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Bird (James) Machin; or the Discovery of Madiera. A Poem in Four Cantos, first edition, half-title, 1821 bound with Cosmo, Duke of Tuscany: A Tragedy in Five Acts, first edition, half-title, 1822 together 2 works in 1 vol., occasional light foxing, bookplate of Sir Alfred Sherlock Gooch, attractive contemporary green calf, stamped in gilt and blind, spine gilt with black calf labels, a little rubbed, London [printed in Yarmouth]; Poetical Memoirs. The Exile, A Tale, first edition, presentation inscription "Mr. George Simms with the author's regard" to head of title, half-title, 1 or 2 library blind-stamps, bookplate, contemporary half calf, spine gilt, extremities a little rubbed, London [printed in Yarmouth]; and another, 2 works by the same in 1 vol., 8vo (3)⁂ A collection of scarce works by the Suffolk poet and playwright.

Wells (H.G.) The First Men in the Moon, first English edition, frontispiece and 11 plates, previous owner's ink signature and W.H.Smith blind-stamp to front free endpaper, light spotting to endpapers, second state binding of original blue cloth with black titles, lightly faded spine, slight bumping to spine extremities, 8vo, 1901.

Victoria (Queen of the United Kingdom of Great Britain and Ireland, and Empress of India, 1819-1901) Appointment of Edwin Felix Thomas Atkinson of the Bengal Civil Service a Companion of the Order of the Indian Empire, D.s. "Victoria RI" at head, blind seal, manuscript, 2pp. with conjugate blank, folds, slightly browned, folio, 1st January 1889.

Anatomy.- Quain (Jones) The Muscles of the Human Body; in a Series of Plates, first edition, lithographed frontispiece and 50 plates, occasional spotting and marginal water-staining, becoming disbound, additional engraved anatomy plate loosely inserted, original cloth, upper cover and half-title detached, lacking spine covering, rubbed and worn, 1836 § Spratt (G.) Obstetric Tables: comprising Graphic Illustrations ... exhibiting on Dissected Plates Many Important Subjects in Midwifery, first American edition, lithographed frontispiece and 20 plates, some hand-coloured, 14 with moveable parts, subscribers list, contemporary ink signature to title, spotting and browning, occasional blind-stamp of previous owner, contemporary calf, boards detached, rubbed and worn, Philadelphia, [1850]; and 3 others, including a defective copy of the second, v.s. (5)

Quintilianus (Marcus Fabius) Oratoriarum institutionum libri XII, edited by Joachim Camerarius & Johann Sibmacher, woodcut historiated and decorative initials, final f. with woodcut printer's device verso otherwise blank, marginal water-staining, some spotting and other staining, contemporary blind-stamped pigskin over wooden boards, lacking 1 metal clasp, early ink scribbles, soiled, [Not in Adams], small 4to, Basel, [Robert Winter], 1543.

Dickens (Charles) The Life and Adventures of Nicholas Nickleby, 38 etchings only (of 39) by Phiz, occasional spotting, 1839; The Life and Adventures of Martin Chuzzlewit, engraved additional title, frontispiece and 37 plates only (of 38), occasional spotting, 1844, first editions, bookplates, uniformly bound in contemporary half-calf, a little rubbed § Dumas (Alex.), Arnould, Fournier ..., Crimes Célèbres, 8 vol. in 4, plates, occasional spotting, ex-library with occasional blind-stamp, contemporary half-calf, a little rubbed, Paris, 1844-47 § Dobson (Austin) Eighteenth-Century Vignettes, number 221 of 250 copies signed by the author, portrait frontispiece and 6 plates, cracked hinges, ex-library with label to front pastedown and ink-stamp to title verso, original half vellum, paper label to upper cover, rubbed and worn, 1892; and 14 others, 8vo (22)

