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Click here to subscribeLaurence Stephen Lowry RBA RA,British 1887-1976,Britain at play, 1943;offset lithograph on wove,signed in pencil,edition of 850,printed by Beric Press,published by Mainstone publications,courtesy of the Usher Gallery Lincoln,bearing the Fine Art Trade Guild blind stamp,image: 44.8 x 60 cm,(framed)(ARR)
Victor Pasmore CH CBE, British 1908-1998,The Pulse, 1985;etching and aquatint in colours on Fabriano wove,signed, dated and numbered 36/90 in pencil,printed by Vigna Antoniniana, Rome, with their blind stampco-published by 2RC Edizioni dArte, Rome, with their blind stamp, and Marlborough Fine Art Ltd., London,image: 80 x 186 cm,(framed)(ARR)Literature: Lynton G. 37
Javier Calleja,Spanish b.1971-First Look, 2021;soft ground & etching on 300gr off-white Arches Velin paper, hand finished by the artist with watercolour, wash and pencil,signed in pencil,edition of 70,with a Gravura Taller de Grabado blind stamp,sheet: 80 x 60 cm,(unframed)(ARR)Note: in original box, including an Avant Arte Tote bag and gloves.
Ray Richardson,British b.1964-The Fibber, 1992; He knows what he likes, 1992; One man, his dog and their maisonette, 1996;(i) etching in black and white, signed, titled, dated and numbered 19/40 in pencil, bearing blind stamp, sheet: 48.3 x 46 cm,(ii) etching in black and white, signed, titled, dated and numbered 17/40 in pencil, bearing blind stamp, sheet: 48.5 x 46 cm,(iii) lithograph in colours, signed, titled, dated and numbered 39/200 in pencil, sheet: 63 x 71.5 cm,(3)
Banksy,British b.1974-Wall Sculpture (Defeated Souvenir Wall Small);cast resin sculpture with concrete base,numbered '1004 DWS' in black ink to resin base,overall height: 12 cm,(ARR)Note: this lot is accompanied by the original receipt from The Walled Off Hotel, with their blind stamp and inkstamp.
Sir Terry Frost RA,British 1915-2003,Red and black squeeze [Kemp 213], 2001;screenprint with collage on Fabriano wove,signed and numbered 19/30 AP in pencil,printed and published by Galleria Multigraphic, Venice, with their blind stamp,36 x 58 cm,(unframed)(ARR)(2)Note: together with a rare copy of the book: Dominic Kemp, Terry Frost Prints: A Catalogue Raisonne, (Lund Humphries: London, 2010)
Theophile-Alexandre Steinlen,French/Swiss 1859-1923,Mere et ses trois enfants; Femme de profil et trois enfants; Anes et enfants; Retour en arriere, 1894;each lithograph in colour on wove,(i) signed with initials within the plate, signed in orange crayon, and inscribed 94/100 in pencil, image: 35.3 x 27.5 cm,(ii) signed with initials within the plate, signed in orange crayon, and inscribed 92/100 in pencil, image: 35.3 x 25.4 cm,(iii) signed within the plate, signed in orange crayon and numbered 91/100 in pencil, image: 35.2 x 27.3 cm,(iv) monogrammed 'PP' (Petit-Pierre) within the plate, published by E Kleinmann, Paris, éditeur, with blind stamp, image: 47.5 x 36.7 cm,(framed)(4)
Laurence Stephen Lowry RBA RA,British 1887-1976,The Pond;offset lithograph on wove,signed in pencil,edition of 850,printed by the Beric press,published by Mainstone Print Publications, 1974,Fine Art Trade Guild blind stamp,image: 43 x 57.3 cm,(framed)(ARR)Note: after an oil painting on canvas by Lowry from 1950. The original painting is currently held by Tate Britain, London. This image was used as a Christmas card by Prime Minister Harold Wilson in 1964.
