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Helen Bradley MBE (1900-1979): A set of colour prints The Four Seasons: Winter Spring Summer and Autumn, 22 by 30cm, Blind Stamps BHJ, JHB, FBH and BFK, signed in pencil lower right, edition of 850. (4)

Two limited edition fashion prints, blind stamped V&A for Victoria & Albert Museum, 'Lady in a black lace hat', edition numbered 22/195, and 'Lady in a white feathered hat', 63/195. (2)

Opera Omnia, 2 parts in 1, general title in red and black Opera Omnia, 2 parts in 1, general title in red and black, engraved frontispiece portrait of Suarez, double column, 3B8 and 2L4 at end blanks, second part Q5 slight worming to end, extensively foxed and browned, 19th century ink inscription on front free endpaper and ink inscription of the Jesuit College at Bailleul at head of title, ex-library copy with ink stamps, hinges a little weak, contemporary blind-stamped calf over wooden boards, rubbed, corners and edges repaired, brass clasps, rebacked in later morocco, Mainz, Hermann Mylius Birkmann and Balthasar Lipp, 1621; and another, Xenophon, 1596, folio (2).

Opera Omnia, edited by P.Burmann, 4 vol., 3 engraved frontispieces, vol Opera Omnia, edited by P.Burmann, 4 vol., 3 engraved frontispieces, vol. I half-title only, some foxing and browning, contemporary blind-stamped vellum, slightly rubbed and yellowed, 4to, Amsterdam, F.Changuion, 1727.

English . The Holy Bible , 2 parts in 1, titles in woodcut borders English . The Holy Bible , 2 parts in 1, titles in woodcut borders, royal arms on general title verso, without Apocrypha, Genealogies or map, small hole to title and next f., affecting border, upper corner frayed at start, touching title border, [Herbert 503], Robert Barker & Assignes of John Bill, 1636 bound with Whole Book of Psalmes (The), title in border, G.M. for the Companie of Stationers , 1636, in 1 vol., upper margin little trimmed, occasionally touching head line or pagination, some marking or browning, family information of the Elkingtons of Bath on fly-leaves and additional ff, contemporary black morocco, decorated in blind, gilt initials 'I G' on covers, later silver corner-pieces, rubbed, ends of spine worn, 8vo § Caxton (William, printer and translator ) - [Voragine (Jacobus de) Golden Legend], fragment only of a single column, one column only, of two, 55 lines, with part of the head-line, little marked, c 30 x 10 cm., [1483] § Reutsch (Antonius) Vade, & Mane Mecum Clericorum Saecularium, seu Varia Pia Exercitia, 9 engraved plates only, of 10, without no 1, bookplate of Alfred Edward A lston, contemporary black morocco, gilt, 12mo, Freiburg im Breisgau , 1746 (3).

De Quincey (Thomas) - Confessions of an English Opium-Eater, revised and enlarged by De Quincey, Edinburgh, 1856; The Collected Writings , edited by David Masson, 14 vol., Edinburgh, 1889 § Hazlitt (William) Characters of Shakespear's Plays, 1817; Lectures on the English Poets, half-title, 4pp. advertisements at end, 1818; A View of the English Stage, half-title, modern half morocco, 1818; The Plain Speaker, 2 vol., 1826 § [Lamb (Charles)] Elia, second issue with "Waterloo Place" in imprint on title, 6pp.advertisements at end, 1823 § Hunt (Leigh) Men, Women, and Books, 2 vol., inscribed "To Sir Percy Shelley Bart. from his affectionate friend the Author" on front free endpaper, original blind-stamped pink cloth, rubbed and soiled, spines faded, 1847, first editions , some plates, some spotting, all but the fifth and last contemporary or nineteenth century full or half calf, spines gilt, some a little rubbed or faded, the fourth rebacked preserving old gilt spine ; and 15 others by or about De Quincey, Hazlitt, Lamb and Leigh Hunt, 8vo et infra (38)

The Life of Samuel Johnson, 2 vol., first edition The Life of Samuel Johnson, 2 vol., first edition, engraved frontisportrait of Johnson and 2 facsimile plates, with the "gve" reading on p. 135 of vol. I, vol. I portrait stained in corner, 2L3 small hole in lower margin, 2X3 small piece torn away from lower margin, some foxing and browning, with the "Principal Corrections" from the 1793 edition bound at end of vol. II, later endpapers, 19th century half blind stamped calf, gilt, rubbed, labels on spines, [Courtney & Smith pp. 172-3; Rothschild 463; Grolier, English 131], 4to, Charles Dilly, 1791.

