We found 44918 price guide item(s) matching your search

ANACREON: 'Anacreon Terus Poeta Lyricus..' Cambridge, 1705: edited by Joshua Barnes: folding engraved portrait, contemporary blind ruled calf, rubbed, 12mo: together with Comtesse d'Aulnoy's 'Historie d'Hypolite, Comte de Duglas..': Brussels, 1699: 2 parts in 1, contemporary calf boards rebacked, 12mo, and one other. (3)

CLIFFORD (Sir Thomas): 'A Topographical and Historical Description of the Parish of Tixall in the County of Stafford...', Paris, printed by M Nouzou, 1817: 4to, contemporary blind ruled half morocco gilt, teg, rubbed: together with WOOLNOTH (Thomas): 'The Study of the Human Face...illustrated by 20-6 full-page steel engravings..', London, William Tweedie, 1865: large 8vo, pub. blind stamped green cloth gilt, a little rubbed. (2)

LUTHER (Martin): 'Der Ander Teil Der Bucher D.Mart.Luther. Darin Alle Streitschrifften/Sampt Etlichen Sendbrieven an Fursten und Stedte etc...': Wittenberg, Simon Gronenberg, 1588: folio, contemporary blind tooled vellum with metallic closures, title page printed in red and black, half-page woodcut world map at p459, general browning and dustsoiling, scattered wormholes: together with another foilo work vellum bound.  First item: second volume only of the Wittenberg collected edition of Luther's works, containing his pamphlets and sermons relating to Islam and resistance to the Ottoman Empire. (2)

ACHILLES: PROBST (Johann Balthasar, engraver, 1673-1750): 'Sive Feras Telis, Hostes Seu Sternere Ferro, Invictus Pugnis Pugnus Achillis Erat. So Wol Behertzte Feind, Als Wilde Thier Zu Fallen, Dursst Der Achilles Sich Stets Unbesiegt Darstellen...': Augsburg, 1721: a suite of 13 fine metal engraved plates by Probst, plus engraved title, mounted into an English devotional book of the period to recto of alternate leaves, some contemporary manuscript notes on the work below the initial page, contemporary sombre binding of blind tooled black morocco, green ornamental endpapers gilt, 8vo.  A rare series of engravings depicting the life of Achilles...the manuscript note comments...'the breadth of light & shadow are preserved in a masterly manner' (1) 

Sechs Kieferlatten mit dem Gedicht "Alleine unter dem Mond trinken" des Tang-Dichters Li Bai (701-762). Aufschrift, datiert: 1987, sign.: Gu Gan und Siegel: Gu Gan. (6)"Einsamer Trunk unter dem MondUnter Blüten meine Kanne Wein -Allein schenk ich mir ein, kein Freund in der Nähe.Das Glas erhoben, lad' den Mond ich ein,Mein Schatten auch ist da, - wir sind zu dritt.Gewiss versteht der Mond nicht viel vom Trinken,Und was ich tue, tut der Schatten blind,Doch sollen sie mir heut Kumpane seinUnd ausgelassen unterm Frühlingswind.Ich singe und der Mond schwankt hin und her,Ich tanze und mein Schatten hüpft noch mehr.Wir sind uns Freunde, da wir nüchtern sind,Ein jeder geht für sich, wenn erst der Rausch beginnt.Nichts bleibt dem Herzen ewiglich verbunden,Als was im hohen Sternenlicht gefunden."Jeweils 240 x 9,55 cmProvenienzPrivatsammlung Dr. Ilse Lommel (1923-2017), Nordrhein-Westfalen, seither in Familienbesitz

Brinsley John, the elder (ca.1565-1653)]. The true Watch (III) imprinted London 1623, full hide, spine gilt-tooled. 19 cm x 15 cm. Together with a 1761 Holy Bible and Diodati, Giovanni New Testament Holy Bible,1665 Bailey, Nathan, The Universal Etymological English Dictionary (1727?) full hide with blind-tooled boards. (4 Volumes)

A 19th century mahogany three tier whatnot, each tier with blind gallery and turned supports, 45.8cm wide, 90cm high, 40.5cm deep

