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AFTER SIR WILLIAM RUSSELL FLINT - Seven Ladies at Leisure, colour print, Edition No.374/850, blind stamp, 19.5in x 27in

AFTER SIR WILLIAM RUSSELL FLINT - Seated Woman, colour print, Edition No.175/850, blind stamp, 21in x 23in

AFTER SIR WILLIAM RUSSELL FLINT - Partially Clothed Woman at a Riverbank, colour print, Edition No.512/850, blind stamp, 20.5in x 27.5in

AFTER SIR WILLIAM RUSSELL FLINT - Women Bathing by a River, colour print, Edition No.29/850, blind stamp, 21in x 28in

ALASTAIR HOUSTON - 'Afternoon Breeze', signed, inscribed and dated 06 in pencil, Edition No. 146/175, blind stamp, 22in x 30in

William IV mahogany secretaire bookcase, the shaped cornice with blind frets over a pair of astragal glazed doors flanked by wrythen turned pillars, the base with secretaire front and three graduated drawers flanked by wrythen turned fluted pillars and on turned and fluted legs, width 48in

David Shepherd - Cool Waters - Signed limited edition print numbered 5/850 with Fine Art Trade Guild blind stamp, in silvered frame under glass Condition:

Two framed prints after Helen Bradley, one with blind stamp, the larger 45.5cm x 60cm depicting cricketers Condition:

*An Early Bicycle Frame. Having just been removed from storage, a circa 1900 gentleman's 24-inch bicycle frame with track end rear forks, and blind front forks, 20-inch flat handlebars and bottom bracket bearing housing and one 7-inch crank. AF. (1)

*1897 Coventry Humber Gentleman's Roadster. A good quality bicycle with many interesting fittings reflecting the superiority of the marque. It comprises a 25 1/2-inch frame numbered 54715C, with what would appear to be some original black enamel finish. Other features include blind end front forks with an open head, inch-pitch block chain, a chain-guard (missing its leather outer cover), bolted end 7-inch cranks and block rubber pedals, cottered bottom bracket, 28-inch fixed rear wheel and a 30-inch front wheel, both with good tyres, a plunger brake and 21-inch handlebars delightfully sporting original nickel-plating and fabric grips. Coming with the machine is a folder of letters and photographs, several from the late A.B.Demaus, the then marque enthusiast for the SVCC, refurbishment notes, etcetera. (2)

*A Brilliant 'Grand Luxe' Bicycle. An early vintage gentleman's semi-competition bicycle of quality French manufacture with a 'Brilliant' gilt headstock badge, 22-inch matt black enamelled frame with track ends, nickel-plated sloping front fork crowns with blind-end forks, re-spoked 28-inch Westwood 'Veritable' rims with nickel-plated hubs and cream tyres fitted, fixed wheel, unusual combination horizontal and semi-drop 18-inch handlebars with turned wooden grips, a 'Bauriat' leather saddle and rat trap pedals. (1)

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); signed limited edition print, 'His Family', signed in pencil lower right, with Fine Art Trade Guild blind stamp lower left and letter to number stamp indicating no.361, 53 x 71cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org. Colours are strong, no foxing/staining, signature strong, good condition.

LAURENCE STEPHEN LOWRY RBA RA (1887-1976); signed limited edition coloured print, 'Two Brothers', signed in pencil lower right with Fine Art Trade Guild blind stamp lower left and letter to number stamp indicating no.320, 60 x 30cm, framed and glazed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org. Colours are strong, no foxing/staining, signature strong, good condition.

AFTER JOSEPH BISHOP PRATT (1854-1910); a signed monochrome print depicting two society ladies with FUH blind stamp lower left, published 1901, 56 x 45cm, framed.

A late Victorian rosewood occasional table, of rectangular form blind fretwork frieze, standing on square tapered legs, with spade feet, united by a cross-stretcher and turned finial

A George III mahogany chest on chest, the moulded cornice with blind fretwork, the upper chest with two over three long drawers, the base with three long drawers

Sir William Russell Flint, limited edition print numbered 337/850 and bearing publisher's blind-stamp, river scene with Spanish maidens, framed & glazed.

