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A good quality mahogany display cabinet of Chippendale style, with arch centre top and blind fret freize with glazed sides and two glazed panelled doors and centre arch panel with blind fret band below on stand with moulded square front legs, 152cm wide by 192cm high

Four William IV double struck Kings Pattern Salt Spoons with diamond heels, initialled, to oval gilt blind bowls, length 4 3/8”, London 1834, Makers Mark William Eaton, (4)

A late 19th Century gilt Spelter and Ceramic mounted Mantel Timepiece, the cylindrical case decorated with a rampant lion and further fleur-de-lys decoration, with applied flaming urn finial and flanked by lions mask detail, to a pierced and scrolling shaped base, to a spun Brass bezel with bevelled glass, enclosing a 4 ½” Arabic enamel chapter ring, with outside minute track and pierced blind fret centre, and further blued steel moon hands, to a circular Brass movement with anchor escapement and short bob pendulum, height 15”

ADAM (A) A Summary of Geography & History both Ancient and Modern; etc. 5th Edn, 1816. Illustrated with Maps. Original calf, rebacked, untitled. Complete with the 13 maps and plates (including the map of America for 1797); LANDMAN (G.) A Universal Gazetteer; or, Geographical Dictionary. New Edn, 9 engraved maps, blind stamped cloth (rebacked), 1840 (2).

ANNING BELL (R.) illustrator: A Midsummer Night's Dream, sm. 4to, illus., hand col'd throughout by Miss Gloria Cardew [printed label on f.e.p.], in contemporary Arts & Crafts full morocco, plain, except a large pictorial block in blind to upper cover. L., 1895.

A LATE 19TH/ EARLY 20TH CENTURY ELM BOOKCASE, having moulded cornice above two plain glazed doors fitted shelves to the interior, above two blind panel doors on a platform base. 48” Wide x 13.5” Deep x 80” High.

A LATE VICTORIAN ROSEWOOD SIDE CABINET, having glazed back with two cupboards under a broken swan neck pediment flanked by side shelves and mirrors, the breakfront base with three freize drawers over a central mirrored door, flanked by blind panel doors on pot board type base with square tapering legs. Overall inlaid with classical foliate decoration and strung outlines. C1890. 54” Wide x 18” Deep x 88” High.

A 19TH CENTURY GRAINED PINE TWO STAGE CUPBOARD, having moulded cornice above two blind panelled doors flanked by canted angles, the projecting base with similar blind panel cupboards standing on bracket feet. White ceramic knobs. C1840. 40” Wide x 20” Deep x 77” High.

AN EARLY 19TH CENTURY WELSH OAK DEUDDARN, having moulded cornice with drop finials, above three ogee arch panelled doors, the projecting base with three moulded freize drawers above two blind panel doors flanking a centre panel standing on bracket feet. Cardiganshire. C1810. 56” Wide x 21” Deep x 80” High. Provenance:- Originally from a family home in North Cardiganshire, by descent consigned from the family now living in Scotland.

A LATE VICTORIAN OR EDWARDIAN MAHOGANY “COMPACTUM” WARDROBE, having foliate moulded stepped cornice over blind panel doors and an arrangement of cupboards and drawers on a platform base. 77” Wide x 83” High.

PHOTOGRAPHS. – An album containing 33 carte-de-visite photographs. [N.p.:] C.R. & Co., [n.d. but circa 1890.] Folio (281 x 202mm.) The album with chromolithographed title-page ‘Album Mikado’ and 24 leaves (12 with chromolithographic surrounds). – Original morocco blocked in blind, gilt metal clasp, gilt turn-ins, g.e. (slightly rubbed).

COACHING & TOLL ROADS. – A very rare George II toll pass. [Great Britain:] 1744. A folding dark-brown calf and paper pass (69 x 54mm.) The left inner cover with applied paper label with 19 lines of letterpress text beneath the letterpress heading ‘Gate-Keepers Orders’ with manuscript signature at foot ‘Tho: Ripley’, the right inner cover with gilt tooled border incorporating ‘The Kings Private Roads’, ‘G II R’, ‘MDCCXLIV’ and ‘No 1020’ all surrounding a central area blocked in blind with an official stamp. The outer covers with borders decorated in single fillet and dog-tooth roll tools, contained within original black shagreen two-part slip-case, lined in red velvet. Provenance: the Tyrwhitt Drake family and thence by descent.

STEWART, J. Watson. The Calendar… for the Year of Our Lord 1818. [N.p. but Ireland: n.d. but 1817.] 24mo (73 x 37mm.) (Some spotting.) Contemporary calf blocked in blind (slightly rubbed).

