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Lot 77

*MACKENZIE THORPE (1908-1976, BRITISH) Is it a Dog or a Flower coloured print with publisher s blind stamp, signed, numbered 416/600 and inscribed with title in pencil to lower margin 13 = x 10 = ins

Lot 92

*JOHN PIPER, CH (1903-1992, BRITISH) Oxburgh Hall, 1977 (Levinson 266) coloured artist s proof with publishers blind stamp, signed and numbered 67/120 in pencil to lower margin 22 x 17ins

Lot 207

A circa 1910 mahogany long case clock, the arched brass and silvered dial inscribed "Stokes Kensington", with brass Arabic numerals and subsidiary seconds dial, chime/silent and Whittington/Westminster dials and eight day musical movement, with nine gongs, the case with all over blind fretwork carved decoration, the hood surmounted by lion mask, raised on claw and ball feet, 247 cm tall CONDITION REPORTS Overall with some light general wear, a few small knocks and scuffs, and some wear where the glazed arched door opens, and some scuffs around key escutcheon, some slight polish deposits to the blind fretwork, a few scratches, some knocks and scuffs to the mouldings around the base section and to the feet, but generally overall the colour appears good and it appears in good order. It is not known whether or not the mechanism is in full working order - please see photos for details of mechanism. A few chips to the carved decoration including part of a petal missing to the carved decoration to the panel to the base section. Width of base section approx. 52.5 cm, depth of base section approx 40 cm. Height of clock excluding feet (ie from top of horns, to bottom of plinth base) approx 235cm.

Lot 105

* Wilhelmina BARNS-GRAHAM (1912-2004) Silkscreen print ‘Water Dance Porthmeor III’ Bears blind stamp GRAAL press Circa 2008 Unsigned Numbered 3/70 22.75” x 30” (57.8cm x 76.2cm) Note: Prints published in 2003 before the death of the artist in early 2004 were numbered but unsigned.

Lot 317

William WALCOTT (1874-1943) Limited edition coloured print Interior of ‘St Peter’s Rome’ A Remarque Proof (100 only) Circa 1930 Signed in pencil and with a symbol drawn in the margin Blind Stamp of Fine Art Trade Guild 17.25” x 21.75” (43.8cm x 60.3cm)

Lot 355

John PIPER (1903-1992) Watercolour and ink Standing figure of a semi-nude Blind stamp Schoellers Parole paper 12.5” x 18.5” (31.7cm x 46.9cm) Provenance: Panter & Hall

Lot 1091A

A Danish teak upright pedestal tall chest of drawers in the manner of Ib Kofod Larsen. The squared legs united by stretchers having an upright chest with central bank of drawers being blind fronted with recess handles to lower centre.

Lot 16

Figured walnut triple wardrobe by S.J. Waring & Sons, the centre section fitted slides and drawers enclosed by a bevelled mirror panel door, flanked to either side by a hanging compartment enclosed by a blind panel door with an external drawer below, makers stamp to interior, 220cm wide Condition: Please see extra images and TELEPHONE department for further details

Lot 465

Microscopy - Late 19th/early 20th Century microscope slide cabinet, probably by Charles Collins, fitted twenty-three drawers, each with a cast brass handle enclosed by an arch shaped glazed door, the sides and back with conforming blind panels, inset brass carrying handle to the top, containing a large collection of slides, preparers include Watson, Baker, Souter, Walker Arnett, Hinton etc, height of cabinet 39.5cm Condition: ** General condition consistent with age

Lot 1178

An early 20th century mahogany serpentine fronted chest on chest, with canted blind fretwork angles and raised on bracket feet. Width 25.5 ins, height 51 ins, depth 20.5 ins.

Lot 1243

A George III oak and mahogany crossbanded longcase clock by John Stancliffe, with swans neck pediment above the arched brass dial, with eight day movement, moon phase, date aperture, subsidiary seconds dial, silvered chapter ring and Roman numerals, flanked by fluted columns with brass capitals, with long trunk door beneath and with conforming base raised on ogee bracket feet. Height 91 ins (see illustration). CONDITION REPORT: This clock maybe a marriage. The cheeks have not been built up however they may have been completely replaced at some point. The mask around the top of the arch is in two pieces which is also not usual. Having said this the fit around the dial is good and the clock does not look like a marriage from the outside and may well not be. The case is in generally good condition. The hood is in good order. The door is in good condition and not warped. The clock appears to be ticking away as it should and appears to be striking also. There are some minor losses to the blind fretwork around the collar above the door. The trunk door is flat and not warped and the case base is in very good condition. The bracket feet are original and in good order also.

Lot 1325

A pair of Edwardian Chippendale style armchairs, with pierced and carved splat backs, outswept arms with scroll supports, drop in seats upholstered in brown leather and raised on front legs of square section with blind fretwork carving and corner spandrels (see illustration).

