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Scotland - Abbott, Samuel. Ardenmohr among the Hills, a record of Scenery and Sports in the Highlands of Scotland. London: Chapman and Hall, 1876 8vo, illustrated, original decorative cloth gilt, some rubbing to edges, some foxing, front endpaper blind stamped; Pell, C.V.A. Wild Sport in the Outer Hebrides. London, 1901 illustrated, original red cloth gilt, backstrip faded, interior clean; Speedy, T. Sport in the Highlands and Lowlands of Scotland with Rod and Fun. Edinburgh, 1884 8vo, illustrated, original green cloth gilt, interior clean, owner's ink inscription to front endpaper; Hall, Henry Byng Highland Sports and Highland Quarters. London, [no date], 8vo, 2 volumes, illustrated, contemporary half blue morocco gilt, backstrips faded, some foxing; Mackenzie, Osgood A hundred Years in the Highlands. London, 1921 8vo, 6 plates, original cloth gilt, heavily stained boards, interior clean; Peel, E. Lennox A Highland Gathering. London, 1885 8vo, illustrated, original decorative grey cloth gilt, foxi g; and 11 others (17)

An Edwardian mahogany linen press with dentil moulded and blind fretwork cornice, above four slides enclosed by panelled doors with drawers below, 49 1/2" wide.

A mahogany finished twin pedestal 'Dickens' style desk with sloping top flanked by four drawers, blind centre drawer with two smaller side drawers above single door pedestals.

An Edwardian display cabinet, the glazed and blind doors open to reveal three fitted shelves, the base of similar design, fitted one shelf.

A GEORGE III MAHOGANY SECRETAIRE CHEST ON CHEST, the upper section with a dentil moulded cornice above a frieze of blind fretwork, above three short and three long graduated drawers between canted corners with conforming decoration, the secretaire drawer fitted with short drawers and pigeon holes above two further long drawers with brass drop handles, on shaped bracket feet, 43" wide.

Brees (S.C.). Pictorial Illustrations of New Zealand, 1st ed., 1847,. fine addn. uncol. eng. title on india paper (heavily spotted and fore-margins slightly affected by worm), sixty-five uncol. eng. views on twenty-one leaves (incl. one double-page), and two large folding maps at rear, some spotting and soiling, orig. blind-stamped cloth, soiled and worn, slim folio (1)

Burton (Richard F.). Wanderings in West Africa from Liverpool to Fernando Po, by A F.R.G.S., 2 vols., 1st ed., 1863,. folding b&w litho. map frontis. to first vol., b&w frontis. to second vol., single-word annotation to page 153 of second vol., frontis. to second vol. with very small portion to extreme upper outer corner torn away and missing, half-titles present, orig. yellow chalk-glazed endpapers, inner hinges cracked and shaken, orig. purple cloth gilt, blind-ruled borders to each cover, spine lettered in gilt, with pubs. name at foot (printed on two lines), rubbed and a little fraying to extrems., first vol. with some light damp discol., mainly to upper portion of upper cover, 8vo. Casada 70. Penzer pp. 70-71. (2)

Taylor (Rev. Fitch W.). The Broad Pennant: Or, a Cruise in the United States Flagship of the Gulf Squadron, During the Mexican Difficulties; together with Sketches of the Mexican War, from the Commencement of Hostilities to the Capture of the City of Mexico, 1st ed., New York, 1848,. folding uncol. litho. frontis. entitled 'The United States Squadron, landing its seamen & marines at the Brazos de Santiago, May 8, 1846', a little dust soiled and spotted, orig. blind-stamped cloth, gilt dec. spine, soiled and a little worn at extrems., together with Manual of the Corporation of the City of New York, pub. Joseph Shannon, 1869, double-sided folding col. map of the city of New York with four plans of the districts on reverse, uncol. eng. view of New York and Environs, split in folds, several folding col. and tinted litho. plts., etc., orig. cloth, gilt dec. spine, soiled and some wear, thick 8vo, plus Valentine's Manual of Old New-York, edited Henry Collins Brown, vol. 3 only, 1919, num. col. and b & w illusts. inc. two large folding col. plts. at rear entitled 'The Promenade at the Battery 1829' and 'Broadway, Both Sides, from Battery Place to Tinpot Alley (now Exchange Alley) in 1848', t.e.g., remainder untrimmed, orig. morocco gilt, upper cover detached, 8vo (3)