PHOTOGRAPHS. – An album containing 91 carte-de-visite photographs mounted recto and verso of 24 leaves. Folio (282 x 212mm.) [N.p.: n.d. but circa 1880-1890.] The album with 1 chromolithographed plate and 12 leaves with decorative chromolithographed surrounds, the others with blue and gilt surrounds. (Occasional light browning or soiling.) Contemporary calf blocked in gilt and blind, gilt metal clasp, g.e. – And five other empty photograph albums (6).

BINDINGS. – John SHARPE & Hector McLEAN (publishers). Elegant Extracts: being a Copius Selection of Instructive, Moral, and Entertaining Passages, from the Most Eminent Prose Writers. London: [n.d. but circa 1810.] 36 parts in 18 vols., small 4to (123 x 78mm.) Engraved decorative titles. (Some spotting.) Contemporary green straight-grain morocco gilt, the covers panelled in gilt and blind, the spines in five compartments with raised bands, lettered in the second and fourth, the others tooled in gilt with a harp or foliate motif, gilt turn-ins, g.e. (hinges occasionally neatly repaired, some chipping to head of spines, spines faded to brown).

GREGSON, Matthew. Portfolio of Fragments Relative to the History and Antiquities of the County Palantine and Duchy of Lancaster. Liverpool: 1817. Folio (322 x 185mm.) Wood-engraved title vignette, numerous wood-engraved illustrations (many full-page), 1 folding plan, 3 folding genealogies (1 genealogy torn and repaired with adhesive tape, occasional light spotting.) Contemporary calf, the covers panelled in blind (rebacked, old spine laid-down, extremities somewhat scuffed).

BINDINGS. – Edmund SPENSER. The Faerie Queene… to which is added his Epithalamion, a new edition. London: 1853. 8vo (164 x 94mm.) Plates after Edward Corbould. Contemporary brown morocco, the covers panelled and tooled in blind, the spine in five compartments with raised bands, lettered in gilt in the second, the others with repeat decoration in blind, g.e. (slightly rubbed). – And thirty-five other leather-bound works or part-works (36).

BINDINGS. – J.O. THORNE & T.C. COLLOCOTT (editors). Chambers Biographical Dictionary, revised edition. London: The Folio Society, 1974. 8vo (206 x 129mm.) Contemporary brown pigskin tooled in gilt and blind with a repeating geometric crossed-line motif, t.e.g. (slightly rubbed). – And four other leather-bound reference works (5).

SENECA, Lucius Annaeus. The Works. London: William Stansby, 1614. First complete edition in English, folio (331 x 202mm.) Engraved additional title. (Some spotting, soiling and damp-staining, occasional ink annotations, many leaves repaired to edges, title and final page of dedication laid on support paper.) Modern calf tooled in blind (slightly rubbed).

MACHIAVELI, Nicolai. Princeps. [N.p.:] 1589. [bound with: Hubert LANGUET.] Vindeciae Contra Tyrannos. [N.p.:] 1589. 2 works in 1 vol., 8vo (160 x 97mm.) (Some browning and damp-staining.) Contemporary calf, the covers tooled in blind with an oval medallion of interlinked scrolls and stylized foliage (rebacked and cornered, scuffed and rubbed).

BRUNES, Johannes de. Emblemata of Zinne-werck. Amsterdam: 1624. 4to (231 x 166mm.) Engraved decorative title, 51 engraved illustrations. (Some light worming to top margin, occasional light browning.) 17th Century vellum, the covers tooled and panelled in blind (soiled, upper hinge splitting).

HOLY BIBLE, IN ENGLISH. – The Holy Bible. London, Edinburgh, etc.: [n.d. but circa 1870.] Folio (310 x 242mm.) 7 maps, 10 engraved plates (1 double-page). (Some spotting.) Contemporary morocco blocked in blind, gilt metal clasp, g.e. (extremities slightly scuffed, clasp defective). – And one other related volume (2).

3 ANNA PUGH. Two coloured etchings, “Dragonfly” and “Bonsai Beach”, both titled, signed and dated 85 in pencil, marked A/P 19/20, plat, 34cm x 44cm; ROSALIND FORSTER, lithograph, “Basket Roses”, signed and titled in pencil, numbered 26/150, blind stamp CCA Galleries London, plate 39cm, x 59cm; VAL ARCHER, lithograph, “Wild Strawberries”, signed and titled in pencil, marked SP 11/11, 36.5cm x 54cm, all unframed. (4).

