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Society of Gentlemen. The Complete Farmer: or, a General Dictionary of Husbandry, in all its Branches; containing the various methods of cultivating and improving every species of land, according to the precepts of both the old and new husbandry..., by a Society of Gentlemen, 1st edition, London: Printed for the Authors, 1766, engraved frontispiece, twenty-seven engraved plates, double-column text, 11 leaves of text torn & repaired to upper outer corners with minor loss of a few letters of text, modern blind panelled sheep, red morocco title label to spine, folio British Bee Books 117. (1)

Ouless (P.J.). Jersey Illustrated, circa 1865, decorative engraved title-page with vignette, preface and thirty-six (complete) uncoloured engraved views, numbered 3-38, each with a page of descriptive text, two maps (including one folding) and advertisements bound at rear, near contemporary ownership signature to front pastedown, publisher's red cloth, blocked in gilt and blind, a little rubbed and faded, oblong 8vo, together with, Sinnett (Paul, editor), Souvenirs de la Basse Normande, published Paris, circa 1865, title printed in gilt on upper board, twenty-five (complete) lithographs with contemporary hand colouring, heightened with gum arabic, printed on folding card and bound 'concertina style', contemporary dated ownership signatures to front and rear pastedowns, publisher's red cloth gilt, 12mo Copies of the first described item are recorded having anything from zero to three maps, as well as the vignette title and thirty-six plates. (2)

[Cleveland, John]. Poems. By J.C. With Additions, [London], Printed in the Year, 1651, title + 91 + 14, title with central cluster of four ornaments around a circle, and with double ruled outer border, without initial blank (A1) and final blank (f8), last leaf of text trimmed to fore-edge, touching a few letters, endpapers renewed, contemporary blind-ruled full calf, later reback, small 8vo Ex libris Denton Manor library, Lincolnshire. Wing C4685A. Morris, John Cleveland Bibliography (1967) P3. The Cambridge Royalist Poet John Cleveland (1613-1658), opposed the election of Oliver Cromwell during the long parliament, as a result of which he lost his position as lecturer at St. John's College, Cambridge. In 1655 he was imprisoned at Yarmouth, but released by Cromwell, and died in London three years later. (1)

Siege of Vienna. A Journal: Or a most particular account of all that passed in the late Siege of Vienna. Written by a principal officer, who was in the town during the whole time of the siege. And sent by the authority to the Imperial Commissioner at the Dyet of Ratisbonne. Translated out of high-Dutch by His Majesty's special command, printed for H. Rogers and M. Gylliflower, 1684, large woodcut coat of arms of Charles II facing title, title with double-rule outer border, some worming to lower blank margins (only affecting a few letters to foot of title), contemporary blind-ruled plain calf, 8vo, together with [Arnauld, Antoine]. Logic; or,The Art of Thinking..., 2nd edition, corrected and amended, printed by T.B. and are to be sold by Randal Taylor, 1693, 480 pages, some worming to lower margin at front of volume, affecting some letters, contemporary mottled calf (endpapers renewed), some restoration with rear cover replaced, 12mo Ex libris Denton Manor library, Lincolnshire. Wing J1112 & A3724bA respectively. ESTC R32990 & R231968 respectively. (2)

Lapide (Cornelius Cornelii a.). Commentarius in Quatuor Evangelia, two vols. in one, Antwerp: Haered. Martini NutI, 1639, half title with ownership labels of J.B. Ghyselen 1796, engraved general title, some dampstaining at front of volume and browning throughout, contemporary blind panelled calf over wooden boards, and with roll work decoration to boards , lacking spine, brass clasps present, folio (1)

18th Century style oak blind panelled TV unit, having two long drawers on bracket feet.

Edwardian oak cabinet with gallery top, two blind panelled doors and cupboard, carved with fox mask, horseshoe, horn and other hunting decoration. CONDITION REPORT: Minor wear and tear with age. No significant damage or losses. Dimensions: 120 cm high x 47cm wide x 40cm deep.

Late 19th Century stained, two stage, cabinet backed dog kennel dresser with three fitted drawers, blind panel cupboards, standing on baluster turned feet.

Early 20th Century oak hanging shelving display unit with blind panel doors.

19th Century pine, single door, blind panelled, hanging corner cupboard.

Late 18th/early 19th Century oak single door blind panel hanging corner cupboard.

A Very Good 19th Century Burr Walnut Centre Table, with two blind frieze drawers, 74cm high, 108cm wide, 52cm deep.

