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Click here to subscribeA 19th Century oak credence table, the D-shaped fold over top on turned legs with blind fret carved decoration to the frieze, 100cm wide/Provenance: Henry George Liddell (1811-1898) and thence by descent. Henry Liddell was Dean of Christ Church Oxford and later Headmaster of Westminster School. His daughter Alice was the inspiration for Alice in Wonderland./see illustration
Nameplate ROYAL LONDON SOCIETY FOR THE BLIND and Braille badge ex BR class 47 47745. Built at Crewe in November 1965, named september 1994 nameplates removed 20/07/2004. Locomotive scrapped at EWS TOTON by HNRC in August 2004. Cast aluminium in ex loco condition measures 51.75in x 9.75in. Badge measures 29.75in x 7.75in. Sold on behalf of DB Cargo (UK) Ltd and comes complete with a certificate of authenticity.
A George III Mahogany and Barber's Pole Strung Chest on Chest, late 18th century, the dentil cornice above a blind fret carved frieze and two short over three long drawers all between canted fluted stiles, the base with a pull-out bruising slide and three deep drawers below, on shaped bracket feet, 108cm by 53cm by 183cm See illustration
A George III and later carved mahogany architects desk, with two way ratcheted top, leather inset with a foliate carved edge, above a drawer with writing slide and compartments beneath, over six short drawers, with panelled central cupboard door and panelled sides, on bracket feet, the drawer fronts and sides with blind fret detailing with ebonised colouration to the reserves -the fret may not be original), (at fault) 81cm H x 117cm W x 58cm D
Two WWII Second World War era ' Jane's Fighting Ships ' books. Comprising:Jane's Fighting Ships 1941, edited by F McMurtie, published by Samson Low, Marston, London, March 1942. 530 pages, plus another 63 pp of advertisements and updates to March 1942 including war losses. In original stiff blue cloth-covered boards, with blind stamped title to front and title gold stamped to spine. Size 32 by 19.5 cm. The state of the world's navies at a key point in World War Two, with detailed descriptions and images of hundreds of ships. Contains an additional 42-page war loss section with details of allied and axis losses. There is also a complete list of all the Royal navy's warships. VG condition.andJane's Fighting Ships 1943-4, edited by F McMurtie, published by Samson Low, Marston, London. Packed with black & white photographs and detailed information on the state of the world's navies. 71 pages of advertisements and 581 pages of text. Includes a comprehensive 59-page war loss section and a 20-page update of new vessels launched. Size 32 cm by 19.5 cm. In original blue boards and spine with gold-stamped title. Front hinge weak. There are annotations in ink to the text in several places, presumably to update the book with news of various sinkings and the construction of new ships. A hand-written list of ships has been attached to the section on the Italian navy with a list of the Italian fleet on 01/01/1944; 3 pages of notes have been loosely inserted in the section on war losses to bring this up to date; there are small updates in ink to the sections on the British and French fleets Otherwise Good condition with these reservations.
A reproduction ' Blind Flying Panel ' for a Spitfire cockpit. Comprising of 6x holes for various cockpit dials and their switches. Measures approx; 28cm x 38cm. NOTE: Proceeds from this lot are being donated towards the ' Attack On The Sorpe Dam ' film project. The film tells the story of the famous Dambusters raid of WWII, and features testimony from George 'Johnny' Johnson himself.
An Egyptian Revival Regency parcel gilt and ebonised large pier mirror, the flared cornice with stiff leaf decoration and applied floral bosses, over a blind fret lattice frieze, the original rectangular plate within foliate decorated uprights with floral rosettes to the angles, over a fluted apron and central floral patera, 61 x 40½in. (155 x 103cm.).
A Chippendale style blind feet carved and glazed mahogany display cabinet on stand, c.1910, the broken arch fretwork top over a dentil and blind fret carved frieze, the thirteen pane astragal glazed door beneath enclosing three shelves, on a bowfront stand with pierced fretwork frieze and brackets, over an incuse undershelf with lattice pierced gallery, on blind fret carved square tapered supports with spade feet, 24¾ x 16in. (63 x 40.5cm.), 74in. (188cm.) high.
