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George Cunningham, 'Crookes', limited edition colour print of 500, graphite signed, blind backstamp, 20.5 x 26.5cm.

George Cunningham, 'Ecclesall', limited edition colour print of 500, graphite signed, blind backstamp, 26 x 42.5cm.

George Cunningham, 'Millhouses', limited edition colour print of 500, graphite signed, blind backstamp, 26 x 42.5cm.

An Edwardian mahogany display cabinet, with blind fret carved frieze above glazed doors

A 19th century rosewood miniature chest of collectors drawers, oversailing top above two short and three long graduated cockbeaded drawers, kite shaped blind escutcheons, turned handles, shaped apron, bracket feet, 37cm high, 32.5cm wide

A Victorian family photograph album, comprising cabinet cards and cartes de visite, including many Anglican clergymen, but also with British royalty and dignitaries: Queen Victoria, the Prince & Princess of Wales (later Edward VII & Princess Alexandra), Prince Albert Victor, Benjamin Disraeli, Archbishop Archibald Campbell Tait of Canterbury, the horse racing jockey Frederick 'Fred' Archer, partially-filled chromolithograph card leaves, contemporary blind-tooled and panelld calf, all-edges gilt, silk moiré endpapers, 32cm x 25cm

[Camden (William)], Camden's Britannia, Newly Translated into English: with Large Additions and Improvements, Publish'd by Edmund Gibson, of Queens-College in Oxford, London: Printed by F. Collins, for A. Swalle (sic), at the Unicorn at the West-end of St Paul's Church-yard; and A. & J. Churchil (sic), at the Black Swan in Pater-noster-Row, 1695, pp: [x], [24], ii-cxcv, [ii], 2-548, [lacking 549-552], 553-1116, [1] (blank), [36], [26], the main text paginated as double-columns (but for 833-848 which are numbered as singles) and the unpaginated Annals of Ireland collated as singular pages, the whole black-ruled throughout, 49 maps (of which 3 fold-out) (some old repairs and relaying on canvas), 9 plates and a portrait frontispiece engraved by Robert White (1645-1703), antiquarian illustrations throughout text, some Gothic Black Letter printing and foliated initials, 20th century brown crushed morocco in the 17th century taste, blind double-fillet enclosing scrolling fleurons at angles, seven-compartment spine of raised bands enclosing an 18th century gilt-lettered red morocco piece in the second compartment, cream endpapers, some early ink MS notes and annotations sadly washed, folio (39cm x 25cm), [1]

Binding - The Court Album: Fourteen Portraits of The Female Aristocracy, Engraved by the Best Artists, from Drawings by John Hayter, London: David Bogue, 1851, 14 steel engravings as called for, contemporary ?Anglo-Indian binding of crimson calf richly gilt, Bound at Educ[ation] Society's Press, [?Byculla, Bombay], their ticket, the covers centred by flowering urns within a frame of Rococo scrolls and trailing flowering leafy stems, the whole within a double-fillet, six-compartment spine lettered in the second, gilt turn-ins and dentelles, all edges gilt, contemporary yellow endpapers, the two recto endpapers annotated in ink MS and surmounted by an ownership inscription by the same hand and dated 1933, 4to, (1); Portraits of the Children of the Nobility: A Series of Highly Finished Engravings, Executed Under the Superintendence of Mr Charles Heath, from Drawings by Alfred E. Chalon, Esq. R.A., Painter to the Queen, and other Eminent Artists, with Illustrations in Verse, by Distinguished Contributors, Edited by Mrs Fairlie, Third Series, London: Longman [...], 1841, 8 full-page steel engravings with explanatory letterpress leaves, contemporary green moiré boards, gilt-lettered and bordered in blind, ink MS annotation en suite to the latter volume and subsequent presentation inscription to Eva Mabel Tenison (1880-1961, historian and novelist) dated 31/5/47, folio (36cm x 27.5cm), (1), [2] Provenance: Robert Innes-Smith, 20th century bookplates - Chippendale Armorial to first volume, Jacobean Armorial to second.

Camden (William, Clarenceux King at Arms), Britannia: or a Chorographical Description of Great Britain and Ireland, Together with the Adjacent Islands, Written in Latin [...] And Translated into English, with Additions and Improvements, Revised Digested, and Published, with large Additions, by Edmund Gibson, D.D. Rector of Lambeth; and now Bishop of Lincoln, and Dean of His Majesty's Chapel-Royal, second edition, two-volume set, London: Printed by Mary Matthews, for Awnsham Churchill, and Sold by William Taylor, in Pater-Noster-Row, 1722, pp: [xviii], [48], i-cclxviii, [2], 1-696; [ii], 697-1526, [1] (blank), [48], [36], [92], the main text paginated as double-columns, the unpaginated Annals of Ireland, Dr Holland's Insertions and the Index collated as singular pages, the whole black-ruled throughout, 52 maps (of which 2 fold-out) and 9 full-page numismatic plates, volume I with portrait frontispiece engraved by Robert White (1645-1703), title-pages black-ruled and printed in red and black, allegorical Baroque woodcut vignettes, headers, Arabesques and foliated initials, some Gothic Black Letter printing, further antiquarian illustrations throughout the text, 20th century three-tone blind-panelled calf to early 18th century style, the spines lettered in gilt, red-stained edges, folios (40cm x 26.1cm), [2]