Westgarth (William). Australia Felix; Or, a Historical and Descriptive Account of the Settlement of Port Phillip, New South Wales: Including Full Particulars of the Manners and Condition of the Aboriginal Natives, with Observations of Emigration, on the System of Transportation, and on Colonial Policy, 1st ed., Edinburgh, 1848,. folding eng. map, hand-col. in outline, vign. of an Australian aboriginal native and his wife and full-page plt. of an Australian aboriginal group of women & children (both printed in brown tint), orig. dark green blind-stamped cloth, spine lettered in gilt, 8vo. Ferguson 4954. This copy has a forty-eight page 'Preface to the German Translation of Australia Felix' bound-in at front, with the upper blank portion of the first leaf excised to remove(?) previous owner's name. (1)

Fielding (T.H. & Walton, J.). A Picturesque Tour of the English Lakes, containing a Description of the most Romantic Scenery of Cumberland, Westmoreland, and Lancashire, with Accounts of Antient and Modern Manners and Customs, and Elucidations of the History and Antiquities of that Part of the Country, &c. &c., illustrated with forty-eight coloured views, drawn by Messrs. T.H. Fielding, and J. Walton, during a Two Years Residence among the Lakes, pub. Ackermann, 1821, half-title present, hand-col. vign. title, forty-eight fine hand-col. aqua plts., correct as list, hinges strengthened, contemp. calf, sl. rubbed, rebacked and recornered, spine gilt dec., covers with border of gilt flower and bead roll between rope rolls and Greek key rolls, inner blind pelmet roll, central panel with gilt tooled lozenge motif, 4to Abbey, Scenery, 192. See illustration inside front cover of this catalogue. (1)

Finden (Edward Francis & William). Ports, Harbours, Watering-Places, and Coast Scenery of Great Britain. Illustrated by Views Taken on the Spot by W.H. Bartlett; with Descriptions by William Beattie, 2 vols., 1842,. addn. vign. title to each, 142 steel eng. views, some spotting, ex-lib. copy with unobtrusive circular blind-stamp to upper corner of each plt., contemp. calf, gilt dec. spines, rubbed and some minor wear to extrems., 4to, together with Knight (Charles, editor), London, 6 vols. bound in three, pub. Henry G. Bohn, 1851, num. wood engs., contemp. red half morocco, gilt dec. spines, a little rubbed at extrems., large 8vo, plus Harper (Charles G.), Thames Valley Villages, 2 vols., 1st ed., 1910, num. b & w illusts. from photos. and drawings, orig. gilt dec. cloth, spines sunned, 8vo, and others (18)

Stowe. A Description of the House and Gardens of His Grace The Duke of Buckingham and Chandos, at Stowe, in the County of Buckingham, pub. Calkin & Budd, 1838, orig. blindstamped cloth, slightly rubbed, spine faded, slim 8vo With a presentation inscription to a Miss Watkins and accompanying loose calling card and two-page love letter to Miss Watkins from Edgar Ryan, Concert Conductor (for Lady Pearson), The Blind Musicians Concert Party; the letter from the Crown Hotel, Oakham, 11th October 1920. (3)

* Palmer (Samuel, 1805-1888). The Willow, 1850 [but printed later?],. etching in black on wove paper, signed on plt. in lower left corner with 'V' of 1850 reversed, etched surface 90 x 67 mm, signed in pencil 'S. Palmer' within plt. impression lower right, blind-stamp of A.H.P[almer], Private Press and the Fine Art Society to lower margins, overall paper size 29 x 22 cm. The Fine Art Society was established in 1876. Lister E1.i/iv. (1)