NO RESERVE Arnold (Matthew).- Stanley (Arthur Penrhyn) The Life and Correspondence of Thomas Arnold, D.D., 2 vol., twelfth edition, vol I. with presentation inscription from Matthew Arnold to front endpaper, engraved portrait frontispiece, some foxing, hinges pulling, original cloth, stamped in gilt, black, and blind, corners and spine ends bumped, slight shelf-lean, 8vo, 1881.⁂Matthew Arnold (1822-88) poet and critic.Inscription: " To dear Charlie | with much love and every | good wish for Dec.ber 3rd, 1881 - | from her most affectionate | Matthew Arnold. -"

19th Century mahogany two section bookcase, the upper fitted two adjustable shelves enclosed by a pair of glazed doors, the base fitted two blind panel doors, on turned supports. Measures approximately 180cms high.   

Victorian mahogany two section bookcase, the upper fitted three adjustable shelves enclosed by a pair of glazed doors, the base with two cushion drawers above two blind panel doors, 137cm wide

ELIAB G EARTHROWL; original dry point etching, 'The Old House, Dinan', signed and titled and bearing Warwick Galleries Blind Stamp lower right, 24.5 x 25.5cm, framed and glazed.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a signed limited edition coloured print ‘St. Luke’s Church’, signed lower right, numbered 244/850 lower left and also bearing blind stamp lower left, published 1973, image 61.25 x 45.5cm, framed and glazed (D). Additional InformationThe print has slipped in the mount, you can see slightly discolouration where this has happened, slight browning however the colours appear to remain strong, it is not rippled, as it has moved one could presume it has not been stuck down. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

SIR WILLIAM RUSSELL FLINT (1880-1969); a signed limited edition coloured print published by Frost & Reed, interior scene with three naked young women, signed in pencil and with blind stamp lower left, 46 x 64cm, framed and glazed (D).Additional InformationColour has gone quite green, signature clear, free from foxing, slight staining to the edges of the mount.

SIR WILLIAM RUSSELL FLINT (1880-1969); three signed limited edition prints, each bearing blind stamp, 45 x 61cm, 41 x 56cm and 44.5 x 60.5cm, all framed and glazed (3) (D).Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

SIR WILLIAM RUSSELL FLINT (1880-1969); a signed limited edition coloured print, interior scene with females in a barn, signed and bearing blind stamp lower left, 32 x 53cm, framed and glazed (D).Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

A ROLLER BLIND TOGETHER WITH A DRAIN CLEANING KIT

Sir William Russell Flint, reclining semi nude figure, limited edition colour print, blind stamped and numbered 309/850 in pencil, 42cm by 32cm

A Chippendale style mahogany glazed bookcase, with a carved cornice and blind fret frieze, two panel glazed doors enclosing three shelves, a carved apron and claw and ball feet, 118cm

A limited edition Beryl Cook signed print entitled ' The Tarzanogram ' The print bearing a blind stamp to the lower left corner and signed in pencil to the right. Measures  60x 58cm overall

A limited edition Beryl Cook signed print entitled ' The Birthday Cake ' The print bearing a blind stamp to the lower left corner and signed in pencil to the right. Measures  69 x 53cm overall

A late 19th / early 20th Century high Victorian light oak single door wardrobe having blind fretwork decoration with single mirrored door to center flanked by oak panels. Single large drawer below raised on bracket feet. Rest of matching bedroom suite in lot 1399. 

A limited edition Beryl Cook signed print entitled ' Shall We Dance? ' The print bearing a blind stamp to the lower left corner and signed in pencil to the right. Measures  69 x 53cm overall

A late 19th / early 20th Century high Victorian light oak dressing chest having large swing mirror (with foxing) above two short over two long drawers. Together with matching washstand having single drawer above a single cupboard door with blind fretwork decoration. Both having drop swing swag handles and raised on square legs.     

A good quality 20th century Antique Victorian style mahogany chiffonier sideboard. Raised on a plinth base with double door cupboard having inset fielded panels. Above, a blind fronted single wide drawers. Finished above with a stage gallery back upright shelf. Measures 158cms x 116cms x 45cms.