Ryan Callanan, (British, b. 1981), Marty McDouble, signed lower right in pencil and numbered 75/100, silkscreen print on Somerset paper 77 x 56cm, Shepard Fairey (American, b. 1970), The Writing on the Wall, signed lower right in pencil and numbered 166/300, screenprint, 60 x 44cm (23.5 x 17in), Jef Aerosol (French, b. 1957), Sitting kid, signed lower left and numbered 61/100, pochoir with Blind Angle blind stamp, 58 x 76 cm (3)
A GEORGE III MAHOGANY BUREAU CABINET, C1780, the cabinet with blind fret carved frieze above panelled doors enclosing adjustable shelves and a row of drawers, the interior of the bureau with shell carved, canopied moulding and pilaster compartments, 221cm h; 56 x 110cm++A genuine example, in our opinion not a marriage but with faults from use, much dirt and minor losses to upper part including shrinkage cracks to one door, bureau flap not chipped but slightly warped, the interior good, handles old replacements
SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JOHN BAYNE, STIRLING18TH CENTURY the swan neck blind fret pediment centred by a brass finial over an arched brass dial with Roman numeral chapter ring, with subsidiary seconds and calendar dials, signed 'John Bayne, Stirling', flanked by fluted columns, above a trunk door flanked by pilasters, on a plinth base raised on bracket feet, the eight day movement striking a bell48cm wide, 232cm high, 27cm deep
GEORGE III MAHOGANY WINE TABLEMID 18TH CENTURY the circular dished top with a moulded edge above a tapered column with gothic arch blind carving and ending in a shell clasped knop, raised on cabriole legs with acanthus and flowerhead carved knees and terminating in foliate carved pointed pad feet27cm diameter, 62cm high
EARLY GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERSMID 18TH CENTURY of small size, the serpentine top with a moulded edge above a brushing slide and three short drawers, over three further long graduated serpentine drawers flanked by blind fret carved angles, on ogee block bracket feet with brass castors88cm wide, 82cm high, 53cm deep
GEOFFREY WOOLSEY BIRKS (1929-1993) THREE ARTIST SIGNED LIMITED EDITION COLOUR PRINTS, The Allotment, (259/375) 12 ¼" x 18 ¼" (31.1cm x 46.4cm) The Dog Show, (742/850) 8" x 18" (20.3cm x 45.7cm) Street Scene with Road Works, (234/375) 9 ½" x 14 ½" (24.1cm x 36.8cm) AN UNSIGNED LIMITED EDITION PRINT AFTER THE ARTIST 'Pink Bloomers', (14/375) 10 ½" x 10 ½" (26.7cm x 26.7cm) PETER WORSWICK ARTIST SIGNED LIMITED EDITION COLOUR PRINT Seated lady tying a ribbon in her hair, (82/350) All with blind stamps, (5)
ANDY WARHOL (AMERICAN 1928 - 1987) COLOURED LITHGRAPHIC PRINT ON ARCHES PAPER 'Querelle' movie poster designed by Warhol for the 1982 film of the same name, directed by Rainer Werner Fassbinder Signed twice in the plate, numbered 53/100 in pencil, stamped verso 'Leo Castelli' and 'Art Gallery N.Y.', also blind stamped 'Georges Israel, Editeur' 22 1/2" x 15" (57 x 38cm), (unframed)
Paul Binnie (b. 1967 ): A Woodblock Print Haru (Spring) in inks and colours on paper, Artist's Proof, image size 44cms by 29cms, signed in the block and signed by the artist to the margin, 2005; Another Woodblock Print Aki (Autumn) in inks and colours on paper, image size 44cms by 28.7cms, signed in the block and in pencil to the margin with edition limitation A/P8, (from an edition of 100), 2004; Another Woodblock Print Cho Musubi (Butterfly bow) from his series Azuma nishiji bijin awase (A Collection of Eastern Brocade beauties), in inks and colours on paper, signed in pencil to the margin, blind stamped Binnie and with edition limitation 40/100, image size 37.7cms by 26.5cms, 2005; A Woodblock Print Murasaki (Purple), in inks and colours on paper, signed by the artist and numbered 85/100 to the margin, image size 31.3cms by 10.2cms, 2005
Paul Binnie (b.1967): A Woodblock Print Furo Agari (After the bath) from his series Azuma nishiki bijin awase (A Collection of Eastern Brocade Beauties), in inks and colours on paper, blind printed Binnie to the margin and signed in pencil with edition limitation 14/100, image size 38cms by 27.5cms, 2006; Another Woodblock Print in inks and colours on paper being Kyo Maiko from the same series as the preceding item, blind printed Binnie to lower margin with pencil signature and limitation 14/100, image size 37.8cms by 26.4cms, 2007; Another Woodblock Print Asa ni Namida (Morning tears) from the same series, in inks and colours on paper with a mica ground, margin with blind printed Binnie and pencil signature of artist with edition limitation 21/100, image size 37.7cms by 27.8cms, 2009; And Another Woodblock Print Engawa (Veranda) from the same series, in ink and colours on paper, margin with blind printed Binnie, pencil signature and edition limitation 29/100, image size 38.2cms by 26.5cms, 2009