Barlaeus (Lambertus). Hesiodou Askraiou ta Heuriskomena. Hesiodi Ascraei quae Extant. Cum Notis, ex Probatissimis Quibusdam Qutoribus, Brevissimis, Selectissimisque. Accessit viri Clarissimi, Lamberti Barlaei..., in Ejusdem Theogoniam Commentarius. Opera & Studio Cornelii Schrevelii, 2 parts in one, Ludovici & Danielis Elzeviriorum, Amsterdam, 1658,. title printed in red & black and with woodcut vignette, dec. woodcut initials, slight spotting to title, contemp. sheep with blind dec. to boards, leather slightly torn at head of spine, rubbed and some wear to joints & extrems., 8vo, together with Posselius (Johannes), Calligraphia Oratoria Linguae Graecae, ad Proprietatem, Elegantiam et Copiam Graeci Sermonis Parandam Utilissima..., Jacob Stoer, Genevae, 1636, woodcut illust. to title, slight spotting and fraying to last few leaves, early manuscript note to front free endpaper, contemp. sheep with gilt dec. spine, slight wear to extrems., 8vo, with Horace, Traduction des oeuvres d'Horace en vers françois..., vols. 1-4 (of 5), contemp. calf, worn, labels worn and lifting, 12mo (6)

Bible [German]. Biblia, das ist: Die Ganze Heilige Schrift ... aus den Grundsprachen treulich wol verteutschet, ed. Johann Caspar Ulrich, 2 vols. bound in one, Zurich, 1755-56,. eng. frontis. to first vol. (frayed and repaired to edges), lacks title, first few leaves of text frayed with some loss of words to fore-margins (repaired), second title torn with substantial loss, separate title to Aprocrypha intact, a few leaves torn with substantial loss, without maps or plates called for, contemp. blind stamped vellum over wooden boards, with remains of brass clasps, cover bosses missing, thick folio. Sold with all faults, not subject to return. (1)

Bible ([English]). The Holy Bible with a Devotional and Practical Commentary, by the Rev. R. Jamieson, 2 vols., n.d., pub. Virtue & Co., c. 1870s,. steel engs. after John Martin and others, some minor scattered spotting, a.e.g., contemp. tooled and gilt dec. dark brown full morocco, a trifle rubbed at extrems., together with another copy of the same Bible bound in contemp. blind-stamped full black morocco, gilt lettering to spine, a few minor signs of wear to corners, plus Dore (Gustave), The Dore Gallery: Containing Two Hundred and Fifty Beautiful Engravings ... with a Memoir of Dore, Critical Essay, and Descriptive Letterpress, by Edmund Ollier, 2 vols., n.d., pub. Cassell, c. 1870s, num. wood engs., a.e.g., orig. gilt dec. and panelled plum morocco, joints rubbed, all thick 4to (6)

Coccejus (Johannes). Johannis Cocceji... Opera Omnia Theologica, Exegetica, Didactica, Polemica, Philologia..., 10 vols., 3rd ed., ex typographia P. & J. Blaeu, Amsterdam, 1701, general title to vol. 1 printed in red & black (with early inscription in ink to outer margin), contemp. vellum with blind ebossed arabesque to boards, some dust soiling to bindings, folio (10)

Logan (Olive). Apropos of Women and Theatres. With a Paper or two on Parisian Topics, 1st ed., New York, 1869,. some spotting throughout, orig. cloth gilt, a little rubbed and minor wear to extrems., together with [Craik, Dinah Maria], A Woman's Thoughts about Women, 1st ed., 1858, 24 pp. pubs. cat. at rear, orig. blind-stamped cloth gilt, a little rubbed, plus Hole (Rev. S. Reynolds), The Six of Spades. A Book about the Garden and the Gardener, 1st ed., 1872, orig. gilt dec. cloth, minor wear to extrems., all 8vo. Olive Logan denounced the rage for nudity in the theatre at the New York Women's Suffrage Convention of 1869 and she includes a substantial chapter on the topic in this volume, saying that some actresses are being paid as much as $1,000 a week, but 'actresses, who love virtue better than money, are driven into the streets...'. (3)