Cartography - [Ogilby (John), Owen (John), & Bowen (Emmanuel)], Britannia Depicta, or Ogilby Improv'd [...], ?first edition thus, London: ?Printed for & Sold by Tho: Bowles [...], ?1720, the whole printed in copperplate, lacking title-page and some maps, pp: [4], 165 [of 273] present maps: 3-6, 9-10, 13-20, 23-26, 29-30, 33-48, 51-88, 91-94, 99-104, 107-108, 111-114, 119-124, 129-130, 135-136, 141-142, 145-146, 149-150, 155-158, 161-162, 165-166, 169-170, 173-178, 183-184, 189-190, 195-198, 201-202, 207-216, 219-220, 225-226, 231-232, 237-238, 241-242, 245-246, 251-254, 257-258, 263-264, 269-270, 273, 3 blank pages to recto with ink manuscript notes on heraldry and armorial devices shown within the maps explained in a slightly later 18th century hand, the same reader has occasionally annotated the margins of the plates with notes, contemporary green-stained vellum boards, the covers with a blind double-fillet, later rebacked in cloth with an ink MS lettering piece, 8vo, [1]Provenance: E:D Lloyd of Cwmlydan, Powys, Wales, ink MS ownership inscription dated 1762; Ex Libris Henry Bath, later 19th century Seal Armorial bookplate to pastedown.

Cartography - Prince Augustus Frederick, Duke of Sussex's Copy - Ogilby [(John)], Owen [(John)], & Bowen (Em[manuel]), Britannia Depicta, or Ogilby Improv'd [...], first edition thus, London: Printed for & Sold by Tho: Bowles Print & Map Seller next ye Chapter House in St. Pauls Church-Yard & Em: Bowen next ye King of Spain in S: Katherines, 1720, the whole printed in copperplate, pp: [6], 273 full-page road and county maps as called for, allegorical title-page, relaid contemporary blind-panelled calf, rebacked spine of six-compartments with raised bands, the second-compartment, lettered in gilt, 8vo, [1] Provenance: Prince Augustus Frederick, Duke of Sussex, KG, KT, GCB, GCH, PRS, FRSA (1773-1843), sixth son and ninth child of King George III and Queen Charlotte., his armorial bookplate incorporating the royal arms, ink MS shelf numbering within the platemark: IV B. a. 4; presumably one of the five parts of his sale, R.H. and T. & C. Evans, Bibliotheca Sussexiana: The extensive and valuable Library of [...] the late Duke of Sussex, K.G., 1st July 1844 - 11th August 1845; further pencil inscriptions to recto endpapers in a later 19th century hand.

Cassell's Illustrated Shakespeare: The Plays of Shakespeare, Edited and Annotated by Charles and Mary Cowden Clarke [...], Illustrated by H.C. Selous, three-volume set, London: Cassell, Petter, and Galpin, [n.d. 1875], full-page and smaller b/w woode engravings accompanying text, contemporary black half-calf over marbled boards, six-compartment spines tooled in blind and gilt, lettered pieces in the second and fourth-compartments, contemporary green endpapers, 4to, [3]

Early Canadian Ownership, Carpenter (Tho[mas], Gent), A New Description of the World: Being An Account of all the Empires, Kingdoms, States, Republicks (sic), and Principalities contained therein [...], Collected from the most Authentick (sic) Historians, both Ancient and Modern, first and only edition, London: Printed for Tho. Norris; and sold by Edw. Midwinter, at the Looking-glass on London-bridge, 1725, complete, pp: [iv], 212, engraved frontispiece, contemporary calf boards blind-ruled with a double-fillet (upper-cover loose and creased, its partner with some losses, perished spine), 12mo, [1] Rare. One copy listed on WorldCat in the collection of Newberry Library, Chicago, USA, Case G 117 .15; no British institutional holdings. Provenance: Miles Mayall/Canadian, His Book/1763, recto endpaper inscribed and dated in ink MS. Condition Report: Complete contents though frontispiece, title-page and a few prelims loose with chips and creases. Contents sporadically browned, creases and some pencil highlighting & underlining. Upper-cover loose and creased, its partner with some losses, perished spine