Paul Binnie (b.1967): A Woodblock Print Yume no ato (Lingering dreams), in inks and colours on paper, blind printed Binnie to margin with artists pencil signature and edition limitation 23/200, image size 49.4cms by 35.5cms, 2006; Another Woodblock Print Yuge (Steam), in inks and colours with mica details and sujizuri technique on paper, signed to the lower margin with the edition limitation 29/30, image size 40.9cms by 26cms, 2009; Another Woodblock Print Zabuton (Cushion) in inks and colours on paper, signed, titled and numbered 11/30 to lower margin, image size 37.7cms by 28cms, 2009; And Another Woodblock PrintNamida (Tears) in inks and colours on paper, signature, blind printed Binnie and edition limitation 21/50 to lower margin, image size 37.9cms by 27.1cms, 2009
Paul Binnie (b.1967): A Woodblock Print Tasogare (Twilight) in inks and colour on paper, from his series Azuma nishiki bijin awase (A Collection of Eastern Brocade Beauties), signed in pencil to lower margin with edition limitation 19/100 and blind printed Binnie, image size 38cms by 8.1cms, 2010; Another Woodblock Print Shoya (First Night) from the same series as above, in inks and colours on paper with gofun and mica details, blind printed Binnie to lower margin with pencil signature and edition limitation 23/100, 2011; And Another Woodblock Print Adesugata (Alluring Figure) in inks and colour on paper with gold and silver details, from the same series, signed and numbered 21/100 with blind stamped Binnie to lower margin, image size 38cms by 26.5cms, 2015
A LONDON TRANSPORT / LONDON COUNTRY BUS DESTINATION BLIND for routes comprising 303 via Little Wymondley; 420 via Sheerwater; 461A Weybridge / Addlestone; 463 New Haw / Woodham; Green Line 716 Weybridge / Kingston / London (Marble Arch) / Welwyn Garden City; Green Line 716A Weybridge / Kingston / London (Marble Arch) / Welham Grn / Welwyn Gdn City; London Transport Tour from Stevenage / Private To Hire a Bus Apply to Nearest London Country Garage.
Andy Warhol (1928-1987) The Nun, from Ingrid Bergman, 1983 (F. & S. II.314)screenprint in colours on Lenox Museum Board - numbered 215 from an edition of 250 (total edition includes 20 artist's proofs) with the printer's blind stamp Rupert Jasen Smith, New York. Published by Galerie Borjeson, Malmo, Sweden.hand signed in pencil and numbered 215/250 lower right 96½ x 96½cm (38 x 38in)Taylor Gallery, Belfast; Private Collection Feldman-Schellmann II.314
Advertising Original Vintage Poster for a concert by English rock band Traffic and Freedom at Sussex University (1960s). Traffic were an English rock band, formed in Birmingham, in April 1967 by Steve Winwood, Jim Capaldi, Chris Wood and Dave Mason. They began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Their first three singles were "Paper Sun", "Hole in My Shoe", and "Here We Go Round the Mulberry Bush". Traffic disbanded in 1969, during which time Winwood joined Blind Faith, then reunited in 1970 to release the critically acclaimed album John Barleycorn Must Die. The band's line-up varied from this point until they disbanded again in 1974. A partial reunion, with Winwood and Capaldi, took place in 1994. Traffic were inducted into the Rock and Roll Hall of Fame in 2004. Freedom was a psychedelic rock band active in the late 1960s and early 1970s, formed initially by members of Procol Harum. Ray Royer and Bobby Harrison, who had performed on the hit Procol Harum single "A Whiter Shade of Pale", were kicked out of the Harum by vocalist Gary Brooker, and replaced by Robin Trower and Barry Wilson. Royer and Harrison then formed Freedom with Steve Shirley and Tony Marsh, who was immediately replaced by pianist / organist Mike Lease, releasing two German singles and the soundtrack for the Tinto Brass/Dino de Laurentiis film Attraction (original title Nerosubianco, also known as Black on White). In 1968, Harrison entirely overhauled the group's membership, and the new line-up began recording with more of a hard rock sound, scoring tour dates with Black Sabbath, Jethro Tull, and The James Gang. They achieved great renown for their excellent version of the Beatles song "Cry Baby Cry" on their second album Freedom at Last. Further lineup changes occurred before the band finally splintered in 1972, with Harrison going on to Snafu. Country: UK. Year: 1960s. Artist: Cris Shaw. Size (cm): 76x51 Good condition, waving, creases and faint staining.
Original vintage film poster for Target Hong Kong, the 1952 Fred F. Sears anti-Communist crime action thriller ("Red Hot Action in the hottest spot on earth!"; "Blasting the world's worst spy nest!") starring Richard Denning, Nancy Gates, Richard Loo, Soo Yong, and Ben Astar. Note that the movie deals with Denning being recruited by U.S. agents to keep the Chinese Communists from taking over Hong Kong. Of course, Hong Kong has since been given back to the Chinese! The design features Richard Denning holding a pistol while in the sights of a crosshair. Nancy Gates can be seen in the background with other characters from the film. The tagline reads - 'Blasting the worlds worst spy nest!' Good condition, fold marks, small paper losses, pin holes, ink stamp on reverse, blind embossing on margin, very small tears in margin. Country: USA Year: 1953 Size (cm) 104x68
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