Macklin Bible. The Old Testament [& New Testament], embellished with Engravings, from Pictures and Designs by the Most Eminent English Artists, 7 vols., printed for Thomas Macklin, by Thomas Bensley, 1800, 6 vols. bound in seven,. list of subscribers to first vol., eng. dedication, and seventy full-page eng. plts. after De Loutherbourg, Northcote, Artaud, W. Hamilton, T. Stothard, Tresham, P. West, Opie, and others, numerous eng. vigns., a.e.g., contemp. gilt-dec. blind- and gilt-dec. polished full calf, rubbed and scuffed, particularly to edges, later rebacks (3 vols. non-matching), folio. Herbert 1442. Bequeathed to the Bishoprick of Cornwall by the Rev. Franke Parker, Rector of Luffincott, Devon, in 1883 (bookplate to front pastedown of each volume). (7)

Obsequens (Julius). Giulio Ossequente De' Prodigii. Polidoro Vergilio de' Prodigii lib. III..., Giovan di Tournes, Lyon, 1554,. pp.340,[18], title within dec. border (with erased signature& repair to verso of upper margin), woodcut port. to title verso, dec. initials and woodcut illusts., lacks leaf Z4 (final blank), lower outer corner of leaf a2 strengthened to verso, some minor marks and light damp staining to few leaves, recent toned endpapers, contemp. tan calf with blind roll-work decoration to boards, lacks ties, slightly rubbed to extrems., 8vo Adams O10. (1)

Shakespeare (William). The Tragedie of King Lear/The Tragedy of Othello, the Moore of Venice/The Tragedy of Anthony, and Cleopatra, [drop-titles], together three consecutive plays extracted from Shakespeare's Second Folio, 1632, pp.303-88, printed in double-column, woodcut head and tail-pieces and initial letters, occn. light fox spots/soiling, aaa5 (Anthony and Cleopatra, Act 5, Scene 2) with small hole affecting a few letters, final leaf sl. frayed and expertly repaired to lower and fore-margin, three plays bound together in modern Cambridge pane calf by Henry Sotheran, spine blind-panelled, upper cover gilt lettered in centre, board edges gilt milled, gilt dec. turn-ins, slim folio (approx. 310 x 250 mm) (1)

Shakespeare (William). The Life and Death of King John/The Life and Death of King Richard the Second/The Second Part of King Henry the Sixt, with the Death of the Good Duke Humfrey/The Third Part of King Henry the Sixt, with the Death of the Duke of Yorke/ The Tragedy of Richard the Third: with the Landing of Earle Richmond, and the Battell at Bosworth Field/The Famous History of the Life of King Henry the Eight, [drop-titles], together six plays extracted from Shakespeare's Second Folio, 1632,. pp.1-46+119-232, first two plays with consecutive pagination, ditto last four plays, printed in double-column, woodcut head and tail-pieces and initial letters, some browning/soiling, close-trimmed, with occn. loss of ruled border or catchword, six plays bound together in modern Cambridge pane calf by Henry Sotheran, upper cover gilt lettered in centre, board edges with blind dotted line roll, slim folio (approx. 300 x 190 mm) (1)

Vitringa (Campegius). Commentarius in Librum Prophetiarum Jesaiae..., 2 vols., Leeuwarden, 1724, half-titles, vign. titles printed in red and black, eng. folding map, contemp. vellum, blind embossed arabesque to boards, contrasting morocco labels to spines, joints slightly cracked, folio (2)

* [Arts & Crafts]. Crypt, Gloucester Cathedral, by Sydney Alf Pitcher, College Court, Gloucester, c. 1900,. large-format b&w photograph by Sydney Pitcher, approx. 535 x 410 mm (21 x 16 ins), in a contemporary Arts & Crafts oak frame by Arthur H. Pitcher, College Court, Gloucester, with hand-carved title and decoration in blind to side panels, and carved date '06, and orig. printed labels of the photographer and framer to verso (1)