Lot 1496

A George III Chippendale period mahogany bureau bookcase, having a moulded dentil cornice above a blind fretwork frieze and pair of panelled doors with wooden astragals enclosing a series of shelves, drawers and pigeonholes, the base with slope front to well fitted interior and with a series of graduated drawers beneath with brass drop handles, flanked by quarter column blind fretwork carved corners and raised on Chinese Chippendale style bracket feet. Width 47 ins, depth 23 ins, height 95.5 ins (see illustration).

Lot 367

An interesting 19th century mahogany reverse filing cabinet with blind drawer and cover to front 31cm x 40cm x 78cm

Lot 19

AFTER CHARLIE JOHNSON PAYNE (SNAFFLES) 'That Far Far Away Echo', hand-tinted colour print, signed in pencil to the margin and with Snaffles bits blind stamp and printed horse vignette, 24 x 34.5cm

Lot 28

AFTER ARCHIBALD THORBURN Water fowl, a group of three colour prints, each pencil signed in the margin and with FATG blind stamp, 32 x 43cm (X 2) and 43 x 32cm (X 1)

Lot 58

CECIL ALDIN (1870-1935) 'The Bell Inn' and 'Figures in a Courtyard', a pair, lithographs with hand-colouring, each pencil signed in the margin and with vignette, FATG blind stamp, 45 x 36cm (2) Arthur Ackermann & Sons Ltd labels verso

Lot 63

SIR WILLIAM NICHOLSON Wadham College Chapel, lithograph in colours, signed in pen to the margin and numbered 114, Stafford Gallery blind stamp, 27 x 33.5cm

Lot 251

JOHNSTONE, William Grosart & CROALL, Alexander - The Nature-Printed British Sea-Weeds:, 4 vols., 4 vig, titles, 221 Nature-Printed plats & text plts., later cloth, ex-lib. copy (blind-stamped on titles and each plate), 1859. A good copy.

Lot 226

A Victorian framed engraving , The Blind Fiddler, others, picture frames; a pair of hand coloured framed Thomas Rowlandson prints c.1815 etc (2 boxes)

Lot 15

Herbert Thomas Dicksee (1862-1942) The Alarm With blind stamp Etching, published by Frost & Reed, 1918 50 x 75.5cm; 19¾ x 29¾in (plate size) ++Good condition

Lot 18

Herbert Thomas Dicksee (1862-1942) The Destroyers Signed in the plate and with blind stamp Etching, published by Frost & Reed, 1904 44 x 71cm; 17¼ x 28in (plate size) ++Good condition

Lot 22

Herbert Thomas Dicksee (1862-1942) Danger With L.B.J. blind stamp Etching on buff paper, published by Arthur Tooth & Sons, 1905 44 x 73cm; 17¼ x 28¾in (plate size) ++Some staining upper right, slight discolouration, otherwise good

Lot 26

Herbert Thomas Dicksee (1862-1942) His Majesty Signed in pencil, with blind stamp Etching, published by C. L. Clifford, 1888 59 x 46.5cm; 23 x 18¼in (plate size) ++Some insect damage lower left and lower centre margins, and crack/crease upper right, some scuffs and scrapes, especially on his nose

Lot 27

Herbert Thomas Dicksee (1862-1942) Idlers Signed in pencil and with E.A.T.G. blind stamp Etching, published by Frost & Reed 22.5 x 49cm; 9 x 19¼in ++Some very faint staining to margins, otherwise good condition

Lot 29

Herbert Thomas Dicksee (1862-1942) Thirst With T.H U. blind stamp Etching on buff paper, published by Frost & Reed, 1911 45 x 70cm; 17¾ x 27½in (plate size) ++Crease upper left, slight discolouring of the paper

Lot 299

Continental School 19th Century Blind Man’s Buff, large decorative panel Gouache 76 x 190cm; 30 x 75in ++As viewed in the saleroom

Lot 31

Herbert Thomas Dicksee (1862-1942) The closed door Signed in pencil, with blind stamp, also signed and inscribed on a label verso Etching, published by Frost & Reed, 1920 37 x 56cm; 14½ x 22in (plate size) ++Slight rippling, otherwise good condition

Lot 32

Herbert Thomas Dicksee (1862-1942) Footsteps With blind stamp Etching, published by Frost & Reed, 1926 37.5 x 55cm; 14¾ x 21¾in (plate size) ++Tear and restoration to centre, a scratch lower centre on dog’s belly

Lot 34

Herbert Thomas Dicksee (1862-1942) Hope, Cairn Terriers Signed Etching, published by Frost & Reed, 1929, from an edition of 325 with blind stamp 29 x 41.5cm; 11½ x 16¼in ++In good condition

Lot 35

Herbert Thomas Dicksee (1862-1942) Ready Signed in pencil, with blind stamp Etching, published by Frost & Reed, 1928 33.5 x 54cm; 13 x 21¼in (plate size) ++In good condition

Lot 36

Herbert Thomas Dicksee (1862-1942) Where’s Master Signed with initials and dated 1910 in the plate, with XB2 blind stamp Etching published by Frost & Reed, 1911 40 x 58cm; 15¾ x 23in (plate size) ++Good condition

