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17TH CENTURY STYLE CARVED OAK SIDEBOARD OR DRESSER, a reconstruction, comprising raised blind back with moulded cornice over three foliate panels, under shelf and fluted tapering supports, the projecting base with two blind panelled Celtic design doors over a single frieze drawer on stile feet. 122 x 56 x 195cm. CONDITION REPORT: A reconstruction probably incorporating elements of an 18th Century coffer, late 19th/early 20th Century. Rather grubby and dusty but basically sound and useable.

GOOD QUALITY REPRODUCTION OAK DRESSER BOOKCASE, having three door glaze top with adjustable shelves on a projecting base with three moulded drawers over three blind panel cupboards standing on bracket feet. Retailers mark for 'Gwilym C. Price of Lampeter'. 49 x 168 193cm.(B.P. 24% incl. VAT) CONDITION REPORT: Good overall condition.

A Roman Revival campaign chair shaped cresting top rail, blind fretworked decoration, lion head terminals to arms, x-frame basket seat, lion paw feet

A Victorian mahogany chest of drawers, blind drawer to frieze, two short over three long drawers, turned handles

M. Blond Still life of fruit and bowl Lithograph, signed and numbered 20/50 in pencil 34cm x 42cm Toni Goffe 'Cream' (cat with broken jug) Lithograph, signed inscribed and numbered 99/495 in pencil with Washington Green blind stamp and certificate, 13cm square (2)

Late Regency mahogany pedestal Pembroke table, circa 1820-30, the top with drop leaves, over a single frieze drawer with pressed brass knobs, opposing a similar blind drawer, raised on ringed column and four reeded sabre legs with brass toes and castors, width 90cm, depth 51cm

A George III mahogany chest of drawers, the rectangular top with a moulded edge, and canted corners, above two short and three long drawers, flanked by blind fret, on ogee bracket feet, 115cm wide.

An early 20thC mahogany fire surround, the mantel with a moulded edge above a blind fret, carved corners with reeded columns to each side, 163cm wide

Waggitt, Richmond. An 18thC longcase clock, with an arched brass dial silvered chapter ring, subsidiary seconds calendar dial, a four pillar eight day movement, in a mahogany case, the cornice carved with Greek key motif, above turned and reeded columns to the hood, and with blind fret canted sections to the trunk, on ogee bracket feet, 233cm high.

§ L. S. Lowry (1887-1976), 'Three men and a cat', print, signed in biro lower right, blind stamp and letters 'BAC' lower left, sheet size 35cm x 25.7cm, Published by Adam Collection Ltd., 1971,Please note that Artists Resale Right is additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information).

Limited edition lithographs printed in colours, Frontispiece pour Elle and Le Gommeux, Albi Toulouse-Lautrec Museum Blind stamps, 64cm x 41cm

§ L. S. Lowry (1887-1976), 'Three men and a cat', print, signed in biro lower right, blind stamp and letters 'HFJ' lower left, 27cm x 17.5cm. Please note that Artists Resale Right is additionally payable on this lot up to a maximum of 4% on top of the hammer price (visit www.dacs.org.uk for more information). § Overall condition good no major faults found see image has not and will not been taken out of the frame

Commemorative Medals, Sweden - Book: Johann Carl Hedlinger (1691-1771): Merchel, Chrétien de, Oeuvre du Chevalier Hedlinger, ou Recueil des médailles de çe celebre artiste, gravées en taille douce, accompagnées d’une explication historique et critique, et précédées de la vie de l’auteur, Basle, 1776, folio, engraved title and dedication [to the King of Sweden], 40 engraved plates, + 64pp, the engraved armorial ‘ex-libris’ of the collector and art connoisseur, politician and MP for Evesham, Baron Northwick [John Rushout, 1st Baron Northwick (1738–1800)] on inside cover contemporary leather binding, spine with five raised bands, lettered in gilt and decorated in blind; marbled endpapers; in modern slip-case, some slight browning to the end papers but internally clean, a superb copy of this rare first (and only) edition Merchel, Chrétien de (1737-1817). The Swiss-born Johann Carl Hedlinger (1691-1771) became the 18th century’s foremost medallic artist, moving to Sweden in 1718 where, with some interruptions, he was active until 1746. The Alan Irvine Collection of Historical and Artistic Medals

