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Lot 521

After George Moorland - Pair of artists proof engravings by Clifford James; Blind Mans Buff and Children Playing Soldiers, each with blind stamp to margin and signed to the margin in pencil by Clifford James, 42 x 53cm

Lot 636

An antique oak coffer, having a three panel rising lid above a front having an arrangement of six panels, two with blind line carving, all raised on stile end supports (17th century and later), width 133cm

Lot 664

An early Victorian rosewood chiffonier, having a blind frieze drawer above twin well-figured panel doors, within scroll fluted pilasters, all raised on an inverted breakfront plinth, width 104cm

Lot 693

A Victorian figured walnut pedestal centre table, the oval tilt top having a four quarter veneer and plain frieze above a gun barrel turned and knopped column supported on four hipped blind carved cabriole supports with scroll terminals and castors, width 107cm

Lot 720

An 18th century oak secretaire a abattant, the upper section having a blind frieze drawer above a paneled fall front, having a gilt tooled leather inset writing surface, centre cupboard within an arrangement of drawers surmounted by pigeon holes, the base fitted two short and two long drawers, all raised on ogee bracket feet, height 167cm

Lot 493

A George III style mahogany library bookcase the pierced rosette carved cornice with key pattern and blind fretwork carved frieze, above a pair of astragal glazed doors enclosing adjustable shelves, the undercabinet with reeded top with blind fret frieze above a pair of flame-figured panel doors, on cut plinth base 129cm wide, 247cm high, 47cm deep

Lot 3034

After Kauffman, pair of coloured engravings 'Blind Mans Buff' and Beauty and two hunting prints

Lot 3

Early 20th Century oak box seat settle, the raised back with two central blind panels flanked each side by four turned spindles, the arms with reeded decoration and raised front terminals, the front having two panels with moulded decoration and standing on moulded supports, 125cm wide

Lot 16

19th Century two section mahogany secretaire bookcase, the upper section fitted three adjustable shelves enclosed by pair of glazed panel doors with decorative moulded tracery, the lower section fitted two short drawers above the secretaire drawer which is fitted with pigeon holes and small drawers flanking a central cupboard, the cupboard below enclosed by pair of blind panel doors, on splayed bracket feet, 124cm wide

Lot 45

George III mahogany hanging corner cupboard fitted four shelves enclosed by a reeded framed blind panel door, 109cm high

Lot 97

Edwardian crossbanded mahogany two section cabinet having a dentil cornice, three adjustable shelves enclosed by pair of astragal glazed doors, cupboard base enclosed by pair of blind panel doors on bracket feet, 92cm wide - see colour illustration

Lot 100

Victorian ormolu mounted inlaid figured walnut breakfront credenza having a central blind panel door flanked each side by ormolu mounted columns and bowfront glazed doors, 165cm wide - see colour illustration

Lot 112

Queen Anne style walnut cabinet on stand with moulded arch shaped cornice, the pair of crossbanded blind panel doors enclosing an interior of pigeon holes and drawers flanking a central cupboard, the stand fitted one drawer and having barley twist supports and shaped platform stretcher with bun feet, 75cm wide - see colour illustration

Lot 65

An 18th century child's horn spoon, with white metal whistle terminal and a blind shield cartouche to the handle, 18.5cm (7 1/4in)

Lot 78

A set of six Guild of Handicraft spoons of rat tail design, with blind seal terminals, London 1970, approx 9 troy oz

Lot 240

Salvador Dali (Spanish, 1904-1989) 'Femme a cheval' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 241

Salvador Dali (Spanish, 1904-1989) 'Femme a la chaussure' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 242

Salvador Dali (Spanish, 1904-1989) 'La Botte violette' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 243

Salvador Dali (Spanish, 1904-1989) 'Femme a genoux' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 244

Salvador Dali (Spanish, 1904-1989) 'Femme a la bequille' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 245

Salvador Dali (Spanish, 1904-1989) 'Femme tenant le voile' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 246

Salvador Dali (Spanish, 1904-1989) 'Les Negresses' etching, with blind stamp, from 'Venus aux Fourrures', 1969, 32 x 24 cm (12 1/2 x 9 1/2 in)

Lot 247

Salvador Dali (Spanish, 1904-1989) Three vignettes, etchings, with blind stamp, from 'Venus aux Fourrures', 1969, each 15 x 12 cm (6 x 4 3/4 in) (3)

Lot 396

A Fine Georgian Pine Standing Corner Cupboard Circa 1760. The dentil moulded cornice above a decorative frieze of rosettes tied in a guilloche chain with breakfront sides capping tapering stop-fluted columns running full length down to the plinth base. The upper display door with glass panel divided by the glazing bars into rectangular, oval & geometric side sections displaying a barrel-backed interior fitted with shaped shelves. The door frame ornamented with blind-fret carved motifs. The lower cupboard with a moulded panel door, the whole originally painted, 72 1/2 ins (184 cms) high, 38 ins (97 cms) wide and 15 ins (38 cms) deep.