A mid 19th century cameo, yellow gold and enamel brooch, the oval shell cameo depicting the head and shoulders of female warrior, probably Athena, in profile to the yellow gold surround applied with spheres and wirework decoration with white enamel blind arcade (brooch frame width 4cm x length 4.5cm); together with a pair of later oval shell cameo ear pendants (a/f) (3)Condition Report: Brooch cameo: crack visible front and back, photos at 1 o'clock from above helmet, lessening towards nose, minor cracking (possibly due to dryness extending from this crack towards border (cameo collet 3.5cm x 2.8cm, weight of brooch 11.6g)Earrings: cameos in good condition (one detached from frame as per photos) (combined weight of ear pendants 5.5g)

CHARLES JOHNSON PAYNE (1884-1967) - a colour fox hunting print, 'Merry England, and Worth a Guinea a Minute'. Monochrome remarque lower right, blind stamp and signed 'Snaffles' in pencil lower left. Original ebonised frame and original paper label ofHarrods Ltd, Knightsbridge, London SW1 verso. (Frame size 47cm x 44cm) 

Assorted volumes to include Maybury Morris Limited Editions 'Heaven-Born in Burma The daily Round' Folio Hadspen 'Heaven-Born in Burma' Volume II 'Flight of the Heaven Board' (signed by the Author) 'Heaven-Born in Burma Volume III 'Swan-song of the Heaven Born' (signed by the Author), all three limited editions with dust jacketsBetjeman, John 'Summoned by Bells', illustrated by Hugh Casson, John Murray 1989, dust jacket not price clippedFleming, Peter 'One's Company - A Journey to China', Jonathan Cape 1934, photographic illustrations, green cloth with red blind stamped titles'Brazilian Adventure' Jonathan Cape, 10th impression 1934, photographic illustrations, pictorial clothVolumes relating to CanadaCrime Collection....Agatha Christie, three volumes, Hamlyn, 1969Durrell, Lawrence 'Mount Olive', 4th impression 1960, yellow cloth, dust jacket, back stripped chipped with some loss but not price clippedOther volumes

Fine bindingsLord Byron 'Childe with a Harold's Pilgrimage, a Romaunt', Printed for John Murray 1812, 2nd edition and other works by Byron, similarly bound, full calf with gilt decorations, titles paste down, marbled endpapers, marbled edgesWhite, Gilbert 'The Natural History of Selbourne...' two volumes, printed for J & A Arch, 1822, engraved frontis to Volume One, coloured frontis to Volume Two and one other plate, inscriptions dated 1826 on FFEP, full calf, gilt decorations and blind stamped, gilt rules, all edges gilt (7)

Bewick, T 'A History of British Birds', Newcastle, printed by Edward Walker 1821, engraved vignette to title page, some foxing, illustrated throughout the text, full Morocco, blind stamped decorations, marbled edges, back strips worn with some missingBerwick, T 'A General History of Quadrupeds', printed by Edward Walker 1820, engraved vignette on title page, illustrations throughout the text, bound uniformly with the two previous volumes but back strip is separating and with loss (3)

An ebonised breakfront credenza of large proportions; amboyna-banded, marquetry and gilt-metal-mounted, the moulded top above a scrolling marquetry frieze with husks and a central amboyna-banded and boxwood-strung blind door with further similar marquetry enclosing shelves and flanking two further glazed doors with similar shelves and gilt-metal mounts, raised on shaped plinth base chamfered at the top and headed with amboyna (183cm wide x 39cm deepest x 111cm high)