James (Henry) - The Two Magics: The Turn of the Screw; Covering End, first edition, first impression , title in red and black, half-title, 32pp. publisher's catalogue at end, with programme for 'The Innocents' (1952 dramatic version of 'TheTurn of the Screw' starring Flora Robson) loosely inserted, endpapers a little foxed, original blue cloth, upper cover blind-stamped with four irises, uncut, small ink spot to upper cover, spine very slightly browned and a little rubbing at edges but still an excellent copy, [Edel and Laurence A52a; Supino 52], 8vo, 1898. The first appearance in book form of The Turn of the Screw , one of the greatest ghost stories ever written.

Smith (Martin Cruz) - Gorky Park, jacket spine slightly faded, New York, 1981; Polar Star, New York, 1989 § Child (Lee) Killing Floor, New York, 1997; Running Blind, New York, 2000 § Reichs (Kathy) Déja Dead, 1997 § Walters (Minette) The Sculptress, 1993, first editions, original boards, dust-jackets ; and c.95 others by the same and similar, thriller writers, 8vo (c.100)

Beerbohm (Max) - Zuleika Dobson or An Oxford Love Story, first edition , half-title, title in brown and black, light spotting, endpapers a little stained, original blind-stamped brown cloth, uncut, rubbed, 1911; The Works, 6 vol. only (of 10), number 573 of 780 sets signed by the author, original cloth, each a different colour, paper labels, uncut, vol.1 with slightly faded spine, 1922; and 7 others by or about Beerbohm, 8vo (14)

Hinderwell (Thomas) - The History and Antiquities of Scarborough and the Vicinity, engraved frontispieces, folding plan, map & 3 plates, marked and stained, name on recto of frontispiece, contemporary half calf, badly worn, cover loose, covers scuffed, 4to, York, William Blanchard , 1798 § Grainge (William) The Castles and Abbeys of Yorkshire, engraved frontispiece, 7 plates, 1 p. advertisments at end, cuttings inserted, with offsetting, little spotting, original blind-stamped cloth, rubbed, York , 1855 § Jones (John) The History and Antiquities of Harewood, engraved frontispiece, plates, original blind-stamped cloth, rubbed & marked , 1859 § Boyce (Anne Ogden) Records of a Quaker Family: the Richardsons of Cleveland, 3 mounted photographic plates, the edition without the pedigrees, original cloth, worn and marked, 1889, and others, v.s .(c. 50)

Roscoe (Thomas * David Roberts, illustrator) - Jennings Landscape Annual, 1835; 1836 (2); 1837; 1838(3), engraved plates, original blind stamped morocco gilt, rubbed, some boards detached, Robert Jennings & Co., plus 3 related vol., 8vo (10) not subject to return

Histoire N aturelles , one of 199 copies, illustrations by Hans Erni (George Louis le Clerc, Comte de ) Histoire N aturelles , one of 199 copies, illustrations by Hans Erni, small blind-stamp to foot of title, loose as issued in original decorative wrappers, card chemise and slip-case, a little rubbed at extremities, folio, Lausanne, 1954.