Lot 404

An Edwardian mahogany cased mantel clock, the twin barrel fusee eight day movement striking to gong, anodised dial with brass Arabic numerals, the case arched to top and with applied blind fret above and beneath the dial, raised on splay bracket feet, 17 1/2" high

Lot 419

A late 18th Century longcase clock by George Lupton, Altringham, the eight day movement with circular enamelled dial, seconds dial and calendar aperture in mahogany case with broken pediment, on reeded columns and blind fret work spandrels shaped trunk door flanked by reeded quarter pilasters on canted panelled base and ogee bracket feet, 91 1/2" high

Lot 559

AFTER HELEN BRADLEY (1900-1979) Blackpool Sands, signed in pencil with the blind stamp for the Fine Art Trade Guild, published by Helen Bradley Prints Limited, 1979 from an edition of 850, reproduction in colours, 45cms x 60cms

Lot 561

AFTER ASHLEY JACKSON Misty Morning, moorland road with dwellings, signed in pencil No. 99/850, blind stamp lower left, reproduction in colours, 35cms x 53cms

Lot 569

J LEECH (1817-1864) Blind With Rage-A Mount With The Harriers humorous hunting scenes, a pair, pen, ink and wash, the former signed with initials, 21cms x 27cms

Lot 660

After Thomas Gainsborough-full length portrait of a couple and a dog within a landscape, blind stamp, signed in pencil, coloured print, 17" x 13"

Lot 252

Leonard; "The Camel" 1894, title and author to front cover and spine, blind decorations to covers and spine, t.e.g. (1).

Lot 596

An Edwardian mahogany bow fronted Side Table, the single drawer with blind fret carved and moulded decoration, raised on square tapering supports. 2' 11 1/2" (90cms) wide. (altered).

Lot 473

A GEORGIAN MAHOGANY CHEST of two short and three long drawers with blind fretwork canted corners standing on bracket feet, 40" wide.

Lot 525

A Worcester Blind Earl sweetmeat dish, painted in the 'Rich Queen's' pattern, square seal mark in blue. Some restoration. 2nd half 18th century, 16cm. Cf. John Sandon, The Dictionary of Worcester Porcelain, Volume One, p.49.

Lot 526

A Worcester Blind Earl sweetmeat dish, painted in the Japanese style with flowers within a border of iron red, black and gilt starbursts, c.1765-70, 15cm.

Lot 574

A good Worcester Blind Earl sweetmeat dish, painted in blue with leaves and insects, open crescent mark, c.1765, 15cm Cf. L. Branyan, N. French and J. Sandon, Worcester Blue and White Porcelain 1751-90, p.242 for a similar example.

Lot 659

A William IV mahogany sofa table, circa 1830, the frieze fitted with two real and two opposing blind drawers, one drawer stamped 'JOHNSTONE JUPE & CO., NEW BOND ST, LONDON 4811' 74cm (29in) high 91cm (36in) wide 61cm (24in) deep Johnstone Jupe & Co. are most well known for the production of a pioneering circular extending dining table which was designed and patented by Robert Jupe in 1835 and manufactured by himself and partner John Johnstone at their New Bond St. premises until their separation in 1840

Lot 172

After Sir Alfred Munnings PORTRAIT OF MAJOR TOM BOUCH WITH THE BELVOIR HOUNDS signed in pencil by the artist lower right, blind stamp lower left, a colour print published by Frost and Reed 1956, mounted, framed & glazed, 55 by 63cm., 21 3/4 by 24 3/4in.; sold together with a Vanity Fair print by Lib titled 'Newmarket, 1885', mounted, framed & glazed, 29 by 47cm., 11 1/2 by 18 1/2in. (2)

Lot 161

Various charms, comprising St Christopher, three blind mice & an elephant, all stamped or h/m 9ct (2.8g) & crystal drop & crystal heart with 9ct tested jump rings (5)

Lot 201

'Away' large limited edition chromolithograph by Michael Lyne signed in pencil blind stamp, published Venture prints 1971

Lot 203

'Bridle path' limited edition chromolithograph signed in pencil blind stamp published 1981

Lot 1731

An Edwardian mahogany mirrored chiffonier, with blind fretwork

Lot 180

A mahogany writing table in Chippendale style, the rectangular gilt tooled inset leather top with a gadroon edge above three frieze drawers either side, carved blind fret corners, above a gadrooned moulded apron, on leaf carved cabriole legs to claw and ball feet, late 19th/early 20th century, 30.25in (77cm) h, 60in (152.5cm) w, 37.5in (95cm) d.

