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A GEORGIAN GOTHIC STYLE FOUR POSTER BED with carved pierced and blind fret decoration, with shaped finials, Super King size (180 x 200cm) A current `So To Bed` model

A German Black Forest carved oak weight-driven four horn ÔtrumpeterÕ wall clock Attributed to Emilian Wehrle and Co., Furtwangen, with retailerÕs signature for P. Shackleton, Sowerby Bridge, circa 1870 The two train movement with skeletonised plates and anchor escapement, playing a tune every hour on four ÔtrumpetsÕ via a pinned wooden barrel mounted on the backplate and two crank driven bellows fitted above the plates whilst revealing a polychrome figure of a trumpet player from behind the pair of lancet-shaped doors beneath the dial, the gabled case with Gothic arch lattice tracery blind fret decoration to front incorporating rosette carved gilt Roman numeral dial flanked by applied ebonised baton decoration and fretwork side projections, the base with hanging tracery apron, the sides with pierced access doors, (losses to case and other faults), 74cm (29ins) high. Emilian Werhle was born in 1832 and followed in his fatherÕs footsteps into the clockmaking trade. In 1866 he married and went into business with his father-in-law specialising in trumpeter clocks, he died in 1896. Percival Shackleton in recorded in Loomes, Brian Watchmakers and Clockmakers of the World, Volume 2 as working in Sowerby Bridge 1871.

A French Louis XV style gilt brass mounted boulle mantel clock Retailed by W. Oppenheim, London and Paris, circa 1900 The eight-day striking movement with oval retailerÕs stamp W. OPPENHEIM, LONDRES PARIS and numbered 500, 87 to backplate, the circular gilt rosette centred blue on white enamel Roman numeral cartouche dial with convex bevel glazed brass bezel, the arched foliate-scroll engraved brass and mottled red shell marquetry veneered case with basket of fruit cast finial to the concave sided surmount above foliate cast crest issuing husk trails to the angles, the apron inset with a Sevres style porcelain plaque decorated with two cherubs at work, the sides with blind brass grille sound frets, the base with scroll cast angle mounts and integral scroll feet with leafy apron between, 37cm (14.5ins) high.

A late Victorian gilt brass mounted mahogany quarter chiming bracket clock A. and H. Rowley, London, late 19th century The substantial four pillar triple chain fusee movement chiming a choice of two tunes on either eight bells or four gongs and striking the hour on a further gong, the 7 inch shallow-arch gilt brass dial with fine foliate scroll engraved centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers, Arabic five minutes to outer track and signed A & H ROWLEY, THEOBALDS RD. to lower margin, the angles with conforming scroll engraved decoration continuing up into the arch to form infill around the subsidiary CHIME/SILENT and CHIME ON 8 BELLS/CAMBRIDGE CHIMES selection dials, the case with brass fillet bordered foliate scroll blind fret infill to the shallow arch pediment raised on a box upstand over ogee cornice and conforming upper quadrant frets, the front with fluted pilasters with fine cast Corinthian caps and bases flanking bevel-glazed dial aperture with canted silvered fillet insert, the sides with further shallow arch foliate scroll sound frets flanked by conforming pilasters, on cavetto moulded apron base with brass bracket feet, 51cm (21ins) high.

A George III mahogany eight-day longcase clock with moonphase Peter Fearnley, Wigan, circa 1780 The four pillar rack and bell striking movement with 14 inch brass break-arch dial with subsidiary seconds dial and sweep calendar hand to the fine Ho-Ho bird inhabited foliate scroll engraved centre within applied Roman numeral chapter ring with calendar to inside edge and Arabic five minutes to outer track, the angles applied with foliate scroll cast spandrels beneath arch with rolling moonphase calibrated for age of the moon to edge of disc and with lunettes applied with pierced and engraved decoration incorporating text TIME IS VALUABLE, the upper edge of the arch signed PETER FEARNLEY WIGAN to an applied curved plate, the swan neck pedimented case with central upstand and gilt leafy scroll decorated verre eglomise infill above ring-turned columns to hood, the trunk with blind fret collar above shaped-top caddy moulded flame figured door flanked by fluted quarter columns, on raised panel fronted plinth base with canted angles and shallow mounded skirt, 235cm (92.5ins) high. Peter Fearnley is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as born circa 1749, he married Ann Lawson (from a fellow Wigan clockmaking family) in 1776 and died 1826. The current lot is a classic example of FearnleyÕs work with details such as the engraved dial centre and fine applied decoration to the lunettes of the arch only seen on his best work.

