We found 44913 price guide item(s) matching your search

An Edwardian mahogany eight-day longcase clock, the brass arch dial with a musical gong strike movement, the swan neck hood and trunk both with blind fret friezes on ogee feet, 240cm high dial 30cm

A Chinese wood display cabinet on a stand:, the upper part with a moulded frieze, interior graduated and straight shelves enclosed by a pair of glazed panel doors, the stand with a blind fret geometric apron and pierced spandrels, having shelves below on rounded supports, united by stretchers, terminating in block feet, 72cm (2ft 4 1/4in) wide, 175cm (5ft 9in) high.

HELEN BRADLEY (BRITISH 1900-1979), 'September', a Limited Edition print 202/500, depicting an autumn picnic by a lake, signed bottom right, Fine Art Trade Guild Blind Stamp bottom left, mounted, framed and glazed, approximately 40cm x 57cm

A MIXED COLLECTION OF CERAMICS, to include cups and saucers by Royal Worcester 'Blind Earl', Royal Crown Derby, Coalport, Royal Albert, Paragon and Schuman Arzberg, together with Coalport Caughley mask head jugs, a Wedgwood scalloped edge butterfly dish and Coalport Collectors plate

JOHN SWANNELL (BRITISH 1946) 'NUDE, UTAH', a female figure set in an American landscape, limited edition 13/50, delux giclee paper, signed bottom right, J.S. blind stamp bottom left, mounted, framed and glazed, with certificate, approximate size 68cm x 86cm (small amount of damage to the frame) (A)

FIVE WATERCOLOUR PICTURES OF COUNTRYSIDE VIEWS ETC, unsigned but baring a blind stamp with the wording 'Ex Studio-Fred Bottomley', all mounted, framed and glazed, approximate largest size 38cm x 23cm (5)

A CHINESE CHIPPENDALE STYLE MAHOGANY BIJOUTERIE TABLE with blind fretwork and pierced fretwork decoration, 79cm wide x 55cm deep x 79cm high (AF)

Signed Helen Bradbury print with blind stamp

Signed Tom Dodson print with blind stamp

HYDE PARK 1969 BLIND FAITH POSTER. An original poster for Blind Faith's 1969 Hyde Park appearance. Measures 20 x 30" and in VF condition. Printed by 'Screendream Print Rehill 61104'. From the archive of poster designer David Arnott.

William Russell Flint, companion pair of limited edition coloured prints with blind stamps and both numbered 409/850, in glazed and ornate giltwood frames, 20 x 30cm, (2)

William Russell Flint, limited edition coloured print, has a blind stamp, numbered 425/850, in a glazed frame, 50 x 30cm

JOHN TALBOT HICKS (20th century) British, Cathedral Interior, watercolour and bodycolour, signed with blind stamp, framed and glazed

After VINCENT VAN GOGH (1853-1890) Dutch, Cafe Terrace at Night, limited Chelsea Green Edition, numbered 8/99 in pencil and with Chelsea Green Editions blind stamp, unframed

A Victorian ebonised box wood watch holder with blind carved and glazed hinge cover, width 9cm

Dame Elisabeth Frink (1930-1993), Limited edition print, Man and Horse III, Signed in pencil, numbered 36/70 and with blind stamp, 58cm x 76cm, Framed and glazed. Please Note: This lot may be subject to Driot de Suite - Artist Resale Rights, please see our Terms and Conditions for further information. CONDITION REPORT: Modern frame and glazed. The blind stamp to the bottom left corner is obscured by the mount. The image has been cleaned and framed since the vendor purchased it.