Binding. Poems, 1820, by John Keats, The Noel Douglas Replicas, pub. 1927,. occn. foxing, mostly to edges, patterned endpapers, t.e.g., contemp. art deco style brown morocco by Kenneth Holmes, gilt lettered spine faded, upper cover with geometrical design of three horizontal gilt zig-zags, between blind double rules, each of which terminate halfway across in two large blind dots, alternating to each side, 8vo (1)

Livingstone (David). Missionary Travels and Researches in South Africa, 1st ed., 2nd issue, 1857,. folding uncol. wood eng. frontis., eng. port. wood engs. to text, two folding maps at rear, orig. blind-stamped cloth gilt, worn on spine, with another copy of the same work, lacking rear pocket map, plus others of African interest (2 cartons)

Stanfield (Clarkson). Stanfield's Coast Scenery. A Series of Picturesque Views in the British Channel, and on the Coast of France, 2nd ed., 1847,. forty steel-eng. views, including frontis. and vign. title, a.e.g., orig. blind-stamped cloth gilt, rubbed and minor wear to extrems., 8vo, with other misc. British topography, including a carton of pamphlets and guides etc. (3 shelves)

Golding (Benjamin). An Historical Account of St. Thomas's Hospital, Southwark, 1st ed., 1819,. author's presentation copy, inscribed on title, half-title present, orig. boards, detached, 8vo, together with Bagshaw (Samuel), History, Gazzetteer, and Directory of the County of Kent, 2 vols., 1847, without the col. map, orig. blind-stamped cloth gilt, some wear, 8vo, plus Hutchinson's Dog Encyclopaedia, 3 vols., n.d., c. 1930s, col. plts., num. b & w illusts. from photos, orig. cloth gilt, a little rubbed on spines, plus other misc. books including travel (3 shelves)

A George III period mahogany secretaire cabinet. the moulded and dentilled cornice over blind doors with reentrant corner mouldings, the 'double drawer' fitted secretaire drawer above three drawers, over shaped bracket feet 84cm wide, 71cm high, 51cm deep

* Hokusai (Katsushika, 1760-1849). Blind leading the blind, colour woodblock print, mid-19th-century, mounted on card, approx. 205 x 135mm, together with Shoyu Kyosai, Studies of Shojo, Emperor with young woman, Shuzan playing with a cat accompanied by a young woman, together three colour woodblock prints, each mounted on thin card, approx. 210 x 150mm , plus other similar small-format colour woodblock prints inc. Hiroshige, Genhito Joki, etc. (13)

* Lowry (L.S., 1887-1976). Street scene with figures and dogs, col. print, limited ed. blind stamp to lower margin, approx. 440 x 610mm (17.5 x 24ins), framed & glazed Limited ed. 771/850. (1)

Dickens (Charles). Sketches by Boz: Illustrative of Every-day Life, and Every-day People, 2nd series, (complete in one volume), 1st ed., 1837, etched frontis., addn. title-page, and eight etched plts., by George Cruikshank, half-title, pubs. cat at rear, hinges split, and part of rear pastedown torn away, rough-trimmed, orig. blind-stamped pink cloth, spine gilt lettered on black, faded, and sl. frayed at ends, with repair to foot, contained in red half morocco solander box, 8vo in 12's Smith I, pp.8-16. (1)

Binding - Douglas Cockerell. Dante Gabriel Rossetti, an Illustrated Memorial of his Art and Life, by H.C. Marillier, 1899, port. frontis., b & w and sepia plts. and illusts., title-page printed in red and black, a.e.g., full tan morocco, signed on lower turn-in with Cockerell's monogram and dated 1900, extrems. a little rubbed and a few markings, sl. faded spine with raised bands, gilt lettered direct in second and third compartments and at foot, remainder gilt panelled, with flower and leaf-filled quatrefoil in centre and three dots in each corner, raised bands carried onto covers with blind decoration terminating in three vine leaves, covers with gilt double fillet border, and inner single fillet panel, upper cover with large central roundel of entwining flowers, leaves and dots, the leaves onlaid in green morocco, folio A sumptuous and unusually large binding by Cockerell. (1)

A pair of floral lined curtains and matching blind and a pair of blue and white check curtains, approximately 7' long.