A rare Welsh George II parquetry banded walnut eight-day longcase clock with moonphase William Charles, Chepstow, circa 1745 The four pillar rack and bell striking movement with 11.75 inch brass break-arch dial with subsidiary seconds dial and applied arched silvered nameplate signed Will. Charles, Chepstow to the symmetrical Ho-Ho bird inhabited foliate scroll engraved centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles applied with twin bird and urn cast spandrels beneath rolling moonphase calibrated for age of the moon and high tide times to outer edge, the upper border with applied arched plate engraved HIGH WATER AT CHEPSTOW BRIDGE, the break-arch case with moulded cornice and blind fret frieze above parquetry strung hood door with three-quarter columns to angles, the trunk with ogee-arch topped caddy moulded quarter veneered door with conforming strung border to both door and surround, on conforming plinth base with shallow moulded skirt and bracket feet to front only, 214cm (84ins) high. William Charles is recorded in Linnard, William WALES Clocks & Clockmakers as working from premises in Beaufort Square Chepstow circa 1745-78. The current lot is illustrated by Linnard (on page 115) where it is erroneously described as being in a mahogany case. The use of walnut for the veneers and general detailing of the design and layout is reminiscent of examples made by Bristol makers such as Benjamin Stretch and John Jordan during the 1740Õs; this suggests that the current lot is more likely to have been made prior to 1750. Another example by William Charles with ÔHigh Water at Chepstow BridgeÕ resides at the Chepstow Museum.

An Edwardian mahogany quarter chiming eight-day longcase regulator Gillett and Johnson, Croydon, circa 1900 The substantial four pillar triple train movement with deadbeat escapement, HarrisonÕs maintaining power and chiming a choice of two tunes on eight tubular gongs every quarter hour and striking the hour on a further larger gong, the 12.5 inch brass break-arch Roman numeral dial with subsidiary seconds dial, ringed winding holes and applied silvered nameplate Gillett & Johnson, Croydon, England to the matted centre within silvered Roman numeral chapter ring with stylised sword hilt half hour markers and Arabic five minutes to outer track, the angles with unusual leaf cast spandrels beneath subsidiary WHITTINGTON/WESTMINSTER/SILENT selection dial flanked by conforming mounts to arch, the swan neck pedimented case with blind fret infill above fluted columns to hood, break-arch door flanked by quarter columns to trunk, on shaped panel fronted base with moulded skirt, 222cm (87.5ins) high. The firm of Gillett and Johns(t)on of Croydon was formed when William Gillett (who had been working in Croydon since 1844) went into partnership with Arthur Johnston in 1877. The firm still trades today specialising in the manufacture and fitting of turret clocks.

Mahogany Regency style four-poster single bed , circa 1920, the reeded columns supporting a blind fret cornice, internal size length 190 x 107cm, height overall 230cm.

Mahogany eight day longcase clock with five pillar movement, the 12" brass arch dial signed William Horn Hale, Devizes to the arch over a strike/silent subsidiary dial and a silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with moulded wavy arch long door, the hood surmounted by moulded swan neck pediment over Gothic blind fret carved panels, 95" high (pendulum, two weights)

English mahogany eight day longcase clock with five pillar movement, the 12" square brass dial signed Justin Vulliamy, London on an arched shaped plate to the matted centre with subsidiary seconds dial and calendar aperture enclosed by a silvered chapter ring, the case with long door and the hood surmounted by a caddy top and three brass ball and spike finials over a blind fret foliate carved panel, 101" high (original two brass cased weights and pendulum; also with winding and case keys). This clock has come to auction from the Vulliamy family by direct descent. The seat board bears an old Camerer Cuss trade label. The inside back of the case bears the retail plaque of James Oakes, no. 2103

THACKERAY, W. M: The Adventures of Philip: 3 vols, org. brown cloth decorated in blind on the covers lettered in gilt on the spine, yellow endpapers, half-title to volume one, 8vo, 1862.

