We found 44918 price guide item(s) matching your search

A GEO III MAHOGANY LINEN PRESS, THE UPPER INTERIOR CONVERTED TO HANGING SPACE OVER UNUSUAL ARRANGEMENT OF 6 SHORT DRAWERS (ONE UPPER DRAWER NOW BLIND)

Small early 20th century oak dresser with boarded two shelf back, over two drawers and two blind panel cupboards.(B.P. 24% incl. VAT)

A LARGE PAIR OF ITALIAN CARVED WOOD AND POLYCHROME FIGURES OF PAGES, Florence 19th century, each standing in a posing position with outstretched arm holding a torch and dressed in armorial tunic, standing on a parcel gilt pedestal with blind fretwork panels and octagonal plinth base. 200cm high (including plinth), 90cm wide

A GEORGIAN MAHOGANY FRAMED GAINSBOROUGH ARMCHAIR, the rectangular panel back, armrests and seat covered in cream and red floral linen, the armrest fascia with blind fret decoration and raised on square supports with 'H' stretcher and castors. 71cm wide x 97.5cm high x 62cm deep

AN IRISH GEORGE III MAHOGANY AND MARQUETRY LONGCASE CLOCK, the brass dial with calendar aperture and seconds dials, signed on a plaque, Chas. Smith, Dublin, the hood with blind fret frieze and triangular urn filled pediment, the trunk with seaweed marquetry panels above a crested door with half paterae centred by a draped urn and with quarter paterae, flanked by inlaid quarter engaged columns, on a plinth base centred by an urn, with ogee bracket feet. 227cm high

A LATE GEORGE III MAHOGANY LONGCASE CLOCK, the hood with broken swan neck pediment and central urn above an arch top door enclosing a brass and painted phases of the moon dial by Knox of Belfast, the case decorated with blind fretwork, corner pilasters and raised on platform base and ogee bracket feet. 225cm high

A GEORGE III INLAID MAHOGANY LONGCASE CLOCK, the hood with flat moulded cornice and blind fret frieze and enclosing a brass dial with date aperture and seconds dial by Alex Morton of Armagh, raised on square bracket feet. 221.5cm high

19TH CENTURY OAK FURNITURE, two items to include a neatly proportioned chest of two short over two long drawers having 'Arts and Crafts' copperised handles and back plates, now on later castors, 88cms H, 60.5cms W, 52.5cms D and a lidded commode with two blind front drawers having Rosewood knobs on turned supports, 47.5cms H, 50.5cms W, 41cms D

LARGE OAK FRAMED VINTAGE ENGRAVINGS to include SEYMOUR LUCAS depicting Francis Drake and the infamous game of bowls, signed by the artist with print seller's blind stamp, London published, August 31, 1882, 86 x 111cms and ALFRED PARSONS titled 'The Green Punt', copyright 1900 by Raphael Tuck & Sons Ltd, 71 x 87cms (both show condition issues)

Laurence Stephen Lowry R.B.A. R.A. (British, 1887-1976), St Luke's Church, Old Street, London, signed l.r., numbered 245/850 l.l., colour print published by G. R. Mellor, 1973, GRM blind-stamp l.l., 64cm by 48cm, framed & glazedNote: Artist Resale Rights apply

Kipling, Rudyard. The Jungle Book, first edition, London: Macmillan and Co., 1894. Octavo, publisher's gilt blue cloth, 19 illustrated plates (including frontispiece), plus numerous illustrations and head-pieces within the text; text complete (including half title, preface, contents). Contents generally good with occasional light spots and marks; black pencil marks on p.63; lacking front free endpaper; protective tissue-guard for frontispiece with some discolouration and short tears; contemporary gift inscription on opening blank leaf, dated 1894; ownership stamp for James Forbes on half title; blind-stamped address on title (Sussex Bell, Haslemere, Surrey). Binding with shelf-lean, becoming a little loose; cloth worn with some dampstaining/cockling, corners bumped, loss to cloth at headcaps and corners