Patrick Procktor (1936-2003) Moorish courtyard with fountain Colour aquatint, signed and numbered 93/25 in pencil, blind stamps 45cm x 60cm

A GEORGE IV MAHOGANY AND LINE INLAID DROP-LEAF WORK TABLE fitted with drawers and opposing blind drawers, brass paw castors, 72cm h; 37 x 75cm ++Of pleasing deep old colour, some stains and ring marks on the top, some of the beading damaged in places, brass ring handles old replacements, no major damage or repair

A GEORGE IV ROSEWOOD SOFA TABLE, C1830 with brass rosettes, beading and ormolu capped castors, fitted with a drawer and blind drawer to either side, 73cm h; 65 x 155cm ++Old let in fillet repair to top and repaired break in one of the four scrolled uprights

Records : 50+ prog rock albums, incl Pink Floyd, Black Sabbath, Blind Faith, Yes etc.

A LARGE EARLY 20TH CENTURY STEIFF TEDDY BEAR, mohair plush, centre seam, pointed snout, swivel head, pronounced humped back, jointed long limbs, black stitched nose and mouth, in the ear a metal 'STEIFF' button, with internal growler (not working) circa 1910. He is 16" high (seated) and 23.5" high (fully stretched) Originally owned by Edna Jackman of New Milton, pictured with him as a two year old in the early 1900s This kind and generous bear was previously sold by Mrs Jackman's husband on behalf of the Oakhaven Hospice in 1992 for £4,600. He is now being sold by the kind purchaser on behalf of the 'Dorset Blind Association' as it is time he found a new home! Probably the most famous of all teddies, the first Steiff bear was created in 1902 by Richard Steiff working for his aunt's toy company in Germany. The basic design with jointed arms and legs has been the template for all Steiff bears since then. In 1903, Richard Steiff took his bear to the Leipzig Toy Fair and there was discovered by an American business man who placed an order for 3,000 bears. They have been called "Teddy Bears" since 1906, after President Theodore "Teddy" Roosevelt. The trademark Steiff Button in the ear was introduced in 1908 to identify them from cheap imitations.

An Edwardian oak chest of three long drawers over two cupboard doors raised on short baluster supports with applied blind fret detail, 93 cm wide

VINYL LP Records including Santana CBS 63815 STEREO, Abraxas 64087, Third Album, Caravanserai CBS 69040 g/f, Barboletta, Blue for Salvador LCO3484 g/f plus Nilsson - Aerial Ballet, Schmilsson, Jefferson Starship, Taste 583083, John Lee Hooker, Michael Jackson, Isley Brothers, 3+3 g/f EPC 65740, Icicle Works, Blind, The Worst of Jefferson Airplane, Mick Jagger x3, Human League etc. All in excellent condition, total 36 records.

An Edwardian mahogany Georgian style bookcase chest, the cornice with blind fretwork decoration, twin glazed doors above three long drawers, raised on bracket feet.

A George III mahogany chest on chest, with blind fret carved cornice and canted corners106 x 184 x 56cm

A pair of blue and white pearlware plates, circa 1805, with arcaded borders, printed with the Blind Boy, each 19cm diameter, a smaller pair of plates in the same pattern and a large blue and white charger

A Japanese carved ivory netsuke, Tokyo school, late 19th Century, depicting two blind men fighting, on an oval base with a natural crack which the artist has used to imitate flowering branches, signed Masatsugu, 3.5cm high

A brass faced eight-day dwarf longcase clock, the oak case with blind fret freeze to the hood, the trunk enclosed by a twin-arch door, 183cm high

A Chinese Chippendale style mahogany silver table, with blind fret carved frieze and chamfered legs, 82.5cm wide Condition Report: Edwardian, circa 1910

An ornately carved hardwood wall bracket in the form of a classical female head and a pair of blind fret brackets

A 1950's Post Modernist teak wood sideboard having central bank of blind front drawers with cupboards to the sides. the cupboards with octagonal panel work facia's

A selection of embroidery including Austrian blind etc

A silver powder compact with blind fret carved mother of pearl top with doves of peace and star of Bethleham.

