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Kane, Elisha Kent. Arctic Explorations: The Second Grinnell Expedition in Search of Sir John Franklin, 2 Vols (Philadelphia: Childs & Peterson, 1857), 8vo, folding maps, eng. plates, b. & w. text illus., blind stamped original grey-green cloth, (2).

After the 18th century British School 'Blind Man's Buff' Engraving 20cm x 20.5cm In a birds-eye maple frame; and three companions, 'The Blind Fiddler', 'The Cut Finger' and 'Reading the Will' Uniformly framed, (4)

A 19th century mahogany kneehole desk, the rectangular top with moulded edge above long drawer and kneehole with frieze drawer and cupboard, flanked by two banks of three graduated drawers raised on bracket feet and flanked to the angles by canted blind fretwork panels 83.5cm wide

A George III style mahogany small bureau bookcase, the top with dentil cornice and blind fret frieze over twin astragal glazed doors enclosing three adjustable shelves, the base with hinged fall enclosing stepped interior over four long graduated drawers to front with brass swan neck handles, on bracket feet, 214cm high, 80cm wide, 47cm deep.

An Edwardian inlaid mahogany serpentine front display cabinet, with shallow moulded cornice and panel inlaid frieze over central curved-front door flanked by glazed side panels enclosing three shelves, the lower section with blind quarter veneered panel infill, on four square section tapered supports with spade feet, 183cm high, 122cm wide, 40cm deep.

A mahogany wardrobe, having blind fret-cut cornice, H 201cm W 130cm

A 19TH CENTURY GRAINED PINE CUPBOARD BOOKCASE, with astragal glazed top and projecting blind base with two cupboards and two drawers on bracket feet. 54" Wide. C1880.

A VICTORIAN MAHOGANY CHIFFONIER, having arched mirror back, two freize drawers and two blind panel cupboards, on a platform base. 48" Wide.

A LATE 19TH CENTURY WELSH HONEY OAK TWO STAGE PRESS CUPBOARD, having moulded cornice above two blind panel doors, two short and two long drawers to the projecting base, on turned legs. 49" Wide.

AN 18TH CENTURY WELSH OAK HANGING CORNER CUPBOARD, having dentil cornice above ogee arch panelled blind door with three shaped interior shelves. 38" Wide. Carmarthenshire C1770.

A GEORGE III MAHOGANY THREE TRAIN LONGCASE CLOCK, by Thomas Wigan of Bristol. The case with arched hood having blind fret freize, arch apeture flanked by fluted Corinthian columns, waist with arch door flanked by canted fluted panelled base on platform support. Originally a two train eight day clock with square face, this clock now has an arched face with rocking ship pediment seconds dial and date apeture and a three train movement striking on one large and four small bells. Face 16" High x 12" Wide. (Thomas Wigan, Bristol died 1790).

A Victorian mahogany overmantel mirror with double scroll top above oval bevelled plate and having blind fret decoration and 2 small shelves, 122cms wide

Schroek (Luca). Historia Moschi, Ad Normam Academie Natura Curiosorum, engraved frontispiece and three plates, small tear to margin of S3, a little light spotting, contemporary blind-stamped calf, a little rubbed at extremities, 4to Theophilus Gobelus augsburg Vindelicerum, 1682

Foreign Field Sports, Fisheries, Sporting Andecdotes ..., with a supplement of New South Wales, 110 hand coloured aquatint plates, occasional very light spotting, bookplates on front pastedowns, contemporary straight grain morocco, blind and gilt stamped, 4to, 1814

a Joined Oak "Gothic" Coffer, the four panel lid with decorative pierced iron long hinges, the fascia of four panels of ogival and lancet arched reserves, the two central examples with crowned pseudo-armorials, with linen carved side panels, blind gothic arched pierced stile feet, 113.5cm wide

A Large George III Mahogany Press, with a dentilled cornice over three fielded and shaped ogee panels between fluted pilasters, the two outer panels opening to reveal hanging space with pegs, the base having four blind panels and three over two short drawers, on ogee bracket feet, 223cm by 200cm by 61cm

A Victorian Walnut Work Table, the octagonal top and blind-fretted frieze enclosing a fitted interior, the tapered body on a turned base with three carved cabriole legs, 74cm by 46cm