A good Hermès black leather Kelly bag, 1992, blind stamp V, with gold-plated metal hardware, padlock, keys, and detachable shoulder strap, 32cm, 12 1/2in CONDITION REPORT: Good condition, appears hardly used, some light scuffs to leather which would probably buff out. In dust bag and box

An Hermès off-white leather Kelly bag, 1991, blind stamp U, with gold-plated hardware, leather covered padlock, fob and keys, with detachable shoulder strap, 29cm, 11 1/2in CONDITION REPORT: Some scuffs and light marks to bag commensurate with light use. Exterior leather is a bit grubby and would benefit from cleaning. Small pen mark to inside flap. Interior base is speckled with faint pink marks. Overall bag is quite fresh and good.

An Hermès green courchevel leather Birkin, 1994, blind stamp X, in original box, with gold plated hardware, leather fob with two keys, shopping and dust bag, 33cm, 13in long (qty) CONDITION REPORT: Has been reconditioned to corners of base, leather is rubbed on handles from use, faint small greasemark to front, otherwise exterior is good. Interior shows signs of heavy use around sides and edges where leather is worn. Lacking padlock.

An Hermès black leather Kelly bag, 1993, blind stamp W, with gold-plated metal hardware, padlock and keys, 28cm, 11in CONDITION REPORT: Good condition, appears hardly used, in dust bag. Some light surface scuffs to leather which would probably buff out (minor).

PHOTOGRAPHIC PRINT. A framed albumen photographic print c1865 of the Bridge of Sighs, Venice by Antonio Perini. Studio blind stamp to mount. 33 x 27cm image.

An unusual Regency period satinwood edged rosewood sofa table, probably colonial India, the top hinged to reveal a part fitted interior including a pair of large rectangular zinc caddy style canisters, flanked by drop ends over pairs of blind drawers, the whole raised on twin pillar trestle ends with spindle detail to brass leaf cast toes to castors, 94 cm x 62 cm x 72 cm h By repute a tea plantation owners / blenders table, for the distribution of wages. Provenance: McCloud family thence by descent to Smart, Kilmeston Manor, Hampshire Condition Report Original/unrestored, minor evidence of worm to linings, the centre hinged top panel showing historical warping, flaps sit well with minimal shrinking, cast toes and castors intact and original

Deep easy chair, upholstered in brown leather, blind fretwork frieze, on hairy lion-paw feet, width 73cms.

An early 20th Century mahogany cheval mirror, the rectangular bevelled plate with canted top corners, flanked by square tapering supports mounted by brass urn finials, blind fretwork frieze and bellflower carved splay legs under terminating in brass castors, 23in wide 63in. high.

*Jacopo da Trezzo (c. 1514-89), Mary Tudor, Queen of England (1553-58), silver medal, bust left wearing elaborately embroidered gown, a brooch with pendant pearl at her breast and a cap adorned with jewels; signed below, iac trez, rev., cecis visvs timidis qvies, figure of Peace seated on throne, setting fire to a pile of arms laid before her; below the throne are a cube with two clasped hands on one of its sides and a pair of scales (representing Stability, Unity and Justice); to the left are suppliant figures beset by a storm; to the right are other figures and a round temple (representing the Catholic Church) 64.7mm (Attwood 80; MI I, 72, 20; Arm I, 241, 3; Pollard Bargello 725 = Vannel & Toderi 469; Middeldorf & Steibral pl. 72), the fields chased, an extremely fine early cast with grey toning [ex Clifford collection]. Ex Robert O’Connor, George Street, London, 1960s. Known as the State of Britain medal this was Trezzo’s finest medallic work and Mary’s image isvery close to the portrait painting of the queen by Antonis Mors made around the same time as the medal, in 1554. The Latin reverse inscription translates as “sight to the blind, tranquillity to the fearful”. Examples are most commonly found in bronze but silver specimens exist, most notably those of the Bargello, Florence and the ex Chigi piece recorded by Middeldorf & Steibral. A gold specimen is in the British Museum and another formed part of the Stack collection, sold in these rooms, 9 December 2009, lot 136.

ROWLAND HILDER, SIGNED IN PENCIL TO MARGIN, Artist's coloured proof with publisher's blind stamp, River Landscape with lock, 17" x 24"

A PAIR OF GOTHIC COMPOSITE STONE URNS on plinths, after the Victorian Gothic revival stoneware original by James Pulham & Son, each decorated with blind Gothic tracery, 52cm wide x 12.5cm in height

A GEORGE III OAK 30 HOUR LONGCASE CLOCK with ball and spike finials, blind fretwork decoration to the hood and mahogany cross banding to the trunk, the brass dial with single pierced hand, Roman numerals, cast spandrels, date aperture and signed William Parks, Wolverhampton 49cm wide x 213cm high

CIRCA 1920's OAK ENCLOSED SIDEBOARD WITH LEDGE BACK AND BLIND FRET STRAP WORK DECORATION AN AN OAK 'D' ENDED DROP LEAF DINING TABLE (2)

