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NO RESERVE Sallustius Crispus Gaius. C. Sallustii Crispi Operum, quae exstant, noua editio. Edente et recensente Ludovico Carrione. Antverpiae: ex officina Christophori Plantini architypographi regij, 1579.Tre opere in un volume in-8° (mm 163x106). Pagine 236, [4]; 249, [15]; 53, [3, di cui ultima carta bianca]. Segnatura: A-P⁸; a-q⁸r⁴; A-C⁸D⁴. Lievi aloni diffusi, uniformemente ingiallita. Legatura in piena pelle coeva con impressioni floreali e motivi naturalistici a secco ai piatti. Dorso a quattro nervi. Tracce di colla al dorso e in prossimità delle cerniere. Lievi mancanze alle cerniere e al dorso. Tagli dorati e goffrati. Restauro al contropiatto posteriore. I: C. Sallustii Crispi Operum, quae exstant, Nova editio. Edente et recensente Ludouico Carrione. Marca editoriale al frontespizio (Mano con compasso che esce da una nuvola iscritta in ovale. Motto: "Labore et constantia"), iniziali xilografate. Ex libris ('Michaelis Fabri...') e nota di possesso al frontespizio, timbro coperto al contropiatto anteriore.II: In C. Sallustij Crispi Catilinam, et Iugurtham castigationum lib. II. Aldi Manutii Paulli F. Scholia. Cypriani a Popma Emendationes. In historiarum Lib. VI. A Ludouico Carrione collectos, auctos, & restitutos. Eiusdem Lvd. Carrionis Scholia. Marca editoriale al frontespizio (Mano con compasso che esce da una nuvola iscritta in ovale. Motto: "Labore et constantia"), iniziali xilografate.III: Iani Douzae Nordouicis Ad C. Sallustij Crispi historiarum libros, notae: cum luculenta fragmentorum aliquot accessione hactenus non editorum. Marca editoriale al frontespizio (Mano con compasso che esce da una nuvola iscritta in ovale. Motto: "Labore et constantia"), iniziali xilografate. Note manoscritte al recto di c. D4: 'Labore & constantia. Omnia uincit solers industria iure Praemia solertes quippe referre solent'. Il lotto è provvisto di attestato di libera circolazione.Three works in one volume, 8° (163x106 mm). 236, [4]; 249, [15]; 53, [3, of which the last blank] pages. Collation: A-P⁸; a-q⁸r⁴; A-C⁸D⁴. Slightly spotted throughout; uniformly toned. Contemporary blind-tooled leather over pasteboards. Spine with four raised bands. Edges gauffered and gilt .Traces of glue, and minor losses to spine and joints. Rear pastedown restored.I: C. Sallustii Crispi Operum, quae exstant... Ex libris ('Michaelis Fabri...'), and ownership inscription on the title-page; stamp on the front pastedown covered with paper. II: In C. Sallustij Crispi Catilinam, et Iugurtham castigationum... III: Iani Douzae Nordouicis Ad C. Sallustij Crispi historiarum libros... Printer's device on the title-page. Manuscript annotation on fol. D4. 'Labore & constantia. Omnia uincit solers industria iure Praemia solertes quippe referre solent'. Sold with a valid export licence.