Lot 369

A mahogany console table, of rectangular form with eared corners, the inset marble top with an inset black scagliola border, above a blind fret frieze, the conforming angled legs headed by oval florets with pierced brackets the back two missing on block feet, late 19th/early 20th century, 32.5in (83cm) h, 47.5in (120.5cm) w, 24in (61cm) d.

Lot 548

A library armchair in 18th century style, the machine made floral upholstered back and seat with mahogany scroll arms and blind fret legs united by a pierced H stretcher, 20th century.

Lot 22

A late 19th/early 20th century French brass carriage clock, with white enamel dial in a four post case with blind fret borders, height 13cm

Lot 1338

A good antique carved mahogany side table in the Chippendale style, the rectangular top above a deep frieze drawer fitted with sliding lined writing surface, above an undertier, with blind fret carved decoration, dimensions of top 91 x 60cm (illustrated on front cover)

Lot 702

WILLIAM RUSSELL FLINT. Coloured print, "Studio Accessories", Russell Flint Galleries blind stamp, numbered in pencil 233/850, 14" x 21", framed.

Lot 8

AFTER SIR WILLIAM RUSSELL FLINT 'The Dance Montana', reproduction in colours, pencil signed in the margin and with FATG blind stamp, 19" x 25", Frost & Reed label verso.

Lot 293

A Le Blond & Co oil colour print, 'The Gleaners', oval, bears blind stamp title, 13cm x 17cm, also 31 other oval Le Blond prints (32) Note: This comprises the full set of oval Le Blond prints

Lot 613

A mid Victorian 24 hour longcase clock, the square 12'' dial with day of the month aperture, the plain head with flanking turned decoration, the trunk with blind rectangular door, 187 cm high.

Lot 1195

After William Russell Flint 1880-1969- "Waves"; published 1969 by Frost & Reed, Limited of Bristol and London; reproduction print in colours, signed within the plate and in pencil, inscribed 71/850 verso, blind stamp for DHC, 49x63cm

Lot 1313

Messia (Pietro) Ragionamenti Dottisimio et Curiosi, woodcut vignette on title, woodcut letters and devices throughout, very light damp staining to margins, modern ownership signature to front pastedown, modern morocco, blind-stamped, 4to, Venice, A. & B. Dei, 1615.

Lot 1322

Portlock (Capt. Nathaniel) Voyage Round the World, 19 engraved maps and plates, Royal Naval Museum blind-stamp to title, lacking frontispiece but otherwise complete, title torn with significant loss, significant worming to throughout, repaired but affecting text and plates, some light spotting, modern cloth, [Sabin 64389], folio, for J. Stockdale, 1789.

Lot 1323

Le Keux (John) Memorials of Cambridge, second edition, additional engraved titles, frontispieces, folding engraved map and 71 engraved plates, a few plates spotted, most clean, contemporary ink inscription to front free-endpaper vol. 1, bookplate on front pastedowns, contemporary calf, ruled in blind, spines gilt, morocco spine labels, 8vo, 1847

Lot 1324

Atlas.- The Scripture Atlas or a Series of Maps to Illustrate the Old and New Testament, additional engraved title with vignette, 20 handcoloured engraved maps, 5 double-page, tissue-guards, later fine morocco, tooled in blind and gilt, a few scuffs but generally good, 4to, 1812

Lot 1327

Mackenzie (Sir George Steuart) Travels in the Island of Iceland During the Summer of 1810, engraved map frontispiece, folding engraved map, handcoloured in outline, 15 engraved plates, 8 chromolithographed, some spotting, not affecting chromolithographed plates, bookplates on front pastedown, contemporary calf, ruled in gilt, blind-stamped, rebacked, morocco spine label, 4to, 1811

Lot 2511

A pair of mahogany low tables, late 20th century, of square form with blind fret carved supports, together with a yew wood low coffee table, (3).

Lot 412

A late 19th century mahogany press cabinet of large proportions, the rectangular top with dentil frieze above a pair of leaf carved panel doors enclosing slides flanked by side cabinets, each having two short over two long drawers and a pair of beaded cupboard doors, the whole divided by fluted and blind fret carved pilasters on skirted plinth base with ogee bracket feet 372cm wide, 160cm high, 66cm deep

Lot 92

After William Russell Flint (1880-1969): Study of seven figures, limited edition chromolithograph with blind stamp pencil no 473/850 53cm x 70cm

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