Genealogy - [Imhof Jacob Wilhelm], Regum Pariumque Magnæ Britanniæ Historia Genealogica, Qua Veterum Juxta ac Recentium in Illa Familiarum Origines, Stemmata, & Res Memorabiliores, Ordine ad novissimum Angliæ statum aptato, recensentur atque explicantur, addicis Æneis Insignium Tabulis et Indice Necessario [...], Norimbergæ [Nürnberg]: Sumptibus Johannis Andreæ Endteri Filiorum, 1690, pp: [24], 63, [2], 64-254, [6], 137 genealogical tables of descent (few misnumbered but present and correct), allegorical frontispiece engraved by Johann Jakob von Sandrart (1655-1698) and 4 full-page plates of royal and aristocratic coats of arms, title printed in red and black, title-page and further footer vignettes of duck, waterfowl and lions, prelims and first leaf of text with engraved headers centred by the crowned monogram of the work's dedicatee Moritz Wilhelm, Duke of Saxe-Zeitz, and his coat of arms as an opening initial at the dedication address, the text with alternating foliate and historiated initials, later 20th century calf over cloth, the spine blind-banded and with a gilt lettering-piece in the second-compartment, folio (33.5cm x 21.5cm), [1] Provenance: Robert Innes-Smith, later 20th century Jacobean Armorial bookplate.

Ireland - The Journal of the Waterford & South-East of Ireland Archæological Society, eighteen-volume set: Volume I-XVIII, Waterford: Printed by N. Harvey & Co., 1895-1915, b/w illustrations, bound en suite by the N. Harvey & Co bindery, their blind stamp, in tan quarter-calf over grey papered boards, five-compartment spines of raised bands, gilt-lettered pieces to the second and fourth-compartments, speckled red edges, green endpapers, 8vo, [18]Provenance: the Ridgway family, of Blenheim House, Ballymaclode, County Waterford, Ireland, their crested bookplates to each pastedown.

Miscellaneous - Theology, Barclay (Robert), An Apology for the True Christian Divinity, As the same is Held Forth, and Preached, by the People, called in Scorn, Quakers [...], fourth English edition, London: Printed and Sold by T. Sowle, 1701, pp: [xiv], [1]-574, [26], contemporary panelled calf (disbound), 8vo, (1); Sombre Binding, The Book of Common Prayer [...], Together with the Psalter or Psalms of David [...], London: Printed by Charles Hill [...], 1695, [issued and bound with], The Whole Book of Psalms [...], London: Printed by W. and J. Wilde [...], 1694, separate title-pages, some Gothic Black Letter printing, red-ruled throughout both parts, some woodcut foliated initials, contemporary ?provincial dark morocco, blind tooled and panelled, front board lacking but wrap present, recto board with marbled endpaper, 8vo, (1); [Gardiner (Robert)], Instructor Clericalis, Part IV [only] [...], second edition, [London] In the Savoy: Printed by E. Nutt [...], 1717, some Gothic Black Letter printing, contemporary polished calf, blind fillets, the spine with 20th century lettering pieces, 8vo, (1); Blore (Edward, F.S.A.), The Monumental Remains of Noble and Eminent Persons, Comprising The Sepulchral Antiquities of Great Britain, Engraved from Drawings [...] with Historical and Biographical Illustrations, London: Published by Harding, Lepard, and Co., 1826, illustrated with 30 full-page named-view engravings, rebacked contemporary calf over marbled boards, later lettering pieces and endpapers, 4to, (1); The Carlton-House Magazine [...] For January 1792, contemporary calf over boards, 8vo, (1); Gay [John], Fables, In One Volume Complete, London: 1778, full-page b/w illustrations, contemporary calf (disbound), 8vo, (1); other literature, part early 19th century Provincial Holy Bible, various leather bindings and sizes, [14]

Miscellaneous -Provincial Imprints: The Complete Family Bible [...], third edition - revised and corrected, Burslem: Printed and Published by J. Tregortha, 1808, engraved frontispiece and full-page plates, contemporary reverse calf, the covers with alternating leafy and flowering tendril borders in blind, six-compartment spine of raised bands, gilt-lettered piece to the second, folio; Watts (Isaac, D.D.), The World to Come [...], To which are annexed, Christ's Famous Titles [...] by William Dyer, Burslem: Printed by John Tregortha, 1815, contempoary reverse calf, double-fillett blind, 8vo, (disbound), (2); [Hedericus (Benjamin)], Lexicon Manuale Græcum [...], Londini: Excudit T. Wood [...], 1739, title printed in red and black, Greek and Latin text, contemporary blind-panelled reverse calf, the covers and pastedown with ink MS ownership inscription of John Sneyd, later 18th century Neoclassical festoon, wreath & ribbon armorial bookplate: Thos Sneyd, 4to; Eton Interest: Theirs's Consulate and Empire, London: 1850, polished calf gilt, & Young's Night Thoughts, Edinburgh: 1853, tan morocco gilt, each inscribed and dated in ink MS: Charles Wigley Wicksted [later Master of the Ludlow Foxhounds, 1866-1886] from his friend [...] On his leaving Eton/Election 1855, mixed 8vo, (2); Children's, including A.A. Milne and Rudyard Kipling, various; [10]

