We found 44913 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 44913 item(s)
    /page

Lot 739

A VERY GOOD LATE 19TH CENTURY ‘CHIPPENDALE’ MAHOGANY MINIATURE LONGCASE CLOCK by Thomas Wainwright & Jenny Bentley, with moon face, silver chapter ring, eight day movement, contained in a superb quality mahogany case, swan neck pediment with blind and pierced fret carving, supported on bracket feet. 4ft 10ins high.

Lot 32

A CHIPPENDALE STYLE MAHOGANY WALL BRACKET fitted three shelves with blind fretwork decoration and brass handle, 20 1/2" wide.

Lot 81

A GEORGE III MAHOGANY ARMCHAIR with Gothic arch back, overstuffed seat and blind fretwork decoration and square cut legs, 23" wide.

Lot 251

A JAPANESE IVORY OKIMONO in the form of a group of blind men, two playing musical instruments, signed 'JU MIN', Meiji Period, 2 1/4" wide.

Lot 280

CLIFFORD JAMES (fl. 1920's) - After George Morland 'Playing Soldiers' and 'Blind Man's Buff', two mezzotints, published C. 1913, pencil signed in the margin, 15 1/2" x 20 1/2" (2).

Lot 400

PRATT, Anne, 'The Flowering Plants and Ferns of Great Britain', S.P.C.K. nd. 8vo. A.e.g. Numerous cold. plts. Floral dec. blind tooled cl. spines sunned. 5 vols. Tog.with 'The Ferns of Great Britain and Their Allies', S.P.C.K. 3rd. edn.Uniformly bd. 6

Lot 407

THE HOLY BIBLE. Robert Barker, 1634. 8vo. Bound with: Book of Common Prayer (lacking 1st 2 pp.), Genealogies, 1636, Description of Canaan with map. Engrd. tp, OT & NT. A Brief Concordance, 1633. The whole Book of Psalmes, 1636 incomplete. Wdct. initials. Full blind tooled leather, now lacking clasps.

Lot 1956

William Derby (1786-1847), The Blind Piper, oil on panel, signed, 37cm x 29cm.

Lot 287

Charles Johnson Payne 'Snaffles' (1884-1967) 'The Bonnie Blue Bonnets frae ower the border' chromolithograph, signed in pencil, bears blind stamp, 32cm x 29.5cm

Lot 482

A George III mahogany serving table with crossbanded rectangular top, blind fret-frieze carved with bell motifs above trelliswork and on chamfered square legs with pierced 'gothic' brackets, 92cm high x 173cm wide, probably originally with a marble top.

Lot 48

AFTER TOM DODSON [XX CENTURY] Street Games I, signed limited edition colour print, from an edition of 850 published in 1974, blind stamp and pencil signature, 45 x 74 cms.

Lot 315

A Victorian mahogany bijouterie table the hinged top with blind fret frame, on hexagonal legs and small brass castors, 76cm high