Collection of 95 Valentines, mostly 1850-1880, in two albums plus loose, to include a three-dimensional card, 'To My Sweetheart', c.1880s; a pierced paper lace sheet by Mansell bearing manuscript romantic verse; a silvered paper lace heart with manuscript scroll, 'Language of my Heart'; a silvered paper lace card with applied leaves and central botanical watercolour on rice paper; a floral watercolour card lettered in gilt, 'To My Valentine'; a pierced paper lace envelope containing silk printed 'Forget-Me-Not' verse; a single card published by Alfred Gray, 'To My Valentine', with illustration after Furniss and verse by Tennyson; a vibrant chromolithographic design with lace border by Meek; a three-dimensional card by Mullord; a mechanical card with cherubs and flowers; three cartoon/humour envelopes by Meek; a sheet of manuscript romantic verse bearing blind-stamped 'Paris', complete with envelope addressed to 'Elisabeth'; a pierced paper lace sheet with romantic verse, 'To Joseph'; an elaborate silvered paper lace and silk design with hand-coloured figures linking arms; a "scented sachet" with elaborate paper lace border; folding paper lace & silk triptych with sachet centre, 'Christmas Bells'; a Dobbs Kidd paper lace design with central silk flowers and folding book (pages revealing the word 'sincerity'); a folding paper lace envelope sachet by Wood, the central chromolithographic illustration depicting an anthropomorphic cat and mouse; two paper lace envelopes bearing Registration Diamonds and central silk printed verse ('True Affection' and 'I'll Cling to Thee'); a paper lace Valentine with envelope hand-delivered to address in New Hampshire, USA; a sheet of manuscript verse addressed to 'Julia', New York, with hand-delivered envelope; a paper lace Valentine by Mansell with central chromolithographic scrap, manuscript verse, and applied twigs in the form of a birch rod, 'A Little Corrective - To be applied when the patient is troublesome'; a c.1920s watercolour card depicting lady dropping rose from window, 'A Greeting - With the artist compliments, F. M. M. Arthur (This will be worth a lot of money some day - at present it's only worth a lot of love)', and others (95)

Harold Wyllie (1880-1973), four colour aquatint etchings, each one signed in pencil: Royal Sovereign; London; The Battle of St Vincent; The Glorious First of June. Published in London by Arthur Ackermann & Son, 1926-28, bearing blind-stamps, framed & glazed with Ackermann labels verso, 26cm by 39.5cm (plate-mark) (4)

A Pair Of Framed J.L.Chapman Signed Prints, "Old Liverpool", Both Signed by the Artist Lower Right and Bearing Blind Stamps

A twentieth century moonphase grandmother clock: the eight-day duration, weight-driven movement striking the hours on a bell, the seven-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, with engraved decoration to the centre and cast floral spandrels to the four corners, the arch having a painted moonphase disc, the mahogany case having various applied mouldings with the trunk having a shaped door, blind fretwork and quarter fluted columns, the hood having fluted columns and a swan-neck pediment with carved finials, the base with blind fretwork to the canted corners and a shaped raised panel, all standing on bracket feet, height 156cm.

A 19th Century mahogany serpentine fronted chest:, the top with a moulded edge and projecting cut corners, fitted with a slide and containing four long graduated drawers below, between blind fret carved canted angles, on bracket feet, 94cm (3ft 1in) wide.

Mackenzie Thorpe, 'You Only Need Love', 1998, photo lithograph on Consular Feltmark paper, signed, titled and numbered 829/850 in pencil to lower margin, with Washington Green Certificate of Authenticity verso and blind stamp to front. 65x66cm

A GEORGE III CHIPPENDALE STYLE MAHOGANY DINING CHAIR with carved cresting rail, pierced splat and blind fretwork decoration to the front legs with overstuffed upholstered seat, 59cm wide x 98cm high; together with a further George III mahogany dining chair with vase shaped pierce splat, inset seat and carved cabriole front legs terminating in claw and ball feet (2)

AN ANTIQUE ROSEWOOD WALL CABINET with blind fretwork decorated doors and sides, all beneath a fretwork cresting, 50.5cm wide x 21cm deep x 37cm high

A 19th century French boulle work kingwood and rosewood carriage blind case, 60cm. Some losses to the veneers. Blind itself lacking and ratchet mechanism loose.