A 20th Century walnut break-front display cabinet, the blind central door flanked by a pair of glazed doors raised on cabriole supports, 119 cm wide.

A fine quality Georgian style partners reproduction mahogany partners desk with inset tooled leather writing surface, fitted an arrangement of short drawers to one side, short drawers and cupboards to the other, decorated with blind fret carved panels to the canted corners, raised on plinth bases, 72in. x 42in. x 31in. high.

Blind Mans Buff (246)

A LATE 19TH CENTURY MAHOGANY BLIND FRETWORK HANGING CORNER CUPBOARD having a moulded and Greek key cornice, the frieze, door frame and canted sided all decorated with blind fretwork, having a single glazed door with oval tracery, the interior fitted with three shelves, 67.5cms x 95cms high

Robert Smith in Long Akcor, a lacquered long case clock circa 1695, the hood (formerly rising) with moulded cornice and pediment above blind fret panel to frieze and pilaster mounted door, the trunk below a convex moulding, the long door with signs of former lenticle (old disc insert) and decorated with Chinoiserie, raised on a short plinth (not obviously reduced), the 11.25 inch square dial signed between V and VII, with winged mask spandrels, silvered chapter ring, seconds dial and date aperture with scroll engraving, ringed winding holes, bell striking 8 day 5 pillar movement with replacement seat board, 217cm high

A mahogany framed three seater sofa, the arched padded back above a cushion seat, standing on blind fret square section legs united with stretchers, 180cm wide, 75cm deep

The Comprehensive Bible published by Bagster & Sons, late 1800's full leather binding blind decoration to covers and spine, coloured maps. (1).

The Holy Bible c. 1868 with illustrations and maps full leather binding. Blind decorations to covers and spine. (a.e.g.). (1).

The Arabian Nights Entertainments' revised throughout and annotated by James Mason with numerous illustrations, silver and gilt decorations to front cover and spine, blind decoration to back cover. w.a.f. (1).

Fisher's Drawing Room Scrap-Book 1833, gilt motif and blind decorations to both covers, gilt decorated spine. (1).

Ferris, Benjamin G. Utah and the Mormons. The History, Government, Doctrines, Customs and Prospects of the Latter-Day Saints, first edition, Harper, New York 1854. Blind-stamped brown cloth, four plate and further text illustrations, octavo.

Rutter, H. Thornton. Modern Motors, Their Construction, Management & Control, four volumes, Virtue, London no date. Blue grained cloth, black and white illustrations from photographs, octavo; The Northern Cyclists' and Motor Car Guide, Northern Publishing Co., Newcastle circa 1910. Cloth-backed boards, period adverts, duodecimo; and Aubrey, W.H.S. The National and Domestic History of England, eleven volumes, no date. Blind-stamped crimson cloth gilt, engraved plate illustrations, quarto.

Combe, William. The First Tour of Doctor Syntax, in Search of the Picturesque, ninth edition, Nattali & Bond, London 1855. Blind-stamped sage green cloth, hand-coloured plate illustrations after T. Rowlandson, octavo; with The Second Tour of Doctor Syntax, in Search of Consolation, London 1855; and The Third Tour of Doctor Syntax, in Search of a Wife, London 1855, both uniformly bound (spines torn and browned; some pages loose; sold with all faults); Messel, Oliver. (illustrator) - Shakespeare, William. Romeo & Juliet, new edition, Batsford, London 1936. Mulberry cloth, mounted colour plates, quarto; and seven other works, (11).

Mahogany Bookcase Cabinet, in the Georgian manner, double folding doors with arched glazing bars, blind fretting to the frieze, splayed bracket feet.