A late 18th century mahogany chest-on-chest; the dentil cornice above two half-width and three graduated full-width oak lined drawers retaining original cast gilt metal Rococo handles (gilt worn) and flanked by canted corners with blind fret carving, the lower section with a brushing slide over three full-width graduated drawers, raised on high bracket feet (109cm wide x 57cm deep x 191cm high)It is noted that the wood is fairly dark, there are several pieces of replaced veneer along the carcass around the drawers.  Some of the cockbeading has gone as well on a few of the drawers and there is some replaced cockbeading.  The right hand blind fret canted corner has split in the middle approx. 7cm prevalent mostly around the lower drawer area of the top section.  The dentil cornice appears OK.  The wood starts to get a bit lighter on the base section and there are scuffs, scratches and general old repairs etc., commensurate with age.  Quite a lot of new wood above the escutcheons on the carcass.  The left hand blind fret canting looks in good order.  The drawers are oak lined with solid mahogany fronts and the handles appear original.  Possible historic re-polishing at some stage and although some of the handles show original gilding most of them are dark through oxidisation again commensurate with age.  So the chest is not without faults and in the Auctioneer’s opinion could be restored to a fairly high standard if desired.

A George III carved mahogany and ormolu mounted bureau cabinet attributed to Gillowsthe carving probably by James TownsonCirca 1760, the dentil moulded cornice above a blind fretwork frieze, over a pair of shaped and scrolled panelled doors each with cartouche-embedded acanthus spray angles, enclosing six short adjustable shelves, two short fixed shelves, ten pigeon holes and five short drawers, flanked by two stop-fluted Corinthian pilasters, with a blind fretwork waist below, the hinged fall above three frieze drawers, the two shorter end drawers each with a sliding lid, over three long graduated drawers, flanked by fluted Corinthian columns, on shaped ogee bracket feet, 123cm wide x 64cm deep x 234cm high, (48in wide x 25in deep x 92in high)Footnotes:A detailed painting by Shirley Slocombe, dating to 1906, of a virtually identical model of - possibly even the same - bureau cabinet as the present lot appears in both P. Macquoid, A History of English Furniture, 1989, London, Pl. XXXVII and S.E. Stuart, Gillows of Lancaster and London, 1730-1840, Vol. II, 2008, Woodbridge, pl. 605, p. 59. Stuart describes this painting as showing an: 'unrecognised superb Gillow bureau clothes press or bookcase' so it is exciting to consider that the offered cabinet is, even if not the direct subject of Slocombe's illustration, at the very least a supreme showcase piece made by the Gillows workshop in circa 1760.The distinctive carving of the Corinthian capitals on the stop-fluted pilasters flanking the doors of a Gillow clothes press supplied to Ralph Bell of Thirsk Hall, Yorkshire, in 1761, is very similar to the Corinthian ones on the present example. We know that the carving on the Thirsk Hall press was executed by James Townson, who was employed by the Gillows firm at that time, so it seems logical to presume that Townson also completed the carved details on the above as well. The Thirsk Hall press features in S.E. Stuart, Idem, pl.'s 595 & 596, pp.'s 52-54. The shaped cartouches with foliate spray angles on the doors of the offered lot correspond to the panelling on the upper section of a secretaire clothes press and two wardrobes produced by Gillows in 1766 and 1772 respectively, Ibid, pl.'s 598, 606 & 607, pp.'s 54-61. It is also interesting to note that the secretaire press, which was supplied to John France in 1766, has a conforming pattern of blind fretwork frieze to that appearing on the bureau cabinet in the Slocombe painting. A related bureau cabinet, likewise attributed to Gillows and dated circa 1760, which was also possibly carved by James Townson sold Christie's, New York, 14 October 2016, Living with Art, lot 230. The stop-fluted Corinthian pilasters flanking the doors of this comparable appear essentially identical to the ones carved on the offered example. And in turn both of these pairs of pilasters conform to those known to have been executed by James Townson on a Gillows clothes press supplied to Ralph Bell of Thirsk Hall, Yorkshire in 1761, S.E. Stuart, Gillows of Lancaster and London, 1730-1840, Vol II, 2008, Woodbridge, pp.'s 52-53, pl.'s 595 & 596.LiteratureP. Macquoid, A History of English Furniture, 1989, London.S.E. Stuart, Gillows of Lancaster and London, 1730-1840, Woodbridge, 2008.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Henry Robert Witherspoon, An ink and watercolour study of a spray of blackberries, watercolour, bearing monogram and with a blind stamp, 10" x 15".