Charles Johnson Payne 'Snaffles', Colour mounted print, The Huntsman, Signed in pencil and with blind stamp, 40.5cm x 36.5cm, Framed and glazed

Vinyl - Rolling Stones - No. 2 (Decca LK 4661) Mono, with Blind Man text, unboxed Decca label with printed K/T tax code. Sleeve VG+ with strong spine, very slight creasing to front, possible sticker removal to rear around the T of The Rolling Stones. Vinyl VG+

Vinyl - Cream & Blind Faith - Collection of 5 LP's to include Disraeli Gears (Reaction 594003), Wheels Of Fire (582031/2), Live Cream, Goodbye, and Bilnd Faith (583059). Sleeves & Vinyl VG+

Vinyl - Caravan - 10 LP's most are later releases and include Blind Dog, Better By Far, Best Of, Back To Front, Cunning Stunts, New Symphonia, Plump In The Night, If I Could Do It, Grey & Pink, and Self Titled. Sleeves & Vinyl EX

Vinyl - Group of The Cooper Temple Clause singles and sets to includes boxed See This Through and Leave number 0585, The Hardware EP, signed Homo Sapiens, Lets Kill Music, Blind Pilots, Promises Promises and ltd edn Fan Club Way Out West

E.R Sturgeon, Busy Village in The Countryside Scene, colour print, graphite signed, blind back stamp to margin, 42 x 66cm.

George Cunningham, 'Hillsborough Corner' Artists Proof Print, 22.5 x 3.5cm, limited edition print 'On Mornings Tinsley' 30.5 x 49.5cm, both blind back stamp.

A Early XX Century Mahogany Bookcase/Patience Table, the bookcase with stepped cornice above glazed astragal doors, the table with a folding top, baized interior, two drawers, with knulled decoration on tapering blind fret decorated legs and spade feet.

EIKON BASILIKE: 'The Poutraicture of His Sacred Majestie in His Solitudes and Sufferings...', (no place of imprint), 1648: title within woodcut border, folding allegorical frontispiece, contemp blind ruled calf, sometime rebacked, upper board detached: TOGETHER WITH an 18thc English Book of Common Prayer. (2)

TASMANIAN FERNS (so titled in blind to upper board): collection of 24 pages of dried fern specimens, mostly mounted to rectos of thick card leaves, each specimen identified in ink in a contemporary hand, some with loss or damage, old ink ownership to upper pastedown, contained in 19thc 4to album of dark brown half-morocco, some wear and rubbing but generally in good condition. (1)

Mid 18th century oak elbow chair, shaped cresting rail with blind carving above single panel back, open arms, solid seat, block-and-turned foreleg supports. For condition reports please go to www.peterwilson.co.uk

AFTER LAURENCE STEPHEN LOWRY RA (1887-1976) *ARR*  Peel Park Pencil signed print, 38cm x 76cm with FJD blind stampCONDITION REPORT:The picture is in clean condition, colours appear well and no obvious problems. 

[FINE 19TH CENTURY BINDING] - THE HOLY BIBLE WITH A DEVOTIONAL AND PRACTICAL COMMENTARY BY THE REV. R. JAMIESON London, James S Virtue, [circa 1860-1870]. Two large thick folio volumes, separate titles to Old and New Testaments, numerous engraved plates after John Martin and others, generally a clean and fresh copy. Finely bound in full contemporary purple pebble-grained morocco, boards with decorative panels in blind with gilt leaf devices at the corners, thick heavy boards, spines with gilt raised bands and lettering direct, outer and inner gilt dentelles, all edges gilt, lightly rubbed in parts, upper board to vol 1 fractionally bowed, but a bright and handsome set (2)

DARWIN, CHARLES ON THE VARIOUS CONTRIVANCES BY WHICH BRITISH AND FOREIGN ORCHIDS ARE FERTILISED BY INSECTSLondon, John Murray, 1862. 8vo, first edition first issue (with 32pp publisher's adverts at rear dated December 1861), folding plate and woodcuts in text, ex-library copy with ink stamp to title page and acquisition numbering to verso, later library quarter calf binding, boards with library blind-stamps. Darwin's first book after 'Origin of Species' - it is estimated less than 2,000 copies of the first edition were printed