A box containing a blind and various sundries

A Regency mahogany side cabinet fitted blind freeze drawer above within gilt metal mounted Egyptianesque columns

A 'Chippendale Revival' mahogany serpentine fronted chest, the brushing slide above four long drawers flanked by blind cut-card canted corners, 92cm wide x 62cm deep x 89cm high.

•AR Gerald Coulson (born 1926), "Solitude - Vickers Supermarine Spitfire", artist's coloured proof with publisher's blind stamp, signed in pencil to lower margin, 50 x 67cm

AR David Leverett (born 1938), Landscape, coloured artist's proof with publisher's blind stamp, signed and numbered 5/10 in pencil to lower margin, 58 x 79cm

A series of Five 20th century French topographical etchings each indistinct ly signed and inscribed and bearing a studio blind-stamp.14 x 17.5cm.Together with other decorative prints and pictures.

A Jacobean style oak two tier buffet, the top section set with two drawers, raised on barley twist turned supports over two decorated panel doors and blind fretwork on a shaped plinth on carved paw feet, 107cm high x 135cm wide x 55cm deep

A 19th century apprentice piece wardrobe, the blind fret carved cornice above single mirrored door and bracket feet, 51.5cm high x 41cm wide

* BOB COSFORD (Contemporary) 'Grange Hill by Phil Redmond' signed by Cosford and Redmond, number 18 from a limited edition of 25 Artist's proofs, blind stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, Commissioned by Phil Redmond for the 40th anniversary of the BBC TV series 'Grange Hill', created from the original artwork from the inaugural series in 1978, image 54cm x 37cm (unframed). Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece" 

* PURE GOLD (aka Bob Cosford) 'Totally……' a set of four prints, each depicting a female and a chimpanzee 'Totally Bananas', 'Totally Ananas', 'Totally Tiffin' and 'Totally Tiaras' signed limited edition of 25 each, blind stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, each image 32cm x 26cm (all unframed) (4). Pure Gold is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece" 

* HENRYG (aka Bob Cosford) 'OldSkool' A set of four 'acid face' prints 'Meltdown', 'Skully', 'Skode' and 'Weekender', signed limited edition of 49 each, blind stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, each image 32cm x 32cm. HenryG is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece" 

* DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Drone Attack' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm (unframed). DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

* DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Putin' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 40cm x 59cm (unframed). DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

* DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Riot' signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 52cm x 69.5cm. DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art.. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece" 

* BOB COSFORD (Contemporary) 'Celestial Bodies - Porrima and Talitha' pair of profile half-length female studies, signed, limited edition of 150, blind stamped and with certificate of authenticity, giclee print on 310gsm German etching paper, each image 38cm x 38cm. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece" 

Stuart Devlin, a pair of Modernist silver and parcel gilt beakers, London 1978, conical form with blind reticulated rusticated lattice, below plain rims, 9.5cm high, 19.65ozt (2)

A gilt brass swiss carriage clock, the white enamelled chapter ring and subsidiary dial with Roman numerals, fluted columns and blind fret friezes, bobbin turned folding carrying handle, signed, 14.5cm high

An Art Nouveau gilt and mother of pearl desk set, in the style of Tiffany, the trapezoidal accessories with blind fret borders of Persian foliate scrolls and floral motifs, including a clock, stamp box, inkwell, letter opener and tidy, clock 11cm high (5)

A Chinese enamelled copper jewellery box, reeded drum form, blind reticulated floral decoration alternating with relief moulded foliate garlands and concentric bands, central lotus flower to the hinged lid, mirror to the gilt interior, 10.5cm diameter

A limited edition lithograph after Gerald Coulson (b 1926) A person fly fishing at dawn with the sun rising over the hill, signed in pencil lower right, entitled "Dawn" lower middle and limited edition blind stamp lower left, 36cm x 53cm, framed and glazed