A Victorian oak hall chair with a blind fretwork decorated back together with an Edwardian nursing chair and a pair of oak dining chairs

After Laurence Stephen Lowry RA (British 1882-1976) - views of a town, colour reproduction print, signed in pencil to the right, lower margin. FATG blind stamp to the left lower margin, publish by Mainstone, publications, circa 1973, 18" x 21 6/8", mounted in a glazed frame

Dame Elizabeth Frink CH DBE RA (1930-1993); signed lithograph 'Eagle Owl' in greys with yellow eyes, numbered 241/250 lower left and signed in pencil with blind stamp lower right, with Christies certificate of authenticity and excerpt about the publishing verso 76 x 56cm, framed and glazed. † CONDITION REPORT This lot may qualify for Artist Resale Rights. For further information, please visit

A late Victorian ebonised Gothic Davenport desk heightened in gilt and with pierced trefoil pilaster supports to the front, the stationery well opening to reveal maple-lined compartment and with bank of four blind drawers to the right-hand side, height 81.5cm.

A 1930s oak triple wardrobe, the panelled doors with applied lozenges and blind fretwork detailing, height 184cm.

A late 19th/early 20th century mahogany library bookcase, outswept blind fretwork cornice above a pair of glazed doors enclosing adjustable shelves flanked by further fretwork panels, the base with one long drawer and a pair of panel doors enclosing a shelf, plinth base, 219cm high

William Butler of London. A late 18thC mahogany longcase clock, the arched hood with a blind fret held by two classical columns above a full length arched door and a moulded flame mahogany block base, the 31cm W arched brass dial with raised spandrels set with a Roman numeric and Arabic chapter ring and subsidiary Arabic secondhand, the centre field with a date aperture, with script signature William Butler, London, 8-day movement striking on a bell, 220cm H.

Mary, Queen of Scots - Scottish Imprint, [Le Pesant (Pierre, Sieur de Boisguilbert)], The Life of Mary Stewart, Queen of Scotland and France [...], [translated and edited by] James Freebairn, Printed for the Author, and are to be Sold by moft of the Bookfellers in Town, Edinburgh 1725, pp: [iii], iv-lx, 95, [96], 97-221, [222], 223-328, contemporary panelled calf (faults), each cover tooled in blind, raised bands to spine, fragmentary Jacobean Armorial bookplate to recto pastedown: Mckay of Strathy (sic, MacKay?, presumably George Mackay, 3rd Lord Reay (1678-1748)), 8vo; Skelton (John), Mary Stuart, Boussod, Valadon & Co, London [...], 1893, illuminated engraved frontispiece of the queen after the portrait by François Clouet, 24 full-page plates of portrait with tissue guards titled in red, 4-page facsimile of Mary's last letter, b/w illustrations throughout text, contemporary black leather binding as issued, sometimes attributed to Durvand Thivet, each cover's centre blocked in gilt with crowned arms, crowned cypher to angles within a pair of graduating blind fillet borders, six-compartment spine gilt lettered in the second, cyphers and thistles to the remainder, top-edge gilt, lady's bookplate to recto pastedown: Sara R. Dunn, further inscriptions and stamps, small folio; Tytler (William), An Inquiry [...] Into the Evidence against Mary Queen of Scots [...], fourth edition, two-volume set, T. Cadell, London 1790, contemporary marbled boards, later cloth spines, 8vo, (2); The Memoirs of Sir James Melvil (sic) of Halhill [...], third edition, Robert Urie, Glasgow 1751, contemporary calf, 12mo; The Letter-Books of Sir Amias Poulet, Keeper of Mary Queen of Scots, edited by John Morris, Burn and Oates, London 1874, contemporary cloth, 8vo; Bede (Cuthbert), Fotheringhay and Mary, Queen of Scots [...], Simpkin, Marshall, & Co., London 1886, tipped-in albumen photograph frontispiece, further full-page plates, contemporary cloth, 12mo; Raumer (Frederick von), Contributions to Modern History, from the British Museum and the State Paper Office: Queen Elizabeth and Mary Queen of Scots, Charles Knight, London 1836, engraved portrait frontispiece, rebacked contemporary cloth, contemporary bookseller's ticket: Fletcher of Norwich, 8vo; Aytoun (W. Edmondstoune), Bothwell: A Poem, In Six Parts, second edition, William Blackwood and Sons, Edinburgh and London, 1857, contemporary blue cloth gilt, book label to recto pastedown: Rev. Robert Logan, 8vo; Melville (G.J. Whyte), The Queen's Maries: A Romance of Holyrood, two-volume set, Parker, Son, and Bourn, London 1862, contemporary red half-roan and marbled boards (faults, disbound), 12mo, (2); Yonge (Charlotte M.), Unknown to History: A Story of the Captivity of Mary of Scotland, two-volume set, Macmillan and Co., London 1882, contemporary maroon half-roan and cloth, 12mo, (2); qty

