We found 44918 price guide item(s) matching your search

SIR WILLIAM RUSSELL FLINT, R.A. (SCOTTISH, 1880-1969) 'Memorising Act II', colour print, limited edition 447/850, Michael Stewart Fine Art blind stamp lower left, 41cm x 58cm.

SIR WILLIAM RUSSELL FLINT, R.A. (SCOTTISH, 1880-1969) 'Mill pool, St. Jean du Cole', colour print, limited edition 68/850, Michael Stewart Fine Art blind stamp lower left, 54cm x 70.5cm.

SIR WILLIAM RUSSELL FLINT, R.A. (SCOTTISH, 1880-1969) 'Gitanas a la Galera', colour print, limited edition, signed lower right, published by Frost & Reed, Bristol, 1969, blind stamp lower left, 28.5cm x 59cm.

A MAHOGANY BOW FRONT HANGING CORNER CABINET the pediment with dentil moulding above blind fret carved frieze, 72cm wide 126cm high

Blues: Various artists to include John Fahey, ;The Voice of the Turtle' (Takoma stereo), Blind Willie McTel (Melodeon), Cannonball Adderley, Bill Broonzy, Don Ewell, Rev Gary Davis, Jimmy Witherspoon, Piano Blues, Ted Hawkins, etc:- One Box

UK Blues - Thirteen L.P's to include Led Zeppelin 'Physical Graffiti', 'Houses Of The Holy', 'II' and 'Song Remains The Same'; Blind Faith 'Same Title' (Polydor A1/B1 matrix), Rolling Stones 'Black and Blue', 'Emotional Rescue' 'Under Cover', 'Rolled Gold'; Mick Jagger 'She's The Boss'; Jeff Beck 'Wired' (Epic A1/B1) Eric Clapton. (13)

L.S. Lowry (1887-1976), 'Landscape with farm buildings', colour print, signed in pencil lower right with studio blind stamp lower left, 44x52cm

L.S. Lowry (1887-1976), 'Three men and a cat', colour print, signed in ballpoint pen lower right with studio blind stamp lower left, 27x17.5cm

A French street scene with triumphal arch, signed indistinctly in pencil lower right, studio blind stamp to left, numbered; together with a crayon sketch

19thC gilt fob with blind intaglio

The Cricketer's Autograph Birthday Book, by T. Broadbent Trowsdale ("Cover Point"), first edition, London and Felling-on-Tyne: Walter Scott Publishing Co., Ltd., 1906. Publisher's blind-embossed gilt green cloth with portrait of W. G. Grace at centre, top edge gilt, publisher's compliments slip to front free endpaper, Forman's Library label (unused) to front pastedown, erratum, all plates present as called for (including frontispiece of W. G. Grace), facsimile autographs of numerous stars of cricket

Dropmore Press. The Holkham Bible Picture Book, facsimile of the medieval manuscript, introduction and commentary by W. O. Hassall, London: The Dropmore Press, 1954. Folio, quarter crushed red morocco, blind-embossed vellum boards. Contents good and bright, slight sunning/wear to bindingProvenance: Consigned to sale by the Turbutt family. The vendor's uncle was Gladwyn M. R. Turbutt - the man who discovered the original Bodleian copy of the first folio of Shakespeare (The Turbutt Shakespeare)

Essex House Press. Wordsworth, William. Intimations of Immortality from Recollections of Early Childhood, limited edition numbered 147 of 150, 1902. Printed on vellum, hand-coloured frontispiece by Walter Crane, printed in black, manuscript initials in red, blue and gold. Publisher's vellum binding with blind-embossed rose to upper board, gilt title to spine. Good, clean, brightProvenance: Consigned to sale by the Turbutt family. The vendor's uncle was Gladwyn M. R. Turbutt - the man who discovered the original Bodleian copy of the first folio of Shakespeare (The Turbutt Shakespeare)

