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Gregynog Press.- Vega Carpio (Lope de) The Star of Seville: A Drama in Three Acts, translated by Henry Thomas, number 95 of 175 copies, printed in red and black with initials in green, wood-engraved coat-of-arms of Seville printed in colours on title, original black morocco stamped in gilt and blind to a Moorish design of star and strapwork, 1935 § Hartzenbusch (Juan Eugenio) The Lovers of Teruel, translated by Henry Thomas, number 130 of 175 copies, original red morocco stamped in blind to a Moorish design of interlaced strapwork, spine slightly faded, 1938 § Guevara (Antonio de) The Praise and Happinesse of Countrie-Life, translated by H.Vaughan, number 354 of 400 copies, wood-engraved vignettes by Reynolds Stone, original half russet morocco, label to upper cover, 1938, uncut, the first two t.e.g., [Harrop 32, 38 & 39], Newtown, Gregynog Press; and another from the press (Harrop 30), 4to & 8vo (4)

[Dickens (Charles)], "Boz", contributor. The Library of Fiction, or Family Story-Teller, 2 vol., first edition in book form, half-titles, 26 wood engraved plates only (of 28) after R. Seymour, R.W. Buss, Hablot K. Browne and others, vol.2 without pp. 161-208, occasional light foxing, ink ownership inscriptions to endpapers, original variant blue-green cloth with blind-stamped pattern of grapes and leaves, spine ends and corners a little bumped, light rubbing and fading, [Eckel p.150-151], 8vo, Chapman and Hall, 1836-37.⁂ These volumes bound from parts and lacking 4 stories in vol. 2. Contains two early pieces by Dickens as 'Boz' in vol.1; The Tuggs at Ramsgate and A Little Talk About Spring and Sweeps.

Chippendale Revival mirror-backed mahogany two-tier wall bracket, of canted bow front form with pierced fretwork galleries and uprights flanked by blind fretwork pilasters over decorative pieced apron, 72cm x 17cm x 72cmCondition report: Approx 10mm loss to top gallery rail on left-hand side, together with moulding beneath.. Small areas of veneer loss mostly to some dentils and right corner of middle gallery. Several chips to ends, edges and corners of fretwork, noticeable to dentils on top left and bottom right corners. Mirror back very clean, possibly replaced.

Instructions and Amusements of the Blind, by Dr Guillié, Sampson, Low, Marsten  Co. Ltd, 1894 reprinted edition, together with Ten Generations of a Potting Family, compiled by Robert Nicholls, Percy Lund and Co Ltd, The Book of Ballards, by Bon Gaultier, illustrated b Doyle, Leech and Crowquill, Blackwood & Sons, 1884 edition

After Pablo Picasso, La Ronde de la Jeunesse (The Youth Circle), colour lithograph on Arches paper, blind stamp for SPADEM Paris lower right, 64x51cm

A 19th century Egyptian revival giltwood pier mirror, bobble moulding over blind fretwork, each pier topped by sphinx's busts, with bevelled plate, 42x92cm

A 19th century rotating hexagonal mahogany library work table, three drawers and three blind, on three swept legs with brass pad feet and casters, 49cm wide, 76cm high

Snaffles (Charles Johnson Payne 1884-1967), 'The Gent in Rat Catcher', with blind stamp, 41 x 37cm

A Regency mahogany gateleg tea table, with fold over top, oyster veneer apron, with single end drawer and single blind drawer, on square tapered legs with brass caps and casters, 94cm wide, 46cm deep, 71.5cm high

A 19th century walnut and marquetry davenport, the three quarter galleried lidded superstructure opening to fitted interior, above green leather inset writing slope, with four drawers and four blind drawers, 53cm wide, 51cm deep, 86cm high

Snaffles (Charles Johnson Payne 1884-1967), 'A Heilan Lad', colour print, blind stamp, 44x34

A pair of early 19th century astragal glazed rosewood cabinets, pierced brass three quarter gallery over single glazed door opening to two adjustable shelves, flanked by canted corners with blind baluster detail, on paw feet, 66cm wide, 32cm deep, 83cm high