Arthur Boyd AC OBE,Australian 1920-1999,The Boat and Severe Famine, 1996;two soft-ground etchings on BFK Rives wove,each signed and numbered 42/45 in pencil,printed by Diana Davidson at Whaling Road Studios, Sydney, with their blind stamp,co-published by Australian Galleries and Whaling Road Studios,each sheet: 75.2 x 101 cm,(unframed)(2)
Laurence Stephen Lowry RBA RA,British 1887-1976,Woman with Beard, 1975;offset lithograph on wove,signed in pencil,numbered 472 with inkstamp from the edition of 750,with the Fine Art Trade Guild blind stamp,printed by Chorley and Pickersgill Ltd.,published by Adam Collection Ltd.,sheet 69.5 x 55cm(unframed)(ARR)
BEN NICHOLSON. A print after Ben Nicholson's original, 'St. Ives Roof Tops, 1948'. Published in the USA by New York Graphic Society Ltd., & Copyright with The Pallas Gallery Ltd., London (Gallery Blind Stamp). Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
Photography. A collection of 53 loose 19th-century albumen prints, mostly UK & Ireland topographical & architectural views, including several hand-tinted views of Japan (Mount Fuji & temples), several views of Notre Dame, some with printed captions, some inscribed verso, various sizes, two bearing publisher's blind-stamp: Frith's Series and Pettitt of Keswick,. Loose/unmounted, generally very well-preserved, some folds and creases at edges (53)Provenance: By descent of the family of John Benjamin Stone (1838-1914)
Dante's Inferno. After Eugène Delacroix, lithograph by Célestin Nanteuil, depicting Dante & Virgil in a boat on the Styx, Paris: Bertauts, [c. 1848], blind-stamp to centre of lower margin, 'Les Artistes Contemporains', 192mm by 232mm (lithograph), 32cm by 45cm (sheet). Together with a similar lithograph by Célestin Nanteuil, this time depicting a hunting scene with mythological figures in a forest, again published by Bertauts, c. 1849-63, blind-stamp, 'Les Artistes Anciens et Modernes'. The lithographs are well-preserved, the wide margins have pale spotting & mount-burn (2)
Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961, hardback with price-clipped dust-jacket designed by Richard Chopping. Octavo, publisher's cloth with blind-embossed skeletal hand, contents very good & bright, neat owner inscription and tape residue to endpapers, binding good, tight & square, very faint bumping to corners, dust-jacket bold & bright, light chipping to corners & edges of spine. Together with For Your Eyes Only, second impression, London: Jonathan Cape, June 1960, internally good & bright, a couple of pale spots, d.j. with slight wear to edges (2)
Eugène Constant (French, active Italy, 1848-55). Four views of Rome, salt print or similar process, very fine paper mounted on individual card sheets, the lower-left of each image bearing Eugène Constant's blind-stamp, and again at the lower-right of each card mount. The four views comprising: Arch of Septimius Severus, 16.2cm by 21.6cm; Piazza Santa Maria Maggiore, 16.4cm by 21.9cm; Arch of Titus, 15.6cm by 21.7cm; The Colosseum, 15cm by 21.8cm. The images themselves are well-preserved and bright, but two of the card mounts have marks and insect damage. The first two images have a lilac/silvery-grey tone; the last two images have a slightly golden/reddish-brown hue. The first three images are very well-preserved with only some incredibly faint spotting visible in the sky; the final image has some light handling marks and a few small blots. Together with three images that appear to be a similar process with the same matte finish, this time bearing no blind-stamps to images or card mounts: Castel Ponte Sant'Angelo, 18cm by 25cm (very good, a few incredibly faint spots, lifting slightly from mount at lower-right); Tiber & Castel Sant'Angelo [possibly by James Anderson], 16cm by 24.3cm (very good with some pale spotting, lifting from mount at lower-right); Tomb of Caecilia Metella, 20.6cm by 29.7cm (very good); the card mounts of these three in varying condition with stains & wear (7)
Leroux, Gaston. The Phantom of the Opera, first American edition, first printing with 'Press of Braunworth & Co. Bookbinders and Printers Brooklyn, N. Y.' at foot of copyright page, New York: Bobbs-Merrill, 1911. Octavo, publisher's terracotta cloth with blind-embossed illustration on upper board, illustrated with four double-page colour plates by Andre Castaigne [lacking frontispiece]. Contents very good & clean, plates well-preserved & vibrant, a short tear to the top of p. 171 but not affecting text, ffep working loose, binding a little shaken with wear to inner gutters
