM HENRY DAVENPORT ADAMS: THE VALLEY OF THE NILE..., London, T Nelson, 1867, 1st edition, original blind stamped cloth gilt worn and soiled, inner joints weak + WILLIAM MATTHEW FLINDERS PETRIE: A HISTORY OF EGYPT, London, Methuen, 1903, vol 1 only (dynasties 1-XVI), 40pp adverts at end, original cloth gilt + ANON: EGYPT AS SEEN IN SCRIPTURE AND ON THE MONUMENTS, London, Arthur Holness [1882], 1st edition, original pictorial cloth gilt, spine toned + PERCY WITHERS: EGYPT OF YESTERDAY AND TO-DAY, London, Grant Richards, 1909, 1st edition, original cloth, (5)

W HEWITT: AN ESSAY ON THE ENCROACHMENTS OF THE GERMAN OCEAN ALONG THE NORFOLK COAST WITH A DESIGN TO ARREST ITS FURTHER DEPREDATIONS..., Norwich, printed for the author by Matchett Stephenson & Matchett, 1844, 1st edition, inscribed 'with the author's compliments', 2 litho plates as called for, original blind stamped cloth + NATHANIEL WOODWARD: AN OUTLINE OF THE GEOLOGY OF NORFOLK, Norwich, John Stacy, 1833, 1st edition, hand coloured litho folding geological map, hand coloured litho natural section of the Norfolk cliffs, and 6 litho plates as called for, rebound cloth backed boards (2)

JAMES PIGOT: NORFOLK-NORTHANTS, [1830], 2 works in one, 2 engraved folding maps backed onto linen, modern calf backed cloth + ANON: NORWICH IN MINIATURE CONTAINING A BRIEF DESCRIPTION OF THE CITY..., Norwich, J J Sharpe, 1834, 1st edition, folding engraved frontis, folding plate The Population of Norwich, 16mo, contemporary cloth worn, inner joints weak, one copy on COPAC held at The UEA Library + WALTER WHITE: EASTERN ENGLAND FROM THE THAMES TO THE HUMBER, London, Chapman & Hall, 1865, 1st edition, 2 vols, folding frontis maps, original blind stamped green cloth worn, re-cased, new end papers + C S WARD: THE EASTERN COUNTIES, London, Thomas Nelson, 1909, 6th edition, Thorough Guide Series, original limp cloth gilt + GOOSE & SON (PUB): THE NEW DIRECTORY OF NORWICH 1914, ends page 518 and this damaged with small part loss, rebound cloth, this a/f + AUGUSTUS JESSOPP: NORWICH, London, SPCK, 1884, 1st edition, folding frontis map, original cloth gilt (7)

JOHN STACY: A TOPOGRAPHICAL AND HISTORICAL ACCOUNT OF THE CITY AND COUNTY OF NORWICH..., Norwich, John Stacy, London, Longman Hurst Rees Orme & Brown, 1819, 1st edition, engraved frontis, folding plan, old half calf rebacked, new end papers + G K BLYTH: THE NORWICH GUIDE..., Norwich, Josiah Fletcher [1842], 1st edition, later cloth + R BEATNIFFE: THE NORFOLK TOUR OR TRAVELLERS POCKET COMPANION..., Norwich, R Beatniffe, 1795, 5th edition, old half calf marbled boards worn + GEORGE ALEXANDER COOKE: TOPOGRAPHICAL AND STATISTICAL DESCRIPTION OF THE COUNTY OF NORFOLK..., London, C Cooke, [1808], folding frontis map, modern cloth + P BROWNE: THE HISTORY OF NORWICH FROM THE EARLIEST RECORDS TO THE PRESENT TIME, Norwich, printed by Bacon Kinnebrook, 1814, 3 or 4 aquatint plates, final leaf of contents supplied in facsimile, modern half calf + ROOK & CO: VIEWS OF NORWICH (COVER TITLE), circa 1875, 18 engraved vignette views on 9 leaves, original blind stamped cloth gilt (6)