Powell (John Joseph, Of the Middle Temple, Esq; Barrister at Law), A Treatise Upon the Law of Mortgages, London: Printed by his Majesty's Law Printers; for P. Uriel [...] and T. Whieldon [...], 1785, pp: xviii, [2], 586, contemorary calf, blind meandering fillet to each cover (upper-cover detached), red leather gilt-lettered piece to spine, first-half 19th century book label to pastedown with ink MS shelf numbering: Levenside, K3/29, 8vo, (1); Williams (Johua), Principles of the Law of Real Property [...], tenth edition, London: 1873, contemporary calf, 8vo, (1); Topham's Real Property [...], tenth edition, London: 1947, blue cloth, 8vo, (1) [3]

Roads & Turnpikes - Hounslow & London, The New District, or Isleworth Turnpike Acts of Parliament, with A Correct List of the Trustees, Printed by Order of the Board of Trustees of the 10th Day of January, 1814, presentation copy to the treasurer-chairman of the trustees, Brentford: Printed by P. Norbury, 1815, pp: [iv], 106, [1], ten-fold copperplate engraved map frontispiece of the district, contemporary Regency calf (disbound, some losses), tooled in gilt and blind, marbled endpapers and edges, recto endpaper inscribed in ink MS: Presented to The Rev:d E[dward] Scott DD - The Treasurer & Chairman, later ownership inscription: W Scott_ (?the son), 8vo, (1); Springwood Park Copy, Parnell (The Right Honourable Sir Henry, Bart), A Treatise on Roads [...], London: Printed for Longman [...], 1833, pp: xii, 438, 7 fold-out engraved plates to recto, contemporary half-calf over marbled boards, Plain Armorial bookplate: Sir George Douglas, his ancestral seat's library label: Springwood Park, Kelso, [Scotland], 8vo, (1); McAdam (John Loudon), Remarks on the Present System of Road Making [...], fifth edition, London: Printed for Longman [...], 1822, the whole prefixed by a 16pp Whittaker's catalogue of latest publications, original publisher's boards, 8vo, (1); Digests of the General Highway and Turnpike Laws [...], An Appendix on the Construction and Preservation of Roads by John Scott [...], London: Printed for Edward and Charles Dilley, 1778, contemporary publisher's boards only, 8vo, (1); A Collection of the Acts of Parliament Now in Force for Regulating the Turnpike Roads in Englands, with a Copious Index, London: Printed by George Eyre and Andrew Spottiswoode, 1837, rebacked publisher's boards, 8vo, (1); another earlier copy, London: 1823, publisher's boards (disbound), 8vo, (1), [6]

Scotland - Gordon (Patrick), The Famous History Of the Renown'd and Valiant Prince, Robert Sirnamed, The Bruce, King of Scotland, & c., And of sundry other valiant Knights, Both Scots and English., Enlarged with an Addition of the Scottish Kings, Lineally descended from him To Charles now Prince., Together with a Note of the Beginnings of the most Part of the Ancient and Famous Nobility of Scotland., A History both pleasant and profitable, set forth and done in Heroic Verse., second impression of the 1615 edition, [Edinburgh: Re-Printed by James Watson, 1718], title-page with torn losses (presumably to masquerade the book as the 1615 imprint), pp: xxiv, 208, [4] (blanks), engraved armorial frontispiece, foliated initials and some woodcut devices, occasional Gothic Black Letter, contemporary speckled calf, covers outlined with a double-fillet in blind (detached upper-cover), five-compartment spine of raised bands, 12mo, [1] Provenance: James Logan, 19th century ink MS ownership inscription and some named stamps.

Gustave Doré (1832-1883) - Coleridge (Samuel), The Rime of the Ancient Mariner, Illustrated by Gustave Doré, London: Doré Gallery [&] Hamilton, Adams & Co., 1876, pp: [2], 12 (including frontispiece), 38 full-page engraved plates, contemporary relaid red cloth boards, gilt-lettered upper-cover, both covers with blind elaborate scroll borders, later spine, royal folio (50.5cm x 41cm, [1]

Medicine - American Imprint, The Pharmacopœia of the United States of America, By the Authority of the National Medical Convention, Held at Washington, A.D. 1850, first edition, Philadelphia: Lippincott, Grambo, & Co., 1851, pp: xxiii, 317, [3] (blanks), [4] (adverts), contemporary calf, 8vo, [1] Provenance: 1) Thos. ***, 19th century ink MS inscription on recto pastedown; 2) James Frederick White, Herbalist, 17 Vicar Lane, Leeds, ink MS ownership inscription dated 1869 and his later 19th century blind stamp to title-page; 3) J. Crosswaite & Son, Consultants, Leeds, later of Doreset, their stickers to endpaper.