A floral marquetry longcase clock, the square brass 26cm dial with infant mask spandrels, Roman chapter ring and matted centre with subsidiary seconds dial and leaf chased calendar aperture, inscribed George Booth, Manchester, eight day movement, striking on a bell, the square hood with cavetto cornice and blind fretwork frieze above three-quarter column pilasters, the rectangular trunk door with lenticle, the front inlaid with Dutch floral marquetry panels of birds, flowers and urn within borders of formal leafy scrollwork, the sides walnut veneered in boxwood strung rectangular panels, 194cm high (case composite, case and works not originally together)

A small mahogany cupboard, enclosed by a pair of doors with four blind drawers, brass drum handles and ivory lozenge escutcheons, on bracket feet, 69cm wide, 70cm high (adapted from a George III night cupboard)

A George III mahogany pembroke tea table, with D-shaped leaves, shallow boxwood strung drawer and blind drawer to frieze, brass octagonal handles, on square tapering legs, 102cm (overall) x 55.5cm

A Victorian mahogany Chippendale revival rectangular silver table, decorated throughout with fretwork and blind fret in a design of linked floreted ovals, pierced scrolling angle brackets, on plinth feet, brass barrel castors, 76cm x 50cm

An Edwardian mahogany oval pembroke table, in George III style, with bow drawer and blind drawer to frieze, brass loose ring handles, outlined throughout with satinwood crossbands, boxwood and ebony stringing, on square tapering legs, brass wood shod castors, 66cm x 93.5cm (overall) early 20th century

A Regency rosewood worktable, with D-shaped leaves, the frieze with two shallow cockbeaded drawers and blind opposing drawers with turned handles, on a square tapering pillar, moulded socle and canted incurved platform, the four C-scroll legs on bun feet, 53cm x 40.5cm (80cm overall) circa 1820

A Regency brass inlaid rosewood combined reading and worktable, outlined throughout with brass stringing, the easel top with detachable book-stop above three shallow drawers, the sides and back with blind drawers, the trestle supports with divided scroll brackets and joined by an broad incurved stretcher, on four splayed overscrolled legs, gilt brass fruit cast socket castors, 46.5cm wide, 41cm deep, 73cm high, circa 1810

A mahogany open bookcase, the three adjustable shelves beneath a blind fretwork frieze of scrolling foliage, flanked by slender ringed twin column pilasters, on a plinth, 122cm wide, 122cm high, early 20th century

An unusual Regency rosewood worktable, with chamfered fall leaves, panelled drawer and blind drawer to frieze with draught turned handles, on panelled gadrooned trestle supports, the hipped splayed legs with lotus and draught moulded knees, brass paw socket castors, 46cm wide (87cm overall) 53.5cm deep, 73cm high, circa 1820

A Regency mahogany pembroke tea table, the reeded top with rounded rectangular leaves, drawer and blind drawer to frieze, brass drum handles, on tapering lobed legs, 84cm x 87cm, circa 1820

A walnut and olivewood bookcase-cabinet, in George I style, the three adjustable shelves enclosed by a pair of glazed re-entrant doors with crossbanded borders and herringbone bandings beneath a moulded crossgrained frieze, the waist with pair of slides, the projecting conforming base enclosed by a pair of blind re-entrant panel doors, brass fittings, on ogee feet, 92cm wide, 195cm high, early 20th century

A Regency rosewood sofa table, with D-shaped leaves, the frieze fitted two drawers and blind opposing drawers with brass Egyptian handles, on gadrooned flared end supports and sledge bases, raised on lotus scroll feet, brass castors, 93cm wide (150cm overall) 69cm deep, circa 1820

A Regency mahogany worktable, with D-shaped leaves, two shallow and two blind opposing drawers to frieze, on ringed tapering legs, brass castors, 51cm x 31cm (closed) circa 1820

A tulipwood and kingwood small serpentine upright secretaire, with matched quartered veneers and outlined with stringing, the fall front with three blind drawers and enclosing a maple veneered interior with shelves, two narrow drawers and velvet writing surface, four long drawers under, all beneath a shaped white marble top, gilt brass foliate mounts, handles and borders, 65cm wide, 126cm high, early 20th century

A George III mahogany sofa table, the top with D-shaped fall leaves, rosewood crossbands and outlined with boxwood and ebony stringing, the conforming frieze fitted two shallow drawers and blind opposing drawers, brass loose ring handles, on plain trestle supports joined by high set arched stretcher, splayed legs and brass socket castors, 97cm wide (150cm overall) 66cm deep, circa 1800

Edwardian mahogany bedroom suite, the wardrobe with blind fret cornice over twin doors, one with mirror, raised on cabriole supports, also a matching dressing table and bedside cabinet. (3)

Edwardian mahogany card table with moulded edge, rectangular fold over top over frieze drawer with blind fret carved frieze, on square chamfered supports.