An Edwardian stained mahogany kidney shaped desk, the gilt-tooled green leather top, above three frieze drawers and two banks of three short, graduated drawers, with blind fret carving, raised on claw and ball feet, 110cm wide

A Collection Of Blues Records To Include Artists Such As, Lightnin Hopkins, Muddy Waters, Lead Belly, Blind Sonny Terry,  Big Joe Williams,  Davy Graham , Bert Jansch. 

After Edith Le Breton (British 1912-1993), 'The Bandstand', signed print, bearing blind stamp and letter to number stamp lower left, 58cm x 48cm, framed and glazed.

After Andy Warhol, a limited edition screenprint numbered 75/100 of Marilyn Monroe, signed within the print and with 'Art Gallery New York' and 'Leo Castelli' stamps verso, with blind stamp 'George Israel Editeur', 56 x 38cm, framed and glazed.

LAURENCE STEPHEN LOWRY RA (1887-1976) limited edition print, The Family, signed to lower right , gallery blind stamp lower left, 23 x 30 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

LAWRENCE STEPHEN LOWRY RA (1887-1976) limited edition print Group Of Children, signed lower right, unnumbered with gallery blind stamp lower left, 19 x 18 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

LAWRENCE STEPHEN LOWRY RA (1887-1976) limited edition print Fever Van, signed lower-right, unnumbered with gallery blind stamp lower left, 51 x 40 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

BOX CONTAINING HEDGE CUTTERS, TRIMMER AND BLIND

DAVID SHEPHERD PRINT ENTITLED THIS ENGLAND WITH BLIND PROOF STAMP SIGNED BY THE ARTIST F/G 85CM X 54CM

A LAURENCE STEPHEN LOWRY R.A (1887-1976) 'THE LONELY HOUSE' SIGNED IN PENCIL WITH MAGNUS PRINTS BLIND STAMP, 29CM X 51CM, VERSO OF IMAGES OF THE PRINT BEFORE FRAMING. LIMITED EDITION 253/500

Boyd, William A collection of 19 signed works An Ice-Cream War. London: Hamish Hamilton, 1982. 8vo, first edition, signed; On the Yankee Station. London: Penguin, 1982. 8vo, softcover, signed; Stars and Bars. London: Hamish Hamilton, 1984. 8vo, first edition, signed; The New Confessions. London: Hamish Hamilton, 1987. 8vo, first edition, signed; Brazzaville Beach. London: Sinclair-Stevenson, 1990. 8vo, first edition, signed; The Blue Afternoon. London: Sinclair-Stevenson, 1993. 8vo, first edition, signed; The Destiny of Nathalie 'X'. London: Sinclair-Stevenson, 1995. 8vo, first edition, signed; Nat Tate, an American Artist, 1928-1960. Cambridge: 21 Publishing Ltd, 1998. 8vo, first edition, signed; Armadillo. London: Hamish Hamilton, 1998. 8vo, first impression, signed; Any Human Heart. London: Hamish Hamilton, 2002. 8vo, first edition, signed; Fascination. London: Hamish Hamilton, 2004. 8vo, first impression, signed; Bamboo. London: Hamish Hamilton, 2005. 8vo, first edition, signed; Restless. London: Bloomsbury, 2006. 8vo, first impression, signed; Waiting for Sunrise. London: Bloomsbury, 2012. 8vo, third impression, signed; Solo. London: Jonathan Cape, 2013. 8vo, first impression, signed; Sweet Caress. London: Bloomsbury, 2015. 8vo, first impression, signed; The Dreams of Bethany Mellmoth. London: Viking, 2017. 8vo, first impression, signed; Love is Blind - the Rapture of Brodie Moncur. London: Viking, 2018. 8vo, first impression, signed with book signing ticket loosely inserted; Trio, a Novel. London: Viking, 2020. 8vo, first impression, signed; all hardcover works with unclipped dust-jackets (19)

19th Century flame mahogany two stage blind panelled linen press cupboard. (B.P. 21% + VAT) Dimensions - 126 x 59x195 cm ApproxRepaired hinge. Only 2 slides present, 2 escutcheons missing. Beading on door partially detached. Small piece missing and split to side. Piece missing from rear of cornice. Back not visible. One door is a little faded. Wear and tear commensurate with age.