Yeats, W. B. The Poetical Works, signed by the author, Vol. I [of two], New York: Macmillan, 1913. Octavo, publisher's gilt blue cloth, top edge gilt, bearing blind-embossed ownership stamp at foot of title (from the personal library of Kenneth Anderson), neat owner inscription from the same on ffep, a bookseller's note in pencil states that this first volume is autographed and the second [no longer present] was initialled. Contents very good, clean, bright, slight surface wear to ffep from previous cataloguing notes in pencil, binding tight & square, cloth well-preserved with light bumping & wear to extreme corners
Hogarth, William. The Works, by Rev. John Trusler, two volumes bound as one, London: E. T. Brain, [c. 1833]. Quarto, pp. 280, illustrated with numerous steel-engraved plates, recent library cloth, titles and pictorial titles present for each volume (though bound as one), ex-library with labels on ffep and small blind-stamps throughout, sold with all faults
DAVID SHEPHERD (1931-2017) THREE SIGNED LIMITED EDITION PRINTS, comprising 'Lion Sketch' 818/850, approximate size including visible margins 19cm x 27cm, 'Young Kudu' 021/850 and 'Muscovy Ducks' 269/850, all with Fine Art Trade Guild blind stamps to lower margins, Condition Report: prints are in good condition, frames have some knocks(3)
Andy Warhol "Zebra" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Zebra" - 96,5 x 96,5 met blindstempel van de Warhol's meesterdrukker Rupert Smith met op verso de rode stempel van "Ronald Feldman"
Andy Warhol "Panda" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Panda" - 96,5 x 96,5 met blindstempel van de Warhol's meesterdrukker Rupert Smith met op verso de rode stempel van "Ronald Feldman"
Stanley Donwood (b.1968)"I Might Be Wrong", Radiohead artworkSigned and dated 2013, with the artist's blind stamp, together with another "Will You Come Back to Me", 37cm by 34cm and 29cm by 29cm respectively (2)Both works are in good overall condition.Each are signed and dated 2013 and 2012.Not examined out of the frames.
SPORT Collection of 20 Autographed Mounted Items. Signatures on Newspaper, Magazine Cuttings, Photos. Autographs to include Jimmy Gauld, Daley Blind, Albert Quixall, Neil Franklin, Gary Owen, Howard Kendall, Jesus Navas, Uwe Rosler, Wilfried Bony, Bert Trautman, Nobby Stiles, Samir Nasri, Francis Lee, Tony Book, Mike Summerbee, Joe Shaw, Kevin Reeves, Micah Richards, and Phil Jones. Great Collection, EVERYTHING Good Collection. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK the brass dial with subsidiary date aperture and single hour hand, inscribed 'J Donnisthorpe Normanton', the oak case with caddy top, 57cm wide 194cm high Condition Report : missing some blind fret details to the hood. Base replaced. with single weight and pendulum Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
JOSEPH SWINNERTON; an 18th century eight day three train longcase clock, the movement chiming on six bells, the arched hood with three eagle finials and blind fret detail above the shaped brass face with Halifax moon, above the silvered chapter ring bearing Arabic and Roman numerals with two subsidiary dials, in an inlaid oak case with shaped door, height 258cm.
ARCHIBALD THOMSON, EDINBURGH; an 18th century eight day longcase clock, the hood with brass eagle finial above broken swan neck pediment with blind fret decoration and above the arched glazed doors flanked by a pair of gilt and mahogany Corinthian columns, enclosing the brass dial set with Arabic numerals and Roman numerals, with subsidiary seconds and date dials, above a crossbanded door flanked by quarter Corinthian columns, height 220cm.
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![Sir Terry Frost RA,British 1915-2003,Red and black squeeze [Kemp 213], 2001;screenprint with collage on Fabriano wove,signed](https://cdn.globalauctionplatform.com/75cb5b88-eeb0-40c8-aa1c-afa900b8123c/f535d7fc-7d15-41e6-a5da-afa900dd69db/468x382.jpg)
![Yeats, W. B. The Poetical Works, signed by the author, Vol. I [of two], New York: Macmillan, 1913. Octavo, publisher's gilt b](https://cdn.globalauctionplatform.com/9514fb91-98c3-4281-942c-afb700d210ec/d51fc71b-a8e2-4525-b82b-afb701111a0a/468x382.jpg)
![Hogarth, William. The Works, by Rev. John Trusler, two volumes bound as one, London: E. T. Brain, [c. 1833]. Quarto, pp. 280,](https://cdn.globalauctionplatform.com/9514fb91-98c3-4281-942c-afb700d210ec/77f1b7da-bac8-4300-bd2f-afb701116854/468x382.jpg)