The Destruction of Jerusalem, colour lithograph heightened with watercolour, Louis Haghe after David Roberts, mounted on board bearing blind-stamp for 'Hering & Remington, Regent Street', the board signed in pencil l.l., 'David Roberts R.A.', signed in pencil l.r., 'L. Haghe'. Together with a separately published key to the picture, bold black & white outline of the scene with numerical system indicating exactly what is being depicted (from landmarks to individual figures). The key advertises the finished print as being 'Printed in Colours by Day & Son, Lithographers to the Queen', and, at lower margin, 'Published by Hering & Remington, 137 Regent Street, London' (matching the board of finished lithograph). The original painting by David Roberts was sold at Christie's in 1961 and has never been traced, hence the importance of the lithograph and corresponding key. The lithograph is trimmed to image (no publisher details), but the Hering & Remington mount, and signatures in pencil, suggests that this is how it was issued. The lithograph measures 69cm by 106cm (image only), 78cm by 116cm (including mount). The key measures 50cm by 68cm. The lithograph has several nicks and scratches; the mount has several tears with loss to corners; the whole is in need of cleaning; dampstaining to mount. The key has fold-lines running horizontally and vertically, some foxing. Each picture is framed, the lithograph is not glazed (2)

Shakespeare Head Press. The Venerable Bede. The History of the Church of Englande, translated by Thomas Stapleton and edited by Philip Hereford, limited edition of 475, Stratford-upon-Avon: Printed at The Shakespeare Head Press, published in Oxford by Basil Blackwell, 1930. Ex Libris label for W. A. Foyle (purchased at Christie's sale of William Foyle's Library, 12 July 2000). Printed in red and black, woodcut illustrations and map after W. F. Colley. Full contemporary morocco geometric binding by Douglas Cockerell (gilt stamped 'D. C. & Sons 1930') to inner rear board, gilt and blind-stamped covers/spine with Anglo-Saxon designs of interlacing strapwork, top edge gilt (remainder untrimmed), marbled endpapers. Contents generally very good, clean, bright; faint pencil catalogue description to verso of ffep; binding tight and solid with a little wear, mostly confined to headcaps and corners; loosely inserted catalogue clipping from the Christie's saleProvenance: Consigned to sale by the Turbutt family. The vendor's uncle was Gladwyn M. R. Turbutt - the man who discovered the original Bodleian copy of the first folio of Shakespeare (The Turbutt Shakespeare)

Henry VIII Primer. In English and Latin, ordered to be used by the King. [1548]. Printed in red & black. Incomplete, title and opening three pages facsimile. Publication details to verso of 'The copy of the kynges bill assigned' (facing the beginning of Epistles), 'Imprinted at London, in the Fleet Streete at the Signe of the Sunne, by Edward White, 1548'. 12mo, bound in full calf with blind-embossed leaf design (embossed monogram 'WHS' to inner lower board), raised bands, gilt title/date, leather clasps/hooksProvenance: Consigned to sale by the Turbutt family. The vendor's uncle was Gladwyn M. R. Turbutt - the man who discovered the original Bodleian copy of the first folio of Shakespeare (The Turbutt Shakespeare)

Beryl Cook (1926 - 2008) 'The Birthday Cake', coloured print signed by the artist in pencil, limited edition 634/650 with blind stamp, Published by Alexander Gallery Publications Ltd, Bristol, 53 x 36cm

A HUMANWARE SMART VIEW SYNERGY PI COMPUTER FOR THE BLIND

Chinese clasp, the elongated clasp set with a pointed stone centre and coral bead surround on blind fret backing, the back of the clasp with a signed sprung catch, 7.5cm long

17th Century style oak two door blind panelled cupboard on turned supports (20th Century). (B.P. 24% incl. VAT)

Korean hardwood straight fronted bank of five drawers and two blind panelled doors with metal mounts. (B.P. 24% incl. VAT)

Two similar 19th Century oak blind panelled hanging corner cupboards. (2)(B.P. 24% incl. VAT) CONDITION REPORT: Very grubby and dusty. Bevelled glass - scuffed & worn in places. No woodworm noted.