An early 20th Century George III style mahogany serpentine front chest, the brushing slide and four graduated long drawers flanked by blind fretwork canted corners, on bracket feet, height approx 89cm, width approx 97cm.

A George V mahogany pedestal, the column with blind fretwork decoration, together with an ebonized stand.

James Hewitt - Sunderland. A mid 18thC longcase clock, the arched dial with gilt metal spandrels, surrounding a silvered chapter ring with engraved centre, with an eight day, four pillar movement striking a bell, in figured mahogany case with blind fret decoration, on ogee bracket feet, 220cm high

A framed and glazed Helen Bradley limited edition print of Fred Walmsleys concert party, blind stamped and signed

Moderne cocktail table Moderne cocktail table, the ebonized case with a square top above two blind drawers and an open gallery rising on tubular chrome legs, 12"h x 37.5"w Provenance: Property from the Estate of N. Lee & B. Herbst-Gruhn, San Francisco, CA

Art Deco style silvered hall tables Art Deco style silvered hall tables, each having a serpentine top above a conforming apron centered with a blind drawer, having a stylized winged mount conjoining the swan`s neck supports and rising on a graduated base, 34.5"h x 30"w x 19"d

Francois Linke Louis XVI style ormolu mounted library table Important Louis XVI style ormolu-mounted kingwood library table executed by François Linke, France circa 1900, the slab jasper top above an ormolu mounted apron with repeating flora and fauna reserves conjoined with grape and vine swags, the blind drawer with a floral basket medallion and rising on fluted legs terminating on sabots, signed F. Linke top right, 29.5”h x 43.5”w x 25.5”d

Pair of quality interlined beige and gold curtains with beaded tiebacks, 375 x 225cm drop and gold Roman blind, 142 x 128cm drop

Pair of quality interlined blue and primrose check pattern curtains with tiebacks (126 x 202cm drop), pelmet (105 x 25cm high) and roller blind (86 x 160cm drop)

A Morestone Series novelty die-cast and tinplate `Three Blind Mice` toy, lever device to side, boxed

SIR WILLIAM RUSSELL FLINT RA. Models by a River with ruins beyond, reproduction in colours, with blind stamp of Michael Stewart Fine Art, numbered 246/850, Pl. 19 1/2 x 26 1/2 in

Early 20c mahogany hanging blind panel cupboard

Victorian mahogany single blind panel wardrobe on platform base

Early 20c mahogany blind panel double wardrobe on bracket feet.

Mid 20c mahogany blind panel double wardrobe with dentil moulded cornice on bracket feet.

A Paris (Fleury) porcelain mythological plate, c.1820, painted with a young girl leading the blind Belisarius through a wooded landscape with Classical buildings behind, within a gilt border with flowerhead motifs, gilt mark to the reverse, 23cm.

Victorian mahogany freestanding bow front corner cabinet, Key pattern and inlaid frieze over a blind fretwork band, astragal glazed door to the upper section, panelled door below with a marquetry oval, ogee bracket feet, width 85cms, height 223cms.

A set of four limited edition colour prints by V Charlesworth, depicting suited Gangster figures, entitled `Bootleggers`, `The Tip Off` & `The Mob`, each hand signed and numbered in pencil, with blind stamps (4)Please visit www.boningtons.com for a fully illustrated catalogue

European Art Nouveau School, circa 1900- Shrouded figure with nudes; black crayon with touches of coloured crayon on buff paper, signed, 55x47cm., 77x53.5cm., (sheet): Melville Hardiment, British b.1915- Harbour scene; black chalk , watercolour and gouache, 63x51cm: Marc Stanes, British b.1963- Flower; photogravure, signed and numbered 1/3 in pencil, bears artist`s own blind stamp, 76x57cm: Cabenza, late 20th century- Untitled abstract composition; watercolour and gouache, signed and dated 74, 73x52.5cm., (4) (unframed) (may be subject to Droit de Suite)