HITLER ADOLF: (1889-1945) Fuhrer of the Third Reich 1933-45. D.S., A Hitler, one page, 4to, Berchtesgaden, 28th December 1937, in German. The partially printed document is issued on behalf of the State and releases Dr. Friedrich Brie from his professional responsibilities 'based on #4 of the laws of the University dated 21st January 1935'. Signed by Hitler at the foot in his capacity as Fuhrer and Chancellor of the State and bearing a countersignature at the base. With a blind embossed seal featuring the Nazi eagle and swastika. Hitler's signature is a touch light although perfectly legible. With some very slight, minor age wear, largely to the folds. About VG  Friedrich Brie (1880-1948) German Professor of English Literature at the University of Freiburg. Being half-Jewish, in the sense of Nazi ideology, Brie was fortunate not to have been dismissed from his post earlier than indicated by the present document, however his colleagues required him to complete and publish his main work The National Literature of Scotland from the Beginnings to the Renaissance. In November 1938 Brie was arrested during the Kristallnacht and interned for several days in Dachau Concentration Camp and during World War II worked with the Freiburg Resistance movement. 

VALENTINO RUDOLPH: (1895-1926) Italian-born American Actor, a sex symbol of the 1920s. Vintage signed and inscribed sepia 8 x 10 photograph of the 'Latin Lover' in a head and shoulders pose. Photograph by James Abbe. Signed by Valentino in blue fountain pen ink across a light area of the image, 'To Mary Parks, Sincerely, Rudolph Valentino'. Loosely inserted within the original folio presentation folder bearing a blind embossed logo above the printed caption 'Specialists in Cruising Photography'. Some heavy vertical and horizontal creasing to the left and lower edges and with a neat 2" tear to the lower edge (just affecting the R of the signature) and some further small corner creases and light stains and age wear, FR   Provenance: The present photograph was obtained by the vendor's grandfather as a gift for his mother-in-law, a fan of Valentino. The vendor's grandfather was employed as a hairdresser by Cunard and it was whilst travelling on the RMS Samaria that he encountered Valentino on a transatlantic voyage.  

GEORGE IV: (1762-1830) King of the United Kingdom of Great Britain and Ireland 1820-30. D.S., George P R, as Prince Regent, at the head, one page, oblong Folio, Court at Carlton House 16th February 1813. The partially printed document, on vellum, is a military commission appointing Jonathan Brown to be a Major in the 75th (Highland) Regiment of Foot command by Sir Robert Abercromby. Countersigned by Viscount Sidmouth (1757-1844, Home Secretary and British Prime Minister 1801-04). With blind embossed paper seal affixed. Some overall age ware and light blue staining to a few areas at the extreme edges of the document. FR 

GEORGE V: (1865-1936) King of the United Kingdom 1910-36. D.S., George R I, as King, at the head, one page, large oblong folio, Court of Saint James's, 29th May 1934. The partially printed document appoints Arthur Edward Yapp to be Consul General for the Consular District of the Spanish possessions in the Gulf of Guinea and for Fernande Po and its Dependencies 'for the encouragement of Our Subjects trading to West Africa'. Countersigned at the foot by John Simon (1873-1954, British Politician, Secretary of State for Foreign Affairs 1931-35; signature very slightly faded although perfectly legible). With blind embossed seal. Some overall strips of staining, only very slightly affecting the text and signatures, G  Arthur Edward Yapp (1892-1954) British Diplomat who was appointed Consul to Rouen, France, in 1937 and Consul to New York, United States of America, in 1940

