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19TH CENTURY WELSH OAK SECRETAIRE PRESS CUPBOARD having moulded cornice over two arched blind panel doors with fitted shelves to the interior over a fall front secretaire drawer revealing fitted interior, two further cock beaded drawers below all with turned knobs standing on baluster turned feet. Circa 1865. 47.5" x 82" x(121cm x 208cm) CONDITION REPORT: Fair condition for age. Rather dry with fading and splitting to panels on both ends. General scuffs and wear and tear commensurate with age. Areas of missing cock beading on drawers. Moulding loose to one side of base. Lock missing on fall front.

19TH CENTURY MAHOGANY TWO STAGE HANGING PRESS CUPBOARD having moulded cornice over two blind panel doors, the projecting base with two short, two long graduated drawers with turned knobs, standing on baluster turned feet with shaped apron. Circa 1840. 51" wide x 23.5" deep x 84" high. (128cm x 60cm x 222cm) CONDITION REPORT: Damage with minor loss to top of right hand door frame. Evident panel crack to left hand door. A little dry with wear and tear commensurate with age. No other serious damage or losses.

EARLY 19TH CENTURY WELSH OAK LOW TWO STAGE PRESS CUPBOARD having moulded cornice over reeded frieze with heart shaped escutcheon, above a pair of double panel pointed ogee moulded blind doors having bone escutcheons and flanked by quarter reeded panels, revealing fitted shelves to the interior, over four dummy drawers with similar escutcheons. The base with an arrangement of five moulded drawers having bone escutcheons and later turned knobs, standing on shaped bracket feet. Circa 1820. 53" x 21" x 67" (135cm x 53cm x 171cm). Probably Cardiganshire. CONDITION REPORT: Overall good, a little dry and faded in places. Shrinkage to sides. Two missing escutcheons. One end particularly dry. General wear and tear commensurate with age.

18TH CENTURY STAINED PINE TWO SECTION PRESS CUPBOARD having moulded and reeded cornice over two blind panel doors with fitted shelves to the interior, the separate base with two short moulded edge drawers over two long drawers, all with turned knobs and standing on splay bracket feet. Crica 1780. 18" x 23.5" x 29" (46cm x 60cm x 74cm). CONDITION REPORT: Well worn overall, one cornice return is detached but with the lot. Two moulding returns to the cornice are missing. Generally worn and restained overall. Scuffed and marked particularly around lower edges and feet. Cracks evident to two of the side panels.

18TH CENTURY WELSH OAK TWO STAGE HANGING CUPBOARD having moulded cornice over three raised and fielded panels to the frieze, pair of blind ogee panel doors revealing full depth hanging space with wooden hooks to the interior, the projecting base with raised and fielded panels, three dummy drawers over two long drawers below. Reduced stile supports. Circa. 1770. 60.5" x 22" x 72" (153cm x 55cm x 183cm) CONDITION REPORT: The original style feet have been cut down almost flush with the floor. Reasonable medium colour. A little dry and lacking in patination. Structurally good. Minor damage and losses to the cornice and moulding to on side.

18TH CENTURY WELSH OAK TWO STAGE HANGING CUPBOARD having moulded cornice over two single ogee pointed arch panel doors, on a projecting base with four blind cock beaded dummy drawers over three short and two long cock beaded drawers having brass swan necked handles standing on slightly reduced bracket feet. Circa 1780. 59.5" x 20.5" x 79" (150cm x 52cm x 198cm) CONDITION REPORT: Overall good condition with decent medium colour, a little dry in places. Some missing handles, one dummy drawer front is loose. Further detailed condition report on request.

MID 19TH CENTURY WELSH OAK TWO STAGE PRESS CUPBOARD having moulded cornice with turned randles over a pair of blind arch panel doors revealing adjustable sliding shelves on a projecting base with two long and two short graduated cock beaded drawers. All with turned knobs above a shaped apron on baluster turned feet. Circa 1865. Welsh. 51" x 20" x 82.5" (130cm x 51cm x 210cm) CONDITION REPORT: Although structurally sound it is very dry and faded. General scuffs and marks commensurate with age. Will requiring re-polishing. Panels to doors have shrunk. Split to moulding below cornice.