Lot 381

William Woodall (1832-1901) Politician and Philanthropist, of Burslem, Stoke on Trent. A remarkable and extensive collection of letters written to him from around the 1860s to the end of the century, most pasted into ten old albums often accompanied by portrait photographs of the writers, with some loose letters in a small box. Woodall was chairman of the Burslem School Board 1870 to 1880 and the Wedgwood Institute, both bodies advancing the cause of technical education. He sat on royal commissions on technical education (1881-84) and the care of the blind and deaf mutes (1886-89). Woodall was MP for Stoke on Trent 1880-86, and was first representative for Hanley from 1885-1900. He supported home rule, and was chairman of the Central Committee for Women's Suffrage (established in 1872), and tried, unsuccessfully, to push through parliament an amendment which would allow married women to vote. In 1886 Gladstone appointed him Surveyor General of the Ordnance, and from 1892 to 1895 he was financial secretary to the War Office. Most of the letters are of a political nature (Liberal Cabinet and party members), including one from Gladstone proposing his appointment as Surveyor General of the Ordnance. Others cover his time as local MP, and in his official capacity at the Wedgwood Institute in Burslem, where he would invite speakers, often leading people of the day, for example Charles Dickens who politely declines 'to read' in a one page letter with his typical signature flourish. Three letters from William Morris on the other hand, confirm a more favourable response to an invitation by Woodall. The contemporary albums are in rather tired condition, some of covers are detached. Letters or notes in the first album include: W Gladstone, Sir Henry Campbell-Bannerman (2), J G Rogers, Sir John Hibbert, Arthur Peel, Lord Ripon, Lord Granville, etc. Album two: Sir Edward Grey, Robert Hanbury, Lord Dartmouth, George Duke of Cambridge, Lord Curzon, Sir Oliver Lodge, Shaw Lefevre, Richard Temple, Wilson Barrett (Savage Club), Herbert Beerbohm Tree, Gertrude Tennant, poem by Lady Currie (pen name 'Violet Fane'), Fridtjof Nansen signature, etc. Album three: Henry M Stanley photograph with signature below 1891, Harry Furniss, Elizabeth Lynn Linton, T P O'Connor, George Grossmith, Field Marshall Francis Grenfell, Nora Philipps, G Lawson, Richard Temple, George Russell, Princess Louise, Henry Broadhurst, the Bechuana Chiefs' signatures with press cutting (visiting Britain in 1895 to protest against the proposed annexation of their land), Henry Irving, William Martin Conway, Earl of Crewe, G A Henty, Sir Oliver Lodge, Earl of Clarendon, Emily Crawford, etc. Album four: Gladstone (3), Sir Henry Campbell-Bannerman, Sir William Harcourt, Sir Henry Roscoe, Stuart Rendel (several), etc. Album five: Arthur Peel, Lord Wolseley, Thomas Ellis, Ellen Terry, Arthur Collins, Field Marshall Evelyn Wood, Augustus Hare, Kate Greenaway, Philip Morris (artist), Lord Dartmouth, Rudyard Kipling (1890), Lord Crewe, Sir Charles Wyndham Murray, Haddon Chambers (playwright), Henry John Yeend King, Dinah Craik (author), Maud Beerbohm Tree, Sir Lewis Morris (poet), Dorothy Stanley, Campbell-Bannerman, Stanley Baldwin 1931 tls to Mr Howard Figgis, etc. Album six: Gladstone, Charles Dickens 1863, declining to read in Burslem, Garibaldi 1861 from