18th century longcase clock with thirty-hour movement with 10 inch square dial, urn spandrels, silvered chapter ring and engraved matted centre with calendar aperture, signed 'Thomas Knight of Thaxted', in an oak case with full-length door, hood with plain columns, caddy top with blind fretwork and two ball finials, 119cm overall height (single weight, door key and pendulum present, winding key lacking)

A Swindon Bus Destination Roller Blind, for Regent Circus, Princess Margaret Hospital, Queen's Drive and other destinations, dated September 1984, G (1)

A Swindon Bus Destination Roller Blind, for Covingham Park, Manchester Road, Cavendish Square and other destinations, dated October 1971, G (1)

A MAHOGANY EIGHT DAY LONGCASE CLOCK, the 13" brass break arch dial with Roman chapter ring, Arabic five minutes, the scroll engraved centre with subsidiary seconds, rococo spandrels and disc to the arch signed J Stewart, Glasgow flanked by dolphin mounts, the break arch hood with blind fret work up stand, swan neck pediment and fluted pilasters, the trunk with conforming corners, plain rectangular door and base with bracket feet, 223cm high, two iron weights, pendulum and keys

ANDY WARHOL 'Pele', from 'Athletes Series', 1977, lithograph, hand numbered limited edition no. 35 / 100 by Leo Castelli Gallery, Edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

Signed & L/E print with blind stamp - Evening Glare by Anthony Gibbs 275/550

Vinyl - Rolling Stones - No. 2 (Decca LK 4661) Mono, with Blind Man text, unboxed Decca label with printed K/T tax code. Sleeve VG+ with strong spine, very slight creasing to front, possible sticker removal to rear around the T of The Rolling Stones. Vinyl VG+

AFTER SNAFFLES (CHARLIE JOHNSON PAYNE) "The Informers", a colour reproduction print with Snaffled bit blind stamp and printed signature, 46cm x 55cm, in glazed ebonised frame

LIONEL EDWARDS "The Essex, 1928" a colour print, signed in pencil with printed remarque and Fine Art Trade Guild blind stamp, publ. Eyre & Spottiswoode, 37.5cm x 51.5cm, mounted in glazed oak frame and another similar "The Whaddon Chase Hunt, from O ving" (2)

A GEORGE III GENTLEMAN'S SNUFF BOX, rectangular form with re-entrant corners, the top and base formed from slices of fossilized Mammoth tooth, a white metal frame with blind panel to the hinged cover, opening to reveal partial tortoise shell lining, 7.5cm x 5cm

AFTER SNAFFLES (CHARLIE JOHNSON PAYNE) "Pass Friend" a colour reproduction print with Snaffles bit blind stamp and printed signature, 36.5cm x 49cm, in glazed ebonised frame

Thomas Keightley, "The Fairy Mythology, illustrative of the Romance and Superstition of various Countries", London, Bohn, 1850, 560 pp, 8vo, gilt and blind embossed cloth

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - SPRINGBURNcirca 1950s from Coronation Class trams, frame size 28.7cm x 71.8cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - SHETTLESTONcirca 1950s from Coronation Class trams, frame size 28.7cm x 72.5cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - CHURCH STREETcirca 1940s from the older Standard cars, frame size 27.1cm x 97cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - KNIGHTSWOODcirca 1940s from the older Standard cars, frame size 27cm x 97cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - MOSSPARKcirca 1940s from the older Standard cars, frame size 27cm x 97cm

ORIGINAL GLASGOW CORPORATION LINEN TRAM DESTINATION BLIND - CROOKSTONcirca 1940s from the older Standard cars, frame size 26.2cm x 97.2cm

An early 20th Century brass cased carriage timepiece in four pillared case and blind fretwork style friezes, the rectangular dial with Roman numerals

Portrait of a man, print , signature indistinct in pencil and blind stamped 58cm x 47cm.