Snaffles (Charles Johnson Payne 1884-1967), 'Once upon a time', signed lower right with blind stamp, 47x61cm

Snaffles (Charles Johnson Payne 1884-1967), 'Fox Catchers, For the Love of It', colour print, signed in pencil, blind stamp, 41 x 37cm

A Bus Route Number blind box in working order, containing three numeric Tyvek blinds, the unit having two metal panels attached, one bearing a large 'London Buses' roundel, together with a boxed Routemaster bus Telephone with BT plug attached. A small quantity of other London Transport bus related items are also form part of this lot including two large London Transport vinyl Bus Stop information signs and a Piccadilly Line London Underground carriage map, all of which appear unused.

A London Transport Routemaster Bus Canopy Blind Box, which on the original vehicle would have been sited above the forward facing lower saloon passenger window. The box appears to be in working order and currently contains an LT 'AA' linen Catford Garage numeric blind, dated 2.3.72, which displays routes 1, 47, 54, 75, 94, 180, 185 and 192. Without significantly compromising the integrity of the unit, with a rechargeable battery pack and switch fitted to the top side, an attempt has been made to facilitate some illumination of the blind. This lot also includes a spare 'MM' numeric linen West Ham Garage blind, dated 4.6.83, which displays routes 58, 69, 86, 225, 241, 262, S1 and N99

A vintage London Transport Routemaster RML Bus Holloway Garage 'NN' linen Destination Blind, dated 28.11.85 housed in a custom built metal covered wooden frame, approximately 40 x 132.5 x 15cm, containing full winding gear and 'Routemaster' branded metal winding handle, allowing the blind to be fully wound in either direction, the action appearing to be very smooth and the condition of the blind would appear to be generally VG. This very long blind contains some seventy four destinations and five blanks, including twenty one Stations, 'Stamford Bus Garage' as well as many iconic Central Area destinations – 'Euston', 'Hyde Park Corner', 'Kings Cross', Piccadilly Circus', 'Camden Town', 'Marble Arch', 'Oxford Street (Selfridges)', 'Park Lane (Hilton Hotel)', 'The Zoo', 'Sloane Square', 'Notting Hill Gate', 'Manor House', 'Trafalgar Square', 'Victoria' etc.

18th Century Oak Cased 30 Hour Long Case Clock, with 13" brass dial marked Winstanley, Walton. Hood with blind fretwork and pillar supports. Height 87". Elegant clock.

French 19th century bergere chair (fauteuil), with carved and gilded round back over cane and blind cane back and sides, raised on fluted tapering circular legs, 26" wide, 28" deep, 17" high seat, back 14" high

After Sir William Russell Flint RA (1880-1969) - 'Reclining Nude III' limited edition print 299/850 also bearing a blind stamp for the Michael Stewart Gallery, Clifton, Bristol, coloured reproduction, 16.25" x 23"

Zao Wou-Ki (1921-2013) Chinese/French - 'Montagnes et Soleil '1951' outside of the edition of 200 (Agerup, 59) signed in Chinese characters in pencil lower left and numbered 'VI/LX' in pencil lower right, coloured lithograph on paper, image size 11.75" x 17.75", outside dimensions 15" x 22.25" ** the paper bears the blind stamp for Guilde de la Gravere

Jamie Reid - large "God save the Queen", varient printers proof print (Approx 82cm x 112cm), unsigned, from the Blind Queen series produced by L-13 Gallery.

Jurgen Gorg (b.1951) 'Die Hurde', signed lithograph on paper, No. 44 in an edition limited of 180, gallery blind stamp, 65 cm x 49 cm, framed and glazed.Private collection. Christie's Contemporary Art certificate present.

A Tibetan white metal blind filigree worked leaf-shaped pendant mounted with a figure of Green Tara set with coral and turquoise. 6 cm high x 5 cm wide.

Laurence Stephen Lowry (1887-1976). Landscape with farm buildings, artist signed print, E.J.H. blind stamp, 40cm x 49cm.

Laurence Stephen Lowry (1887-1976). Crime Lake, artist signed print, F.A.L. blind stamp, 45cm x 59cm.

Laurence Stephen Lowry (1887-1976). Landscape with farm buildings, artist signed print, H.L.D blind stamp, Venture Prints, 42cm x 49cm.