NO RESERVE Brummell George Bryan. Male and female costumes. Grecian and Roman costume, British costume from the Roman invasion until 1822, and the principles of costume applied to the improved dress of the present day. New York: Doubleday, 1932.In-folio (mm 275x198). Pagine XVIII, 316, [2]. Frontespizio entro cornice impressa in verde. Illustrato da 85 tavole a piena pagina, ritraenti i costumi maschili e femminili nelle diverse epoche. Esemplare con barbe in ottimo stato di conservazione. Legatura editoriale in tela, piatti incorniciati da duplice filetto impresso a secco, titolo impresso in oro al dorso, taglio di testa rosso. Difetti alle estremità del dorso e degli angoli dei piatti. Esemplare dismesso dalla Ferguson Library.Prima edizione, pubblicata in tiratura limitata di soli 476 esemplari, dell'opera che meglio esprime l'essenza del dandismo, opera dell'eccentrico londinese Lord Brummell.Folio (275x1987 mm). XVIII, 316, [2] pages. Title-page within green-tooled frame. Illustrated by 85 full-page plates, depicting male and female costumes in different eras. A very fine copy, uncut. Editorial cloth, covers within frame with double blind-tooled fillets, gilt-tooled title on the spine, red head-edge. Damages to the margins of the spine and the corners of the covers. Decommissioned copy from the Ferguson Library.First edition, published in first issue of only 476 copies, of the work which best expresses the essence of the dandyism, work of the eccentric londoner Lord Brummel.

Limited edition print - The Downs School, 69/200, with blind stamp Clifton Editions, after James Savage Condition:

Beryl Cook - Signed limited edition print - Art Class, signed in pencil and with blind stamp, 42cm x 42cm, framed and glazed Condition:

20th Century mahogany twin pedestal writing desk with gilt and blind tool skiver over cock beaded drawers Condition:

A 19th century mahogany lady's writing table, having four short drawers to the upper section and one long drawer to the frieze, with blind fret applied moulding, raised on cabriole legs, width 39ins

"Snaffles" (Charles Johnson Payne) (1884-1967) "ANZAC" with "Snaffles" blind stamp on the mount original photolithograph with hand-colouring and remarque, published c.1916; 28 x 20.5cms

"Snaffles" (Charles Johnson Payne) (1884-1967) "The Canadian" with "Snaffles" blind stamp on the mount original photolithograph with hand-colouring and two remarques, published; 28 x 20.5cms

AN EDWARDIAN MAHOGANY ENVELOPE CARD TABLE the frieze drawer with blind fret carved decoration, on cabriole supports with claw and ball feet, 57cm x 57cm, 74cm high

[TOPOGRAPHY]. SOMERSET Some Account of the Church of St. Mary Magdalene, Taunton, and the Restoration Thereof, Vizetelly Bros., London, 1845, original blind-stamped dark green cloth gilt, all edges gilt, eleven plate illustrations (only nine listed), quarto (spine ends frayed, with small losses); and Burrow, Edward. Ancient Earthworks & Camps of Somerset, subscriber's limited edition 574/1025, SIGNED BY AUTHOR, Burrow, Cheltenham, 1924, quarter cloth with leather spine label, illustrations and plans, folding map at end (taped verso), quarto, (2).

Theatrical Interest, stereo cards - portrait of actor and actress/J R James, blind stamp, printed titles verso, 1859 (2), Titania's Bower (1), cabinet or cabinet-size - Adelina Patti (2), Sir Henry Irving (1), various actors and actresses, including Mlle Albani, Beerbohm Tree, some signed (17), Ellen Terry - photogravures/Window & Grove (40), cartes de visite (9), autobiography, postcards - Ellen Terry (69), others - 'contact' serial number maker's reference images (4), Sir Henry Irving (8), others (3) (qty)

English ceramics - a Coalport cabinet teacup & saucer, hand painted with cabbage roses; others; a pair of Minton Chinese Tree no.2067 pattern side plates; a Crescent & Sons plate cobalt blue wavy edge border, hand painted with roses; a Royal Worcester 'The Blind Earl' reproduction plate; etc (11)

Military: Grose (Francis) Military Antiquities Respecting A History of The English Army, 2 vols. folio L. 1812. Second Edn., 3 engd. titles, & 136 engd. plts. (ex. 138), include. frontis etc., cont. full calf, gilt fillet & blind tooled borders, spine gilt in panels, mor. labels., worn. (2)

Incunabula: Irish Interest, [Sirectus, Antonius] O'Fihely (Maurice)Abp. Formalitates de Mente Doctoris Subtilis Scoti Nec Non Stephai Burlifer cum novis additionibus et concordatiis magistri Mauricii Hibernici in margine decorate, 4to Venice 14th December 1051 (ie. 1501), misbound, (complete) 33pps numbered, recent contemporary style binding, blind tooled, with multiple fillet border, panels, raised bands. Extremely Rare [Sweeney 4734]. An extremely fine copy of this rarity. * Collectors Guide: Imp/R. the 1st and only Walsh Printing -394, Burlifer is a misprint for Stephen Brulefer.