LATE GEORGIAN WELSH OAK DOUBLE STANDING CORNER CUPBOARD having moulded cornice over mahogany veneered frieze, pair of astragal glazed thirteen pane doors revealing three shaped shelves to the interior, the base with two blind panelled cupboard doors standing on bracket feet. 44" x 21" x 81.5" (112cm x 53cm x 207cm) CONDITION REPORT: Good clean, original condition overall, minor scuffs and wear in places commensurate with age but no serious damage or losses.

19TH CENTURY MAHOGANY DOUBLE STANDING CORNER CABINET having moulded and dentil cornice over single thirteen pane astragal glazed door revealing shaped shelved to the interior, the projecting base with reeded frieze over a pair of blind panelled doors with ebony stringing on bracket feet. Circa 1840. 33" x 21" x 83" (84cm x 53cm x 211cm) CONDITION REPORT: Appears in good condition overall, no obvious damage or losses. Minor wear and tear. Two short mouldings missing from below the cornice.

EDWARDIAN INLAID MAHOGANY TWO STAGE CORNER CABINET with projecting cupboard base, having broken swan neck pediment above foliate inlaid frieze, single astragal glazed door with two fitted shelves, the projecting base with similar inlays and cross banding having a single blind door standing on bracket feet. Circa 1900-1910. 29" x 20" x 84" (74cm x 51cm x 214cm) CONDITION REPORT: A little grubby overall, significant veneer losses to the bracket feet, otherwise minor wear and tear only.

18TH CENTURY MAHOGANY NIGHT TABLE COMMODE having pierced gallery top above two blind doors, pull out section below fashioned as two dummy drawers, originally the commode, on moulded square legs. Circa 1780. 21" x 18" x 32" (53cm x 46cm x 82cm) CONDITION REPORT: Basically sound. Evident crack to top surface and side panels in places. Rather grubby overall. Stain to drawer front, scuffs and wear particularly to lower legs.

WELL MADE EARLY 19TH CENTURY NORTH WALES STYLE ELM AND MIXED WOOD RACK BACKED DRESSER having three fitted shelved over a projecting base with three moulded frieze drawers over three small centre drawers flanked by blind panel cupboards on style supports. Bone escutcheons. Second half 20th century. 59" x 18" x 86" (115cm x 46cm x 218cm) CONDITION REPORT: Good condition overall. A modern dresser lacking one knob and one bone escutcheon.

A PART LATE 18TH/EARLY 19TH CENTURY WELSH OAK POT BOARD DRESSER, now having later constructed boarded oak three shelf rack back, the original base with reed moulded top having curved angles above two blind moulded edge frieze drawers, the pot board later replaced, standing on stile feet. 57" x 17" x 80" (145cm x 43cm x 203cm) CONDITION REPORT: Heavily restored at some stage. Very likely as a result of it being in exceedingly poor condition. The boarded rack back is a complete but well made replacement. The pot board itself is a later replacement. Overall in usable, fair condition. Some stains, ink marks and wear commensurate with age. The lower parts of the style feet are scuffed, worn and showing evidence of rot in places.

Rock: approx. sixty albums including Greenslade, Blind Faith, Home, Iron Butterfly, Trapeze, Ten Years After and others, various years and conditions

A George III mahogany chest on chest, with blind fret carved frieze over two short and three long drawers above three further long drawers, on pierced bracket feet, W.3ft 7.5in.

A lady's silver gilt Must de Cartier manual wind wrist watch, with rectangular blind lapis lazuli dial and cabochon sapphire set winding crown, on alligator strap with original box.