GEORGE IV: (1762-1830) King of the United Kingdom 1820-30. D.S., George P.R., as Prince Regent, at the head, five pages, folio, Carlton House, London, 26th October 1811. The neatly penned manuscript document being a Warrant authorising that, 'You forthwith cause the Great Seal of Great Britain to be affixed to an instrument bearing date with these presents… containing a commission constituting and appointing our trusty and well beloved Anthony St. John Baker Esquire, to be Secretary of His Majesty's Legation to His Majesty's Good Friends the United States of America…' Further incorporating a copy, in Latin, of the commission document itself. Countersigned to the centre by Richard Colley (1760-1842), 1st Marquess Wellesley, British Politician, Governor-General of India 1798-1805. With a blind embossed seal at the head. Neatly bound with brown ribbon. VG

EDWARD VIII: (1894-1972) King of the United Kingdom January - December 1936. Later Duke of Windsor. D.S., Edward P, as Prince of Wales, two pages, folio, Court at Saint James's, 1st January 1918. The partially printed document, which bears a rubber stamp signature of King George V at the head, grants the dignity of a Member of the Most Excellent Order of the British Empire to Frederick James Fedarb. Signed by the Prince at the conclusion in his capacity as Grand Master. With blank integral leaf and blind embossed seal. Some light dust staining and minor age wear, otherwise VG

GEORGE I: (1660-1727) King of Great Britain and Ireland 1714-27. Bold, dark ink signature ('George R') as King on a small oblong 12mo piece of vellum, evidently neatly clipped from the head of a document, with a slightly irregularly trimmed lower edge. Together with a larger irregularly trimmed portion of a vellum document, possibly that from which the signature was excised, featuring a blind embossed paper seal and several partial lines of manuscript text. G to about VG, 2

VICTORIA: (1819-1901) Queen of the United Kingdom of Great Britain and Ireland 1837-1901. D.S., Victoria R I, as Queen, at the head, one page, oblong folio, Count at saint James's 3rd May 1873. The partially printed document approves the appointment of George Henry Fox to be Vice Consul at Falmouth following a commission issued by 'Our Good Brother the King of the Hellenes'.  Countersigned by 2nd Earl Granville (1815-1891, Foreign Secretary). With blind embossed paper seal. A good, clean document featuring a fine and bold example of Queen Victoria's signature. VG  

ABBOT GEORGE: (1562-1633) Archbishop of Canterbury 1611-33. Large portion of a D.S., G: Cant:, as Archbishop of Canterbury, two pages, small folio (the upper third portion of the document no longer present), Whitehall, 13th November 1616. The manuscript document, featuring over ten lines of text, is a Treasury Warrant authorising a payment to William Skippon for the transport of around thirty soldiers levied in Devon from the port of Bristol to Ireland. Signed by Abbot at the foot and countersigned by a number of other leading statesman from the reigns of Queen Elizabeth I and King James I including Thomas Howard (1561-1626, 1st Earl of Suffolk, English Admiral who commanded the Golden Lion in the attack on the Spanish Armada, Lord High Treasurer 1614-18), Ludovic Stewart (1574-1624, 2nd Duke of Lennox, Scottish Nobleman, Lord High Commissioner 1607-09), William Knollys (1544-1632, 1st Earl of Banbury and Viscount Wallingford, English Nobleman, Treasurer of the Household 1601-16), John Digby (1580-1653, 1st Earl of Bristol, English Diplomat, Ambassador to Spain 1610-24), Ralph Winwood (c.1563-1617, English Diplomat and Statesman, Secretary of State 1614-17), Julius Caesar (1557/58-1636, English Lawyer, Judge & Politician, Chancellor of the Exchequer 1606-14, Master of the Rolls 1614-36), Thomas Lake (1561-1630, English Politician, Secretary of State 1616-19) and Fulke Greville (1554-1628, 1st Baron Brooke, English Poet, Dramatist & Politician, Chancellor of the Exchequer 1614-21). With a partial integral address leaf bearing the remnants of a blind embossed paper seal. Very slightly irregularly torn to three edges and with traces of guard to the left edge and with some light overall staining and age wear, only very slightly affecting a few of the signatures, most of which remain bold and legible, G Provenance: The present document was previously included in the Enys collection and is accompanied by a holograph note identifying most of the signatories and stating 'This autograph was given me by John Bullock in 1866'. 