Early English HerbalGerarde (John) The Herball or General History of Plants, thick folio L. (John Norton) 1597. First Edn., engd. title (torn with loss, repaired) engd. port. hundreds of wd.-cut illus throughout, first leaf, damaged with loss, repaired, 2 leaves lacking (pp. 555 - 558), preliminary leaves frayed and tatty also index at rear, cont. full calf, blind fillet boards, front cover stamped 'John Sommers 1667' raised bands, w.a.f. V. scarce volume. (1)

The Lindisfarne GospelsKendrick (T.D.), Brown (T.J.) & Bruce-Mitford (R.L.S.) Evangeliorum Quattuor Codex Lindisfarnesis Murei Britannici Codex Cottonicaus Nero D. IV [Lindisfarne Gospels], 2 vols., folio, Ltd. Edn. 609 (647) copies, (In Aedibus Urs Gref) 1956 / 1960, Volume 1 full blind decor. vellum, lettered spine, commentary vol. vellum backed boards, clean set. (2)

Heraldry: Guillim (John) A Display of Heraldry, lg. folio L. 1724. Sixth & Best Edition, engd. frontis, red & bl. title, with full page ports., illus., engd. & wd.-cut coats of arms, cont. blind tooled panel calf, rebacked, with orig. label. V. good copy. (1)

[Berkerry (George)] Siris, A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tar Water, 8vo D. (Margt. Rhames) 1744. First Edn., 261 pp plus errata at end, sm. pce. torn from top corner of title, slightly affecting "S" in Siris, cont. calf, single blind line border, raised bands, mor. label. V. good Rare. (1)

Lease of Lands, c. 1806, with Original MapCo. Meath: An indenture on vellum dated 5th February 1806 between the Incorporated Society in Dublin for Promoting English Protestant Schools in Ireland, and Simon Mc Ardle of Ratheady, Co. Meath, farmer.Lease of part of Ratheady formerly in the possession of Patrick Nugent and lately of Mary Nugent, known as the Reclaimed Farm, containing 11.1.0 A.R.P. to hold for 31 years at a rent of £14.17.6 with bounds outlined. With large manuscript annexed, surveyed by Owen Mc Eneaney, November 1803. With the blind stamp of the Society, signed by Charles [Agar Archbishop of] Dublin, Vice- President, and also with Simon Mc Ardle's seal. As a m/ss, w.a.f. Good. (1)

Gordon Craig (Edward). Mask for the Blind Man in 'On Baile's Strand', Etching, the image circa 4 ½" x 4", inscribed in plate 'To WBY', inscribed on sheet 'To Mrs Yeats in Rome 1934', signed monogram EGC, some foxing. As a m/ss. (1)Provenance: The Yeats Family

Molyneux (William) The Case of Ireland's Being Bound by Acts of Parliament in England Stated, 12mo, [L.] 1719, VIII, 102pps., contemp. blind tooled full calf. (1)

Plyglot Bible: Hutteri (Eliae) Biblia Sacra, Ebraice, Chaldaice, Graece, Latinae, Germanice, Sclavonice. Lg. folio Nurimberg 1599. First Edn.? title within woodcut border with ovals showing views from the bible, text in six columns, full cont. blind stamp vellum, mor. label. V. good. (1)