Medicine/Botany - Culpeper (Nicholas, M.D.), The Complete Herbal, to which is now added, Upwards of One Hundred Additional Herbs, with a Display of their Medicinal and Occult Qualities [...], A New Edition, with a List of the Principal Diseases to which the Human Body is Liable [...], Illustrated by Engravings of numerous British Herbs and Plants, correctly coloured from nature, London: Thomas Kelly, 1845, pp: engraved portrait frontispiece, [vi], 398, [4] (indices), 20 full-page hand-coloured engravings, contemporary diced calf, blind double-fillet and anthemion borders, gilt-lettered spine and tooled compartments, red-speckled edges, contemporary orange endpapers, 4to, [1]

Verne (Jules): Allott (Kenneth), Jules Verne: a biography, first edition, New York: The Macmillan Company, 1941, h/b, d/j, 8vo, (1); Yesterday and Tomorrow, first English edition, London: Arco Publications, 1965, gilt-lettered cloth as issued, d/j, 8vo, (1); further Arco Publications, various, each in uniform black cloth, three with d/j as issued only, 8vo, (13); Package Holiday, Part One of The Thompson Travel Agencey, 1977, h/b, d/j, 8vo, (1); The Masterless Man, Part One of The Survivors of 'Jonathan', 1977, h/b, d/j, 8vo, (1); Captain Antifer, Delhi: 2019, contemporary gilt-lettered and blind-tooled calf binding, all-edges gilt, marbled endpapers, 8vo, (1); Smyth (Edmund, editor), Jules Verne: Narratives of Modernity, Liverpool University Press: 2000, h/b, d/j, 8vo, (1); further academic studies and further general non-fiction biographies, various, mostly h/b, d/j, mixed 8vo, [35]

Thirty Plates Illustrative of Natural History, with a Short Description Annexed to Each Plate, Part II only, London: Printed for the Society for Promoting Christian Knowledge, 1845, hand-coloured line engravings, rebacked contemporary brown cloth, gilt-lettered and blind-tooled covers, oblong 4to, (1); Thirty Prints of Places Mentioned in the Holy Scriptures, Illustrative of the Fulfilment of Prophecy [...], London: Printed for the Society for Promoting Christian Knowledge, [n.d., ?1849], hand-coloured line engravings in-text, rebacked contemporary green cloth, gilt-lettered and blind-tooled covers, 4to, (1), [2]

Diminutive Books - [Longueville (Peter)], The English Hermit: A Narrative of the Unparalleled Sufferings and Surprising Adventures of Philip Quarll, Discovered upon an Uninhabited Island in the South Sea, London: Published by the Booksellers, William Walker, Otley, 1847, contemporary cloth, 12mo, (1); Carleton (J.W.), The Natural History of the "Hawk" Tribe, Illustrated by A. Henning, first edition, London: D. Bogue, 1848, in-text caricatures, contemporary printed wrappers, 18mo, (1); New Spelling Dictionary, [London: third-quarter, 18th century], lacking prelims, Hessian cloth over boards, contemporaneous ink MS ownership inscriptions, 32mo, (1); Denman (The Late Thomas), Aphorisms [...], seventh edition, London: 1820, contemporary boards, 18mo, (1); Aikin (Dr [John]) & Barbauld (Mrs [Anna Laetitia]), Evenings at Home [...], thirteenth edition, volume II only, London: 1823, contemporary green roan over boards, 16mo, (1); Dove's English Classics, Milton (John), The Complete Poetical Works [...], London: Printed and Published by J.F. Dove, [n.d., c. 1830], contemporary cloth, 18mo, (1); Young (Edward), The Complaint; or, Night Thoughts [...], Chiswick: Printed by C. Whittingham [...], 1824, contemporary calf, richly tooled in gilt and blind, slightly later book label: William Wentworh Clapham, 16mo, (1); The New Testament [...], Oxford: Printed at the Clarendon Press, 1825, contemporary calf, brass-mounted clasps, 16mo, (1); morocco, further part-leather and some part-vellum bindings; some late 19th/early 20th century almost miniature books, various; juvenile books; posies of verse; etc., various sizes, [28]