Dandy Monster Comic 1 (1939). Korky introduces Desperate Dan, Keyhole Kate and all the Dandy characters. This first annual is a 'library' copy and was kept in D C Thomson's main office in Meadowside, Dundee. There is a 'John Leng & Co Ltd Dundee' blind embossed stamp at the top margin on page four and D C Thomson have confirmed that only these library copies were embossed in this way. From the Brenda Butler archive. Bright boards and spine, with minimal top/bottom spine wear, cream unblemished pages [vfn]

Dandy Monster Comic 2 (1940). Korky on a trapeze. This second annual is a 'library' copy and was kept in D C Thomson's main office in Meadowside, Dundee. There is a 'John Leng & Co Ltd' blind embossed stamp to the fly leaf and D C Thomson have confirmed that only these library copies were embossed in this way. From the Brenda Butler archive. Bright boards and spine with sharp board corners, cream unblemished pages. The highest grade No 2 Dandy annual ever offered at auction [vfn+]

'Dawn & Dusk', Felix Serra (Spanish 1941-) limited edition colour print with blind stamp signed and numbered 161/850 in pencil 49cm x 57cm and a pair of matching prints Condition Report Click here for further images, condition, auction times & delivery costs

A 19th century Chinese Canton carved ivory fan, the guards each blind carved with figure scenes and mythical beasts, the nineteen sticks each finely carved with busy figure landscape and pagoda scenes, having vacant central cartouche, 19cm Condition Report / Extra Information Some sticks with small number of minor losses to pierced gauze. One stick chipped upper left. Guards with some yellowing.

A circa 1900 Chinese hardwood and rouge marble topped low occasional table, having blind leaf carving and further carved and pierced frieze, w.65cm, w.40cm, h.56cm

A circa 1700 joined oak three panel coffer, having later lozenge and rosette blind carving, w.122cm, d.50cm, h.71cm

AFTER DAVID SHEPHERD (b.1931) - 'Rhino Beware', limited edition photographic reproduction, signed in pencil, 594/1300, published by Solomon and Whitehead, 1988, bears blind stamp, framed, 46cm x 76cm also one other signed reproduction 'Zebras and Colony Weavers' after the same hand (2)

Bensons 9ct gold hunter pocket watch with engine-turned decoration and blind circular cartouche, enamel dial with Arabic numerals and seconds subsidiary dial, top winding, cased

Keith Woodcock, 20th century, Portrait of power, limited edition print no. 74/850, signed in pencil to the margin, with gallery blind stamp, 49.5 x 69cm, together with three Robert Taylor prints "The Dambusters", "Sea Fury M.I.G. Encounter" and "Duel of Eagles", the later signed Douglas Bader and Adolf Galland. (4) Condition Report / Extra Information Some fading to Bader signature. No apparent foxing or spotting.

A 19th Century carved bone and wood blind beggar and boy figure group the carved bone and wood figure, probably German in origin, with carved bone body and torn over-garments of carved wood threadbare clothes, standing on a carved wood base, (some def), 25cm high

A George III style mahogany sofa, with rollover arms, squab cushion and raised on blind fret carved front legs. Width 196 cm (see illustration). CONDITION REPORT: This settee is reproduction and possibly only 25-30 years old. It is structurally sound with no damage or repairs to any of the exposed woodwork other than minor scuffs and knocks that one would expect. The right hand front leg has one edge timber loss approximately 5 cm up from the bottom of the leg on the right hand side. The upholstery is in reasonable condition and is serviceable. There is however ingrained dirt on the tops of the arms and along the rear of the back. There is also staining to the front edge of the squab cushion and to the left hand arm support. This may well clean however please be aware of this discolouration in places.

A George III oak and mahogany crossbanded longcase clock, with thirty hour movement by Pike, Barnstable, the case with moulded cornice, blind fretwork frieze, long crossbanded trunk door and raised on bracket feet. Height 192 cm.

A carved oak box seat, with carved edge, carved frieze and raised on blind carved lyre shaped supports. Length 67 cm.

Rex N Preston, two figures in a pastoral landscape, coloured print, blind stamped Fine Art Trade Guild and signed in pencil, 66.5cm by 34.5cm

After Gainsborough, seated boy, print, signed in pencil M Cormack, published by Frost and Reid 1904, blind stamped, ,45cm by 35cm, and another print, portrait of a lady wearing a bonnet, signed in pencil, 50cm by 38cm, (NC)

Herbert Thomas Dicksee (1862-1942) The Prodigal Signed in pencil, with blind stamp Etching, published by Frost & Reed, 1926 46.5 x 36.5cm (plate size) ++Paper rippled, quite a bit of bloom and one or two light scratches

After Charles Johnson Payne, (Snaffles) Gentlemen Unafraid Signed, blind-stamped and with remarques to backing paper Reproduction 28 x 50.5cm ++Some light staining and foxing to print and backing paper upper left

Robert H Lee: acrylic on board, "Venetian Blind", label verso, 36" x 30", in strip frame

A reproduction George IV / William IV walnut sofa table, canted rectangular dropleaf top, chequered banding, two short drawers to frieze, brass drum handles, blind drawers to verso, four turned supports, incurved quatrefoil socle, hipped and fluted sabre legs, brass terminals and casters, 71cm high x 51cm x 83cm opening to 133cm.