FRÉGER, CHARLES1975 BourgesTitel: Schab 1 (Austria). Untertitel: Aus der Serie: Wilder Mann. Datierung: 2010/11. Technik: Inkjet Print. Darstellungsmaß: 35 x 27cm.Blattmaß: 41 x 30,5cm. Bezeichnung: Signiert, datiert, betitelt und bezeichnet sowie mit dem Trockenstempel des Fotografen versehen. Exemplar: 1/2. Rahmen: Rahmen. Die Fotografie ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.charlesfreger.com).Provenienz: - Galerie Kicken, Berlin. Erläuterungen zum KatalogCharles Fréger Frankreich Fotografie Zeitgenössische Kunst 2010er Natur Fotografie Inkjet-Print Mann FRÉGER, CHARLES1975 BourgesTitle: Schab 1 (Austria). Subtitle: From the Series: Wilder Mann. Date: 2010/11. Technique: Inkjet print. Depiction Size: 35 x 27cm. Sheet Size: 41 x 30,5cm. Notation: Signed, dated, titled and inscribed as well as equipped with the photographer's blind stamp. Number: 1/2. Frame: Framed. The photograph is listed on the artist's official website (www.charlesfreger.com).Provenance: - Galerie Kicken, Berlin. Explanations to the Catalogue

FRÉGER, CHARLES1975 BourgesTitel: Sauvage. Untertitel: Aus der Serie: Wilder Mann. Datierung: 2010/11. Technik: Inkjet-Print. Darstellungsmaß: 35 x 27cm. Blattmaß: 41 x 30,5cm. Bezeichnung: Signiert, datiert, betitelt und bezeichnet sowie mit dem Trockenstempel des Fotografen versehen. Exemplar: 1/2. Rahmen: Rahmen. Die Fotografie ist auf der offiziellen Internetseite des Künstlers aufgeführt (www.charlesfreger.com).Provenienz:- Galerie Kicken, Berlin. Erläuterungen zum KatalogCharles Fréger Frankreich Fotografie Zeitgenössische Kunst 2000er Figur / Figuren Fotografie Inkjet-Print FRÉGER, CHARLES1975 BourgesTitle: Sauvage. Subtitle: From the Series: Wilder Mann. Date: 2010/11. Technique: Inkjet-print. Depiction Size: 35 x 27cm. Sheet Size: 41 x 30,5cm. Notation: Signed, dated, titled and inscribed as well as equipped with the photographer's blind stamp. Number: 1/2. Frame: Framed.The photograph is listed on the artist's official website (www.charlesfreger.com).Provenance:- Galerie Kicken, Berlin. Explanations to the Catalogue

New Zealand White Wine12 bottles The Rap Tor Chardonnay 2019; Saint Clair Wairau Reserve Sauvignon Blanc 2019; Saint Clair Omaka Reserve Chardonnay 2018; Rohe-Blind River Sauvignon Blanc 2020; Rapaura Springs Reserve Sauvignon Blanc 2020; The King's Favour Sauvignon Blanc 2019; Mount Vernon Sauvignon Blanc 2019; Stoneleigh Sauvignon Blanc 2020; Saint Clair Sauvignon Blanc 2019; Saint Clair Barrique Sauvignon Blanc 2017 (2 bottles); Stoneleigh Latitude Sauvignon Blanc 2020