The Works, 3 vol., contemporary calf stamped in gilt and blind, spines faded (George Gordon Noel, Lord ) The Works , 3 vol., contemporary calf stamped in gilt and blind, spines faded, 1819 § Coleridge (Samuel Taylor) Biographia Literaria, 2 vol. in 1, first edition , lacking half-titles and advertisement leaf, ex-library copy with stamps, contemporary calf, rebacked preserving old gilt spine, 1817; Essays on His Own Times, 3 vol., contemporary half morocco, spines gilt, 1850; Seven Lectures on Shakespeare and Milton, edited by J.Payne Collier, modern half morocco, 1856 § Thompson (Francis) Percy Bysshe Shelley, large paper copy, original boards, gilt, t.e.g., others uncut, 1909 § Keats (John) The Letters , edited by Maurice Buxton Forman, 2 vol., modern half morocco, t.e.g., others uncut, 1931, some plates, the first three rubbed; and 18 others by or about the Romantic poets, mostly bindings, v.s. (29)

Monte di Pietà della Città di Firenze, woodcut pawnbrokers devices at head Monte di Pietà della Città di Firenze, woodcut pawnbrokers devices at head, printed form with manuscript insertions, on vellum, blind-stamped paper seal, folds, slightly browned and marked, 197 x 260mm., 1657. Monte di Pietà was an institutional pawnbroker run as a charity in Europe from the later Middle Ages to the 20th century.

[Extracts from various religious works], manuscript, 170pp [Extracts from various religious works], manuscript, 170pp. excluding blanks, 1and last ff. torn away at beginning, a few other ff. excised, some slight staining at end, slightly browned, original calf with blind-stamed decorative borders, rubbed, lower cover with surface wear, corners worn, head of spine chipped, 8vo, [.c. 1750s]. Includes: "Self Knowledge John Mason"; "The ingredients of hapiness Dr Watts"; "Self-examination John Mason"; "Moral Government Bourn"; "Enthusiasm Groves Tracts" etc.

•LIN JAMMET (b. 1958) "The Golden Horse", signed, dated '95 and numbered 44/50 in pencil to the margin, with publishers blind stamp lower right, aquatint, 44" x 36" (page). See illustration

•J. STEVEN DEWS "Brynhild racing off caves", printed signature within image, further signed in pencil and numbered artists proof 5/6, with printed title to margin, with publishers blind stamp, coloured print, 20" x 29", and two others (3)

A George III mahogany secretaire bookcase, ebony strung border decoration, the cornice above a pair of blind fret carved and astragal glazed doors, the secretaire fall enclosing an arrangement of satinwood drawers and pigeonholes, above three long drawers, on bracket feet, 230cm tall, 120cm wide, 55cm deep

An Edwardian mahogany blind fret carved four poster bed (af).

An early 20th century oak bedroom suite comprising three door wardrobe with central mirrored door, width 152cm, pot cupboard, height 77cm, three drawer dressing chest with swing framed hexagonal mirror and a pair of cane seated bedroom chairs, each piece with blind fret carved floral decorated boarder, and a matching pair of single beds.

A mixed lot of collectables including an Archie Andrews ventriloquist mascot, Robinson golly band members, a vintage collection box for the Royal National Institute for the Blind, playing cards etc.

Leny Rushton Pair of Pencil Signed Prints, Depicting Street Scenes with Children, Also with Blind Stamp. Framed and Glazed. Size 20 x 24 Inches.

LeRoy Neiman, American (1921-2012) Color Lithograph "Doubles Tennis" Pencil Signed Lower Right. Numbered 36/300 Lower Left. Blind Stamp. Good Condition. Measures 35-1/2 Inches by 48 Inches. Frame Measures 37-1/2 Inches by 49 Inches. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.

LeRoy Neiman, American (1921-2012) Color Lithograph "Harness Race" Pencil Signed Lower Right. Numbered 251/300 Lower Left. Blind Stamp. Good Condition. Measures 35-1/2 Inches by 48 Inches. Frame Measures 38-1/4 Inches by 51 Inches. We will not ship this item due to its size. We will happily recommend a list of outside vendors upon request.