In Fine Contemporary Pigskin BindingBinding: Barbosa (Augustino) Pastoralis Solicitudinis, sive De Officio, et Potestate Episcopi Tripartita Descriptio, Lg. folio London (R. Durand) 1628. First Edn., Hf. title, red & bl. title with engd. vignette, engd. heads & tails wd. cut initials, engd. port., 'Privilege Leaf,' at end, in fine contemporary blind tooled pigskin binding, with small oval portraits, & orig. brass clasps, signed B-1. Exceptionally fine example. (1)

L S Lowry - 'Street Scene', print signed in pencil and blind stamps 11" x 8 1/2" framed and glazed

Two mid 19th century allegorical tapestries, one depicting a bearded man giving directions to a woman and a child, 16" x 14" and 'Jesus Gives Sight to One Born Blind, John 9ch' Ellen Ainsworth's work, aged 10 years, 1851, 21" x 16", both framed and glazed

An Edwardian Chippendale style mahogany desk, with blind fretwork decoration to the drawers and all on claw and ball feet, 122cm x 61cm x 75cm

A Georgian mahogany chest with canted corners, and blind fretwork, later handles, 103.5 surround, 57cm deep, 86cm high

FRANCIS, Rene, The Story of the Tower of London, 4to, 1915, with a frontis and 20 tipped-in collotypes by Louis Weirter. Original blind stamped morocco

A 20th century Chippendale revival varnished cabinet bookcase with blind fret carved cornice above two glazed doors enclosing adjustable shelves over a cock beaded frieze drawer and two indented cabinet doors on bracket feet, 92cm wide, 43cm deep, 218cm high

A reproduction mahogany sofa table with satinwood cross-banding, two frieze drawers to one side, blind drawers to the other, supported on sabre legs to brass slipper castors and twin-turned stretcher, 73.5 x 60.5 x 147cm when extended.

GEORGE III MAHOGANY HANGING CORNER CABINET 18TH CENTURY in the Chippendale style, the moulded cornice above a blind fret carved frieze, and astragal glazed door flanked by stop-fluted angles, the interior with three brown plush lined shaped shelves 77cm wide, 107cm high, 45cm deep

GEORGE II STYLE CARVED AND PARCEL GILT WALNUT NEEDLEWORK UPHOLSTERED ARMCHAIR 19TH CENTURY, THE NEEDLEWORK 18TH CENTURY the cartouche-shaped back in a frame carved with blind fret and centred by a shell, above a serpentine seat flanked by part-padded arms ending in carved, outscrolled terminals, raised on cabriole legs carved at the knees with shells and ending in dophin carved feet, in earlier gros and petit point needlework upholstery 83cm wide, 107cm high, 51cm deep Provenance: Yester House, Gifford, East Lothian Note: The present lot bears similarities to an armchair illustrated in Ralph Edwards 'The Dictionary of English Furniture', Fig. 113, most notable to the shape and carved treatment of the arms and forelegs and in particular with the dolphin head feet. That chair, with its lower profile and fully upholstered back, was in the collection of Sir George Donaldson. Such feet feature on a Chairman's seat supplied about 1730 for an East India Trading Company court room in London's Leadenhall Street (Country Life, vol. 65, 1929, p242, fig. 11). Another pair of 19th century chairs of similar design but with proportions in keeping with the present lot, but with fully upholstered backs, stamped by the maker Morant & Co., were offered for sale in the United States in 2013. A matching chair to the present lot sold Christie's, South Kensington, 22 October, 2003, lot 206. It is thought the chair dates to the 19th century when a renewed interest in Rococo style brought about a revival in 18th century design.