John Swanson, American b.1938- "Flying Trapeze"; etching with aquatint printed in colours, signed, titled, dated 1986 and numbered 12/50 in pencil, stamped with a blind stamp, 25x28cm: together with two further etchings with aquatints printed in colours by the same hand entitled "Circus Gallop" and "Acrobats" both signed, titled, dated 1986 and numbered 90/150 and 29/100, 25x27.5cm and 27.5x20.5cm respectively: M Andrews, late 20th century- "Nimrod I"; etching with aquatint printed in colours, signed, titled, numbered 39/200 in pencil, 60x50cm: James Cox, British b.1956- "Flowers I"; etching with aquatint, signed, titled and numbered 139/200 in pencil, 58x44cm: together with one further etching with aquatint printed in colours by the same hand entitled "Sigma VI": Terence Millington, British b.1943- Bandstand; etching with aquatint printed in colours, signed and numbered 6/75, 21x20cm: together with two further etchings with aquatints printed in colours, one from the same series depicting a bandstand and one entitled "Spiral Staircase II", various sizes, (9), (maybe subject to Droit de Suite), (unframed)

Rory McEwen, British 1932-1982- "Tulip Petal #1"; aquatint printed colours, signed, titled, dated 78 and numbered 16/75 in pencil, with blind stamp, 20.5x20.5cm: together with three further aquatints printed in colours by the same hand, one entitled "Tulip Petal #2", two depicting tulips, each signed and numbered in pencil, each bares blind stamp: James Hussey, British b. 1949- "Spring Moon"; screenprint, signed, titled, dated 84 and numbered 163/175, 67x86.5cm: together with three pastel drawings signed Alan Cox and six contemporary prints depicting various scenes by different hands including examples by Peter Gauld, William Ayliffe, A R Neal, Linda Hill and Alyson Hunter, various sizes, (14), (may be subject to Droit de Suite), (unframed)

Terrance Warren, British b.1948- "A Window on Venice"; a suite of three etchings with aquatints, each signed and inscribed A/P, titled on wraps, 14.7x11cm: Martin Leman, British, b.1934- "Cornish Memories I"; etching with aquatint, signed, titled, dated `87 and inscribed A/P in pencil, 15x15cm: together with one mezzotint and three lithographs by the same hand entitled "Panda", "Rosie", "Hill Street Blues" and "Good Companions", all printed in colours, signed, titled and numbered in pencil, various sizes: Bob Saunders, British b.1945- "Purbecks"; screenprint, signed, titled, inscribed 139/175 and embossed with publishers blind stamp, 18.5x22cm: together with a further screenprint by the same artist from the same series entitled "Clevelands", signed, titled, inscribed 139/175 and embossed with publishers blind stamp,18.5x21cm, (10), (may be subject to Droit de Suite), (unframed)

SIR WILLIAM RUSSELL FLINT R.A, P.R.W.S (1880 - 1969) - Coloured print, Silver Frock, artists blind stamp, signed in pencil, framed, 17cm x 31cm.

SIR WILLIAM RUSSELL FLINT R.A, P.R.W.S (1880 - 1969) - Coloured prints, Phillida and Clarissa fishing, artists blind stamp, signed in pencil, a pair, 33cm x 23cm. (2)

SIR WILLIAM RUSSELL FLINT R.A, P.R.W.S (1880 - 1969) - Coloured print, a Deco lady looking out to sea, artists blind stamp, signed in pencil, 33cm x 24cm.

SIR WILLIAM RUSSELL FLINT R.A, P.R.W.S (1880 - 1969) - Coloured print, The Shower, artists blind stamp, signed in pencil, 55.5cm x 42cm.

A 19TH C MAHOGANY WRITING TABLE WITH LEATHER INLET TOP FITTED WITH DRAWERS OPPOSING BLIND DRAWERS ON TRESTLES

* Dodd (Francis, 1874-1949). Waterloo Place, London, etching, signed in pencil to lower margin, plate size 20 x 36.2cm (8 x 14.25ins), framed and glazed, together with Farrell (Frederick, 1882-1935), Horse Guards Parade, etching, signed in pencil and blind stamp to lower margin, plate size 25 x 35cm (10 x 14ins), framed and glazed, with Sweet (Dorothy, 20th c.), St. Dunstan’s, Fleet Street, etching, signed and captioned in pencil to lower margin, plate size 25.7 x 16cm (10 x 6.25ins), plus Westminster Abbey, from Dean’s Yard, etching, signed and captioned in pencil to lower margin, plate size 27.3 x 16.2cm (10.75 x 6.25ins) (4)

AN 18CT GOLD ALBERT OF SNAFFLE LINKS MOUNTED WITH A PIERCED GOLD FOB SEAL WITH BLIND HELIOTROPE MATRIX, 73G

A George IV oak writing desk, moulded oversailing top, two cock beaded drawers blind to verso, turned handles, turned and fluted legs, brass casters, c1935

A gentleman`s 1980`s? stainless steel Omega De Ville automatic rectangular wrist watch, with blind dial.