Canada.- Willis (Nathaniel P.) Canadian Scenery Illustrated, 2 vol.., engraved portrait frontispiece, additional vignette titles, and 117 plates, some spotting or foxing, light browning, library bookplate to front pastedowns, original gilt and blind-stamped pictorial morocco, labels removed from spines, corners worn, rubbed and scuffed, George Virtue, 1842; and a defective 2 vol., set of The Rhine, Italy and Greece, 4to (4)

Commonplace book.- Lee (Alice) A Collection of Prints, Drawings, Sketches & Poems &c., c. 55pp., including drawings (Trotty Veck from Dickens' "The Chimes"), photographs, ephemera etc., most ff. loose, slightly browned and creased, original blind-stamped leather, worn, covers detached, lacks spine, 8vo, 1863.

Virgilius Maro (Publius) Bucolica Georgica Et Aeneis, 3 vol., half-titles, titles in red and black, engraved vignettes, frontispieces, engraved map, extra-illustrated with c.100 trimmed and laid down plates, light foxing, Springfield MASS library blind-stamps to titles and bookplates to pastedowns, near-contemporary diced russia, gilt arms of Michael Wodhull to covers, rebacked, extremities worn, rubbed, folio, Rome, Zempel, 1763-65; sold not subject to return. ⁂ Michael Wodhull (1740-1816) book collector and translator.

NO RESERVE Education.- Goyder (David George) A Manual: detailing the System of Instruction, pursued at the Infant School, Bristol, first or second edition, folding engraved frontispiece of interior of the school, list of subscribers at end, handsome contemporary panelled calf elaborately tooled in gilt and blind, spine gilt in compartments with back roan label, g.e., 8vo, 1823.⁂ Rare early manual on infant schools by the superintendent of the Bristol Infant School which was established in 1821. The earliest edition listed on COPAC is a single copy of the third edition of 1824 (British Library), plus several copies of the fourth edition of 1825.

NO RESERVE Kempis (Thomas à) Meditations of Our Lady, one of 600 copies, woodcut title device and illustrations by Philip Hagreen, endpapers lightly spotted, original cloth-backed boards, uncut, spine slightly damp-stained and small split to upper joint at foot, glacine wrapper (creased and frayed at edges), Ditchling, St Dominic's Press, 1929 § Evelyn (John) Memoires for my Grand-son, edited by Geoffrey Keynes, limited edition, light foxing, original limp vellum ruled in blind, Nonesuch Press, 1926; and a bundle of mostly printed Christmas cards from E.McKnight Kauffer, René & Joan Hague, Gordian Gill, Desmond Chute, David Bland & Vivian Ridler at Perpetua Press, High House Press, Lotte Reininger & Carl Koch and others, 4to & 8vo (16)

Paul Henry (1876-1958) - Signed print - 'The Fishing Boat', signed in pencil lower right, with blind stamp, 34.5cm x 40cm, unframed

Early 19th Century mahogany square tapered pedestal cabinet in the manner of Thomas Hope, having blind panel flame mahogany door on plinth base, 34cm wide

Reproduction mahogany breakfront two section bookcase, the upper section fitted four glazed doors enclosing adjustable shelves, the base fitted four blind panel doors, 186cm wide

Pratt Ware Dish 'The Blind Fiddler. A Pratt ware dish circa 1860 printed with ' The Blind Fiddler ' pattern after Sir David Wilkie. The dish of oval form on low pedestal with twin handles being marked to the base. Measures: 14" - 36cms long. In excellent condition. Please see photograph.

Tom Dodson Artist Signed In Pencil Colour Print, Title 'Fairground' Pencil signed to lower right margin, blind stamp to lower left, framed and mounted under glass. 16 x 20 inches

A 22" diameter antique French polished rosewood occasional table with blind drawer to apron, ornate gilt metal mounts, set on cabriole legs

Royal Doulton Vase, depicting children playing, 'Blind Mans Bluff', circa 1915, h24.5cm, and a Pilkingtons Royal Lancastrian ovoid earthenware vase with mottled orange glaze, impressed marks to base, 13cmThis item is being sold on behalf of Woking and Sam Beare Hospice..