A very rare early 18th century pewter and brass-inlaid Italian table clock with six-hour dialFrancesco Papillion, FirenzeThe break-fronted case surmounted by an elaborate cast handle over a stepped caddy top with moulded edges over the architrave with an inset silk-backed blind sound fret, the sides with long glazed panels, on a moulded base and bun feet, the 5 inch silvered dial marked I to VI framed by a minute ring marked in tens for each hour, with single blued steel hand, mounted on an engraved gilt brass dial plate signed in an engraved cartouche within a pattern of strapwork, scrolls and flowers on a matted ground, the small rectangular movement plates united by four baluster pillars pinned through the backplate, with single 'tandem barrel' driving both wheel trains, the going train with verge escapement (the 'scape wheel mounted at an angle) to a short verge bob pendulum mounted on silk within cycloidal cheeks, the strike train sounding on a vertical bell. Ticking and striking, together with a winding key. 49cms (1ft 7ins) high.Footnotes:There is little information about Francesco Papillion. There are only a few signed clocks by him which include a night clock in the Getty Museum and an alarm watch in the British Museum. Archival records in Florence show that Papillion entered the clockmaker's guild in 1705.The six hour clock was used in Italy, especially in the Papal States, until the end of the 18th century, when Napoleon replaced it with the 12 hour system. The six hour, or 'Roman time' started just after sunset with the evening prayers, and worked around the Canonical hours.For further information on this lot please visit Bonhams.com

JOHN BROOKE. A 19th century naive painting of a blind musician with his Northumbrian pipes. Oil on panel. Signed & dated 1845. 30 x 26cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.  

JEREMY KING. 'Pont Pill, Lanteglos-by-Fowey'. Limited Edition coloured lithograph. Signed in pencil & No.130/350. Christies Contemporary Art blind stamp to lower margin. 40 x 60cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT or other large, glazed or fragile pictures. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uK 

Ephemera, pre 1840 leather-bound scrap album (boards detached) with blind embossed pages containing Valentines, collages, coronation of Queen Victoria, original artwork, engravings, 60+ pages (gen gd)

Football autographs, Southampton FC, b/w photo showing 'The Class of 81', signed to border by Lawrie McMenemy, Kevin Keegan, Alan Ball, Dave Watson & Mick Channon, with photographers blind, embossed stamp, approx. 50cm x 40cm (ex)

Paul Hogarth OBE RA, ‘Dubrovnik Restituta’, limited edition print, blind stamp, signed in pencil and numbered 44/80. Image 16” x 18.5”, frame 23.5” x 27”. Good condition 

Paul Hogarth OBE RA, ‘Forn Des Teatre’ limited edition print. Blind stamp, signed in pencil and numbered 22/175. Image 13.5” x 17.5”, frame 19” x 24”. Good condition 

A GOOD PATTERN 1897 BRITISH INFANTRY OFFICER'S SWORD WITH DEDICATION INSCRIPTION, UNSIGNED, no visible serial number, dated for 1911, with straight spear-point 32 3/4in. blade etched with arabesques, crowns and coat of arms, 'GRV' device, broad blind fullers, nickel-plated half basket hilt pierced with honeysuckle leaves and the device of 'GRV', the outer face of the thumb-guard inscribed 'PRESENTED TO F.S. FLETCHER ESQ. BY THE MEMBERS OF THE SERG'TS MESS, Ist C.B.R.F. 16.10.1911', sharkskin grip with wire binding, chequered back-strap and domed pommel, complete with its leather field knot, leather scabbard and nickel-plated dress scabbard (minor spot-stains only). This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

J. MORY ARMURIES, SPAIN A SWORDSTICK WITH ETCHED BLADE, circa 1900, the 26 1/2in. narrow blade with deep blind fullers to both sides, the top face etched with panels of scroll and signed 'TOLEDO' (some pitting), the underside etched with similar scrolls and marked at the forte 'J. MORY ARMURIES, florally embossed brass collar with concealed release button (traces of gilding) and crooked horn handle, natural bamboo scabbard, 36 1/2in. overall. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

CARL EICKHORN, SOLINGEN A GERMAN WORLD WAR TWO INFANTRY OFFICER'S SWORD with plain 30 3/4in. narrow slightly curving spear-point blade, broad blind fuller to both sides, cast and carved bronze 'P' shaped hilt with broad langets, one decorated with an eagle and swastika device, the reverse with a vacant panel for engraving, wire bound cellulose-covered grip-piece and carved back-strap with doves-head pommel, complete with its black painted iron scabbard (small losses to finish) and bullion portapee knot, overall length in scabbard 36 3/4in., weight approx. 2 1/4lbs.. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