Lot 37

Herbert Thomas Dicksee (1862-1942) Forgotten Signed in pencil and with blind stamp Etching, published by Frost & Reed, 1923 27.5 x 38.5cm; 10¾ x 15in (image size) ++Slight bloom to darker areas, otherwise good condition

Lot 40

Herbert Thomas Dicksee (1862-1942) The closed door Signed in pencil, with E.A.T.G. blind stamp Etching, published by Frost & Reed, 1920 37 x 56cm; 14½ x 22in (plate size) ++In good condition

Lot 43

Herbert Thomas Dicksee (1862-1942) The Prodigal Signed in pencil, with blind stamp Etching, published by Frost & Reed, 1926 46.5 x 36.5cm; 18¼ x 14½ (plate size) ++Good condition

Lot 46

Herbert Thomas Dicksee (1862-1942) The closed door With blind stamp Etching, published by Frost & Reed, 1920 37 x 56cm; 14½ x 22in (plate size) ++Good condition

Lot 50

Herbert Thomas Dicksee (1862-1942) Fire Worshippers Signed in pencil and with F.L blind stamp Etching, published by Frost & Reed, 1906 42 x 66cm; 16½ x 26in (image size) ++Some areas of pitted ink and some scuffs and a few small areas of restoration and retouching

Lot 51

Herbert Thomas Dicksee (1862-1942) In sight at last Signed, with faint blind-stamp Etching, published by Frost & Reed, 1923 46 x 64cm; 18 x 25in (plate size) ++Good condition

Lot 53

Herbert Thomas Dicksee (1862-1942) Three little kittens Signed in pencil, with blind stamp Mezzotint, published by Frost & Reed, 1903 25 x 35cm; 10 x 13¾in (plate size) ++Good condition

Lot 91

Horace Vernet (French 1789-1863) La Poste au Desert With blind-stamp Engraving Published, 1843 55 x 45cm; 21½ x 17¾in (image size) N.B. AMENDED ESTIMATE ++A tear on the leg of camel and 1 or 2 others, foxing in sky, scuffs and blemishes

Lot 540

A George III mahogany chest on chest, the upper section surmounted by a stepped pediment with blind fret decoration above two short and three long drawers, brushing slide and three long drawers to the base, raised on bracket supports, 106cm wide x 52cm deep x 177cm high

Lot 614

Modern oak blind panelled single drawer free standing cupboard on stretcher supports.

Lot 620

Victorian mahogany blind panelled side or serving table on baluster turned legs and casters. Probably originally a whatnot.

Lot 658

Modern pine two stage rack back dresser, with blind panel cupboards and spice drawers on a platform base.

Lot 660

Reproduction mahogany blind panelled corner cupboard on bracket feet with pull out writing slope.

Lot 661

19th century open rack back dog kennel dresser, having three drawers, two blind panelled cupboards on a platform base.

Lot 682

Large modern pine rectangular TV stand or coffee table with three fitted drawers and a blind paneled cupboard,

Lot 700

Early 20th century oak knee hole desk having four drawers to one pedestal and a blind panel cupboard to the other.

Lot 733

Mid 20th century oak three drawer side board with blind panel cupboards on square legs.

Lot 740

1970s teak sideboard having three fitted drawers, blind panel and a pull out cupboard.

Lot 743

1970s teak sideboard/display two stage cabinet, fitted drawers, blind panel cupboards and glazed shelving.

Lot 765

Edwardian oak mirror back sideboard with three fitted drawers, blind panelled carved cupboards and fluted pilaster supports.

Lot 1310

Georgian Mahogany Side Table, of rectangular form, the frieze with blind fret detail, raised on rectangular legs, 37 wide

Lot 521

Piano stool with Chippendale style blind fretwork

Lot 441

Edwardian mahogany washstand, raised back with a marble panel, under a blind fretwork frieze, marble top over two panel doors, width 106cm.

Lot 465

Mahogany dressing table, triptych mirror back over a blind fretwork panel, fitted with four drawers around the knee hole, width 115cm.

Lot 289

After Sir David Wilkie, R.A. (1785-1841): The Blind Fiddler, oil on canvas, H 62 x W 75 cm. The present composition is after Wilkie's original, now in the Tate, London

Lot 177

After W H Hopkins: a print of a hunting scene, blind stamped A. Ackerman, London, 1819, overpainted in oils, 69 by 26cm.

Lot 219

Sir William Russell Flint (1880-1969): Isabella of Lucenay, coloured print, signed in pencil lower right, ECC blind stamp, 52 by 67cm.

Lot 976

[NATURAL HISTORY]. BOTANY Maund, B. The Botanic Garden; Consisting of Highly Finished Figures of Hardy Ornamental Flowering Plants, Cultivated in Great Britain, Volume III, Bell & Sons, London, 1878, blind-stamped dark mauve cloth gilt (faded) with floral motif to upper cover, frontispiece and a further forty hand-coloured plate illustrations, eight page publisher's list, quarto (lacking spine strip; upper hinge tender).

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