JAMES GREENWOOD: CURIOSITIES OF SAVAGE LIFE, ill F W Keyl and R Huttula, London, S W Beaton, 1863, 1st edition, 1st series, 9 coloured plates as list, original decorative blind stamped cloth gilt worn

KELLYS DIRECTORY OF THE COUNTIES OF NORFOLK AND SUFFOLK, 1912, with both maps, original blind stamped cloth rebacked preserving original spine

JAMES WILD: THE DISTRICT OF THE LAKES, engraved outline hand coloured map circa 1850, folding backed onto linen, approx 520 x 380mm, original blind stamped cloth, printed paper label

SIDNEY HALL: BLACK'S ROAD AND RAILWAY TRAVELLING MAP OF SCOTLAND, [Edinburgh], A & C Black, circa 1845, engraved hand coloured map, folding backed onto linen, approx 820 x 570mm, original blind stamped cloth gilt, ribbon ties

CHARLES MACKIE (ED): NORFOLK ANNALS, A CHRONOLOGICAL RECORD OF REMARKABLE EVENTS IN THE NINETEENTH CENTURY, Norwich 'Norfolk Chronicle', 1901, 2 vols, later cloth + A D BAYNE: ROYAL ILLUSTRATED HISTORY OF EASTERN ENGLAND..., Great Yarmouth, James MacDonald circa 1873, 1st edition, 2 vols, original blind stamped cloth re-cased (4)

Spalding Crowland Manor, court rolls, 2 vols, 1698 to 1806, fo, old blind samped calf + another 2 vols, 1867-1890, fo, vellum (4)

CHARLES ALEXANDER JOHNS: GARDENING FOR CHILDREN, London, Charles Cox, [1849], 2nd edition, 16mo, original blind stamped pictorial cloth gilt worn

[MRS HAWTREY?]: SUMMER SONGS OF COUNTRY LIFE, London, Routledge, Warne & Routledge, 1863, 1st edition, engraved vignette title and frontis, original cloth printed paper label worn + A 'LADY': SCHOOL DIALOGUES FOR BOYS BEING AN ATTEMPT TO CONVEY INSTRUCTION INSENSIBLY TO THEIR TENDER MINDS AND INSTILL THE LOVE OF VIRTUE, London, John Marshall [1783], 1st edition, vol 1 (of 2) only, half title with part loss, 12mo, contemporary calf backed marbled boards worn, lacks parts of backstrip, boards loose + HELEN CROSS KNIGHT: ROBERT DAWSON OR THE BRAVE SPIRIT, London, George Routledge circa 1869, coloured frontis, 95 pages, small format, original blind stamped cloth gilt + [JOHANN DAVID WYSS]: THE SWISS FAMILY ROBINSON..., London, Frederick Warne, [1879], 12 coloured plates, 252 pages, inscription on ffep, original cloth, v soiled + CAROLINE SINCLAIR: HOLIDAY HOUSE, A BOOK FOR THE YOUNG, London, Simpkin Marshall [1856], added engraved title frontis, contemporary cloth + THE JUVENILE INSTRUCTOR AND COMPANION, London, Wiiliam Cooke, 1853, vol 4, original blind stamped cloth, worn and soiled (6)

Eric Richard Sturgeon (1920-1999) after, Bakewell Bridge, signed, blind stamp, 50cm x 63cm

AN ASSORTMENT OF ITEMS TO INCLUDE A VACUUM CLEANER, TWO CD PLAYERS AND A BLIND ETC

A QUANTITY OF COLLECTABLES TO INCLUDE A DAUM GLASS VASE, DOOR FURNITURE, DOMINOES FOR THE BLIND, SMALL PEWTER FIGURE, ETC

AFTER SNAFFLES (CHARLES JOHNSON PAYNE) "The Glad Throng Goes Laughing Along", heightened chromolithograph, published April 2nd 1913 by Messrs Fores, 41 Piccadilly London W, 34 cm x 101 cm CONDITION REPORTS No blind stamp or pencil signature, the paper possibly a little dark, although this is common. The print work highlighted, see images for more details.

A pair of heavy quality woollen lined drapes with matching blind, rail W. (as shown) 158cm, curtain L. 210, blind W. 95cm. Together with a matching smaller blind, W. 81cm.