A Late Victorian/Edwardian Mahogany Rectangular Bijouterie Table with Blind Carved Top, Tapering Supports and Stretcher Shelf with Pierced Gallery.

Trollope, Anthony - The Novels of Anthony Trollope: The Trollope Society, London, Ominium,Various dates (1990's), 8vo, In 48 volumes plus 1 volume autobiography, all volumes with an introduction (by various contributors) and a note on the text, the autobiography volume with frontispiece portrait and index, all uniformly bound in original publisher's brown cloth, the spines blocked in black and lettered & decorated in gilt, with the monogram of the Trollope Society in blind at centre of upper board. The Trollope Society Edition of the Novels of Anthony Trollope includes his autobiography. The setting and several of the Introductions are from the Folio Society edition of Trollope"s novels. Series editor for the Trollope Society edition was Professor David Skilton. The Introductions are by various modern authors and critics including Robertson Davies, Antonia Fraser, N. John Hall, John Halperin, P. D. James, John Mortimer, Ruth Rendell, and Joanna Trollope. A fine and very scarce collection of Trollope's renowned work. Together with a small collection of other modern Trollope publications and books

An Edwardian mahogany bedside cabinet, with raised back, moulded edge oblong top over blind fret frieze and shaped panel door, moulded square supports joined by pierced brackets, 32" high x 16 1/2" wide

Victorian mahogany sideboard with raised carved scroll shaped back panel, three drawers to the frieze, the base fitted cupboards enclosed by four blind panel doors with arch shaped moulding, 186cm wide

Victorian oak breakfront bookcase, the upper section fitted fifteen adjustable open shelves, the base having cupboards enclosed by two pairs of blind panel doors with arch shaped moulding, 164cm wide x 226cm high

Early 20th Century Georgian style mahogany breakfront library bookcase having Greek key cornice, the upper section fitted twelve adjustable shelves enclosed by two pairs of astragal glazed panel doors, the base with cupboards enclosed by two pairs of crossbanded blind panel doors, 270cm wide x 228cm high

Victorian mahogany breakfront library bookcase, the upper section enclosed by five glass panel doors, the lower section fitted cupboards enclosed by one glazed and four blind panel doors, 321cm wide x 229cm high

A walnut longcase clock, the brass 30cm dial with urn and eagle spandrels, silvered Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial and calendar aperture with a border of engraved leaf scrolls, the arch inscribed 'Wm. Harley, Salop', supported by dolphins, eight day movement, striking on a bell, the hood with moulded cavetto cornice above blind fretwork spandrels and integral three-quarter pillars, the trunk with an arched moulded door and inlaid with chequered bandings, outlined throughout with crossgrained mouldings, 240cm high (distressed)

A satinwood breakfront bookcase, early 20th century, in George III revival style, outlined with tulipwood and mahogany bandings, harewood and boxwood stringing, the moulded cornice above four doors with interlaced astragal glazing bars, the base enclosed by four blind doors inlaid with ovals, on a plinth, 238cm wide, 40cm deep, 229cm high

Edwards & Roberts - a Victorian mahogany kneehole writing table, late 19th century, in Chippendale revival style, with blind fretwork, pierced foliate brackets and gallery, the back with a shelf, open compartments and pair of cupboards, the writing surface with inset leather panel above seven drawers with pierced brass loop handles, on slender cluster column legs, drawer stamped 'Edwards & Roberts', 109cm wide, 116cm high

A Regency mahogany kneehole dressing table, circa 1820, the reeded rectangular top with a hinged centre enclosing a dressing mirror, the frieze with one blind and four shallow ebony strung drawers with turned handles above a pair of cupboards with interlaced stringing, on toupie feet, 97cm wide

A George III japanned table, circa 1780, painted overall in gilt with oriental figures on a black ground, concave fronted, the top with a hinged reading slope above a blind drawer and drawer with turned ivory handles, a further drawer to one end, on square tapering legs, 63cm wide, 83cm high