Bindings - British Almanacs & Companion for 1872, a sammelband of three titles, contemporary straight-grain crimson morocco gilt, marbled endpapers, 8vo, (1); Bell's British Theatre [...], Volume the Eighth: Being the Fourth Volumes of Comedies [...], London: 1777, additional engraved title-page and further full-page plates, contemporary calf, 12mo, (1); Wanostrocht (Sarah), The Children's Book, or French Spelling Book [...]/Le Livres des Enfans, ou Syllabaire François [...], fourth edition, London: J. Johnson, 1808, parallel printed in English and French on a grey-blue stock of paper, contemporary calf, singular blind borders to both covers, contemporary ink MS ownership: Miss Lockhart 1810, 12mo, (1);Haggard (Lieut.-Col. Andrew C.P.), Two Great Rivals [...], London: Hutchinson & Co., 1910, contemporary three-quarter blue morocco over cloth by Hatchards, stamped, contemporary crested bookplate: Cecil E. Byas, 8vo, (1); Gilbert (Mark), Wisdom of the Ages [...], first edition, London: The Saint Catherine Press, [n.d. 1934], contemporary black leather, tooled and gilt, over cloth, 8vo, (1); Glazier (Richard), A Manual of Historic Ornament [...], second edition, London: B.T. Batsford, 1906, illustrated, contemporary Arts and Crafts three-quarter tan morocco over green boards (rubbed), 8vo, (1); Lang (Andrew), Letters to Dead Authors, first edition, London: 1886, contemporary vellum gilt over cloth, contemporary Jacobean Armorial bookplate: John Hopton of Can=frome in the County of Hereford, 12mo, (1); Goldsmith (Oliver), The Vicar of Wakefield [...], London: 1860, illustrated, contemporary olive green morocco over bevelled boards, blind-panelled and gilt-lettered, all-edges gilt, marbled endpapers, 12mo, (1); Campbell's Poetical Works, London: 1849, contemporay green morocco elaborately gilt and blind panelled and tooled, 12mo, (1); Fables of Æsop [...], twelfth edition, London: 1818, illustrated with woodcuts after those of a 16th century imprint, contemporary calf over boards, contemporary ownership inscription, 12mo, (1); The Book of Common Prayer [...], Oxford: Printed at the University Press, 1839, contemporary calf, elaborately tooled in blind, 8vo, (1); 19th century prize bindings, (3); Swift, early 19th century; other 19th century and later leather and part-leather bindings, various sizes, [22]

Shaw (Joseph), Parish Law: or, A Guide to Justices of the Peace, Ministers, Churchwardens, Overseers of the Poor, Constables, Surveyors of the Highways, Vestry-Clerks, and all Others concern'd in Parish Business [...], With a New and Correct Table, ninth edition, In the Savoy: Printed by Henry Lintot [...], 1755, pp: [18], 402, [20], contemporary calf, boards with blind double-fillett enclosing a dentil border at the inner-margin, raised bands to spine enclosing six-compartments, contemporary ink MS ownership monogram to recto endpaper, 8vo, [1]

A George III oak hanging corner cupboard, dentil cornice above cupboard door opening to three shaped shelves, flanked by stop fluted canted corners, above a drawer and two small blind drawers, 125cmH

A burr walnut crossbanded sofa table, with two drawers and two blind drawers, legs joined by square turned stretcher, 95cmW

An Astragal glazed standing corner cupboard, with blind fretwork top, 183cmH

A good pair of Chinese Chippendale Regency revival side / lamp tables. Each table with quarter veneer crossbanded table tops with blind fret worked friezes being  raised on four sable shaped legs with brass ends united by shaped under tiers. Measures 54 x 64 x 58 cm

Records : Album selection inc Taste (2), Clapton, Mayall, Blind Faith etc (13) all vinyls/sleeves vg+ or better

David Shepherd, OBE, Shampoo Time, Solomon and Whitehead 1987, limited edition print, 758/850, signed in pencil, blind proof, 39cm x 54cm, mounted, framed and glazed, with receipt from 1989

A George III mahogany Pembroke table, rectangular top with fall leaves, above a single frieze drawer, blind to verso, tapered square legs, casters, 71cm high, 83.5cm long, opening to 101.5cm

Print, signed in pencil Gerald Coulson, Limited edition 72/850, blind stamped A.J.B, 'Lone Spitfire', 31 x 94cm

Art Deco design walnut part bedroom suite to include; mirror back dressing table and low two door blind panelled cupboard/wardrobe. (2)(B.P. 24% incl. VAT)

Early 19th Century Welsh oak two stage blind panelled press cupboard with an arrangement of four drawers on bracket feet. (B.P. 24% incl. VAT)

A 20th Century oak open bookcase, with blind carved frieze above two shelves and raised on turned feet, 107.5 x 91 x 28cms.

A TELEVISION AND STEREO CABINET in the form of a reproduction walnut and mahogany linen press with canted blind fret corners, 102cms wide

A CHIPPENDALE STYLE WRITING TABLE, the legs with claw and ball feet and carved foliate knees, with Greek Key blind fret frieze, fitted a drawer with moulded cornice above with patinated leather surface (altered 18th century and later)

A late Victorian oak mantel clock, architectural case, moulded pediment, blind fretwork carving, Corinthian columns to the door, square brass dial, on a stepped base, the movement striking on five gongs, Winterhalder and Hofmeier movement, 44cm.

After Anthony Gibbs, Golden Thoughts, colour print, signed, limited edition 365/1000, blind stamp, 38cm x 75cm.

A large Chinese porcelain famille rose panel second half 20th century, depicting boys playing blind man's buff in a garden, signed with seal mark and calligraphy, 16½ x 30¼in. (42 x 77cm.), in a hardwood frame.