A lady's silver gilt Must de Cartier manual wind wrist watch, with rectangular blind tri-metallic dial and cabochon sapphire set winding crown, on alligator strap, with original box.

A Louis Phillipe walnut commode , first half 19th century A Louis Phillipe walnut commode , first half 19th century, the shaped black marble top above blind frieze drawer, and three long blind drawers and further blind base drawer, on ogee block feet, 92cm high, 125cm wide, 64cm deep

A French mahogany & gilt metal mounted bureau in Empire Style , 20th century A French mahogany & gilt metal mounted bureau in Empire Style , 20th century, the green marble top above a pair of blind frieze drawers with gryphon and vase motifs, the dome front lifting to two short drawers and pull out brown leather inset writing surface, single drawer and square tapered legs with applied gilt metal Egyptian busts, 115cm high, 80cm wide, 55cm deep

A Continental oval walnut and marquetry centre table A Continental oval walnut and marquetry centre table , third quarter 19th century, with central inlaid chariot scene with figures within a swag and portrait border, above an inlaid swag frieze with single blind drawer on inlaid shaped legs, united by an undertier and ball feet, 73cm high, 112cm x 90cm

A pair of Edwardian mahogany and polychrome painted column pedestals A pair of Edwardian mahogany and polychrome painted column pedestals, circa 1910, in George III style, each of square tapering form, the panelled sides painted with flowers and framed by blind fretwork borders, on a square foot, each 113cm high, each top 33cm square

A George III mahogany linen press, having a plain moulded cornice above a blind fret cut foliate scroll frieze and two arch panelled cupboard doors, enclosing four linen shelves, the lower section fitted three short above two further short drawers with a single long drawer below, raised on shaped bracket feet. H.201cm W.128cm

EDWARDS, LIONEL, The Whaddon Chase, a signed colour print, blind stamped

AFTER CHARLES JOHNSON PAYNE, 'Snaffles', Peshawar Vale, polychrome print with remarques, blind stamp, overall 47cm x 70cm

STURGEON, E.R., artists before a church, signed print, blind stamped 43cm x 58cm

CREAM, ERIC CLAPTON & RELATED - Collection of 16 x LPs to include Fresh Cream (Reaction stereo), Disraeli Gears (Reaction mono), Wheels of Fire (stereo 2LP), Goodbye, Blind Faith S/T, Layla and more. Condition is generally VG+ to Excellent. Some protective tape on some of the sleeves.

BLUES ROCK/PSYCH - Collection of 13 x LPs to include Cream (x2), Jack Bruce, Blind Faith, Derek & the Dominoes, Gary Moore, Tramp, Savoy Brown, Canned Heat (x2), Can, Family Apology and Stray. Generally VG to Ex+ condition.

A walnut and marquetry side table in 17th century style A walnut and marquetry side table in 17th century style, late 19th/early 20th century the inlaid top with central vase of flowers design in foliate scroll border above single blind frieze drawer, on acanthus scroll supports and x-shaped undertier and turned feet 80cm high, the top 100cm x 70cm

A 19th century mahogany framed eight day wall clock The 17 inch white painted dial with Roman numerals within a convex glazed door with cast brass bezel, the four pillar bell striking fusee movement attached to a false plate signed Walker & Hughes, the pine case later. CONDITION REPORTS: Generally in good condition, expected wear, some probable over painting to dial, hands possibly replaced, some surface scratching and wear to dial, various blind holes.

A carved ivory roundel Worked with a female figure holding a model of a cathedral, now mounted as a brooch. 4 cms wide. CONDITION REPORTS: Generally in good condition, expected wear, some slight shrinkage cracks, some slight staining, blind holes to verso, brooch mount later.

*AR SUSANNE CRAWFORD (born 1941) British Lester Piggott and Park Top Limited edition print Signed and numbered 210/250 and with blind stamp 38 x 48.5 cms, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear.