British School, (19th Century), portrait of a blind parson in his churchyard, oils on canvas. 62 x 46cm. Framed.(B.P. 24% incl. VAT)

19th Century Welsh oak two door blind panelled corner cupboard. (B.P. 24% incl. VAT)

Mid 20th Century oak single door blind panelled cupboard, together with a small rustic stool (probably elm). (2)(B.P. 24% incl. VAT)

Early 20th Century pine adjustable open bookcase above two blind panelled cupboard doors on a platform base. (B.P. 24% incl. VAT)

18th Century style oak ladies pedestal dressing table with recessed blind panel cupboard on bracket feet. (B.P. 24% incl. VAT)

19th Century oak two stage blind panelled bureau bookcase with fitted drawers, on bracket feet.(B.P. 24% incl. VAT)

EDITH LE BRETON ARTIST SIGNED COLOUR PRINT Winter scene with figures outside a church Signed and with blind stamp 23" x 19 ¼" (58.4cm x 48.9cm)

A Berlin woolwork Victorian pole screen, with image of Jesus and the blind man, together with two occasional tables (3)

A vintage copy of Blind Faith on Polydor

SEVENTEENTH CENTURY STYLE CIRCA 1920's CARVED OAK BLANKET CHEST ON SEPARATE STAND, THE CHEST LUNETTE AND BLIND FRET CARVED ON STAND WITH TURNED SUPPORTS AND POT SHELF, 3'2" WIDE X 3' HIGH

A limited edition Tom Dodson print with blind stamp

Lowry Print Limited Edition 278/850 with blind stamp. Good strong colours, framed and mounted. Print size 53cm x 40cm.

String Shelving system by Nisse Strinning c1950 sold by Pira. Comprising 3 blind and 2 glazed cupboards, a bank of 6 drawers, a desk and 21 shelves. All units 90cm wide in good used condition. Lables to underside. The Danish Ladderax.

LAURENCE STEPHEN LOWRY RA 'Man holding child', limited edition colour print, signed in pencil, with blind stamp, 50cm x 75cm framed. (Subject to ARR - please see Buyers Conditions)

19th CENTURY SCHOOL 'The blind harpist', oil on canvas, 30cm x 20cm, framed.

A Carved Oak Chiming Bracket Clock, circa 1880, broken arch pediment, blind fret borders, side sound frets, 9-inch dial with Roman numerals, triple chain fusee movement, anchor escapement, quarter chiming on a nest of eight bells and striking a gong for the hours, 60cm high, with a carved oak wall bracket, 34cm high09.04.18, Pediment with minor chips to the edges, side frets with cracks and the back silks are discoloured and damaged, back door is tight when opening, case back with small signs of white paint marks, dial is discoloured and with staining marks, movement looks clean, pediment suspension spring is broken, wall bracket with small chips to the edges.

A German Carved Oak Striking Longcase Clock, circa 1880, broken arch form pediment with three turned finials, trunk with fluted Corinthian columns, plinth with carved Corinthian pilasters and a central blind fret moulded panel, 10-inch Arabic numeral dial with winged cherubs and scroll decoration, twin weight driven movement striking the half hour and hours on a gong rod, movement backplate stamped with a circle and winged makers monogram, D.R.Patent 125605 and numbered 2375, 240cm high 10.04.18, Case front is very slightly faded in parts, small chips to the edges and finials in parts, one split to the wooden dial surround, dial is discoloured, movement needs cleaning, with two weights and a pendulum.

A George III Style Glazed Bookcase on Stand, the cavetto cornice above a blind fret frieze and astragal glazed door enclosing five shelves, raised on a stand with acanthus carved cabriole forelegs with ball and claw feet, 19th century with alterations, 117cm by 35cm by 230cm

Locker (Edward Hawke) Memoirs of Celebrated Naval Commanders illustrated by Engravings from Original Pictures..., 1832, quarto, plates on India paper, binding defective; Harland (J), Ancient Charters and other Muniments of the Borough of Clithero..., 1851, printed on vellum, blind-stamped calf; illustrations of Northern Antiquities, 1814, quarto, defective binding

A Victorian Walnut Large Tea Caddy, the hinged cover inlaid in stained and coloured woods and mother-of-pearl with a slender vase of flowers hung with swags, containing two lidded compartments flanked by two panels of blind Greek Key and two 18th century Chinese porcelain tea bowls, on bun feet, 59cm wide

EDWARDIAN MAHOGANY OBLONG FOLD OVER CARD TABLE with blind fretted long frieze drawer, on square chamfered legs, joined by a cross stretcher, 61cm wide