A lady`s 1980`s 18ct gold and diamond set Rolex Cellini wrist watch, with blind oval dial and bezel set with thirty brilliant cut stones, on associated open link 18ct gold bracelet(a.f.).

Ada M Roberts, Jan 1900 - a pencil drawing portrait of a young woman, signed and dated top right corner, blind stamp to lower left corner, mounted and glazed in an oak frame, 16 1/2" x 13 3/4"

A mahogany tall chest of seven drawers with blind fret cut frieze

A early 20th century mahogany bookcase with blind fretwork band above three astragal glazed doors on moulded feet, w. 139 cm CONDITION REPORT: (some minor wear)

Brown J. Self Interpreting Family Bible. Nd. C.1875. Large Qto. Full calf binding, ornate gilt and blind stamped decoration, impressed decorative brass edges to boards with similar hinged clasps. Aeg. Chromo. plates with tissue guards. CONDITION REPORT: Condition : Upper hinge beginning to crack otherwise the binding is still sound. Some foxing internally otherwise text block generally clean and tight.

Matthew Henry : Family Devotional Bible Nd. C.1860. Folio, 2 Vols. Vol. 1 : O.T., Vol.2. : Apoc. & N.T. Fine bindings, gilt panelled ribbed spines, gilt and blind stamped panels on boards, aeg. Marbled eps. Engraved TP and frontis portrait. Fine steel engraved plates throughout. Commentary in footnotes. CONDITION REPORT: Condition : Vg.

Gurney Rev. W. :The Devotional Diamond Diamond Bible 1821. 24mo. Maroon textured leather binding, spine with raised bands and elaborate gilt floral tooling on panels; boards with elaborate gilt borders and blind-stamped design within borders. Aeg with sewn head bands. Engraved pictorial frontis and Tp. Secondary Tp. and portrait frontis. Engraved plates throughout. Together with : The Garden of the Soul C.1900; Mason J. : Treatise on Self Knowledge 1830; Book of Common Prayer c.1910 48mo. All in fine bindings. CONDITION REPORT: Condition : All titles vg.

( Rundell M. ) : New System of Domestic Cookery 1852. 12mo. Original blind stamped cloth binding, engraved frontis, plates. Spon E. : Workshop Receipts 1879. 8vo. Original gilt/blind stamped illustrated binding. CONDITION REPORT: Condition : Rundell - binding virtually complete but needing repair, Text block a little loose.

Elven J. : The Book of Family Crests 1856. Eighth Ed. 2 Vols. Small 8vo., Original blind stamped and gilt cloth binding, engraved plates. Wallace G. : Nature and Descent of Antient Peerages 1785. Second Ed. 8vo. Burke's Peerage, Baronetage & Knightage 2003. 107th.Ed. 3 Vols. Qto. Together with five other related titles. CONDITION REPORT: Condition : Elven bindings complete but requiring repair; Wallace volume requires new binding, text block complete and vg. Burke fine copy.

The Antiquarian Itinerary, comprising specimens of Architecture, Monastic, Castellated and Domestic 1816. Vols 1 - 6. 8vo. Fine binding, striated maroon leather binding, ornate gilt and blind stamped decorated panels on spine and boards, aeg. Engraved plates. CONDITION REPORT: Condition : Some minor wear to extremities of the bindings o/w vg. Minor sporadic foxing but generally clean and bright.

A manuscript commonplace book of Lady Louisa Frederic George Lennox, elaborately bound in contemporary red Morocco and beautifully decorated and panelled in gilt and blind spine ornamented and banded in gilt. Lettered on upper cover "Lady George Lennox" and with inscription on front end paper "Louise F.G.Lennox, Molecomb, September 1823". Molecomb is the dower house to Goodwood House, home of the Dukes of Richmond. CONDITION REPORT: No drawings in this book. Approximately 60 pages in total, approx 2/3 which are full with manuscripts and the rest is empty.