A George III style mahogany serpentine chest of drawers, the moulded top above four long graduated drawers, flanked by blind-fretwork carved canted corners, raised on bracket feet. 82cm by 92cm by 53cm

A Chinese blue and white bottle vase, moulded in low relief with honeycomb to the bulbous body and a collar of leaves to the lower neck, painted with three vignettes of pagodas in a landscape, bears Yongzheng blind seal mark in Zhuanshu script. 11.5cm

Govinder Nazran, Peregrine Pickle, print, signed and numbered 186/600, Washington Green blind stamp, 23cm x 42cm

James Priddey (1916 - 1980), Near Selworthy, Somerset, print, signed and titled, Artists Proof Warwick Galleries blind stamp, 38cm x 27cm

Omar Ramsden, an Arts and Crafts silver travelling Communion chalice, hand hammered in the Gothic style, the removable cover with a ball finial and pierced fleur-de-lys gallery, the body of trumpet form with wrythen ball knop to lower section and blind gallery above, raised on a spreading base, London 1927, 12.5cm high, 2.2ozt

A 20th Century Mahogany Two Section Standing Corner Cabinet, the upper section fitted with three shelves enclosed by a pair of glazed doors, the base fitted with two blind panel doors on bracket feet. H209 x W105cm.

David Shepherd (British b. 1931) 'Greater Kudu' A limited edition colour print, signed by the artist, Fine Art Trade Guild Blind Stamp, together with 'Serengeti' 447/850 signed in pencil, both unframed 87.5 x 57.5cm.

A Lionel Edwards signed Print 'Hunting Counties' with blind stamp

Two Framed and Glazed Baxter Prints with blind stamps

A box of assorted ephemera to include various early 20th Century photograph albums to include photographs entitled "Visit of King George 1911", various images of Mont Blanc and Geneva, together with a box of sundry items to include books, flower press, etc and two Pratt lid style plaques, one depicting "Highland Music" by Sir Edwin Landseer, the other "The Blind Fiddler" by Sir David Wilkie RA, together with a box of Scalextric track

A MAHOGANY SERPENTINE FRONTED CHEST OF DRAWERS, the shaped top with crossbanded eared border, above four graduated long drawers between canted corners with acanthus leaf and blind fret carved decoration, on plinth base, 36" high x 41" wide. See illustration

PHILLIP BELL: A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers between canted corners with blind fret decoration, the lowest section with a brushing slide above three further long drawers, all with brass handles, on bracket feet, 74" high x 46" wide, with a paper label to the upper right short drawer 'Phillip Bell Cabinet Maker: Upholders and Undertaker at Number 23 in St. Paul's Churchyard London'.

TWO LONG CHINESE GILTWOOD PANELS, one of openwork form with archaistic scrolls, Qing, 66.5" long; the other with precious objects on a blind-fret ground, Qing, 60.5" long (2). Provenance: The Collection of the late John Walden (1925-2013).

An early 20th century Chippendale style mahogany bureau bookcase with blind fret decoration, 2 glazed doors over fall front, 3 drawers and cabriole legs

A Victorian mahogany Pembroke table, rounded rectangular leaves, blind drawers to either end, tapering square legs, brass casters.

Archibald Thorburn (1860-1935), Pheasant, Widgeon and Teal, a group of three colour prints, all signed in pencil, with blind stamp, the largest 36.5cm x 51cm.

ALBUM - mid 19th cent., in black morocco with elaborate gilt & blind decorated covers & spine, gilt edges & attractively patterned end papers heightened with gold, crown octavo; approx 80 leaves & containing some 10 engraved portraits, 35 ms. contributions, 12 leaves with coloured cards or scraps (some elaborately embossed & within decorated borders) & 32 engraved views. * commences with an artistically designed, hand-coloured title of floral surmounted swagged curtaining, lettered within the folds -'Emma Sophia Hickson / March 25th. 1865'

GREGORY (Mrs. E.S.) British Violets . . . First Edition. 4 photo. plates & other illus.; gilt-lettered cloth. Cambridge, 1912. * a few interesting BM. (Nat. Hist.) typed notes loosely inserted; BACKHOUSE (J.) A Monograph of the British Hieracia. First Edition. gilt-lettered & blind decorated cloth. York, 1856; with some other mainly 19th cent. related titles of a monographical nature, incl. a few on lichens.