A Persian hardwood collapsible table, circular blind fretworked top, octagonal fretworked panel support.

An oak sideboard in the monastic taste, blind fretworked gallery, moulded top, three door cupboard with blind fretworked panels over two carved front drawers, spiral carved legs, block feet. 114cm high x 139cm wide x 56cm d

Sir William Russell Flint (Scottish, 1880-1969), 'Eve and Yasmin and an Unfinished Picture' , signed 'W Russell Flint' in pencil lower right, with blind stamp lower left, limited edition colour print, pub. Frost & Reed , 17½ x 24¾in. (44.5 x 63cm.)

after Charles Johnson Payne 'Snaffles' (British, 1884-1967), four signed colour lithographs laid onto pictorial mounts, comprising 'A Wet Nalla', 'The Forward Heat?', 'Getting Cantankerous' and 'Got yer you old badmash!', all signed in pencil and with artist's bits blind stamp, 16½ x 24¾in. (42 x 63cm.). (4) * Condition: All in poor to fair condition, in pre-war Boots frames, with insect dust beneath glass.- The Forward Heat: glass missing, fading to the print and some wear to the paper surface the the margins of the lithograph. Also damage to surface of the card on the mount at two points (possibly insect damage) and a small cut to the mount at bottom centre. A little foxing. - A Wet Nalla:Some foxing across the mount and insect damage to the printed image to bottom left of mount. Three small patches of damage to surface of lithograph.- Got yer...: 2 x 2in. piece missing from top right  corner of mount. Some foxing across mount, fair overall.- Getting Cantankerous: Lithograph faded. Foxing across mount. Fair overall.

A 1920s oak bookcase, with low gallery back and enclosed by two quarrel glazed doors with blind fret decoration and with three adjustable shelves, on low turned legs and plain stretchers, 114cm wide, 130cm high.

Goya 'Tauromaquia', an unframed engraving with studio blind stamp, 15 x 12cm together with an unframed oil on card, artist and muse and a collection of assorted unframed watercolours, drawings and prints (qty).

A George III mahogany bookcase top,with a blind fret frieze over two astragal glazed doors,92cm wide31cm deep103cm high

An 18th Century oak longcase clock by Will Snow, No. 793, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and dial centre engraved with leaf scroll and date aperture to the thirty hour brass and steel framed thirty hour movement striking on a bell, contained in oak case with bold angled and moulded pediment with dentil and key ornament above blind fret panel and plain turned pillars to hood, shaped trunk door flanked by blind fret cant corners with conforming base, 85ins high Note : A William Snow recorded working Padside (Nidderdale) 1763

A late 18th Century "North Country" oak and mahogany banded longcase clock by Clare of Manchester, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar dial to centre on a matted ground with engraved leaf scroll ornament to the eight day two train movement striking on a bell, contained in oak case with moulded top with turned finials, blind fret frieze and turned and fluted pillars to hood, shaped trunk door crossbanded in mahogany and flanked by fluted quarter columns, the plinth base with cant corners, on ogee bracket feet, 90.5ins high Note : Peter Clare recorded working Manchester 1764-1811

An early 20th Century mahogany rectangular card table of "Chippendale" design, the baize lined folding top with moulded edge, blind fret ornaments to frieze, on conforming frieze and tapered square legs, 36ins wide x 18ins deep x 31ins high

Two volumes, ' British Husbandry ' by John French Burke, published by Robert Baldwin, 1834 - 37, with dark green blind stamped boards, re-spined with illustrations

Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell

Framed Tom Dodson print, Nitty Nora, blind stamped

An early 20th century mahogany bedroom suite comprising mirror door wardrobe, dressing table and chest of drawers having blind fret decoration

CURTAINS, three, silver grey ribbed fabric, lined, one pair 335cm W ungathered x 240cm drop, the other single curtain 200cm W ungathered x 210cm drop, together with a blind to match, 123cm W. (4)

CONSOLE TABLE, 19th century French Louis Philippe flame mahogany with blind frieze drawer undertier and St Annes grey veined marble top, 86cm H x 130cm W x 44cm D.