AFTER JAMES PRYDE (1869-1941) & WILLIAM NICHOLSON (1872-1949)'LYCEUM DON QUIXOTE'lithographically printed in colours, signed within the plate, bears blind stamp and numbered 1363/2000 in pencil, 75cm x 49.5cm

AFTER DAVID SHEPHERD "African Evening - Zambezi Waterhole", depicting a lion family, limited edition colour Print (950), signed and numbered in pencil, published by "Solomon & Whitehead" with blind stamp, each 40cm x 61.25cm mounted in an elaborate gilt and ochre hand finished rope twist frame

A GEORGE III MAHOGANY CHEST ON CHEST, blind fret frieze, the top section with quarter column decorative mounts, with brushing slide, fitted two short over three long drawers (brass handles) over base fitted with three long drawers on ogee bracket fee t, 105cm wide

ROBERT FITCH: VIEWS OF THE GATES OF NORWICH, MADE IN THE YEARS 1792-3 BY THE LATE JOHN NINHAM, WITH AN HISTORICAL INTRODUCTION, EXTRACTS FROM THE CORPORATION RECORDS AND PAPERS OF THE LATE JOHN KIRKPATRICK, Norwich; Cundall, Miller & Leavens, 1861, 22 engraved plates as called for, degrees of foxing to plates, large quarto, contemporary blind stamped cloth gilt worn, inner joints near split, Norfolk & Norfolk Archaeological Society gilt emblem to top board + EDWARD PRESTON WILLINS: 2 titles: QUAINT OLD NORWICH, Norwich, by the author, 1884, limited edition (500), un-numbered, out of series, 50 engraved plates as called for, folio, old half calf gilt worn, ex-library; SOME OF THE OLD HALLS AND MANOR HOUSES IN THE COUNTY OF NORFOLK, London, Jarrold & Sons, 1890, limited edition, un-numbered, out of series, 50 plates as called for, folio, original cloth gilt worn, rebacked, majority of original backstrip preserved, ex-library (3)

WILLIAM WHITE: HISTORY, GAZETTEER, AND DIRECTORY OF NORFOLK, AND THE CITY AND COUNTY OF THE CITY OF NORWICH, Sheffield, W White, 1845, 2nd edition, 814pp + [2]pp additions and alterations, lacks map, original blind stamped calf gilt, very worn, lacks large part backstrip + FRANCIS WHITE & CO: HISTORY, GAZETTEER, AND DIRECTORY, OF NORFOLK, AND THE CITY AND COUNTY OF THE CITY OF NORWICH, Sheffield, Francis White & Co, 1854, 1st edition, 881pp + 6pp adverts at end, original blind stamped calf gilt worn + KELLY'S DIRECTORY OF THE CITY OF NORWICH 1962-63, and KELLY'S DIRECTORY OF THE CITY OF NORWICH 1966, each original cloth (2nd title top board worn and soiled) (4)

[HENRY MANSHIP]: A BOOKE OF THE FOUNDACION AND ANTIQUITYE OF THE TOWNE OF GREATE YERMOUTHE: FROM THE ORIGINAL MANUSCRIPT WRITTEN IN THE TIME OF QUEEN ELIZABETH: WITH NOTES AND AN APPENDIX, edited Charles John Palmer, Great Yarmouth, Charles Sloman for the editor, 1847, engraved frontispiece, engraved plan of Great Yarmouth + 2 plates as called for, xx, 161pp, errata slip tipped in at end, original blind stamped cloth gilt worn, top board near detached

WILLIAM FINCH CRISP: CHRONOLOGICAL RETROSPECT OF THE HISTORY OF YARMOUTH, CONTAINING NEARLY 2000 LOCAL EVENTS, &c, FROM THE YEAR OF OUR LORD 46 TO 1870, Great Yarmouth, [1871], 1st edition, 80pp, original blind stamped cloth gilt