Norman Hirst, mill scene with boys fishing from a jetty, monotone mezzotint, signed in pencil, blind stamped, published by Vicars Brothers, Bond Street, London 1926, 24cm by 31cm

Vertue (George). Medals, Coins, Great-Seals, Impressions, from the Elaborate Works of Thomas Simon, chief engraver to the Mint, to K. Charles the 1st to the Commonwealth, the Lord Protector Cromwell, and in the Reign of K. Charles ye IId to MDCLXV, [London]: George Vertue, 1753, 38 engraved plates (including title), armorial bookplate of Maurice Johnson by Vertue, dated 1735 and armorial bookplate of Maurice Edward Wingfield, contemporary blind panelled calf, gilt decorated spine, joints cracked and wear to extremities, 4to The antiquary Maurice Johnson (1688-1755), of Spalding, was the founder of 'The Gentlemen's Society' (Spalding Gentlemen's Society). In 1717 he assisted in the re-establishment of the Society of Antiquitaries (Society of Antiquaries of London). He invited William Stukeley to join the society. Johnson later formed 'The Stamford Society', basing this on the earlier society at Spalding. (1)

Myrtle (Harriet). The Man of Snow, and Other Tales. A Story Book for Winter, London: Joseph Cundall, 1848, tinted lithograph frontispiece and three plates, some spotting mostly to plates, all edges gilt, original red cloth, gilt & blind decoration, slight fraying at head & foot of spine, small 4to, together with Routledge, Warne, and Routledge (publishers), Games and Sports for Young Boys..., 1859, engraved frontispiece and wood engraved illustrations, hinges split, original red gilt gilt, frayed to joints and extremities, small 8vo, with Sherwood (Mary Martha), Jack the Sailor Boy, London: Darton and Clark, circa 1842, tinted engraved frontispiece, hand-coloured wood engraved plates, some spotting, dust-soiling and juvenile scribbles, sewing broken and contents loose, original printed boards with early ink inscription to upper board, covers loose and lacking spine, 16mo in 8s, plus other 19th - early 20th century juvenile books, including Just So Stories, by Rudyard Kipling, 1st edition 1902, adhesive transparent plastic covering to boards, 4to, six volumes of Girl's Own Annual and Wiliam the Detective by Richmal Crompton, 15th edition, 1949, signed by the author to front free endpaper (47)

Sandys (George). Sandys Travels, containing an History of the Original and Present State of the Turkish Empire ... the Mahometan Religion and Ceremonies ... a Description of Constantinople, the Grand Signior's Seraglio ... also, of Greece ... Aegypt ... Armenia, Grand Cairo, Rhodes, the Pyramides, Colossus ... Alexandria ... the Holy Land ... lastly, Italy described, and the Islands adjoining ... the seventh edition, 1673, engraved additional title, folding map, folding view of Constantinople, numerous engraved vignettes in the letterpress, woodcut headpieces and initials, mild spotting and soiling, occasional light browning, a few leaves faintly creased at lower outer corners, some bleeding of ink in the 2 folding plates, small tear to bottom edge of N4, contemporary ownership inscriptions of one John Arden to initial blank and title page, contemporary sprinkled calf, rebacked, blind panels to sides, slightly rubbed, some restoration, folio Atabey 1087, Cox I p. 206 (giving the date 1672), Wing S680; Blackmer 1484 for the second edition. 'Sandys' work first appeared in 1615; it was one of the most frequently reprinted of English travel books, probably because it was so lavishly illustrated. This is the last edition of this work' (Atabey). Provenance: Christopher Hogwood CBE (1941-2014; book-label to front pastedown). (1)

White (George Francis). Views in India, chiefly among the Himalaya Mountains, edited by Emma Roberts, London & Paris: Fisher, Son, and Co., 1838, engraved frontispiece, additional engraved title, 36 plates, tissue-guards, variable spotting, marginal tide-mark to frontispiece, engraved title and final 3 plates, one plate ('Part of the Ghaut at Hurdwar') misbound and slightly frayed, all edges gilt, original maroon morocco, recased, blind arabesque cornerpieces and central gilt roundels to boards, slightly rubbed, large 4to Some of the plates are from watercolours by J. M. W. Turner after White's original sketches. (1)