MATEOS (Juan) Origen y Dignidad de la Caca . . . First Edition. engraved 'architectural' title (with portrait of the author), folded portrait of Philip IV of Spain (mounted in the field) & 6 other folded plates, 15pp. prelims. (following title), 120ff. text (numbered on rectos) & 8pp. table; late 19th cent. red morocco, gilt-lettered & panelled spine rejointed, g.e., sm. 4to. Madrid: Francisco Martinez, 1634. * (? continental) arms stamped in blind on covers & 19th cent. armorial bookplate (a branch of the Stirling family); original edition of this classic of the chase, especially boar hunting. Illustrated

[DODOENS, Rembert.] A Niewe Herball, or Historie of Plantes: wherein is contayned the whole discourse and perfect description of all sorts of herbes and plantes . . . translated out of French into English, by Henry Lyte Esquyer. First English Edition. wood-engraved illus. throughout; lacks title & most prelims (& some following the main text), text has 761 (ex 779)pp.; contemp. blind-decorated, stamped calf over wooden boards, panelled spine, later leather repairs, 4to. [Gerard Dewes, 1578]

A Victorian mahogany corner display cabinet with carved and blind fret decoration, with gilt metal mounts, 77'' x 27''

A 19th century figural studies, having blind stamp, together with two other printed figural studies on glass, and one other frame.

Contemporary British school, abstract figural study, watercolour on paper, unsigned, blind stamped. H.76cm W.57cm

A 19th century Continental Gothic Revival sacristy cabinet, having a dentil moulded cornice above a pair of folding blind fret-cut cupboard doors, with a further four folding cupboard doors below, raised on a plinth base, marriage. H: 218cm W: 143cm

WINTERHALDER, GERMANY GOOD QUALITY 1920's CHIMING MAHOGANY LONGCASE CLOCK, the 12 1/4" dial with foliate pierced spandrels, subsidiary seconds dial to the matted and silvered centre and silent/chime and Westminster/Whittington dials to the arch, the reverse stamped, 16808, powered by a substantial movement, driven by three brass cased weights and striking on eight graduated silvered tubular gongs and single hour gong, the case with swan neck pediment over cluster fore columns and pierced sound frets to the sides, over a Chippendale style blind fret carved frieze and long trunk door with bevel edged over glazed centre and raised on a panelled base with shaped plinth, 85" (216cm) high (one hammer broken)

GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with rolling moonphase, signed Major Schofield, Manchester, the 14 1/4" dial with silvered chapter ring, pierced scroll spandrels and Halifax moonphase and subsidiary date dial to the engraved centre, powered by an eight day movement striking on a bell and housed in a case with rosette mounted swan neck pediment, foliate scroll and blind fret carved frieze and brass capped and fluted free standing fore columns over a long trunk door with shaped top, flanked by split turned and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89 1/2" (127.3cm) high

GEORGE III OAK CHEST ON CHEST, the moulded cornice above a blind fret frieze and two short and three long graduated and cockbeaded drawers, fitted with oval brass handles, the conforming lower section with three long graduated drawer raised on shaped bracket feet, 74 2 1/2" (189.2cm) high, 42" x 22" (106.7cm x 55.9cm)

After MICHAEL TURNER - Piece of Cake, coloured limited edition print signed by the artist and three RAF signatures, blind margin stamp, framed, 45.5cms x 63.5cms

A mahogany serpentine fronted chest of drawers of Georgian design, the canted front corners with blind fret ornament, fitted slide and four long graduated drawers, on bracket feet, 31ins wide x 20ins deep x 32ins high (split to one side)