BURTON, ROBERTTHE ANATOMY OF MELANCHOLYOxford, Henry Cripps, 1628. Third edition, folio, engraved title, text generally clean and fresh throughout, p419/20 with large hole and some loss of text affecting 19 lines, final errata leaf, colophon leaf at rear dated 1628. Full calf, label, slight cracking to top of upper joint. ESTC S107137. Our copy differs slightly from the BL copy, collating as: [blank] [4], 78, [10]; 1-79, 78-208, [4], 209-374, [2], 375-584, 583-646, [12] p. Together with: BROWN, THOMAS - THE WORKS. London, Tho. Basset [and others], 1686. First collected edition, folio, engraved portrait, title in red and black, text generally clean and fresh throughout, worm-track to lower margin of first few gatherings which, on some leaves, results in a loss of letters within the last 2 or 3 lines of text. Full contemporary blind-panelled calf, later leather re-back. Both sold w.a.f. (2)++as described and sold with all faults, not subject to return

MASSINGER, PHILIP A NEW WAY TO PAY OLD DEBTS A COMOEDIEAs it hath beene often acted at the Phoenix in Drury-Lane, by the Queenes Maiesties servants.London, E.P. for Henry Seyle, 1633. First Edition, small 4to, title with woodcut, cropped close occasionally clipping signatures of page leaves at bottom and the printed border line at top, not affecting text, final leaf with top right corner repaired not affecting text, A3 with repaired closed tear without loss, occasional light soiling. Finely bound by Bayntun of Bath in blind-panelled calf, inner gilt dentelles, gilt edges. ESTC S112423, scarce

[FINE REGENCY BINDING] THE HOLY BIBLE.. WITH NOTES BY THE REV. ISAAC SAUNDERS London, R Edwards, 1811. Thick folio, engraved frontispiece, engraved title, and plates, some occasional browning/spotting. Bound in a fine contemporary straight-grained red morocco binding, boards with outer roll borders in gilt and blind, both boards with large gilt arabesques and large central gilt devices incorporating lettering in Hebrew, original fully-gilt spine re-laid and partially repaired, some small areas of wear to boards, rubbed. A still-handsome Regency-period binding despite the professional repairs, and this issue of the Bible published by Edwards is scarce

OSTERVALD, JEAN FREDERIC [EDITOR]THE HOLY BIBLEManchester, S Russell, 1804. Large thick pulpit-folio, numerous engraved pates, Old Testament has undated engraved title (only) but printed title to New Testament gives the date of 1804. Engraved title and first leaf repaired/strengthened in inner margin (just touching a few letters). Bound in the original reversed-calf binding with blind panelling to boards, red morocco label, joints splitting at top and bottom but sound. A quite handsome and scarce Napoleonic-war period Bible. Plus: THE WORKS OF THE REVEREND AND LEARNED JOHN LIGHTFOOT D.D., London, Robert Scott, 1684, vol 1 (of 2), large folio, 2 folding maps/plans (2)

[ 18TH CENTURY BIBLE CONCORDANCE IN A FINE MONASTIC CLASPED PIGSKIN BINDING ] LUCA, FRANCISCO SACRORUM BIBLIORUM VULGATAE EDITIONIS CONCORDANTIAE, AD RECOGNITIONEM JUSSU SIXTI V. PONT. MAX. Antwerp, J B Verdussen, 1733. Large thick 4to, half-title, main title with attractive woodcut printer's device, printed in triple columns, a very good crisp and clean copy, tiny wormhole to front free-endpaper and half-title (only). Finely bound in 18th century monastic white 'tawed' pigskin over bevelled wooden boards, the original decorative brass metal clasps and catches both present, boards elaborately decorated in blind with multiple panels consisting of foliate and scroll devices, spine with five raised bands, 18th century lettering and scrollwork in brown ink to second and third compartments, some soiling/darkening to boards, red speckled edges, lengthy early 19th century manuscript inscriptions to front inner board and free endpaper. From the Monastery of Geistingen, (near Cologne and Bonn, Germany), which finally closed in January 2006 when the last monks left there. With the monastery's booklabel to top inner board, and their stamp in blue ink to bottom of title