A 19TH CENTURY CONTINENTAL PORCELAIN TWIN HANDLED VASE, having a hand painted panel of girl with child, gilt metal mounts, approximate height 34cm, extensive wear to gilt decoration, with a bronze double ink well with blind folded porcelain cherub to the centre, the ink wells in the form of cauldrons, on pierced base and 'Bavarian' porcelain tea cups with four matching saucers (12)

A GEORGE III STYLE MAHOGANY BREAKFRONT LIBRARY BOOKCASE late 20th century in manufacture, with breakarch pediment, blind fretwork decoration, astragal glazed doors enclosing adjustable shelves and over panelled door beneath, standing on a conforming plinth base, 182.5cm wide x 268cm high x 40.5cm deep Condition: Generally good condition, with usual marks, dents and scratches due to age and use, the escutcheon to the upper right hand door is loose and there is some fading down the left hand side and a little to the left front of the bookcase, complete with an invoice dated 1987 from John Nethercott of Church Street Hereford

A GEORGE III OAK DRESSER BASE with two drawers and standing on cabriole legs terminating in club feet, 140cm wide x 58cm deep x 83cm high Condition: usual marks, dents and scratches overall due to age and use, the handles replaced, the escutcheons possibly original one with a lock the other blind, the drawers slightly misaligned in position, the dresser quite possibly cut down, the back left pad foot with loss, the back right pad foot similarly missing its end

Two cane curtain poles and a blind

Neil Simone (b. 1947), 'Beyond the Shadows Cast', limited edition print, signed and numbered 281/350 and blind-stamped, 50cm x 68cm

A 19th century mahogany pedestal sideboard, the oblong top with three blind frieze drawers over two supporting pedestals, each with arched panel doors, enclosing a cellarette drawer and vacant interior, 97.5cm x 201cm x 55cm barn stored condition with depletions, marks scratches and staining, boards missing from central drawer.

A George III Mahogany Chest, with moulded edge to top, fitted two short and three long drawers with later gilt brass and moulded handles, the canted corners with blind fret ornament, on ogee bracket feet, 37ins wide x 20ins deep x 32ins high

***Helen Bradley (1900-1979) - Three limited edition coloured prints - Blackpool promenade, figures by a lake, and figures in a park, all signed in pencil and with Trade Guild blind stamps, various sizes, in gilt frames and glazed

20th Century monochrome screen print, with Richard Nathan blind stamp, in perspex type showcase frame, 39 x 58cm

COOK, Moses, The Manner of Raising, Ordering And Improving Forest Trees…... Eliz. Bell, John Darby et al, London, 1724 3rd Edition. 8vo. Presented in full calf binding.Raised bands and gilt title to spine. Blind tooled panelling to boards. Engraved frontisand 4 folding plates. [1]Condition report: Professionally rebacked, original backstrip relaid.New spine label.New rear endpapers.Foxing to frontis and title page

19th Century French kingwood boxed portable window blind, with a green silk blind rolling out form the interior, 61c long