Laurence Stephen Lowry (1887-1976). Peel Park, artist signed print, K.B.E. blind stamp, Venture Prints Limited, 40cm x 74cm.

Sarah Churchill (British, 1914-1982)Sir Winston ChurchillA colour print, with blind stamp, limited edition No.700/750Signed in pencil to the margin12cm by 17.5cm, (image size)

PAYNE-GALLWEY (SIR RALPH BT.)The Crossbow, plates and illustrations, original black cloth gilt, t.e.g., 4to, 1903; Projectile Throwing Engines of The Antients..., illustrations, original blind stamped cloth-covered boards (spine slightly damaged), 4to, 1907 - JACKSON (HERBERT J.) & WHITELAW (CHARLES E.): European Hand Firearms..., No. 50 of 550 copies, photographic illustrations, original cloth-covered boards gilt, t.e.g., 4to, 1923 (3)For further information on this lot please visit Bonhams.com

Bible (English; Authorised). The Holy Bible ... with Notes Explanatory, Critical, and Practical, selected from the Works of several Eminent Divines, London: I. Moore and Co., 1774-6. 4 volumes, 8vo in half-sheets (223 x 134 mm), contemporary reversed calf, gilt-lettered red and black labels to spines, marbled edges, marginal spotting, volume 3 headcap chipped, signature 2B1 with hole through text, remains a very good set, together with 5 others similar, including Cornelius à Lapide, Commentaria in quatuor evangelia, editio absolutissima, Augsburg, 1767 (folio, contemporary blind-stamped pigskin over reverse-bevelled wooden boards, bookplate of John William Willis Bund, 1843-1928, lawyer and legal writer), [John Reynolds], Vox coeli, or Newes from Heaven, Elisium [i.e. London], 1624 (ESTC S1671, disbound, headlines shaved), Samuel Hieron, The Sermons, London: John Legatt, 1620 (ESTC S119618, folio, contemporary calf, lacking at least pp.699/700), Fleetwood, Life of Christ, Halifax, c.1840 (4to, contemporary reversed calf), and The Illustrated Family Bible, London: James Sangster and Company, c.1850 (large 4to, contemporary blue calf, rebacked with original spine laid down) (qty: 9)Footnote: Darlow & Moule (1903 ed.) 916; ESTC T91161 (six sets in libraries world-wide; a fifth volume, containing the Apocrypha, was also published). The typeface is similar to that used by Baskerville for his 1763 Bible.

Bindings. A large collection of leather bindings, including: G. L. Wardle, A Circumstantial Report of the Evidence and Proceedings upon the Charges preferred against His Royal Highness the Duke of York in the Capacity of Commander in Chief, 1st edition, 1809 (contemporary marbled half calf, 13 engraved portraits, 4 pp. advertisements, tears in G1 and S3, worming to foot of last few leaves); [Elizabeth Kent], Flora Domestica ... with Directions for the Treatment of Plants in Pots, 1st edition, 1823 (contemporary green calf decorated in gilt and blind, short crack to foot of front joint); J. A. Hammerton, English Humorists of To-day, 1st edition, 1907 (contemporary half calf gilt by Riviere & Son, bookplate of the author); Robert Southey, Joan of Arc, c.1880 (contemporary gilt morocco over bevelled boards, all edges gilt); Hartley Coleridge, Biographia Borealis; or Lives of Distinguished Northerns, 1st edition, 1833 (contemporary half calf); Thomas Moore, Lalla Rookh, 9th edition, 1819, contemporary straight-grain blue-green morocco gilt, contemporary morocco book-label of one Elizabeth Bowker; and 33 others, mainly English literature, 19th century, leather-bound, some rubbing and wear, the lot not collated and sold as a collection of bindings (qty: 41)Provenance: John Harold Fawcett CMG (1929-2019), British diplomat (two works with his armorial bookplate).