ENFIELD, ENGLAND A BRITISH CAVALRY TROOPER'S SWORD, PATTERN '1908', no visible serial number, ordnance inspector's stamp for August 1915, with straight narrow blind-fullered 35in. blade, pattern mark to back edge near hilt, sheet iron plain bowl guard with rolled edge, composite chequered 'pistol-grip' hilt with depression for thumb and domed pommel, complete with its iron scabbard with twin fixed suspension rings, overall length 44 1/2in., weight approx. 4lbs.. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

ROBBINS, DUDLEY A SCARCE WORLD WAR ONE 'T' HANDLED TRENCH-DAGGER, circa 1917, with 5in. stiletto blade, twin narrow blind fullers to each side joining near the tip, cast and moulded aluminium handle with a shaped iron finger-guard for three fingers, the narrow end of hilt stamped 'ROBBINS DUDLEY', good condition and complete with its original leather belt-scabbard with button-down tie, overall length of knife 6 1/2in., weight under 1lb.. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

CASE CUTLERY CO. USA A WORLD WAR TWO MILITARY BOWIE-KNIFE, MODEL 'V44', with bright 10in. clip-point blade false edged for the last 4in., twin narrow blind fullers to both sided running parallel to the back edge, the left hand side marked near hilt 'CASE X X', straight boat-shaped brass cross-guard with bulbous quillions and smooth cranked hard-rubber grips held by three rivets, complete in its plain leather scabbard with belt-loop to reverse, knife 14in. overall, weight in scabbard approx. 2lbs.. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

CARL EICKHORN, SOLINGEN A WW2 GERMAN RAD ENLISTED MANS HEWER, circa 1938, with heavy hatchet-shaped 9 3/4in. blade etched with the motto 'ARBEIT ADELT' (work enables) on the right hand side, blind fuller to both sides and the maker's mark together with 'GES. GESCH' and 'RADJ' within a triangle on the left hand side, solid iron carved cross-guard and hilt, stag-horn scales and 'eagles-beak' pommel, complete with its original metal scabbard with engraved steel fittings (losses to black painted section), overall length of knife 14 3/4in., weight in scabbard approx. 2 1/4lbs.. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)

A FINE PAIR OF 22-BORE FLINTLOCK HOLSTER-PISTOL WITH EBONY STOCKS AND NIELLO DECORATION, UNSIGNED, no visible serial numbers, probably from the Balkans or Greece circa 1780, with 11 1/4in. brushed bright possibly Spanish barrels deeply carved and engraved at the breech-ends with flowers on a stippled ground, the central section with vacant cartouche of Spanish form, carved and raised blind sighting-rib, the muzzles covered with deeply embossed and carved white-metal nose-caps with further niello and possibly traces of gilt embellishment, integral fore-sights, two moulded bands at breech, plain top-tangs, radiused and curved locks with raised carved scroll-work to the pointed tails and cock platforms, raised and carved decoration to both cocks, engraved undersides to the semi rainproof pans, top-jaws and frizzen faces, extensively carved ebony full-stocks featuring raised scrolled borders surrounding areas of stylised floral designs, applied panels of deeply embossed and carved white-metal around the top-tangs and back of wrists en-suite with the nose-caps, en-suite bulbous pommel-caps with long side spurs, en-suite sideplates, trigger guards and full-length ramrod pipes, both pistols retaining their original iron ramrods, each approximately 17 1/2in. overall, weight of each approximately 2lbs..

A 22-BORE FLINTLOCK HORSE-PISTOL, UNSIGNED, no visible serial number, German or Bohemian circa 1775, with 9 1/4in. iron barrel with carved and engraved slightly raised blind sighting-rib, brass boat-shaped fore-sight, stepped and raised platform at breech forwards of the top-tang, flat curved bevel-edged lockplate with pointed and stepped tail, swan-necked cock (top-jaw and screw replaced), lozenge pan, unbridled frizzen, walnut full-stock with carved raised borders around the furniture and ramrod channel, semi birdshead butt with moulded iron butt-cap, the tail extending almost to the carved apron at the top-tang and embossed with a grotesque mask, pillared trigger-guard bow, complex carved and moulded sideplate, lozenge ramrod thimbles and throat with rolled ends and replacement ramrod, 15 1/2in. overall, weight approximately 2 1/4lbs..