A 19th century mahogany drop leaf side table with a single drawer at one end and blind drawer at other, 51 x 38 x73cm.

Ireland. Rocque (John), A Map of the Kingdom of Ireland..., Robert Sayer, circa 1773, large engraved map with contemporary outline colouring, four sheets conjoined into two pairs, uncoloured decorative cartouche, inset map of 'The Sea Coasts of Great Britain and Ireland', old folds, very occ. small marginal closed tears, slight staining and offsetting, overall size 1245 x 975 mm, together with Weller (Edward). Ireland, circa 1890, large colour lithographic map, old folds, 830 x 640 mm, with Society for the Diffusion of Useful Knowledge (publishers). Dublin & The Environs of London, circa 1860, two engraved maps with contemporary outline colouring, each with a blind stamp to the lower-left corner, each approximately 320 x 405 mm, plus Kitchin (Thomas). The Province of Leinster, one of the four into which Ireland is Divided by Geographers, circa 1760, hand-coloured engraved map, originally published in 'The London Magazine', old folds, 235 x 175 mm, with Arbuckle Bros. Coffee Co. (publishers). Untitled decorative map of Ireland, circa 1900, chromolithograph showing a map of Ireland and a view of Innisfallen in Killarney with promotional/advertising text to the verso, 75 x 125 mmQTY: (6)

Lewis (Samuel). Atlas to the Topographical Dictionary of England and Wales, 1848, lacking title and preliminaries, folding map of England and Wales and Yorkshire and 29 (only) uncoloured engraved English and Welsh county maps, but with the folding map of London, text block shaken and loose and partially disbound, hinges and joints weak and cracked, contemporary cloth, lacking spine, rubbed and worn, slim 4to, together with A Topographical Dictionary of Scotland..., 1847, title page, 6 large folding engraved maps with contemporary outline colouring, some repairs to old folds on verso, contemporary blind-stamped cloth gilt, faded with some wear and fraying to the spine, 4toQTY: (2)NOTE:Sold as a collection of maps, not subject to return.

Clement V (Pope). Clementinaru[m] materia cum capituloru[m] & titulorum numero : Clarissimus ex apostillis quisque titulus redditur. Labyrinthus glosarum per divisiones aperitur. Exponunt textum familiariter casus litterales. Medullas glosarum in harum margine spectare vales ... in prioribus deprauate conspiciebantur, [Paris]: Thielmann Kerver, [June 1519], cx, [6] leaves, title-page in red and black with text arranged as an acrostic giving 'Clementia' and with printer's device, large woodcut illustration to verso of title-page of a master and pupils, main text printed in double columns in red & black, woodcut crible? initials, index at rear with final blank (A6), imprint from colophon, occasional early underscoring and marginalia, light fraying to lower margins of initial leaves and few marks, bound with [Sexti libri materia cum capitulorum numero], two parts only of four (Extrauagantes .xx. Joha?nis .xxii. and Extrauagantes co?munes), [Paris]: Thielmann Kerver, [1513], woodcut printer's device to first leaf of each part, woodcut crible? initials, text in red & black, 18th century marbled endpapers with recent yellow cloth hinges, 18th century blind panelled sheep with gilt decorative motifs, rebacked, board corners worn, small 4to in 8sQTY: (1)NOTE:Clement V - Adams C 2130.