Fore-edge painting. The English Version of the Polyglot Bible, London: Samuel Bagster and Sons, c.1850. 8vo (160 x 100 mm), original blind-stamped brown morocco, brass coping and leaf-form openwork cornerpieces to covers, similar clasp (engraved 'Bagster'), all edges edges gauffered gilt and hand-painted with calligraphic religious mottos on banderole entwined around stylised branches, clasp partly detached but holding, together with one other similar (qty: 2)

Frith (Francis, photographer). The Holy Bible, containing the Old and New Testaments, London: George E. Eyre and William Spottiswoode, 1862. Imperial 4to (316 x 250 mm), contemporary grosgrain morocco ruled in blind, brass clasp, catch and cornerpieces, gilt edges, signatures 1-66.8 67.1-3 1-15.8 16.2 67.4-8 68-87.8 88.2, illuminated chromolithographic frontispiece and additional title-page, letterpress title-page to Old and New Testament, with the Apocrypha, 20 albumen-print photographs of sites in the Holy Land by Francis Frith (mounted as issued, with printed captions to mounts), tissue-guards, binding slightly rubbed, ring-mark to front cover, variable spotting to mounts, quire 2 (including one plate) loose and leaves resultantly nicked and creased along edges (qty: 1)Provenance: Fleetwood Ernest Varley (1862-1936), British marksman and Olympian (gilt morocco christening plate to front pastedown).Footnote:Frith also published a famous deluxe issue limited to 170 copies (see Darlow & Moule, 1903 ed., 1217).

Lake District. Highway-rate ledger for the upper division of the township of Lowick, near Ulverston, Lancashire (now Cumbria), 1838-9. Manuscript, approx. 75 ff. + blanks (224 x 177 mm), including 'Length of the Highways in the upper division of Lowick' at rear, contemporary vellum binding, inner hinges gone (remaining secured by cords), together with a volume of transcribed documents relating to Lowick, c.1750 and later (the originals dating from 1601 and later), approx. 75 ff., contemporary blind-ruled calf binding (spine worn, front inner hinge cracked but held by cords,, contents shaken, a few leaves loose), and an indenture on vellum (1641) (qty: 3)

World War I Poetry. 'Cameo's [sic] of the Great War. By J. Denton-Thompson', c.1930. Typescript, 64 leaves (230 x 165 mm), on rectos only, containing 50 numbered poems, decoratively hand-ruled in green throughout, 11 watercolour vignettes, original portrait photograph of the author mounted to 'dedication' page, a younger portrait of the author and a telegram to him both laid in, contents string-bound through two grommets in contemporary limp maroon sheep covers lettered and decorated in gilt and blind, title-leaf partially chipped and stained (qty: 1)Footnote: James Denton-Thompson (1886-1949) was an English theatre and silent film actor whose screen credits include John Chivers in Sidney Morgan's 1920 adaptation of Little Dorrit.

Ephemera. Collection of printed and manuscript ephemera, 18th-20th century, including:1) A Catalogue of the Orleans' Italian Pictures, which will be exhibited for sale by Private Contract, on Wednesday, the 26th of December, 1798, and the Following Days, at Mr. Bryan's Gallery, No. 88, Pall Mall [-the Lyceum in the Strand], London: Sampson Low, 1798. 2 parts in 1 volume, 8vo, contemporary marbled wrappers, 14 + 14 pp., half-title to first part, marked up with prices and purchasers,2) Manuscript commonplace book. 4to, contemporary straight-grain green morocco decorated in gilt and blind, approx. 380 pp., with some 25 original sketches (pencil or pen-and-ink) and watercolours, including portraits of Lord Byron, a female beauty in a headdress, various castles, botanical and ornithological studies, front joint cracked, front inner hinge reinforced at an early date,3) 'Le Diable amoureux, nouvelle espagnole' [contemporary manuscript copy of a novel first published in 1777]. 4to, contemporary tree sheep, pp. [5] 90, front board detached,together with numerous other items including: 5 indentures on vellum, 1741-1802, all relating to Blackburn, Lancashire; mathematical manuscript exercise book, c.1830 (4to, red half sheep, approx. 90 pp.); album of paper-lace keepsakes and other sketches including a manuscript map of 'Hindoostan', c.1830 (4to, contents loose in contemporary green blind-stamped morocco covers); early newspapers including the Preston Chronicle, 1818-24; 2 Japanese hand-coloured woodblock books; vintage real-photo postcards and Christmas cards in japon wrappers; and more (qty: a carton)Footnote: ESTC T82429 & T82430 (A Catalogue, both parts; six and eight copies in UK libraries).