L. POND, USA A .30 TEAT-FIRE FRONT-LOADING SIX-SHOT CARTRIDGE REVOLVER, serial no. 1164, circa 1865, with 5in. octagonal barrel signed by the maker and with patents to 1864, plain blind-ended cylinder with removable inserts (some frozen), brass frame, central hammer and sheath trigger, smooth walnut flared grips with detachable ejector rod mounted in the heel, 10 1/8in. overall. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

SIR WILLIAM RUSSELL FLINT (1880-1969), 'THE BALANCE', a limited edition print of two female figures, signed to lower margin with blind stamp, mounted framed and glazed size approximately 43cm x 58cm (print shows signs of yellowing) together with assorted prints and frames, etc

L.S. LOWRY (1887-1976) 'LANCASHIRE LEAGUE CRICKET MATCH', a limited edition print published by the Adam collection in 1967, blind stamp to lower margin - print is faded, together with a box of assorted prints to include Perri Duncan 'Sleeping Cat', Ray Lloyd cricket prints, Diane Elson cat print, hand tinted print, North East View of Shenstone Park by Stebbing Shaw and T. Donaldson published 1798, etc

A local interest train tram or bus transportation destination blind for Lancashire and Cumbria including Ambleside Barrow and Bolton

A local interest train tram or bus transportation destination blind for Lancashire and Cumbria including Preston Keswick and Kendal

An early to mid twentieth century walnut wall mirror, possibly Waring and Gillow, with blind fretwork cartouche and bevelled glass 82cm H

Artist: Andy Warhol (American, 1928 - 1987). Title: "Baron Philippe Rothschild". Medium: Color offset lithograph with gold and blind embossing. Date: Composed c1975. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Comment(s): A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]

A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, the 12.5-inch break arch brass dial, signed 'W Fenton Newcastle', with subsidiary seconds and foliate engraving, the flat top hood with Corinthian columns, the shaped trunk door flanked by blind fretwork carved canted corners, the plain base raised on a plinth. 216cm high. With weights and pendulum

A VICTORIAN CHIPPENDALE REVIVAL MAHOGANY CABINET, the upper section with blind fretwork carved frieze and pilasters, surrounding a pair of astragal glazed doors, the base with similarly carved pilasters and drawer fronts over a pair of panelled doors, raised on splayed bracket feet. 202cm high by 106cm wide 

A GEORGE III MAHOGANY CHEST ON CHEST, the dentil moulded cornice above a blind fret-work carved frieze over two short above three long graduated drawers, flanked by blind fret-work carved canted corners, the base with slide over three long graduated drawers, all fitted with brass swan-neck handles, raised on bracket feet. 194cm high by 116cm wide by 60cm deep

A VICTORIAN CHIPPENDALE STYLE MAHOGANY BOW-FRONTED HANGING CORNER CABINET, with dentil cornice and blind fretwork carved frieze. 95cm high, 66cm wide, 47cm deep. 

Sir Peter Blake RA born 1932 limited edition print number 1 of 250, signed and dated 96, in an ebonised frame, size 69cm x 56cm, with Big Art Issue blind stamp. This lot maybe subject to Artists Resale Act, slight lifting to sides of print from back, some marks to frame otherwise good

William Lionel Wylie RA (1851-1931) etching The Grand Fleet at Scapa Flow The Kaiser Class with the flag of Admiral Von Reuter flying in the Frederich de Grosse being taken to Scapa Flow for internment byt he second Division of the Grand Fleet 25 November 1918 signed by the artist and Albany E Howard Fine Art Trade Guild blind stamp TMC, etching 31cm x 71cm, ebonised frame side 56cm x 91cm, some small spotting foxing and sun staining to mount otherwise generally good