Budaeus (Gulielmus). Commentarii Linguae Graecae, Cologne, Johann Soter, 1530, [28], 595, [5] pages (AA-BB4,rr1-6,a-z6,A-Z6,Aa-Dd6), text in Greek and Latin throughout, title with large printed woodcut device (with Soter's pentagram device incorporating five individual letters in Latin, Greek, Hebrew and Ethiopic, encircled by the words 'Symbolum Sanitatis' within a decorative architectural outer border), near-contemporary ownership inscription at head 'Thos Weston: pre:- 14s 00d', minor soiling to title and first and last few leaves, woodcut initials, additional smaller printer's woodcut device to verso to final blank, additional ownership signatures to front blanks of 'Jo. Alexander' (late 16th or 17th century), and D. L. Cumming (20th century), early blind-panelled full calf, rubbed and a little wear to edges, joints partly cracked, folioQTY: (1)NOTE:Provenance: Thomas Weston (later 16th or early 17th century inscription to head of title); John Alexander (17th century); D. L. Cumming (20th century).Printing and the Mind of Man 60 (for the 1529 first edition). No copy of this edition by Soter located in the UK.French Renaissance humanist Guillaume Budé (1467-1540) was the most influential French scholar of the early 16th century. The Commentaries on the Greek Language first published in Paris a year earlier is 'a collection of lexicographical, philological, and historical notes, which formed the basis for the study of the Greek language in France. A monument of the New Learning, it was several times reprinted and gave Budé the reputation which is now commemorated in the Collection Budé series of modern reprints of Greek and Latin classics which now numbers more than 800 volumes. In his dedicatory preface to Francois I, the author reminds the King of his promise to establish a Royal College for the study of ancient languages, an appeal which led to the founding of the College Royal (also in 1530), today known as the Collége de France.

Lairesse (Gerard de). Groot Schilderboek, waar in de Schilderkonst in al haar deelen grondig werd onderweezen, ook door Redeneeringen en Printverbeeldingen verklaard; met voorbeelden uyt de beste konst-stukken der Oude en Nieuwe Puyk-Schilderen, bevestigd, 2 parts bound in one, Amsterdam: David Mortier, 1714, engraved frontispiece to first title. both titles printed in red and black with engraved vignette, and 66 engraved plates (including some folding), contemporary full calf, somewhat worn and discoloured, modern calf reback, 4toQTY: (1)NOTE:Gérard de Lairesse (1640-1711), painter and art theorist, moved away from his native Liège and settled in Amsterdam, following a scandal in connection with a broken marriage contract in 1664. According to Houbraken, he became blind in 1690 and began to give art lectures which were subsequently published by his sons in two books –Grondlegginge der teekenkonst (Principles of Drawing, 1701) and Het groot schilderboek (The Great Book of Painters, 1707). Reissued in 1712, 1714 and 1716, and translated into English in 1738, the Schilderboek remains a valuable source for seventeenth-century Dutch art.

Dugdale (William). A volume bound of 86 plates from Monasticon Anglicanum, [London: Printed by R. Harbin for D. Browne and J. Smith, 1718], 86 engraved plates of ecclesiastical buildings (10 mounted, 7 of which torn with some loss), occasional spotting, contemporary reversed calf, blind panel decoration to boards and centre of each with gilt-embossed crest of Edward Phelipps (1613-1679) of Montacute, Somerset (the stamp was used by later generations of the family - see footnote), spine very worn, joints split, edges of boards worn and showing, slim 4to (36.5 x 28.8 cm)QTY: (1)NOTE:Edward Phelipps (1613-1679) of Montacute in Somerset, was the elder son of Sir Robert Phelipps and Bridget, daughter of Sir Thomas Gorges. A supporter of Charles I, following the defeat near Chard, he retreated to Exeter, and was taken prisoner when the Castle surrendered to General Fairfax, and all his estates sequestered by Parliament. He married Anne, daughter of Sir Robert Pye, of Clifton Hall Staffordshire.The stamp was evidently used by generations of Phelipps, and they are found on books published as late as 1775. Possible candidates are:Sir Edward Phelipps (1631-1699), son of Edward Phelipps and Anne, daughter of Sir Robert Pye. Firstly he married Dorothy Cheeke, secondly Edith Blake, of Langport, Somerset, daughter of John Blake, ironmonger, and niece and coheir of Admiral Blake. Edward Phelipps (1725-1797) of Montacute, Member of Parliament for Somerset 1774. He married Maria Wright, daughter of William Wright.Edward Phelipps (1763-1792), Member of Parliament for Somerset. He married Elizabeth Lockyer.The modern spelling in the form of Phelips seems to have been adopted by Edward Phelips in the mid-eighteenth century. Before that date the variations and combinations of vowels and letters 'l' and 'p' are endless.

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