Ge’ez manuscript. Religious manuscript on parchment, Ethiopia, probably 19th century. 176 ff., (110 x 83 mm), in red and black ink, mainly 20 lines to the page, later double-page polychromatic miniature in gouache to rear depicting the Adoration of the Magi, 5 decorative harags, 5 ff. at front and back left partly blank or with later annotations in Ge’ez, Coptic-style binding of blind-tooled red leather over wooden boards (spine with craquelure and minor surface-loss), with contemporary leather carry-case (qty: 1)

Woolf (Virginia). Orlando, 1st edition, 1st impression, London: printed by Leonard and Virginia Woolf at the Hogarth Press, 1928. 8vo, later maroon quarter morocco, half-title, 8 halftone plates, together with 10 others including Frank Brangwyn, Rubaiyat of Omar Khayyam, London: T. N. Foulis, 1914, square 8vo, contemporary blue morocco by Bayntun (Riviere), gilt edges, 8 tipped-in colour plates; Gilbert White, The Natural History of Selborne, London: Walter Scott, c.1920, tan half calf gilt; a Bible, 1859, contemporary calf, blind-stamped 'The Gift of Philip Late Lord Wharton, distributed by his Lordship's trustees', and similar (qty: 11)Provenance: John Heaton Cope ARPS (1926-2020).

Greenaway (Kate). Collection of works, including:1) The Quiver of Love, 1st edition, London: Marcus Ward & Co., 1876. 4to, original brown cloth gilt, variant dark blue endpapers, 8 mounted chromolithographic plates by Walter Crane or Kate Greenaway, Schuster & Engen 167 (1b),2) Puck and Blossom, 2 copies, 1st editions, London: Marcus Ward & Co., [1874]. 4to, one copy in original blue cloth (publisher's presentation blind stamp to title-page), one in variant original green cloth with white endpapers (contemporary school prize-plate to front free endpaper), each with 6 mounted chromolithographic plates by Greenaway, Schuster & Engen 161 (1a & 1b),3) Under the Window, 1st edition, London: George Routledge & Sons, [1878]. 4to, original green glazed pictorial boards, Schuster & Engen 201 (1a), together with another copy, evidently later (pictorial boards unglazed, possibly S & E 200 (3c)),4) Kate Greenaway's Book of Games, 1st edition, London: George Routledge & Sons, [1889]. 4to, original mustard-yellow cloth, Schuster & Engen 43 (1c), together with another copy, original blind-stamped green cloth, apparently not in S & E, gift inscription dated 1937,5) The Queen of the Pirate Isle, 1st edition, London: Chatto & Windus, [1886]. 8vo, original beige cloth, gilt edges, blue endpapers, Schuster & Engen 165 (1e),6) A Day in a Child's Life, 1st edition, 1st issue, London: George Routledge & Sons, [1881]. 4to, original green glazed pictorial boards, front inner hinge superficially cracked, Schuster & Engen 66 (1a),7) Little Ann and Other Poems, 1st edition, London: George Routledge & Sons, [1882]. 8vo, original green half cloth, cream glazed pictorial paper sides (scuffed and discoloured), variable spotting to contents, Schuster & Engen 109 (1a),8) Kate Greenaway's Carols, London: George Routledge & Sons, [1883], comprising 4 chromolithographic cards, original envelope (front and rear panels separated and chipped), housed in custom cloth chemise) Schuster & Engen 329 (scarce),and 12 others including Kate Greenaway's Alphabet (4 copies), Kate Greenaway's Birthday Book for Children (2 copies), Melcomb Manor, and similar, and a small group of Greenaway ephemera (approx. 15 chromolithographic greetings cards, bookplates and bookmarks, in an album, and approx. 35 Kate Greenaway chromolithographs and wood-engravings from the Illustrated London News and The Graphic) (qty: -)