DORE, GUSTAVE, illus. Abenteuer und Reisen des Freiherrn von Munchhausen. Stuttgart, n.d. (mid 19th c.) Folio, orig. cloth, decorated in gilt and blind, a.e.g. Plates and text illustrations. With 2 other illustrated works in German and a worn and damp-stained volume of reproductions of engravings by Daniel Chodowiecki (4)

AFTER L S LOWRY, Industrial scene, reproduction in colours, pencil signed to margin by the artist, published by Venture Prints Ltd and with FATG blind stamp to the margin, 13 1/2" x 9 1/2".

An Edwardian mahogany cabinet, bowed to ends, the top with moulded edge over a blind fret frieze, the central doors with arched glazing, the bowed end doors with decorative applied mouldings on square legs with spade feet, 65 1/2" wide x 17" deep x 45 1/2" high

An Irish Chippendale period mahogany centre table, the rectangular moulded edge top to a blind gothic frieze and open square legs, to panelled feet. 3ft. 9in. (1.14m.) wide.

English School, 19th century, Portrait of King George III in the years before his death when he was both blind and deranged, label indistinctly inscribed on verso, oval, watercolour, 8 x 7cm.; 3 x 2.75in.

Mahogany Chippendale style sideboard, circa 1920 the bowed central section with shaped back and long drawer over two cupboard doors flanked on either side by a single door pedestal with applied panel mouldings raised on square section blind fret legs. Length 213cm, 84in.

A Worcester leaf dish, circa 1760, moulded as two overlapping cabbage leaves and painted with the `Valentine' pattern, 26.5cm, 10.5 in, chip to handle; a fluted plate, painted with the Sir Joshua Reynolds pattern, haircrack; and a Blind Earl moulded dish, painted with flowers, restoration to rim, (3)

A Worcester `Hop-Trellis' pattern trio, 1770s, painted with berried leaves between three vertical red staves beneath a blue border and gilt dentil rim; a fluted teacup, teabowl and saucer, painted in the kakiemon palette with The Two Quail pattern; and a spoon tray, with stalk handles and `Blind Earl' moulding, painted with flowers beneath a sea green border, , haircracks and minor wear, (7)

[EDITION-DE-LUXE / LARGE PAPER]. GELL (Sir William) Pompeiana: The Topography, edifices and monuments of Pompeii, the result of excavations since 1819, 2 vols, 4to, titles, 2 ff. list of plates, 1 f. contents, pp. xxiv, 198; 1 f. contents, 207 pp., engraved portrait (in 2 states), engraved frontis. (in 2 states), 15 engraved head-pieces (5 in 2 states), 15 tail-pieces (4 in 2 states), 2 plans (1 in 2 states), 83 engraved plates + 76 in second state, + 2 (3rd state) hand-coloured (i.e., nearly all the plates are proof states on laid india paper), one or two text illus., contemporary navy blue straight grain morocco, cover borders tooled in blind & gilt, Edition-de-Luxe, 1 of 25 Large Paper copies, L., 1832 (2)

Eric Clapton & Cream - Eleven 33 r.p.m. long playing records, including Cream, 'Disraeli Gears', mono (Reaction 593003'), sleeve laminated front and back; Cream, 'Wheels of Fire', stereo (Polydor 583031 & 583032), gatefold sleeve; and Blind Faith, 'Blind Faith' (Polydor 583509), gatefold sleeve (box).

An oak longcase clock, the 8-day movement striking on a bell to a 12in square brass dial, with a silvered chapter ring inscribed 'John Richardson Warwick' to matted centre with subsidiary seconds dial and date aperture, to vase and eagle spandrels, the hood with a caddy top and blind fret frieze above a glazed door, the waist door with a lenticle, the base on bracket feet, 91in (231cm) h.

An Edwardian inlaid mahogany bookcase, in two parts, the upper section fitted three astragal bar glazed doors enclosing original adjustable shelves, the lower section of breakfront form fitted three inlaid blind panel doors enclosing storage space, the whole supported on plinth base, width 188cm approx.