China - Frans Masereel (1889-1972), China Memories, Sidgwick and Jackson, London 1964, pp: [4] and illustrated with 20 full-page loose chromolithographs, as called for, cloth-backed board envelope as issued, the upper-cover with Chinese characters printed in black above blind lettering, oblong folio

Edward Frank Gillett RI (1874-1927) 'Joy' and 'Grief' (from Mr Jorrock's Moods), pair of coloured artist proofs with publishers blind stamp, both signed in pencil to lower margin, 28 x 36cm (2)

•AR Harry Ven Der Weyden (1868-1952) Monte Carlo by Moonlight, artist's coloured proof with publishers blind stamp, signed in pencil to lower left margin, 36 x 56cm

•AR Stanley Royle (1888-1961) "Sheffield from Mayfield, nr Ringinlow", Artist's coloured proof with publishers blind stamp, signed in pencil to lower right margin, 40 x 51cm

•AR Henry Scott (1911-2005) "The Dreadought", artist's coloured proof with publishers blind stamp, signed in pencil to lower right margin, 61 x 76cm

•AR Henry Scott (1911-2005) "The Norman Court", artist's coloured proof with publishers blind stamp, signed in pencil to lower right margin, 61 x 76cm

Graham Knuttel Limited edition colour printSailors, signed lower right with artist's blind studio stamp lower left, no.3/99

Three limited edition colour prints to include Millennium 60/300, indistinctly signed in pencil with artist's blind studio stamp lower right and two further (3)  

WILLIAM RUSSELL FLINT (1880-1969) FIVE LIMITED EDITION PRINTS, to include 'Ray As Madame Pompadour' 18/500, 'Ray As Madame Du Barry' 442/500, 'Cecelia In April' 411/500, 'The Looking Glass' 575/850 and 'Sonnet XXIV' 5/750, all with blind stamps, mounted, unframed, largest size approximately 32cm x 40cm

WILLIAM RUSSELL FLINT (1880-1969) FIVE LIMITED EDITION PRINTS to include 'Three Girls' 310/850, 'Reclining Nude III' 577/850, 'Model and Critic' 200/850, 'MadeMoiselle Sophie' 127/850 and 'Variations II' 703/850, all with blind stamps, mounted, unframed, largest approximate 53cm x 70cm (A)

DAVID SHEPHERD (1931-2017) 'THE BIG FIVE', a portfolio of limited edition prints, featuring rhino, elephant, buffalo, lion and leopard, signed in pencil with fine art trade guild blind stamp, numbered 578 from an edition run of 850 (foxing to the cotton cover)

WILLIAM RUSSELL FLINT (1880-1969) FIVE LIMITED EDITION PRINTS, to include 'Three Girls' 312/850, 'Ray' 437/850, 'Studio Accessories' 625/850, 'Janelle and the Volume of Treasures' 140/850 and 'Sonnet XXIV' 4/750, all with blind stamps, mounted, unframed, largest approximate size 58cm x 39cm, together with a distressed portfolio holder