3 ANNA PUGH. Two coloured etchings, “Dragonfly” and “Bonsai Beach”, both titled, signed and dated 85 in pencil, marked A/P 19/20, plat, 34cm x 44cm, together with ROSALIND FORSTER. Lithograph, “Basket Roses”, signed and titled in pencil, numbered 26/150, blind stamp CCA Galleries London, plate 39cm, x 59cm; VAL ARCHER. Lithograph, “Wild Strawberries”, signed and titled in pencil, marked SP 11/11, 36.5cm x 54cm, all unframed.

A carved walnut and upholstered sofa, late 19th /early 20th century, with shaped rectangular back and overscrolling arms, above a blind fretwork frieze and carved hairy paw feet, 147cm wide

Bible (in English).- THE HISTORICAL PART OF THE HOLY BIBLE...ENGRAVEN BY JOHN STURT... additional engraved title, frontispiece, 4 folding engraved maps and 130 engraved plates, closed tears to maps, tear to A1 of Book of Common Prayer, Old Testament, Oxford, J. Baskett, 1732; New Testament, H. Hills, 1731; Concordance, D. Leach & R. Ware, 1726, later ornate morocco, blind-stamped, inlayed, spine gilt, heavily worn and rubbed with both boards detached, 4to.

Genealogy.- Betham (Rev. William) GENEALOGICAL TABLES OF THE SOVEREIGNS OF THE WORLD, PRESENTATION COPY FROM THE AUTHOR, BEARING HIS SIGNATURE ON THE TITLE, other ownership signatures on front free-endpaper, bookplate of Samuel Harris, contemporary calf, blind-stamped, rubbed at extremities, rebacked, folio, W. Bennett, 1795.

A bronze mortar, of flared form, cast coat of arms and blind fret panels, 4in (10cm) h, another cast city coat of arms and buttresses, and a third with alternating foliage designs. (3)

An Edwardian mahogany bijouterie table, with blind fret decoration, with an applied gilt metal plaque for 'HEWETSON, MILNER & THEXTON Ltd, HOUSE FURNISHERS 200-215, TOTTENHAM Ct ROAD, LONDON, W', 29.25in (74.2cm) h, 22in (56cm) w, 15.5in (39.6cm) d. One glass panel cracked, chips to top.

Snaffles. 'Merry England', and worth a guinea a minute, a hand coloured print, laid down with blind stamp and signed in pencil, 17.25 x 15.5in (44 x 39.5cm).

After Charles Hunt Double Brook, Little Billing, The Start, Double Stone Wall-Little Billing, Coming In Coloured engravings and After Kauffman Blind Man's Buff and two others (7)

Royal Worcester 'Blind Earl' pattern circular dish 14.5cm and three ditto oval dishes with raised leaf and floral decoration (4) 17cm

Morris & Stone (Morestone): Three Blind Mice red and black diecast and tinplate circular novelty toy with lever device and stake in original box 53mm diameter VG, box G

An Edwardian display cabinet with blind fret carved decoration.

A late 18th/early 19th century longcase clock, the arched brass dial with eight day movement and painted arch by Edward Billington, Leeds, pierced floral spandrels, in oak and mahogany cross banded case with broken pediment on fluted columns, blind fretwork banding and shaped door flanked by fluted pilasters, panelled base and bracket feet, 86 1/2” high (illustrated)

Regency style mahogany pedestal Sideboard, with galleried back above two long drawers, flanked by pedestals, each with one short drawer with blind fretwork above a cupboard with appliqués, scrolls and bellflowers, on carved bracket feet.

Thetis Blacker 1927-2006, British, 'Sea Form', (blind drawing), signed and dated '62, wax crayon on paper, framed, Marjorie Parr Gallery label verso, PROVENANCE: Thetis Blacker. h: 6.75 x w: 9.75 in.

Thetis Blacker 1927-2006, British, 'Dove Form', (blind drawing), signed and dated '62, wax crayon on paper, framed, Marjorie Parr gallery label verso, PROVENANCE: Thetis Blacker. h: 6.75 x w: 9.50 in.

By E Richard Sturgeon ( 1920-1999) - view of Pultney Bridge from the water, signed in pencil, blind stamp, colour reproduction print, 17" x 22.75"

SPRATT, Lieut. T.A.B. & FORBES, Prof. Edward, 'Travels in Lycia, Milyas, and the Cibyratis, in Company with the Late Rev. E.T. Daniell', Van Voorst, 1847. 8vo. maps. & plans a.c.f. Blind tooled cl. bumped. 2 vols.