STACKHOUSE, THOMASA NEW HISTORY OF THE HOLY BIBLE, FROM THE BEGINNING OF THE WORLD, TO THE ESTABLISHMENT OF CHRISTIANITY London, John Hinton, 1752. Two volumes, folio, engraved portrait of the author to volume 1, titles in red and black, numerous engraved plates, maps/plans, some folding. Bound in 18th century reversed calf, boards panelled in blind, some loss of calf to spine of vol 1 and boards, joints cracked but firm, 1st vol lacks spine label. A well-illustrated work, originally published in 111 individual parts. ESTC T140640 (2)

THE CHRISTIAN'S COMPLETE FAMILY BIBLE; OR, UNIVERSAL LIBRARY OF DIVINE KNOWLEDGE Liverpool, Nuttall, 1807. Pulpit folio, engraved frontispiece and numerous engraved plates within elaborate decorative borders, slight browning/marking to title but a clean fresh copy bound in the original reversed calf, boards with panels in blind, corners and joints worn with small loss, front free marbled endpaper with an onlaid red morocco owner's label with gilt lettering " J & J DEASON 1809"

[AUSTRALIA INTEREST] BURTON, WILLIAM WESTBROOKETHE STATE OF RELIGION AND EDUCATION IN NEW SOUTH WALESLondon, J Cross, 1840. First edition, 8vo, folding map coloured in outline present but detached, folding tables, a good copy in the original publisher's blind-stamped green cloth, corners bumped, spine with gilt devices of a church and kangaroo

HOLINSHED, RAPHAELTHE FIRSTE VOLUME OF THE CHRONICLES OF ENGLAND, SCOTLANDE, AND IRELANDELondon, Iohn Hunne, [1577]. Folio, a fragment only, containing woodcut title and prelims followed by 3 parts, these being: 'The Description of Britaine' (125 of 126 leaves, lacking folio 94 otherwise complete), followed by; 'Description of Irelande' (A 28-leaf section, complete in itself), followed by 'The Historie of Englande' (112 of 115 numbered pages, lacking final 2 leaves). Title and prelims detached/loose, main text block stitching broken, one or two single wormholes at beginning which touch the odd letter, heavy worming to inner margin of first few gatherings (largely missing text but sometimes touching letters), soiling, multiple contemporary ink notes to margins, corners and some margins creased, the text now largely loose in the original 16th century leather binding over oak boards, boards with blind panelling, worn and dusty with multiple single wormholes. Despite the condition, this 16th century fragment contains much of interest and is worthy of restoration. The section on 'Englande' is extensively illustrated with woodcuts. Sold w.a.f., not subject to return

GAILHARD, J [JEAN]THE BLASPHEMOUS SOCINIAN HERESIE London, R Wellington, 1697. First edition, 8vo, last 4 leaves of Chapter VII misbound within the preface, browning throughout, printed on thin paper, 2 or 3 leaves with marginal tears not affecting text, blank endpapers badly torn, 17th century blind-panelled calf, worn with loss at corners. Scarce, ESTC R12826. Plus: [LOCKMAN, JOHN] - A NEW HISTORY OF ENGLAND, BY QUESTION AND ANSWER. London, T Astley, 1735. Second edition, 12mo, title a little dusty with some creasing, occasional soiling, 18th century calf, worn at corners and joints splitting. This edition is rare, ESTC T131242. Plus: DEACON, SAMUEL - BARTON HYMNS. A NEW COMPOSITION OF HYMNS AND POEMS. Coventry, Luckman and Suffield, 1797. Second edition, 12mo, occasional soiling, 18th century calf, worn, joints splitting at bottom. This edition is rare, ESTC N43577, the BL recording just two copies. Plus approximately 23 other antiquarian volumes primarily 18th/19th century (circa 26)