GEORGE VI: (1895-1952) King of the United Kingdom 1936-52. D.S., George R, as King, at the head, one page, large oblong folio, Court of Saint James's, 6th December 1949. The partially printed document appoints Abington Goodden to be an Officer of the Sixth Grade in the Foreign Service, with effect from 25th December 1947, and perform his functions 'at any of Our Diplomatic or Consular Establishments abroad or in the Department of Our Principal Secretary of State for Foreign Affairs'. Countersigned at the foot by Ernest Bevin (1881-1951, British Statesman, Secretary of State for Foreign Affairs 1945-51). With blind embossed seal. Some very light overall creasing and minor age wear, otherwise VG

SIR WILLIAM RUSSELL FLINT (1880 - 1969)Two ModelsSigned, print with blind stamp, 36cm x 28cm. ARR

AFTER LAURENCE STEPHEN LOWRY (1887 - 1976)Figures in Police StreetLimited edition print, 514/850, blind stamp A (in oval), 52cm x 42cm.

A 19th century mahogany chest on chest, fitted with a dressing slide and decorated with blind fret-work

A George III mahogany double wardrobe decorated with blind fret-work

LAURENCE STEPHEN LOWRY 1974 Venture Prints Ltd colour print - 'Industrial Scene, 1953', signed in pencil L S Lowry to margin, blind stamp to left on margin, 38cm x 27cm

LAURENCE STEPHEN LOWRY 1974 Venture Prints Ltd colour print - `Industrial Scene`, signed in pencil L S Lowry to margin, blind stamp to left on margin, 41 x 78cms

LAURENCE STEPHEN LOWRY 1974 Venture Prints Ltd colour print - 'Landscape with Farm Buildings', signed in pencil L S Lowry to margin, blind stamp to left on margin, 44 x 52cms

Nick Kroll signed 10x8 colour photo. American actor, comedian, writer, and producer. He is best known for his role as Rodney Ruxin in the FXX comedy series The League, and for creating and starring in the Comedy Central series Kroll Show. He had supporting roles in films such as I Love You, Man, Date Night, Get Him to the Greek, Dinner for Shmucks, A Good Old Fashioned Orgy and more prominent roles in films such as Adult Beginners, Joshy, My Blind Brother, Sausage Party and Loving. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

Nick Kroll signed 10x8 colour photo. American actor, comedian, writer, and producer. He is best known for his role as Rodney Ruxin in the FXX comedy series The League, and for creating and starring in the Comedy Central series Kroll Show. He had supporting roles in films such as I Love You, Man, Date Night, Get Him to the Greek, Dinner for Shmucks, A Good Old Fashioned Orgy and more prominent roles in films such as Adult Beginners, Joshy, My Blind Brother, Sausage Party and Loving. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

Nick Kroll signed 10x8 colour photo. American actor, comedian, writer, and producer. He is best known for his role as Rodney Ruxin in the FXX comedy series The League, and for creating and starring in the Comedy Central series Kroll Show. He had supporting roles in films such as I Love You, Man, Date Night, Get Him to the Greek, Dinner for Shmucks, A Good Old Fashioned Orgy and more prominent roles in films such as Adult Beginners, Joshy, My Blind Brother, Sausage Party and Loving. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

AFTER J F HERRING "Birmingham - Won The Great St. Ledger 1830", engraving by R G Reeve, published by S & J Fuller March 1831 (bears Minerva Head blind stamp - 1st Issue)