A GOOD MID 19TH-CENTURY COROMANDEL LAP DESK, the interior with blind-and gold-tooled green velvet writing slope, with pen tray, nib compartments and a pair of glass ink bottles with plated screw-on-covers, the exterior having mother-of-pearl scroll-engraved roundels within laurel wreaths, escutcheons, 38cm, (15in) long still retaining various writing accoutrements including a mother-of-pearl handled desk seal, an ivory and brass desk seal, a (J.P) folding pen-knife with mother-of-pearl scales, a mother-of-pearl handled dip pen, a turned wooden ruler, etc and two books of stamps (incomplete) circa 1945

A late 19th century mahogany pembroke table carved and decorated in the manner of Chippendale with two shaped drop leaves with carved floral edging over a single long drawer with gothic style blind fret decoration, supported on square tapering blind fret decorated legs ending in shaped block feet, 71cm high, 41cm wide, 66cm long

A GOOD QUALITY EDWARDIAN CHIPPENDALE REVIVAL MAHOGANY SETTEE, the shaped upholstered back above foliate and blind fret carved scroll arms, floral carved frieze, raised on square legs with pierced corner brackets and stretchers, 86 1/2 ins long.

John Collings, Sodbury. An early 19th century oak longcase clock, the square hood with blind fret carved decoration and turned three-quarter pilasters, on a box and shaped plinth base, the 31cm. square silvered Roman dial with engraved foliate decoration and date aperture, the twin train movement with anchor escapement and bell strike, 208cm. high. Provenance: The Walronds, Cullompton

Abraham Raimbach (1766-1843), after Sir David Wilkie RA, 'Blind-man's Buff', engraving, published 1822 by Wilkie and Raimbach, plate 51 x 65cm (20 x 25 1/2in)), together with 'The Errand Boy', also engraved by Raimbach after Wilkie (2)

Victorian gold hinged bangle of unusual asymmetrical form with three emeralds in box settings, with five small diamond collets upon fine blind pierced ground with single band of beading on one side only, c.1860. see lot 114 for image

Reproduction mahogany chest on chest, the stepped cornice over a blind fretwork frieze above two short and three long drawers on a base section with with draw slide and three graduated drawers raised on bracket feet, 29 3/4in (75.5cm) wide

AFTER ANGELICA KAUFFMAN, a coloured aquatint BLIND MANS BUFF 1772, in a gilt frame. 101/2ins diameter.

A VICTORIAN SUGAR CASTOR of pear form with embossed spiral fluted banding, centred by blind cartouche, flame finial and gadrooned circular foot, 9" high, London 1897, 6ozs 15dwts

A LATE EDWARDIAN ROSE BOWL of oval form with Van Dyke shell moulded rim, the ogee sides with trailing roses in low relief flanking blind cartouches, on similar pedestal, 9" wide, London 1910, 18ozs 5dwts. see lot 303 for image

A MAHOGANY STOOL of Georgian chinoiserie design, the oblong seat in gros point floral covering, blind fret frieze with corner roundels, moulded square legs with pierced brackets and joined by pierced stretchers, 20th century, 20 1/2" wide

A GEORGE III MAHOGANY CHEST ON CHEST, the moulded and dentil cornice over blind fret trailing foliate frieze, two short over three long drawers, the base with three long drawers, brass drop handles, moulded base and bracket feet, 43" wide, 68 3/4" high

Two Blind Boy pattern dinner plates, attributed to Ridgway, printed in blue with the genre scene and floral border, 24.5cm diameter, unmarked, circa 1815-25 (small chips behind rims) See Coysh & Henrywood 1, page 45, for information on this pattern and its attribution

Thomas Bullock, Bath. An unusual figured mahogany eight-day longcase clock with rocking figure automaton entitled 'The Large Bread Warehouse', circa 1770, the four-pillar rack and bell striking movement with anchor escapement and automaton linkage to arch, the single-sheet silvered brass break-arch Roman numeral dial with calendar aperture, subsidiary seconds dial and signed 'Thomas Bullock, Bath' to the Hoho bird and rococo scroll engraved centre, the chapter ring with Arabic five minutes within unusual engraved spandrels representing the four elements, the arch with polychrome rocking figure of a gentleman carrying a bag of flour within bakery interior, with kiln to his right and engraved legend above, the swan neck pedimented case with simulated blind fret infill and dentil cornice over integral pilasters to hood above shaped-top door to trunk, on plain plinth base with bracket feet, 230cm high. Thomas Bullock is recorded in Moore, A J 'The Clockmakers of Bristol 1650-1900' as working 1764-1773. The automaton and legend in the arch strongly suggest that this clock was made to special order by the owner of one of the larger Bath bakeries of which there were several operating at this time, the most well known being Sally Lunns, North Parade Passage which is now a museum.