ROLAND, GEORGE A TREATISE ON THE THEORY AND PRACTICE OF THE ART OF FENCINGEdinburgh, Constable, 1823. First Edition, 8vo, 12 plates of fencing positions as called-for. Some internal spotting/browning, occasional light soiling, bound in 19th C blind-panelled calf, rubbed, wear to extremities and upper joint repaired++Some internal spotting/browning, occasional light soiling, bound in 19th C blind-panelled calf, rubbed, wear to extremities and upper joint repaired

CRAWFURD, GEORGE A GENEALOGICAL HISTORY OF THE ROYAL AND ILLUSTRIOUS FAMILY OF THE STEWARTSEdinburgh, James Watson, 1710. First Edition, folio, two parts in one, lacking the final 'alphabetical index' leaf otherwise complete, full contemporary blind-panelled calf, re-backed. The copy of Colonel John Ferrier Hamilton of Cairnhill, Scotland, with his bookplate and signature. There are also early 18th century unidentified signatures of a member of the Stewart family; CRAWFURD, GEORGE - THE LIVES AND CHARACTERS OF THE OFFICERS OF THE CROWN AND OF THE STATE IN SCOTLAND: from the Beginning of the Reign of King David I. to the Union of the Two Kingdoms. Edinburgh, Robert Fleming, 1726. First edition, folio, full contemporary blind-panelled calf, rubbed, wear to extremities, some internal damp-staining to top margin. The title states this is 'Vol I', however, a second volume was never written nor published, the author having decided against this, which he acknowledges at the end of the Preface. Complete; [JACOBITE INTEREST] - A NARRATIVE OF CHARLES PRINCE OF WALES' EXPEDITION TO SCOTLAND IN THE YEAR 1745 By James Maxwell of Kirkconnnell. Edinburgh, [The Maitland Club], 1841. First edition thus, small 4to, a fine copy, later quarter calf with marbled boards. Contemporary presentation inscription from Alexander Macdonald, a member of the Maitland Club, to Charles K[irkpatrick] Sharpe, the Scottish antiquary and artist. The Maitland Club was a Scottish historical and literary society, founded in 1828 to edit and publish early Scottish texts. Since the distribution of publications was usually limited to members, a typical print run consisted of between 70 and 100 copies - so this example is now rare (3)

LANDSEER, SIR EDWINTHE WORKSLondon, Virtue and Company, [circa 1879-80]. 4 volumes, folio, 40 (of 44) fine engraved plates plus 10 'Example' plates, engraved title to vol 1, printed title/contents/plate list incorrectly bound at rear of vol 4, original publisher's cloth, the upper pictorial boards beautifully embossed in gold and black, new spines. Ex-lib with blind-stamps to plate margins, library labels to front free endpapers. An attractive looking set (4)

[BINDING] THE HOLY BIBLE CASSELL'S ILLUSTRATED FAMILY BIBLELondon, Cassell, Petter & Galpin, [circa 1860]. Thick folio, over 900 engravings, family register with manuscript entries recording the births and deaths of members of the Gumley family of Leicester throughout the 19th century, a few leaves with some light browning, but a good profusely-illustrated copy bound in the original 19th century black calf, boards diced in blind within an outer gilt panel, lightly rubbed, short unobtrusive split to upper joint, all edges gilt

* George IV Coronation Ticket. A printed ticket for admission to Westminster Hall on the occasion of King George IV's Coronation, 19 July 1821, printed in red, black and blue with blind-embossed border by Dobbs, this ticket inscribed for Miss Hamilton in the Duke of Wellington's hand and signed by him beneath 'Wellington', countersigned by Lord Gwydyr, additionally inscribed in clerical hand 'Coronation Ticket' at upper margin and 'The Lord High Constable's Box' at lower margin, manuscript no. 265 in right oval, a little general soiling, torn along vertical fold with a little paper loss in several places, torn with loss to upper right margin, 23.5 x 26cm, pasted on an old album leaf with scraps and cuttings beneath and to versoThere are two versions of this compound-plate printed ticket, one admitting to Westminster Hall, the other to the Abbey, marked respectively 'Hall' and 'Abbey' in oval cut-outs to the left of the central motif. It is not clear who Miss Hamilton is but she would have been in the box with the Duchesses of Wellington and Westminster along with the Duke of Wellington who acted as Lord High Constable.(Qty: 1)