Greene (William Thomas). Parrots in Captivity, 1st edition, London: George Bell and Sons, 1884-7. 3 volumes, 8vo, original blue-green morocco-grain cloth lettered and decorated in gilt and blind, 81 chromoxylographic plates, gift inscriptions dated 1914, bookplates of Eric Hosking, plate facing volume 1 p. 77 secured with linen tape in gutter verso, volume 3 plates occasionally offset, frontispiece and second plate spotted (qty: 3)THE LIBRARY, PICTURES & CAMERA COLLECTION OF ERIC HOSKING OBE HON. FRPS FBIPP (1909-1991)Footnote: Zimmer p. 274.Without the very rare supplementary fourth volume as usual: this was started in 1888 but only two parts with a total of nine plates were issued. Sets are also encountered in a much plainer cloth binding without the morocco grain or blind panel-stamps to the spine-compartments and covers, these presumably representing a later issue.

Howard (H. Eliot). The British Warblers. A History, with Problems of their Lives, 1st edition, London: R. H. Porter, 1907-14. 2 volumes, folio (289 x 194 mm), contemporary tan buckram, fore and bottom edges untrimmed, half-titles, 86 chromolithographic or photogravure plates after Grönvold, 12 maps, partly unopened, occasional light spotting,Bree (Charles Robert). A History of the Birds of Europe not Observed in the British Isles, London: Groombridge and Sons, 1st edition, early issues, 1866-7. 4 volumes, royal 8vo, original maroon cloth decorated in gilt and blind, 238 hand-coloured wood-engraved or lithographic plates, partly unopened,Butler (Arthur G.). Birds of Great Britain and Ireland. Order Passeres, Hull: Brumby & Clarke, [1907-8]. 2 volumes, royal 4to, original blue quarter buckram, blue linen sides, top edges gilt, others untrimmed, 118 chromolithographic plates after Grönvold or Frohawk,and a set of Morris, A History of a British Birds, 5th edition, 1893 (6 volumes, original cloth, not collated), all items with bookplate(s) of Eric Hosking (qty: 14)THE LIBRARY, PICTURES & CAMERA COLLECTION OF ERIC HOSKING OBE HON. FRPS FBIPP (1909-1991)Footnote: Mullens & Swann pp. 298-9 (Howard), 111-12 (Butler); Zimmer pp. 308-9 (Howard), 87-8 (Bree).Butler's work is a reprint of volumes 1-2 of his British Birds (1896-99), with the addition of colour plates.

L.S. LOWRY (1887-1976) 'LANCASHIRE LEAGUE CRICKET MATCH', a limited edition print, blind stamp to lower margin, 786/850

A 19th century mahogany drop leaf side table with two drawers on one side and two blind drawers on the other, 47 x 35cm, opening to 70cm.

An early 19th century mahogany drop leaf tea table with a single drawer at one end and a blind drawer at the other, 84 x 49cm, opening to 98cm.

A mid 19th Century 'Blind Man of Glasgow' Burns snuff box of rectangular form, the lid carved with Tam and his mare reaching safety over the Brig o' Doon as the witch reaches out and grabs Meg's tail, the ends carved with dogs, the front with two sheep below a dog's head, wooden hinge, 14.5 x 8 x 4.5cms. From the collectionof Dr Ian McFeeters

An Edwardian satinwood banded mahogany Davenport desk, hinged superstructure above a sloping writing surface enclosing a small drawer, four further drawers to side, blind to verso, 85cm high, 53cm wide, 50cm deep, c.1905

A 19th century mahogany Pembroke table, crossbanded rounded rectangular top with fall leaves, above a single frieze drawer, blind to verso, tapered square legs, outlined throughout with boxwood and/or ebony stringing, brass casters, 73cm high, 49cm opening to 95.5cm wide, 75.5cm deep

1951 Festival of Britain Commemorative Poster Stamps Sold in Aid of The Greater London Fund for the Blind, 2s6d in very good condition

Large Chinese square low centre table, overall painted with dragons amongst clouds, on a red ground within interlocking Grecian key border and petal banding, opposing pairs of drawers to two ends, the blind sides painted with gilt Chinese characters, on bracket feet. 30 x 30 x 47cm (W x D x H) approx. (B.P. 21% + VAT) Some wear, scuffs and marks with age but basically sound.