Photography - Topography and Architecture, a late Victorian green calf and inlaid leather photograph album, applied with b/w and sepia photographs of British topography and architecture, including Scotland, Ireland, the Lake District, Oxford and its colleges, Blenheim Palace, London, Chatsworth House and Haddon Hall, Derbyshire, annotated, some dated 1883, marbled endpapers, all edges gilt, crown folio; another, similar, Scotland, an album of 29 views, including Glasgow docks by the Clyde (2) further Glaswegian architectural facades, Balmoral Castle, lochs, etc., contemporary blind panelled calf, all edges gilt, watered endpapers, small folio; 59 b/w and sepia loose photographs, of British Medieval ecclesiastical and monastic architecture and ruins, various sizes, [3]

A set of three early 19th century to Victorian lady's leather commonplace albums, bearing inscriptions, pictures and some loosely inserted ephemera connected to the Middleton family of Morthen Hall, Whiston, near Rotherham, Yorkshire, including a fairly accomplished pencil sketch of the house by E. St***ng Howard, indistinctly signed, titled and dated 1830, etc., other works including cut paper botanical specimens, pressed and annotated flowers and wild grasses, further studies of flowers in various media, hand-coloured mezzotints, pen and ink caricatures, prints, embossed paper pictures and more named-view topographical pencil sketches, occasional inscriptions in ink MS of verse and prose, ephemera and citations of local environs including Sheffield, etc., varying contemporary red and mauve leather bindings, blind and gilt, 4to to 8vo, [3] Condition Report: twenty two drawings and watercolours in two albums, the remainder inscribed, please see additional images

An early to mid-19th century gilt leather commonplace album, probably composed and collected by a member of the Wood family of Lancahsire, see page 236 note on ancestors, inscribed in ink MS with verse and prose on pink, yellow, blue, purple and white papers, gilt and blind tooled binding, 4to; a mid-19th century lady's manuscript, composed by Mary Albery [sister of James Albery (1838-1889), the dramatist], including essays on Warren Hastings, [60pp]; Mme de Maintenon, [30pp]; and Mme de Sevigne, [45pp]; with other pieces on diverse subjects, contemporary green-stained calf back and marbled boards, 4to; Sombre Binding, a Victorian commonplace album, including a loosely inserted sheet of Balmoral Castle writing paper with royal insignia and a heavy black mourning border, a full-page allegorical watercolour/frontispiece to the album signed T. Palmer and dated 1848, verse, clipped and pasted chromolithograph prints, etc, blind tooled black leather binding (losses to spine), 4to; another lady's album, kept by Lilly Borton, various pictures and embossed paper pieces, leather binding, gilt and blind tooled, 4to, [4]

Shorthand, An early 19th century ink manuscript notebook, Stenography, partially filled with MS with an alphabet, tables and rules, floppy calf covers, the upper-cover titled, paper watermarked 1828, 12mo; another, possibly by the same hand, half the contents with passages in a stenography cypher, the remainder with choice passages from belles-lettres in vernacular script, one page blind-stamped with the Royal crest crowned within an oval, contemporary stained black quarter-calf and marbled boards, marbled endpapers, 12mo; a late 18th/early 19th century ink manuscript commonplace book, inscribed with verse, contemporary calf covers (rubbed, worn), indistinct ownership inscription to pastedown, 12mo; a mid-19th century notebook, pasted and loosely inserted with some newspaper clippings, fragmentary wrap, 12mo; a Victorian lady's commonplace book, compiled by Laura Simpson of Malton, Yorkshire, dated August 1872, inscribed with verse and some antiquarian notes, applied with corresponding periodical clippings, some humorous, contemporary binding of calf back and marbled boards, 8vo, [5]