Naval Album. A photograph album compiled mostly in the 1860s, containing 11 larger albumen prints including views of Malta harbour, Pompeii, Jerusalem, Patras, Jaffa, Naples (a little damaged) and four photographs of the crew on deck of HMS Hector, circa 1866, images circa 19 x 26cm and similar, together with 20 further smaller-format albumen print views, including views of Pompeii, St Helena (Longwood and The Square), plus approximately 60 carte-de-visite-size portraits and smaller of mostly naval officers and crew from HMS Hector, HMS Warrior, HMS Lord Clyde and HMS Conqueror, plus various small vignette photographs after drawings and engravings of shipping and views, the photographs neatly arranged singly and as multiples on rectos of stiff paper albums, many of the views and people neatly captioned in red ink on the mounts, some additional rough pencil captions including identification of HMS Hector personnel on deck, one further leaf with various autographs and one large pencil drawing of Kew Park House, signed F.J. Goater(?), dated 1876, the name 'Durrant' written in pencil at front, contemporary blind-stamped morocco, heavily rubbed, oblong folio (24 x 35cm)Likely compiled by a naval officer serving on HMS Hector and other ships mentioned in the album. HMS Hector was assigned to the Channel Fleet upon completion in 1864, and was paid off in 1867 to refit and be re-armed. The four photographs of the personnel show various ranks and include one photograph of the sailors gathered round a cannon.(Qty: 1)

* Very rare black Leica IIIg camera. Very rare Leica IIIg camera, painted black in the factory at time of manufacture, confirmed in writing as such by Leica (copy of letter available on request), perfect working order and in near mint condition, Serial Number 909908, together with additional black Leicavit base plate with integral rapid winder , mint condition and good working order, Leitz Summarit 50mm f/1.5 black lens , Serial Number 1120021, near mint condition and good working order, with Summarit lens hood, Leitz Elmarit 90mm f/2.8 black lens , Serial Number 1683231, near mint condition and good working order, all stored in contemporary brown leather hard case, blind embossed "E. Leitz, New York", in very good condition. The camera body and both lenses have recently been fully serviced by a Leica specialist repairer in the UK.Produced from 1957-1960, the Leica IIIg was the last screw-mount model produced. Most were produced in chrome, but 125 black versions were produced for the Swedish army. Other than these, which are all engraved with three crowns, the Leica IIIg being offered for sale here is the only other black paint version known to exist and predates the Swedish versions. The current owner bought it at Christie's, London in July 1988 and took the camera and matching lenses to Leica in Wetzlar, Germany in 1990 for authentication and obtained written confirmation from them on Leica letterhead that it was a genuine original factory-painted black version, apparently produced by a Leitz technician as a final test project. Laney, Leica Collectors Guide , 1992, page 71. Provenance: Purchased by the current owner at Christie's, South Kensington, London on 14th July 1988, Lot 11.(Qty: a case)

2 framed and glazed Russell Flint prints. "Riverside Washing, Lavardac" printed by Chorley & Pickersgill, with blind stamp together with one other. Largest frame size approx. 45cm x 56cm.