Caprera, John Ruskin 1864 sending four of his works to the Wedgwood Institute library, Lord Granville, Thomas Carlyle 1869 blue pencil note '...the utility of your enterprise will depend mainly on yourÉ in selecting books, on your earnestly and religiously choosing books that are nourishment to the mind of a man, and vigourously rejecting what are poison (by far the more numerous class at present)'*, Samuel Smiles, John Bright, Henri d'Orleans Duc d'Aumale, William Macready (actor, x 2), Mrs Gladstone, The Duke of Devonshire, William Rathbone, John Stuart Mill, Lord Shrewsbury, John Lewis Ricardo MP 8pp als to MacIntyre (at Burslem), Lord Derby 1870, George Goschen, Sir Charles Dilke (2), Henry Stacy Marks (RA), G A Henty, William Fraser Rae, Sir Smith Child, Sir Rowland Hill (1869), etc. *Woodall actively sought books for the Institute Library, a wing of which he paid for. Album seven: Gladstone, appointing him Under Secretary of the War Department (1892), Campbell-Bannerman on the same subject, Lord Wolseley, Lord Crewe (inquiring about a plaque by Louis Solon of Minton), Harry Furniss, the Hon T F Bayard, Lord Dartmouth proposing a visit by Princess Louise to the Potteries to open the School of Art at Burslem, Lord Granville, Marquis of Lorne on the Princess's visit to Burslem, Herbert Gladstone, W St John Brodrick, Frank Topham (artist), Hubert von Herkomer, Arthur Peel, Marcus Stone (RA), Sir Edward Poynter, Ellen Thornycroft Fowler (novelist), Charles Hopwood, Miss Lydia Becker on suffrage and the amendment re married/unmarried women, Lord Dartmouth, Lord Roberts, Sir Luke Fildes, Millicent Duchess of Sutherland, Mary Howitt (author, x 2), Ughtred Kay Shuttleworth, John Toole (actor), Frederick Treves (surgeon), G A Henty (2), E Lynn Linton, Sir L Alma Tadema, Lord Kitchener, Margaret Oliphant (2), Henry M Stanley and Dorothy Stanley, Lord Curzon, etc. Album eight: W St John Brodrick, General Sir Redvers Buller, W S Caine, Campbell-Bannerman, Lord Sutherland, Herbert Gladstone, Philip Stanhope (Earl of Chesterfield), T F Bayard, George Duke of Cambridge, Margot Asquith, R W Hanbury, Sir William Harcourt, etc. Album nine: Charles Hopwood, G A Henty, Sir Ralph Knox, E Lynn Linton, Sir George Leveson-Gower, Baron Monkswell, M Oliphant, Hugh Glizean Reid, Sir Wemyss Reid, Lord Roberts, Lord Rosebery, Marcus Stone, Sir Benjamin Stone, Genevieve Ward, Evelyn Wood, Dorothy Stanley, William Howitt (author), 1924 Lloyd George tls to Henry Woodall, etc. Album ten: Lord Iveagh (to Mr Figgis 1917), 2 group photographs of Woodall with four friends, Sir John Lentaigne, John Tenniel, Frederick Barnard, Henry Pettitt, Luke Fildes, George Grossmith, Harry Furniss, Charles Dickens 1863 single page declining to read for the Wedgwood Memorial Committee, Samuel Smiles, Mark Lemon (editor of Punch), John Galsworthy (1927) 'Dear SirÉ' (a short note), Sir Swire Smith, Lucy Baldwin to Mr Figgis 1929 on 10 Downing Street paper, Frances Balfour to Lady Lucy (Baldwin), etc. Small Box of loose letters: William Morris (x 3, on travel arrangements to Burslem), E Lynn Linton, Francis Schnadhorst (founder of the National Liberal Association), Joseph Arch, George W E Russell, M Oliphant, Mary Howitt, Sidney Colvin, Gilbert Redgrave, J P O'Connor, J A Spender (editor of the Westminster Gazette), Louis Solon (with small sketch), etc