AFTER HERBERT DICKSEE "Irish Wolf Hound resting on a rug in an interior", black and white engraving, signed in pencil lower left, artist's blind studio stamp lower left CONDITION REPORTS Has discolouration and some signs of foxing throughout especially noticeable to the mounts. Paper is wrinkled especially in the top left hand corner. There appears to be a noticeable scratch to the top button of the coat in the background. Glass is in need of a good clean both inside and out. Frame has had repairs and is cracked. Has some minor losses throughout. All items have wear and tear conducive with age and use - see images for more details

AFTER JOHN CYRIL HARRISON "Partridge in flight", colour print, limited edition 143/200, signed in pencil lower right, artists blind studio stamp lower left, together with AFTER ARCHIBALD THORBURN "Grouse taking flight", colour print, signed in pencil lower left, artists' blind studio stamp lower left CONDITION REPORTS Partridge has discolouration and a couple of areas of foxing evident to the top of the skyline. Glass is in need of a clean. The frame has some chips and losses to the gesso. Wear and tear conducive with age and use. the Thorburn Grouse has discolouration throughout and some marks predominantly to the sky. There are thunder bugs/insects beneath the glass and glass is in need of a clean both inside and out as is the mount. The frame has chips, losses etc to the gesso. Both items have wear and tear conducive with age and use - see images for further details

AFTER JOHN CYRIL HARRISON "Spring Teal in flight", colour print, limited edition 199/250, signed in pencil lower right, artists blind studio stamp lower left, together with AFTER ARCHIBALD THORBURN "Widgeon in flight", colour print, signed in pencil lower left, artists' blind studio stamp lower left CONDITION REPORTS Teal - has some light discolouration and the paper is slightly wrinkled to the top. In need of a clean especially to the glass inside and out. The frame joints are coming away and have been taped together, some knocks, bumps and bruises throughout. Widgeon - image is discoloured. Glass is in need of a clean both inside and out, frame has had chips etc and there are losses to the gesso. There is some wrinkling toe paper on the top edge. Wear and tear conducive with age and use on both pictures - see images for further details

AFTER J F HERRING "Plenipotentiary - The Winner of The Derby Stakes at Epsom 1841....", coloured engraving by M Messrs Smart and Hunt, published 1834 by S & J Fuller (bears Minerva Head blind stamp - 1st Issue)

A mahogany 8 day longcase clock the 13 inch painted break arch Roman dial with Arabic 5 minutes, date aperture, signed Barwife, Cockermouth, with rolling moon to the arch and floral spandrels, the hood with swan neck pediment and turned columns over an ogee moulded and blind fret work throat, flame veneered shaped top door flanked by fluted quarter columns, panelled base upon bracket feet, 222cm high

A GEORGE III STYLE MAHOGANY DISPLAY TABLE of square section, with a rising top, on slender reeded square legs joined by an X stretcher with a pot stand, all with chinoiseries, blind fret carvings, 28.5" high x 15.5" wide

PUDLO PUDLAT (1916-1992) Owl family- Lucy, titled in pencil and numbered 6/50, an indistinctive blind stamp lower right and printed mark 'Delauny, 40 Rue Passy, Paris' on verso, screenprint with red and black colours, 23" x 18.5".

An Edwardian satinwood display cabinet, the arched frieze having a central panel of putti with a basket flanked by scrolls, with a blind fret Greek key frieze below, with further decoration of pipes, harebells and ribbons, the central panelled door with an inlaid panel of a girl holding flowers below an urn with harebells, scrolls and ribbons, flanked by two astragal glazed doors and two small inlaid drawers to the base, the one stamped Edwards and Roberts, London, raised on further inlaid square tapering legs, united by a plant shelf, width 54ins

Michael Quanne (b.1941) - Oil on canvas - Boy With Blind Dog, signed and dated '85, 96cm x 80cm, together with a copy of Prison Paintings, published by John Murray, 1985 which includes this picture, A.R. Condition: Some spots of dirt which in all likelihood will wipe off, a 2cm tear to lower right - **General condition consistent with age