A Georgian mahogany chest on chest with blind fretwork decoration

* Ryall (Henry Thomas, 1811-1867). The Pursuit of Pleasure (A Vision of Human Life), 1864, uncoloured mixed method engraving by Henry Ryall after Sir Joseph Noel Paton, published by Alexander Hill, very slight spotting and dust soiling, 800 x 1100 mm, framed in a near-contemporary gilt gesso moulding, facsimile key plate to verso of frameQty: (1)NOTESA moral and allegorical depiction of the fate of the pursuers of a hedonistic lifestyle. Pleasure - depicted as a sensuous and nubile young girl - is crowned with a wreath of poppies and has the wings of a Death's-Head Hawkmoth. Her escorts are two all-knowing putti who strew flowers and blow bubbles to lure on the massed throng behind them. Pleasure is pursued by a cavalcade of individuals, in the vanguard are an 'ecclesiastical dignitary', a 'son of toil', a monarch, a 'youth of luxury' and a 'man of genius'. They seem oblivious to the young girl and the unmarried mother that they trample underfoot. They are followed by a 'Bacchanal' and three 'unthinking daughters of vanity'. behind them is a 'votary of military glory and conquest' who is spattered with blood and treads humanity under his feet, supported by a soldier and a trumpeter dragging a captive behind them. Above the throng is a damsel borne by a fool and a gallant and after them a miser, a spooning couple and a 'tyrant king', blind and brandishing a flaming torch. Lastly, another figure who appears to be turning back. They rush towards a yawning pit whilst above them the Angel of Judgement fills the sky wielding a sword and carrying a open book.

Approximately one hundred ZX Spectrum magazine cover cassette tape games in small cases, with full games and demos, 40 x ?Your Sinclair? to include Blind Panic, Moloy Christmas, Play for your Life, Samurai/Scramble Spirits, October 1990 ? August 1993, together with Crash and Sinclair User magazine tapes and others.

An early 20th century mahogany and blind fret breakfront bookcase, 182.5cm wide. 

AFTER CECIL ALDIN 'Old English Inn' Series, - 'The Talbot Inn, Chaddesley Corbett' and 'The George Inn, Salisbury' Coloured Lithographs, signed in pencil with blind stamp, published Eyre and Spottiswoode, 35 x 40cm and 44 x 36cm (2)

TUDOR STATUTES: volume of English legal statutes pub. 1557, English black letter defective and heavily damaged by damp and worm, old blind ruled calf, 4to, for sale with all faults and not subject to return. (1)

Beverley Pepper (American, 1922-2020), Untitled, limited edition screen-print on gloss paper with white and metallic silver twisted abstract square at the centre, numbered 60/60 and blind-stamped lower left, signed and dated '68 lower right, 49cm x 71cm

Chelsea School of Art, two portfolios of prints, one by Students and Staff of the Printmaking Department 1992, solander box comprising Christine W. Marshall, Untitled, etching, signed and numbered 12/30, 39 x 37.5cm; Fernanda Santos, 'Trace of Time', etching, titled, signed and numbered 12/34, 38 x 37cm; Deirdre Leyden, 'Our Symbols, Our Signs', lithograph, signed and numbered 12/30, 37 x 38cm; and Morgan Doyle, 'A Shadow of My Former Self', screenprint and etching, signed, titled and numbered 12/30 (4); the other box containing portfolio of prints from Printmaking Department 1990, comprising James Read, 'Bauble', etching; Margaret Regan, 'Cock on Pedestal', lithograph; Stuart Jebbitt, 'God's Gift to Women', lithograph and woodblock; Alexandra Ashton, 'Garden of Oysters', screenprint; Katherine Frajbis', 'Sutton Hoo: East by North East, etching; Clare Hennessy, 'Blind Entanglement', lithograph; Amanda Lewis, 'Witloof, screenprint; Volker Schoenwart, 'Box Open/Closed', screenprint; and Christine Blackburn, 'Electric Avenue, Brixton', etching, each signed, titled and numbered 31/35,(9) 2 boxes, total 13 prints

§ Salvador Dali (Spanish, 1904-1989), 'Mad Mad Minerva', photolithograph, 1968, signed in pencil lower right and numbered 'F 131/175', blind-stamped lower left 'Salvador Dali', 52 x 41cm (unframed). Please note that artist resale right maybe additionally payable on top of the hammer price for this lot, where above the threshold, up to a maximum of 4% on top of the hammer price. Please visit www.dac.org for more information.