19th Century mahogany two stage linen press cupboard, the moulded and dental cornice above two blind panelled doors, the interior revealing two linen shelves, the projecting base with an arrangement of three long drawers standing on bracket feet. 134 x 65 x 195cm approx. (B.P. 21% + VAT) Some losses to the dental cornice, also some losses to mouldings especially to each side panels although one piece appears to be inside the cupboard. Appearing rather dry overall. With wear and tear commensurate with age.  No sign of worm visible. One lock plate on door is missing.

Early 19th Century Welsh oak two stage press cupboard of low proportions, the moulded top above two blind panelled doors with four pointed panels the projecting base with an arrangement of six drawers with ivory escutcheons. 143 x 52 x 125cm approx. (B.P. 21% + VAT) Appearing in tired condition overall. Many shrinkage and other splits to the top. Back appearing warped in different places. Losses to the bracket feet. Damage to some handles which are replacements also. Splits, wear and tear commensurate with age.

Chinese black painted sideboard, the moulded top above four blind panelled doors with metal locks decorated in chinoiserie style landscape, standing on three stile feet. 112 x 43 x 74cm approx. (B.P. 21% + VAT) Rather worn and tired. Scuffs, marks, splits to the sideboard. Some losses, scratches and wear commensurate with age.

Chinese red finished blind panelled two door cupboard, having gilded and pierced frieze, over the two doors revealing fitted shelves and short drawers to the interior, large steel lock plate above two short drawers below on square legs. 110 x 53 x 171cm approx.(B.P. 21% + VAT) Scuffed and worn with age, appearing basically sound. Marked and scratched.

19th Century Welsh oak two stage linen press cupboard, the moulded and dental cornice above two blind panelled doors with pointed ogee panels, the interior revealing various shelves above a projecting base with an arrangement of four dummy drawers and five cock beaded drawers, standing on stile feet. 135 x 54 x 187cm approx. (B.P. 21% + VAT) Handles are replacements. Some splits to the side panels and in other areas vertically at the front. Shrinkage splits in places, general wear, loss to cock beading and other mouldings. Wear and tear commensurate with age.

19th Century mahogany twin pedestal sideboard, the carved gallery back above a break front top, with three drawers and two blind panelled doors to each pedestal on a projecting base. 184 x 62 x 127cm approx. (B.P. 21% + VAT) Heavy wear and losses to veneer in various parts, especially to the base. Usual marks, scratches and wear commensurate with age.

Early 19th Century Welsh oak two stage press cupboard, the moulded cornice above two blind panelled doors, the interior revealing fitted shelves, the projecting base with an arrangement of six drawers, standing on bracket feet. 135 x 51 x 188cm approx. (B.P. 21% + VAT)Retains a nice colour, however there are many losses including replacement and missing handles. Breakages, splits and losses to most of the bracket feet. Rather dry and faded in places, some losses to mouldings etc.

19th Century walnut tabletop two door blind panelled collectors cabinet, the interior revealing three fitted drawers with brass recessed handles, standing on a projecting moulded base. 29 x 19 x 30cm approx. (B.P. 21% + VAT) Some losses to veneer, especially to one of the doors on the side. Some splits and losses in places. Rather dry and faded. The interior appearing in good condition with good colour. Key is present.

19th Century burr walnut table top two door blind panelled collectors cabinet, the moulded top with recessed brass carrying handle, the interior revealing two straight front fitted drawers with brass recessed handles, standing on a projecting base. 27 x 18 x 25cm approx. (B.P. 21% + VAT) Good condition overall, retaining a good colour, some splits in places, losses to veneer, part of the lock is missing to one side of the door but good useable condition.

20th Century good quality oak two stage rack back pot board dresser, probably by Titchmarsh and Goodwin, the moulded top above a shaped apron with small central blind panelled door, two fitted Delft shelves, the projecting moulded base with an arrangement of three drawers, shaped apron standing on three turned supports and pot board base. 138 x 43 x 180cm approx. (B.P. 21% + VAT) Overall in good condition, no major or obvious damage noted. Minor wear and tear, a few stains commensurate with age.