WALTON, Izaak & COTTON, Charles, 'The Complete Angler', Pickering, 1836. lge. 4to. some foxing to margins of plts. some offsetting. A.e.g. full blind tooled cf. (see Illustration)

De Lorris (Guillaume) Le Roman De La Rose, 1965, numbered limited edition, signed by artist, illuminated text, blind-stamped calf with inlaid ivorine panel, with 2 supplementary volumes, all contained within silk lined solander box; Lyautey (Pierre) Histoire de la France, nd., small 4to., 5 vols. including plate volume, a.e.g., morocco, slipcases (6)

Vesalii (Andreae) [Andreas Vesalius] Opera Omnia Anatomica & Chirurgica, 1725, Volume 2, folio, edited by Herman Boerhaave and Bernhard Siegfried Albinus, plates, some folding, blind-stamped vellum

A George III style mahogany silver table the rectangular top with open fretwork gallery, above blind fretwork frieze, on channelled chamfered legs with pierced spandrels and block feet, joined by shaped pierced X-stretcher, on brass castors 94cm wide, 80cm high, 57cm deep

Charles Johnson Payne 'Snaffles' (1884-1967) '1915 -16 - that far, far-away echo', hand coloured photographic reproduction, signed in pencil, bears Snaffles blind stamp, 24cm x 35cm

William Lee-Hankey (1869-1952) 'Le Connaisseur des Fleurs Etaples', etching, signed in pencil, and bears blind stamp monogram, 21cm x 16cm . Lee-Hankey was born in Chester and studied at the Royal College of Art and later in Paris. He produced a series of etchings of Breton subjects including architectural and figure studies.

A Pratt of Fenton two handled serving dish, colour printed with the 'blind fiddler' after Sir David Wilkie, 13in.

'Blind Man's Buff' Edwardian monochrome print in oak frame and and oleograph of a seascape

Early 20th century oak sideboard with figured walnut panels and blind fret decoration

FRANCIS WILLUGHBY: THE ORNITHOLOGY OF --------, Scolar Press, 1972, facs edn, fo, orig blind stpd cf

REV C A JOHNS: A WEEK AT THE LIZARD, [1848], 1st edn, orig blind stp, cl worn + SCENES OF INDUSTRY DISPLAYED IN THE BEE-HIVE AND THE ANT-HILL, L J Harris, circa 1825, ttl pge damaged with loss and some other faults, 12 mo, cf bkd ptd bds worn (2)

HENRY STEVENSON AND THOMAS SOUTHWELL: THE BIRDS OF NORFOLK WITH REMARKS ON THEIR HABITS MIGRATION AND LOCAL DISTRIBUTION, 1866, 1870, 1890, 1st edn, 3 vols, orig blind stpd cl, recased (3)

REV FRANCIS ORPEN MORRIS: A HISTORY OF BRITISH MOTHS, 1903, 6th edn, 4 vols, orig blind stpd cl, (4)

ABEL CHAPMAN: BIRD-LIFE OF THE BORDERS, RECORDS OF WILD SPORT AND NATURAL HISTORY ON MOORLAND AND SEA, 1889, 1st edn, orig blind stmp cl gt, + ABEL CHAPMAN AND WALTER J BUCK: Wild Spain, 1893, 1st edn, orig cl worn & soiled, a few lls loose, (2)

HENRY SEEBOHM: A HISTORY OF BRITISH BIRDS -----, 1883, 1st edn, 3 Vols, lacks plt Vol, lib cl + REV FRANCIS ORPEN MORRIS: A HISTORY OF BRITISH BIRDS, 1865, Vol 4 (of 6) only, orig blind stmp pict cl gt

THOMAS BEWICK: A HISTORY OF BRITISH BIRDS, Newcastle, 1847, 2 Vols, orig blind stmp cl

18thC mahogany chest on chest with dentil cornice over two short and six long drawers, blind fret carved canted corners, the whole raised on bracket feet

A LONGCASE CLOCK by Jas Andrews, Coleraine, the eight day movement with anchor escapement striking on a bell, 13" square brass dial, the silvered centre chased with foliage, Roman and Arabic numerals and inner seconds dial, the oak and mahogany case with moulded cornice and blind fret frieze on turned columns, arched door with shell patera flanked by quarter columns, canted panel base and bracket feet, 84 1/2" high

A GEORGE III TEAPOT of canted oblong form with straight faceted spout, fruitwood finial on mildly domed lid, similar loop handle, chased blind cartouche with bands of flowerheads and foliage, the lid with lambrequin banding, 10 3/4" wide, London 1792, marks for George Smith and Thomas Hayter, 16ozs 7dwts

A VICTORIAN PIN TRAY of heart form with waved sides, embossed with birds and foliate scrolls centred by a blind cartouche, 3 3/4" wide, London 1894, and a similar item, London 1903, 2ozs 10dwts (2)