A 20th century oak high dresser, with carved motif for Gnome man (Thomas Whittaker), English oak made in Littlebeck, North Yorkshire in the manner of Mouseman, with a carved hammered finish, the blind heart carved cornice over a boarded two shelf delft rack, above three quartered panelled doors over a shaped apron on cut out boarded end supports, 155cm wide, 203cm high, 46cm deep

A George III mahogany chest of two short over three long graduated cockbeaded drawers fitted with later Chippendale style brass handles between fluted quarter front corner pilasters with blind fret decoration below, raised on short ogee bracket feet, 118cm wide, 94cm high, 55cm deep

Pair of prints by Ernest Stamp, Artist's proofs with blind stamp signed to border 24 x 19 cm one glass A/F

A VICTORIAN OAK MIRROR-BACK SIDEBOARD having an architectural arched plate within a surround ornamented with florets, an inverted break-front top with geometric and strap moulding and three blind drawers, on two arched cupboard pedestals centred by a recess, the inverted plinth base marked T&F Smith, Glasgow 4120. 198cm(h) x 232cm(w) x 66cm(d) CONDITION: Some minor moulding damage, marks, stains and scratches

A VICTORIAN ROSEWOOD CHIFFONIER with fret-cut galleried three tier back with barley-twist supports above the rounded oblong top, blind frieze drawer and two panelled cupboard doors, between barley-twist columns, on turned feet 156cm(h) x 92.5cm(w) x 35.5cm(d) CONDITION: Some loose finials, splits to backs top tier, some losses to fret work, some moulding lifting and replacement sections, otherwise ok

RYCA (Contemporary), 'The Last Crusade', screen print, signed lower right, blind stamped lower left, limited edition 35/44.

An early 20th Century small Doll's Pram of curved wooden construction covered with black oilcloth, hinged canopy, cotton canvas blind interior raised on metal spoke wheels, height 15", length 15"

A 19th century rosewood side table, the rounded rectangular top above a blind frieze drawer, raised on lyre shaped trestle ends united by a turned stretcher, raised on four bun feet, 56cm wide x 73cm high x 40cm deep

An early 20th century kingwood, parquetry inlaid and gilt metal mounted occasional table, the oval shaped top above a blind frieze drawer, raised on cabriole supports united by a kidney shaped under tier, 49.5cm wide x 73cm high x 38cm deep

After Lawrence Alma Tadema ARA The Sculpture Gallery and another The Picture Gallery, a pair engraved by Augte. Blanchard, bearing Lefevre blind stamp 74cm x 61cm

A Victorian walnut, marquetry and gilt metal mounted centre table, the shaped oval top centred with an oval panel of inlaid flowers and foliage above a blind frieze drawer, raised on four cabriole supports with mask and foliate cast mounts trailing to sabots, 105cm wide x 72cm high x 68cm deep

A George III style mahogany pedestal bookcase, the rectangular top above four blind frieze drawers and two open recesses, raised on bracket feet, 50.5cm wide x 78cm high x 39cm deep

AFTER SIR DAVID WILKIE (1785-1841) BLIND MAN'S BUFF Oil on canvas 49 x 59cm. * After Wilkie's Royal Academy exhibit of 1813 (no.148), which was painted for the Prince Regent ++ Lined; some craquelure and paint separation

A WALNUT LONGCASE CLOCK dial 10ins. signed Jonathan Chambers, silver chaptering, winding holes with pull shutter closure, movement four pillar, outside count wheel, striking on a vertical bell, case the hood flanked by spiral twist pilasters beneath a blind fret frieze, the waist door with twin quarter veneering, 76 3/4ins. (195cms.) high

A GEORGE III MAHOGANY SIDE TABLE the top with moulded edge, the frieze drawer with baize lined slide, on square chamfered legs all with blind frett chinoiserie carving, 30 1/2ins. (37.5cms.) high 36ins. (91.5cms.) wide, 20 3/4ins. (52.5cms.) deep

A GEORGE III MAHOGANY TALLBOY with a dentle and blind fret carved frieze, fitted with two short and six long drawers, 76 1/4ins. (193.5cms.) high, 46 1/4ins. (117.5cms.) wide

A PAIR OF LATE GEORGE II IRISH MAHOGANY LIBRARY ARMCHAIRS each with boldly out scrolled knuckles to a feathery scroll and cabochon carved arms, the seat rail with blind fret trellis carving, on cabriole legs with foliate carved feet and knees, leather castors, slight variations in carving, 38 1/2ins. (98cms.) high, 29ins. (74cms.) deep, 26ins. (66cms.) wide