PINE DRESSER WITH GLAZED DOORS OVER TWO BLIND DRAWERS WITH CUPBOARDS BELOW, 140CM WIDE

Ardif (French b.1986), 'Fish Mechanimal', screen print in colours on stock paper, signed and numbered form an edition of 20 in pencil, with Ardif blind stamp; sheet: 40 x 50cm ARR

Richard Hambleton (Canadian 1952-2017), 'Stop Sign', 2018, giclee print on paper, inscribed AP in black pen, with R Hambleton blind stamp; sheet: 102 x 100cm

Banksy (British b.1974), 'Napalm', 2004, screen print in colours on paper, numbered from an edition of 500 in pencil, published by Pictures On Walls, stamped with the publishers blind stamp; 61 x 82cm inc frame ARR Accompanied by a Pest Control Certificate Of Authenticity

Banksy (British b.1974), ‘Jack & Jill’, 2005, screenprint in colours on paper, signed from an edition of 350 in pencil, published by Pictures On Walls, bearing publishers blind stamp; 50.5 x 70.5cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity Very Good Condition. Clear and pronounced POW blind stamp The numbering is clear with no smudging to the pencil The image is strong with no sign of discolouring/fading This work has not been examined out of the frame Very Good Condition

Banksy (British b.1974), ‘Gangsta Rat’, 2004, screen print in colours, numbered from an edition of 350 in pencil, published by Pictures On Walls, bearing publishers blind stamp; sheet: 70 x 35.cm ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British b.1974), 'I Fought The Law', 2004, screen print in colours on paper, signed, dated and numbered from an edition of 150 in pencil, published by Pictures On Walls, bearing published blind stamp; 83 x 82cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British b.1974), 'Morons (Sepia)', 2007, screen print in colours on paper, signed, dated and numbered from an edition of 300 in pencil, published by Pictures On Walls, bearing publishers blind stamp; 104 x 82cm inc frame ARR Provenance: This work is accompanied by a Pest Control Certificate Of Authenticity

Banksy (British b.1974), 'Girl With Balloon', 2004, screen print in colours on paper, numbered from an edition of 600 in pencil, published by Pictures On Walls, bearing publishers blind stamp; sheet: 70 x 50cm ARR Provenance: This work is accompanied by a Pest Control Certificate of Authenticity

Music Memorabilia, The Beatles, a limited edition (38/49) b/w photo showing The Beatles in the sea, image taken from original negative, with Popperfoto blind stamp, framed and glazed, 70cm x 58cm (ex)

Postcards, a collection of approx 35 cards of North London inc. RP's of Park Ave Willesden, Swiss Cottage Institute for the Blind, Viaduct Finchley, Lamb's Cottage Edmonton, Westbourne Grove, Russell Hotel, Broadway West, Hendon, Hampstead Heath aerial view etc (mixed condition, fair/gd)

Ray (John). Methodus plantarum emendata et aucta, 2nd edition, 1st issue, London [i.e. Leiden]: Samuel Smith and Benjamin Walford [i.e. Waasberg], 1703, engraved portrait frontispiece, 2 folding tables (browned), contemporary panelled calf, rubbed, 8vo (19.1 x 11.5 cm), together with: Three Physico-Theological Discourses, concerning I. The Primitive Chaos, and Creation of the World. II. The General Deluge, its Causes and Effects. III. The Dissolution of the World, and Future Conflagration, 3rd edition ('much more Enlarged'), for WIlliam Innys, 1713, engraved portrait frontispiece, 4 engraved plates, browning, marginal spotting, contemporary panelled calf, front board detached, 8vo (20 x 11.8 cm), and A Compleat Collection of English Proverbs; also the most Celebrated Proverbs of the Scotch, Italian, French, Spanish, and Other Languages, 3rd edition ('augmented'), 3rd issue, for H. Slater [and others], 1742, title-page and section-title spotted, occasional faint spotting elsewhere, 19th-century ownership inscription of one Arthur Rawdon to title-page and p. 1, bookplate (with withdrawn stamp) of Oldham Free Public Library, associated faint blind-stamps to final quire, early-20th-century half sheep by Cedric Chivers of Bath, 8vo (19.8 x 11.2 cm)Keynes 42, 85, 14; Henrey 317 for the first item (recording 1100 copies printed). Ray's Methodus plantarum nova was first published in 1682; both the first edition and this second edition are uncommon. The second item ( Three Physico-Theological Discourses ) contains a description of 'two late remarkable' earthquakes in England and Jamaica.(Qty: 3)