A right-hand-drive SVR with just 2,720 miles from newThe SVR is a lighter, faster and sharper version of Jaguar's F-Type R All-Wheel Drive5-litre supercharged V8 producing 567bhp and 516lb.ft. 0-60 in 3.5 seconds and 200mphEight-speed automatic transmission by Special Vehicle Operations and split-bias 4-wheel driveUnique SVR seats with Lozenge Quilt pattern, suede cloth-covered instrument binnacle and centre console, SVR steering wheel and anodized aluminium paddlesTitanium and Inconel exhaust system offers a fabulous 'harder-edged' soundIn Corris Grey Metallic and presents as you would expect for what is essentially a car still being run in!This is a VAT qualifying car so 20% needs to be added to the Hammer PriceIn the same month that the F-Pace SUV became the fastest-selling Jaguar of all time, the F-Type arrived in 'Supercar 'territory. Introduced at the Geneva Motor Show in March 2016, the F-Type SVR was a lighter, faster and sharper version of Jaguar's F-Type 'R' All-Wheel Drive. It was powered by the same 5-litre supercharged V8 but now produced 567bhp at 6,500 rpm and a remarkable 516lb.ft of torque at 3,500rpm, with all this power transferred to the road through a Special Vehicle Operations - developed, eight-speed automatic transmission and split-bias 4-wheel drive.The SVR was now a seriously quick motor car with 0-62mph in a tad less than 3.5 seconds and a genuine 200 mph available, however, the external differences from the F-Type R were stylish and subtle with a new aerodynamics package that included a new front bumper, splitter, flat undercarriage, rear venturi and an active rear wing that rises at 70mph. What wasn't quite so subtle was the new Titanium and Inconel quad-pipe exhaust system which was a full 16kg lighter but featured valves that open at 2,500rpm generating a distinctive metallic bark that will rattle windows and upset the neighbours. You don't have to use full throttle and it is possible to progress in a civilised manner, but the option is there!However, more impressive than the increased power output is the way the SVR conducts itself. We quote from a recent Road Test in Classic Car Magazine;"Yet more impressive than the raw speed is the way it's delivered. The smaller-engined, rear-drive F-types regularly trouble their electronic stability systems, but in four-wheel-drive SVR form traction is outrageous. Off the line the Jag just grips and goes, and the same applies when putting the power down early out of a corner: it's composed, controlled and deeply impressive.The beautifully weighted steering filters out any semblance of kickback, yet retains far more feedback than most modern systems, with delicious accuracy. Switch to 'Dynamic' mode and the car gets stiffer, harder and more focused, the smooth auto 'box serving up immediate, aggressive changes when commanded by the steering wheel-mounted paddles.Yet although there's grip and body control enough to ensure that your passenger will need the large grab handle, it's delivered without the back-breaking ride you might expect, particularly when you switch to 'Normal' - but then Jaguar always was a master of chassis that blended balance and suppleness."Inside the cockpit is truly state of the art and indications that you are in the SVR include very handsome quilted leather covering seats and door panels. The stitched shapes take the form of the 'Jaguar Heritage' lozenge, a subtle nod to the racing DNA of the brand and a lovely touch. There's also an SVR steering wheel and the contrast double stitching on the seating and door handles mirrors the car's external colour.This superb F-type SVR is on offer from the SA30 collection and dates from the 31st of March 2017. It's finished in Corris Grey Metallic with a black leather interior piped and double stitched in silver grey and sits on a set of bespoke SVR Satin Black/diamond cut, 20" alloys sitting in front of yellow 'Carbon Ceramic' brake calipers.According to the Bill of Sale from Lancaster Jaguar, Sevenoaks, the cost new was £115,696 including £12,340 of extras. Those factory-fitted options include a premium leather interior with twin stitching, 3-spoke leather steering wheel, premium-leather and suede-wrapped instrument panel with piping, dark brushed-Aluminium centre console trim, Panoramic glass roof, Climate Pack 2 F-Type, automatic climate control, Meridian 380W sound system with 10 speakers, 'InControl' secure, Blind spot monitoring/closing vehicle sensor/reverse traffic detection, body-colour door mirrors, bonnet louvres, power tailgate, Carbon-fibre rear spoiler, Carbon Ceramic brake pack and forged F-Type SVR wheels.The current mileage is 2,720 and the Online Service History indicates that it was serviced on 22/06/2018 @2,163 miles(16,000-mile service) and on 15/08/2019 @ 2594 miles (32,000 miles/24 months). On both occasions, the work was carried out by Lancaster Tonbridge. The Jaguar is accompanied by its V5C, Book Pack and Owner's Handbook.As you might expect from an SA30 Collection car, it's absolutely pristine and totally immaculate. Obviously, it's not brand new but, at 2,720 miles with two services and totally cossetted, you would have a job to tell and we would recommend an appointment to view to confirm this for yourself.You can now book a one to one appointment (up to one hour) to view this lot at our central location between 16th and 30th July. Please contact Harry Whale on 07919 887 374 / harry@silverstoneauctions.com to secure your appointment or to discuss the car in more detail. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions for arrival and inspection protocols will be given when making your appointment.Click here for more informationSpecification:Registration: GJ17 YVRYear: 2017Make: JaguarModel: F-Type SVRRHD/LHD: RHDChassis Number: SAJAL6843HMK46228Odometer Reading: 2720 milesEngine Capacity: 5000Engine Number: 16111833071508PSBody Colour: Corris Grey Metallic

AN 18CT GOLD GENTLEMAN'S SIGNET RING, blind panel, 4g

A GEORGE III SILVER MILK JUG, bright cut decoration, including a blind wreath cartouche, London 1802, weight; 113g

TWO 19TH CENTURY BOHEMIAN SPA GLASSES, one cobalt blue of faceted form on tapering stem, gilded and enamelled with flowers, 16cm high, the other with a pink and gilded glass having a blind panel (2)

* English School. An album containing 41 studies of Continental & British landscapes etc., mid 19th century, including pencil views of the passes of the Alps, some after William Brockedon, such as Pass near La Thuille, View of Arc Valley from Saint-Michel-de-Maurienne, the ascent of the Little St. Bernard, and British views including Ben Lomond & Loch Ard, Matlock High Tor Derbyshire, St. Constantine's Cell, Derwent Water, etc. and few pen & ink studies including Castle of Ashby and interior of the Newcastle Castle Chapel, plus five watercolour studies of plants including passion flower and ivy, etc., mostly on artist card or thick wove paper, many mounted into album (some loosely inserted), all edges gilt, contemporary red velvet, gilt & blind blocked decoration to boards, upper joint split and near detached, worn, decorative brass clasp, folio (images approximately 240 x 180 mm and smaller)Qty: (1)