Lot 106

A Utico patent mahogany combination chair/music stool, upholstered seat with adjustable height, blind fret decoration, on turned legs

Lot 237

A baleen panel, early 19th century, with incised decoration, one side depicting triple-masted French and British sailing vessels at sea beneath a radiant sun, within a dog-tooth and demi-lune border, the other side with verse, 'I/Have Saild/the Seas till almost/Blind in quest there in a/place to find from rocks and sands/this bay is Clear wich makes me/Cast my anchor here/May we when toil and Danger/are Past anchor on our/Native Shore', and an anchor motif, within a lozenge border flanked by laurel leaves, 9.5cm x 24cm. Provenance: Removed from a cottage at Pembroke Dock, circa 1975.

Lot 372

Early 20th century mahogany three piece bedroom suite with blind fret decoration comprising single mirror door wardrobe, tallboy and dressing chest

Lot 119

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Street Scene", a signed coloured print bearing blind stamp, image 25.5 x 20.25 cm

Lot 120

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Station Approach", a signed limited edition coloured print bearing blind stamp and No'd 406, unframed, image 45.5 x 51 cm

Lot 121

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "The Reference Library, Manchester", a signed limited edition coloured print bearing blind stamp and bearing "Regent Studios Leamington Spa" label verso, image 24 x 35 cm

Lot 122

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Mrs. Swindells' Picture", a signed limited edition coloured print bearing blind stamp and No'd 00789, image 40.5 x 30 cm

Lot 123

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Ferryboat", a signed limited edition coloured print bearing blind stamp and No'd 259, bears "Regent Studios Leamington Spa" label verso, image 30.5 x 40.5 cm

Lot 124

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "People Standing About", a signed limited edition coloured print bearing blind stamp, image 34 x 52 cm

Lot 125

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "The Beach", a signed limited edition coloured print bearing blind stamp and numbered verso 000080, image 26.5 x 50.5 cm

Lot 126

AFTER LAURENCE STEPHEN LOWRY 1887-1976) "Going to the Match", a signed limited edition coloured print bearing blind stamp, image 53 x 68.5 cm

Lot 128

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Landscape with farm buildings", a signed limited edition coloured print bearing blind stamp and No'd 396, image 40.5 x 50 cm

Lot 129

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Extensive industrial landscape", a signed limited edition coloured print bearing blind stamp, image 61 x 80 cm

Lot 130

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "The Pond", a signed limited edition coloured print bearing blind stamp, image 43 x 57 cm

Lot 132

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "The Reference Library Manchester", a signed limited edition black and white print bearing blind stamp, 24 x 35 cm

Lot 135

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "The Level Crossing, Burton-on-Trent", a signed limited edition coloured print bearing blind stamp, image 41 x 57 cm

Lot 599

A Chippendale design mahogany serpentine front Side Table with 3/4 pierced gallery and fitted with a single frieze with blind fret carved and rosette decoration, raised on turned cluster columns. 3' 5 1/2" (106cms) wide.

Lot 436

A 19th century mahogany chest on chest the projecting cornice above a blind fret frieze above two short and three long graduated drawers, the base with three graduated drawers, each with satinwood crossbanding and gilt brass loop handles, raised on bracket feet 111cm wide, 184cm high, 55cm deep

Lot 595

JOSEF HERMAN (1911-2000). Colour lithograph, "On the Way Home" depicting figures with a donkey, signed and numbered 52 of 100 in pencil, image 31cm x 40cm, Curwen CP blind stamp, unframed.

Lot 596

JOSEF HERMAN (1911-2000). Colour lithograph, "Four Fisherwoman", signed and numbered 21 of 100 in pencil, image 42cm x 60cm, Curwen CP blind stamp, unframed.

Lot 629

MACKENZIE THORPE (b.1956). Photo lithograph "Life in the Land" signed and titled in pencil, marked A/P, edition 24/85, Washington Green blind stamp, 47cm x 49cm, certificate, framed. ILLUSTRATED. (Droit de Suite may apply.)

Lot 152

An oak side table with single frieze drawer and blind fretwork decoration, standing on turned legs, 36" wide.

Lot 361

An Edwardian mahogany corner chair with pink draylon upholstered back and seat and blind fret work decoration.

Lot 269

Edwardian mahogany display cabinet, blind fret decoration

Lot 2750A

Wanostrocht, Nicholas, Felix on the bat; being a scientific inquiry into the use of The Cricket Bat; together with the history and use of the Catapulta. Also the laws of cricket, as revised by the Marylebone Club,1845. lst ed, Baily Brothers, Cornhill. Seven hand colour litho plates, three uncoloured spotting and staining, contents loose, in original blind stamped cloth, soiled. the first cricket book to be illustrated with colour lithographs

Lot 2660

After William Russell Flint, limited edition print, 'Symposium at Lucenay' 404/850, blind stamp, 49x68cm

Lot 20

After 'Snaffles' Charles Johnson Payne 'The Finest View in Europe' Colour print laid down on support sheet signed with remarque and blind stamp 42 x 66cm

Lot 26

After Munnings Point to point signed colour print with FATG blind stamp published by Frost & Reed 1928 42 x 47cm