Edwardian mahogany wardrobe with blind fretwork decoration, two panelled doors and two drawers below, on bracket feet, 195cm high x 130cm wide x 57cm deep

Good quality Edwardian carved mahogany two height bookcase with shelves above enclosed by two astragal glazed doors with blind fretwork decoration, two drawers and two carved panelled doors below, on four turned pillar front supports with undertier, on carved bracket feet, 213cm high x 106cm wide x 49cm deep

Edwardian mahogany knee-hole desk with leather-lined top, seven drawers, blind fretwork decoration, on square taper legs and brass castors, 76cm high x 120cm wide CONDITION REPORT Good overall condition. Slightly faded. Small piece of moulding missing at top of leg

George III mahogany bureau bookcase with blind fretwork cornice, two astragal glazed doors enclosing three adjustable shelves, fall-flap and fitted interior with four long graduated drawers below with brass swan-neck handles, on bracket feet, 232cm high x 110cm wide x 59.5cm deep CONDITION REPORT Good overall condition. Split to flap. Replacement handles. Split to side. Good overall colour

Snaffles - Charles Johnson Payne (1884 - 1967), signed coloured print - 'Merry England' and worth a guinea a minute, signed in pencil and with Snaffle blind stamp, in glazed frame, 39.5cm x 35.5cm

Mahogany dressing table, triptych mirror back over a blind fretwork panel, fitted with four drawers around the knee hole, width 115cm.

An Edwardian mahogany envelope card table, the baize lined top with copper counter wells, fitted one drawer to blind fret carved frieze, on shaped apron and cabriole legs with castors and X-pattern stretcher, 21.25ins square x 29.5ins high (top marked)

An Italian rosewood and simulated pietre dure collectors cabinet , mid 17th century, with hinged lid opening to compartment and inlaid panel doors enclosing exquisite ebonised architectual interior, with blind frieze drawers, central compatment, and six flanking short drawers and further secret drawers, 51cm high, 71cm wide, 36cm deep set on an associated stand with barley twists and uniting x-frame 74cm high, 71cm wide, 37cm deep

A William IV rosewood games table , circa 1835, the hinged twist top opening to an inlaid chessboard above blind frieze drawer and sewing compartment on substantial turned pillar with scroll capitals and quadrofoil platform base, scroll feet and brass castors, 75cm high, 48cm wide, 36cm

A George III `Chinese Chippendale' mahogany chair , circa 1755, the back with blind fretted uprights, serpentine top rail and pierced vase shaped splat carved with foliage and `C' scrolled flame motifs, the stuffed seat covered in red plush, on square pierced legs carved with flowerheads and pierced fretted brackets (re-railed) 97cm high, 59cm wide, 49cm deep

A George III mahogany chair , circa 1760, the foliate carved top rail over a pierced trellis vase shaped splat within moulded uprights on blind fretted square legs 96cm high, 56cm wide, 47cm deep

ROBERT DICKERSON. 'Silk and Factotum.' Etching. Signed & titled. Port Jackson Press, Australia blind stamp. Unframed. Image size 25 x 25cm.

JAMES PRIDDEY. 'Woodland Path.' Aquatint. Signed, titled & with Warwick Galleries artist's proof blind stamp. Image size 22 x 30cm.

A 17TH CENTURY AND LATER OAK AND PINE CHEST of two short and three long drawers all over a base section of single long drawer, front with blind fret carved decoration, iron looped handles probably altered from a chest on stand, 104cm wide

A TURNED HARDWOOD TORCHERE on a circular base and bun feet, 128cm high together with an old oak pedestal with blind fretwork decoration, 32cm wide x 149cm high and a brass framed hanging wall mirror (3)

A VICTORIAN EBONISED CREDENZA of inverted breakfront outline the shaped moulded top above blind panel door between bowed glazed doors on platform base 100cm (h) x 154cm (w) x 47cm (d)

A pair of Prints, framed and mounted, one depicting Children playing blind man's buff, the other Family sat outside a Cottage, both 13" x 11 1/4"

William Lionel Wyllie (1851-1931), etching, Atlantic Convoy, signed and additionally signed, LRH*C blind stamp, 33cm x 70cm