After Picasso, 'Vive La Paix' (long live peace), lithographic print on Lana Paper, c1950s, with indented Lana Watermark blind stamp lower left, unsigned, 66 x 51cm significant water damage throughout

Chinese Celadon vase, with crackle glaze and impressed decoration above the blind fret bulbous body, 16cm high

Polar.- Atlas.- Hydrographic Office, U.S. Navy. Ice Atlas of the Northern Hemisphere, first edition, 'Index Chart' as front pastedown, full- and half-page maps and charts, divisional titles, tables, general title lightly browned and with stain to lower corner, occasional spotting or light staining, original ring-bound pictorial blind-stamped and gilt cloth, corners bumped, little marked and rubbed, overall a good copy, large folio, Washington, D.C., 1946.⁂ Rare in commerce.

Gillian Ayres C.B.E. R.A. (British, 1930-2018), abstract composition in colours, signed l.r., Artist Proof, No.9/15, blind stamp, 92 by 92cm, framed Provenance: a Corporate Art CollectionNote: Artist Resale Rights apply 

A late 19th Century Shaw & Son cast iron desk blind stamp, gilt decoration, in a fitted tin cased marked for The Haytor Hotel Ltd

A late 19th Century mauchline ware lidded table snuff box, the hinged cover with an image of an elegant lady, foil lined interior,  tartanware border labelled George Matheson, Glasgow, width 13cmNote: Rev Dr George Matheson (1842-1906), famous blind Glasgow University academic

Helen Layfield Bradley M.B.E. (British, 1900-1979), figures beside a lake with a rowing boat, signed l.r., Fine Art Trade Guild blind stamp l.l., colour print, 38 by 56cm, framedNote: Artist Resale Rights apply 

* Early Motoring. A veteran car window blind c.1900, the silk blind with weighted fixing bracket and tassles, 63cm long x 33cm drop, together with veteran car seat (heavily rusted), two Dunlop double acting foot pumps, a motoring Brexton picnic set in a wicker basket c.1950 and other itemsQty: (13)

A George III pollard oak chest on chest, circa 1780, the moulded cornice incorporating a chequer banded frieze, above two short and six long graduated drawers, flanked on each side by canted and blind fretwork decorated angles, on solid pollard oak ogee shaped bracket feet, 182cm high, 126cm wide, 56cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use,Old splits and cracks, chips and losses, some elements of inset timber to the sides - these appear as circular inset sections. Please see photo's for detail, signs of old woodworm, the inset cornice wit old losses and replacements and areas of filler. Some drawer fronts with repairs and restorations too. The handles are later replacements - there are shadows to the fronts of the drawers where previous ones have sat the current ones utilising the original holes however. The drawer linings with splits and cracks and joints opening, This appears to have been restored previously the current polished appearance probably dating form the time of the timber replacements and probably the handles. Please refer to additional images for visual reference to conditionCondition Report Disclaimer

A Victorian burr-walnut folding card table of serpentine outline, raised on blind-fret carved baluster column and four down-swept supports to castors, 93cm wide

Moule (Thomas). The Landscape Album; or, Great Britain Illustrated, 2 volumes (1st & 2nd series), London: Charles Tilt, 1832 & 1834, 119 engraved plates by William Westall (complete, including frontispieces), occasional minor spotting, all edges gilt, publisher's dark green morocco with blind blocked decoration by Remnant & Edmonds of London, light wear to extremities, 8vo, with a duplicate of volume 2 in similar binding, together with: Ritchie (Leitch) , Scott and Scotland, London: Longman, Rees, Orme, et al., 1835, additional engraved title (Heath's Picturesque Annual, for 1835), and 20 plates after George Cattermole, some dampstaining, all edges gilt, publisher's maroon morocco gilt, extremities rubbed, 8vo, Ritchie (Leitch) , A journey to St. Petersburg and Moscow through Courland and Livonia, London: Longman, Rees, Orme, et al., 1836, 25 engraved plates after A.G. Vickers (including additional engraved title 'Heath's Picturesque Annual, for 1836'), some spotting, all edges gilt, publisher's maroon morocco gilt, extremities rubbed, 8vo, and four others, Finden's Landscape & Portrait Illustrations, to the Life and Works of Lord Byron, volumes 1 & 3 only, 1833 & 1834; Heath's Picturesque Annual for 1838 (Ireland) and Heath's Picturesque Annual for 1842 (Paris), both wornQty: (9)