Lot 41

After Cecil Aldin News of the Victory (The Anchor Inn, Liphook, Surrey) Colour print published by Eyre & Spottiswoode, FATG blind stamp, signed in pencil 36 x 47cm

Lot 43

After Cecil Aldin York Minister colour print published by Eyre & Spottiswoode, FATG blind stamp, signed in pencil 45 x 34cm

Lot 65

After Michael Lyne RAC Beagles signed colour print published 1956 by Frost & Reed Ltd, HJL blind stamp 45 x 54.5cm

Lot 70

After Herbert Dicksee 'Baffled' Wolves on a promontory etching with BTO blind stamp, published 1908 53 x 74cm

Lot 84

After Peter Scott Widgeon over the Dunes signed colour print, FATG blind stamp, published by Arthur Ackermann & son Ltd. 1946 38 x 55cm

Lot 12

AN F & R PRATT PEDESTAL DISH of oval form with gilt loop handles printed in colours in Blind Fiddler pattern, after D Wilkie R.A. within an acorn border, 13 1/4" wide overall

Lot 333

A SILVER OMEGA POCKET WATCH, the white enamel dial with Roman numerals and seconds dial, in engine turned case chased with blind shield cartouche, inscribed inside "Omega Grand Prix Paris 1900"

Lot 464

HERBERT DICKSEE, River Scene, etching with blind stamp, signed in pencil, 15 3/4" x 20", Hogarth frame

Lot 469

GEOFFREY WOOLSEY BIRKS, "Salt of the Earth", reproduction in colours, limited edition 368/375, signed in pencil with pencil remarque and blind stamp, 7" x 4 3/4", framed

Lot 470

GEOFFREY WOOLSEY BIRKS, "Roll Call", reproduction in colours, limited edition 10/375, signed in pencil with pencil remarque and blind stamp, 9 1/2" x 6 1/2", framed

Lot 471

GEOFFREY WOOLSEY BIRKS, "A Sparks", reproduction in colours, limited edition 146/375, signed in pencil with pencil remarque and blind stamp, 10" x 6 3/4", framed

Lot 481

GEOFFREY WOOLSEY BIRKS, "Pawnbrokers", reproduction in colours, limited edition 11/375, signed in pencil with pencil remarque and blind stamp, 10 1/2" x 10 3/4", framed

Lot 666

A LONGCASE CLOCK by John Lee, Middleton, the thirty hour movement with anchor escapement and outside count wheel, 12 1/2" square brass dial with Arabic and Roman numerals, matted centre chased with foliage, moulded cornice over blind fret frieze on turned columns, arched door flanked by quarter columns, panel base on plinth, 80 1/2" high

Lot 371

A Georgian carved pine fireplace surround, having blind fret decoration 152cm wide 120cm high

Lot 2348

An Edwardian mahogany student's bureau bookcase, the top with a pierced surmount above a pair of glazed doors, the fall flap and single drawer with blind fretwork decoration above two shelves to base (faults).

Lot 551

A late 19thC mahogany display cabinet with blind fret work decoration and astragals in the Chippendale manner, a two door cabinet on stand with square taper legs, 43" wide.

Lot 544

A green painted hanging corner display cabinet, the blind fretwork cornice over astragal glazed door, enclosing single shaped shelves, 44 cm wide.

Lot 641

A 19th Century and later standing pine corner display cabinet/cupboard, the astral glazed doors enclosing a pair of shaped shelves, over a pair of blind doors, raised on shaped bracket feet, 207 cm high.

Lot 471

After SYDNEY E WILSON - Portrait of a Young Lady, coloured mezzotint pub. Vicars Bros, London 1913, blind stamp to margin and signed in pencil by the artist, and another similar, a pair, in decorative gilt frames with ribbon tie finials, 33cms x 27cms (2)

Loading...Loading...
  • 44913 item(s)
    /page

Recently Viewed Lots