Bibliography and Bibliophily - Book History, volumes 1-4 only, edited by Ezra Greenspan and Jonathan Rose, The Pennsylvania State University Press, 1998-2001, contemporary blue cloth, 8vo, (4); Gaskell (Philip), A New Introduction to Bibliography, Clarendon Press, Oxford 1972, h/b, d/j, 8vo; Esdaile's Manual of Bibliography, Fifth revised edition by Roy Stokes, The Scarecrow Press, 1981, blue cloth, 8vo; McKerrow (Ronald B.), An Introduction to Bibliography for Literary Students, second impression, Clarendon Press, Oxford 1928, red leather spine and buckram boards, neat ex-lib copy, 8vo; Hirsch (Rudolf), The Printed Word: Its Impact and Diffusion, (Primarily in the 15th-16th Centuries), Variorum Reprints, London 1978, blue cloth, 8vo; Review Copy, Luborsky (Ruth Samson) [...], A Guide to English Illustrated Books 1536-1603, two-volume set, 1998, paper covers, 8vo, (2); other works on earlier printing; Private Libraries Association: Faxon (Frederick W.), Literary Annuals and Gift Books: A Bibliography, 1823-1903 [...], 1973, red cloth, 8vo; Harrop (Dorothy A.), A History of the Gregynog Press, 1980, blue cloth gilt and blind, 4to; Twyman (Michael), Early Lithograph Books [...] with a Catalogue, 1990, drab cloth gilt, 4to; Rota (Anthony): Apart from the Text, 1998 & Books in the Blood: memoirs of a fourth generation bookseller, 2002, h/b, d/j, 8vo, (2); Alderson (Brian), Edward Ardizzone: A Bibliographic Commentary, 2003, red cloth gilt, 8vo; A Modest Collection: Private Libraries Association 1956-2006, Pinner 2007, green cloth gilt, 8vo; The Fanfrolico Press: Satyrs, Fauns & Fine Books, 2009, blue cloth gilt, 4to; Cooke (Simon), Illustrated Periodicals of the 1860s: Contexts & Colloborations, 2010, h/b, d/j, 4to, (7); Printing Places: Locations of Book Production & Distribution Since 1500, edited by John Hinks [...], The British Library, 2005, h/b, d/h; further reference, academic and non-academic; (collection)

Bindings - Literature - James [(George Payne Rainsford)], Forest Days: A Romance of Old Times, first edition, three-volume set, Saunders and Otley, London 1843, contemporary calf spines and marbled boards (worn), 8vo, (3); Rogers (Samuel), Italy, A Poem, Printed for T. Cadell [...], London 1830, illustrated with steel engravings after Turner, 19th century morocco by Deighton & Laughton, Liverpool, stamped, 8vo; Jones (Hannah Maria), The Gipsey (sic) Girl, or The Heir of Hazel Dell, J. & F. Tallis, London [n.d., c. 1845] full-page engraved plates, contemporary black diced calf, 8vo; other 19th century novels; Jerrold (Douglas), Comedies and Dramas, Bradbury and Evans, London 1854, contemporary quarter-calf and cloth, 12mo; Inchbald (Mrs [Elizabeth]), A Simple Story, Richard Bentley, London 1849, contemporary red quarter-roan and marbled boards, 12mo; Ainsworth (W. Harrison), Jack Sheppard: A Romance, Baudry's European Library, Paris 1840, contemporary calf spine gilt and marbled boards, 8vo; Foster (John), Essays in a Series of Letters, thirteenth edition, Samuel Holdsworth, London 1838, contemporary maroon roan gilt, 12mo; Quincey (Thomas De), The English Mail Coach and Other Writings, Adam and Charles Black, Edinburgh 1863, contemporary half-calf and marbled boards, 8vo; Macaulay (Lord), Lays of Ancient Rome [...], Longmans [...], London 1867, line engravings throughout, contemporary pictorial leather binding, gilt and blind, 12mo; D'Israeli (I), Curiosities of Literature, George Routledge and Sons, London 1871, contemporary half-vellum and marbled boards, 12mo; other part-vellum bindings, various; Ellis [(Sarah Stickney)], The Daughters of England, their Position in Society, Character & Responsibilities, Fisher, Son, & Co., London [n.d., 1854], contemporary crimson morocco gilt, gilt edges, 12mo; Southey (Robert), The Doctor [...], Complete in One Volume, Longman [...], London 1848, 20th century buckram and cloth, 8vo;19th century imprints of John Bunyan's Pilgrim's Progress, various; other volumes and bindings, including prose, verse and comedies; qty