Philip Pearlstein (b. 1924)Seated Nude,Lithograph on paper,Signed and numbered 5/60 lower left. With Chiron Press, New York blind stamp lower right. Dimensions: h: 22.5 x w: 30 in.Starting Price: $300

Peter Max (b.1937)The Guardian,Color lithograph on paper,Signed and numbered 76/300 in pencil. With two blind stamps lower left.Image dimension: h: 11.88 x w. 8.88 in.Sheet dimension: h: 17 x w: 13 in.Provenance: Renaissance Fine Art.Note condition: hinge mounted with non-archival tape across top edge. Acid damage halo at mat opening. Sun discoloration to image field within mat opening.Starting Price: $80

After Salvador Dali (1904-1989)The Sixth Heaven of Jupiter,Color lithograph on wove paper,From Dante`s Paradiso, Canto 20. Signed Dali in the plate and in pencil lower right margin, blind stamp lower left margin, and inscribed "Paradise" on verso in pencil.Image dimensions: h: 9.5 x w: 6.75 in. Sheet dimensions: h: 13 x w: 16 in.Provenance: Park West Galleries.Note condition: hinge mounted at top edge with linen tape.Starting Price: $60

After Salvador Dali (1904-1989)Princes of the Flowered Valley,Color lithograph on wove paper,Signed Dali in image, with blind stamp lower right.Image dimension: h: 9.75 x w: 7.5 in.Sheet dimension: h: 13 x w:10.25 in.Provenance: Park West Galleries.Note condition: hinge mounted with linen tape at all four corners. Minor horizontal buckling of paper at center.Starting Price: $60

Pablo Picasso (1881-1973)La Bouteille de Rhum, c. 1965,Color collotype on wove paper,Signed lower right margin and numbered 228/250 lower left margin in pencil, published by Guy Spitzer, Paris after an original 1911 oil on canvas of the same title by the artist. With Guy Spitzer`s embossed blind stamp in image lower left recto and ink stamp lower left verso. Image dimensions: h: 23.63 x w: 19.38 in. Sheet dimensions: h: 31.75 x w: 26.63 in. Provenance: Park West Galleries."Note condition: moderate acid halo at mat opening. Yellowing of image field within mat opening. Rippling and mild creasing to paper throughout, predominately within the margins. Hinge mounted to upper mat at top edge with linen tape. Mild to moderate foxing on verso. "Starting Price: $3000

* Victoria (Queen of England, 1819-1901). Military commission, signed at the head Victoria R.I., 9th May 1862, appointing Philip Harris, Lieutenant-Colonel in the Army, papered wax seal with the Royal Arms, single sheet on linenised paper, light wear to folds, 30 x 40cm, together with William III - William of Orange, Civil and Religious Liberties, printed G. Tutill, 83 City Road, late 19th c., decorative silk printed in black showing William III astride a horse on a plinth, dated 1690 above a frieze commemorating the Battle of Aughrin, Boyne and Derry, a little dust-soiled and marked in margins, approx. 38 x 32cm, loosely contained in a Victorian blind-stamped cloth folder (3)

Bindings. The Book of Common Prayer, and Administration of the Sacraments..., together with the Psalter or Psalms of David, London: printed by John Baskett, 1713/12, eng. port. frontis. and addn. eng. title, numerous eng. plts. (lacking plts. 4, 30 & 55), red ruled borders throughout, slight dust-soiling, a.e.g., with gauffered edges, contemp. gilt & blind dec. panelled morocco, slight wear to joints & extrems., 8vo, together with The New Testament or New Covenant of Our Lord and Saviour Jesus Christ..., with Notes and References..., by the late Mr. John Worsley, 1770, a.e.g., contemp. gilt dec. morocco, joints cracked and extrems. rubbed, 8vo, with The Holy Bible, Containing the Old Testament and the New..., Oxford, 1769, front blank with manuscript ownership “Ann Cook’s, November 7th 1770, Given by her Godmother M. Butter”, some worming, a.e.g., contemp. gilt dec. panelled morocco, some wear to extrems. and vertical split to spine, 8vo (3)