WILLIAM RUSSELL PRINT (1880-1969) 'THE BASKET OF APPLES' limited edition print, published in 1975 152/650, Alexander Gallery blind stamp mounted, framed and glazed, approximate size 48cm x 63cm, together with seven open edition prints by the same hand, all framed and five loose prints

A CASED 18CT LADIES HALF HUNTER FOB WATCH, plated dust cover, Roman numeral, enamel dial, bent hands and loose dial frame, floral with blind cartouche to back cover, approximate gross weight 30 grams

A CASED 18CT LADIES HALF HUNTER FOB WATCH BY J.W. BENSONS, foliate engraved with blind cartouche, 18ct dust cover, Roman numeral, enamel dial, engraved Royal warrant, serial number 87546, London 1888 hallmark, approximate gross weight 50.5 grams

David Shepherd (1931-2017), limited edition signed print, 'The Ivory is Theirs', No. 96/100, blind-stamped and with original pencil sketch of elephants in the lower left margin

Antiquarian Bible. The Comprehensive Bible; Containing the Old and New Testaments, &c. London: Samuel Bagster and Sons. No date, circa 1860. With several maps and a folding table. Original full morocco leather, blind tooled incorporating a fleur-de-lis pattern, A.E.G. with gilt inner-dentelles.

Original vintage movie poster for a screening of the1951 French film Un Grand Patron, directed by Yves Ciampi and starring Pierre Fresnay, Renée Devillers, Roland Alexandre and Marcel Andre. The poster features a black and white photograph of Pierre Fresnay in his role of a Parisian surgeon and a quote from French poet Paul Valery reading: 'it is possible that one intended for greatness... need to become deaf, blind, insensitive...'. The film could be seen as a critique of the French bourgeoisie and was a great success with the public. Good condition, folds, small tears and paper losses in top margin, creases. Country: France, year of printing: 1952, designer: Unknown, size (cm): 56x44

A George III mahogany Gainsborough chair, with blind fret decoration on square supports, 71cm wide x 104cm high. Illustrated.

A late 19th century mahogany rectangular foldover card table, with blind fret frieze, on canted square supports, 87cm wide x 73cm high.

A Chinese Chippendale Revival hump back armchair, with outswept arms on blind fret mahogany base, 96cm wide x 85cm high.

A late 19th/early 20th century North African folding chair/bench, with all over blind fret decoration, 100cm wide x 95cm high.

A pair of 18th century style ebonised console tables, with blind fret decoration and egg and dart frieze, 176cm wide x 92cm high, (2).

An Edwardian mahogany server, of rectangular form with gently bowed front edge, decoratively carved with a frieze of harebells and foliate swags, blind carved supports terminating in block feet, 138 by 56 by 75cm high.

A late 19th to early 20th Century oak cased bracket clock, with turned finials and columns and blind fret-carved panels, the 9 inch square brass dial with silvered chapter ring, with a twin train movement striking on two gongs, bearing retailer's label for 'William Lomax, 79 Oxford Street, Manchester', height 71cm and width 39cm.

An early 20th Century bijoiterie table or vitrine of rectangular form, the hinged top with a blind fret-carved border over fret-cut corner spandrels and raised to reeded tapered legs united by a fret-cut galleried stretcher shelf, retains key, height 75cm x width 53cm x depth 40cm.

George Cunningham 'Saturday Night' Ltd Edition Colour Print, of five hundred, 18.5 x 33cm, signed, blind backstamp.

SIR WILLIAM RUSSELL FLINT, R.A. (SCOTTISH, 1880-1969) 'Five studies of Cecilia', colour print, limited edition 214/850, Michael Stewart Fine Art blind stamp lower left, 28.5cm x 59cm.

SIR WILLIAM RUSSELL FLINT, R.A. (SCOTTISH, 1880-1969) 'Iberian flounces', a pair, colour prints, limited editions 324/850, each with Michael Stewart Fine Art blind stamp lower left, each 31cm x 20cm, uniformly framed.