Stanley (Henry M.). Souvenir of Dinner to Sir H. M. Stanley, London: 1890, 12 leaves of letterpress on blue or green paper, mounted rectos and versos to 6 thick card leaves, mounted Woodburytype portrait of Stanley and 4 mounted photogravure portraits of other Emin Pasha Relief Expedition members W. G. Stairs, Thomas Heazle Park, Robert Henry Nelson and A. J. Mounteney-Jephson, all signed by the sitter in blue, black or brown ink, 2 silver gelatin prints of the testimonial shield and medallions, some faint spotting to mounts and letterpress leaves, tiny nick to top edge of Stanley portrait, patterned endpapers, all edges gilt, original full calf, front cover blind-tooled with the shield of the United States emblazoned 'Stanley', extremities a trifle rubbed, tiny perforation to front board, 8vo (24.8 x 15.6 cm) Souvenir programme of the American Testimonial Banquet, held in London in May 1890 following Stanley's return from the Emin Pasha Relief Expedition. Some 400 copies with facsimile signatures of the expedition's participants are believed to have been printed; this is one of a handful of copies with autograph signatures. Provenance: presented by the Wellcome Foundation to Stanley's stepson Captain Denzil Stanley (laid-in typed letter signed on Wellcome Foundation letterhead from G. L. Moore, dated 25th January 1937 and addressed to Stanley at Furze Hill, Pirbright, Surrey); sold at Christie's London, 24 September 2002, The African Sale including Henry Morton Stanley Collection, lot 99. Moore's letter states 'We have a few leather-bound Souvenirs of the Dinner which are specially interesting because amongst other things they contain photographic prints of Sir Henry Stanley and of the principal members of the Expedition, each with autographed signatures'. (1)

Bradford. Dixon (Thomas), Map of the Borough of Bradford comprising the townships of Bradford, Bowling, Horton & Manningham, from actual surveys made in the years 1844, 1845 & 1846, published Bradford, June 1846. large engraved map, sectionalised and laid on linen, bright original outline colouring, calligraphic title, compass rose, table of reference and engraved vignette of Bradford Infirmary, very slight offsetting, 1140 x 1420 mm, contained in an orginal gilt cloth slipcase with blind embossed arabesque on both boards, gilt title to spine, slipcase a little worn at extremities (1)

Heraldry Manuscripts. The Siege of Karlaverok Castle in July, 1300, A Reconstruction of the Original Norman-French Account, written, emblazoned and bound at Wallington, Surrey, by A.D. Barnatt, June, 1990, written in calligraphic script, title in red & black, French and English text, 9 pages of hand-drawn and painted armorials (12 per page), and a full-page hand-drawn and painted illustration of castle with flags, each leaf numbered in pencil, marbled endpapers, original half morocco, slipcase, large 8vo, together with Le Siege de Karlaverok [cover-title], written and emblazoned by A.D. Barnatt at Wallington, Surrey, in November, 1986, 40 unnumbered leaves of Japanese vellum, comprising 51 pages of calligraphic script, and 18 pages of hand-drawn and painted armorials (six per page), plus one leaf at rear with hand-drawn and painted castle vignette to recto, and four blanks, contemporary morocco, paper title-label inset to front cover, both covers with blind-tooled designs, small 8vo, plus Glover's Roll [drop-title], written, drawn, coloured and bound, by the Author A.D. Barnatt, 1979-1996, calligraphic script, 225 numbered hand-drawn and painted armorials (four per page), each captioned, followed by 'Walford's Roll', comprising introduction and 186 numbered hand-drawn and painted armorials (four per page), each captioned, original boards (Daler-Rowney cartridge paper book), large 8vo, and The Heraldic Arms of the Guilds of the City of London, Emblazoned by A.D. Barnatt to accompany "The Guilds of the City of London and their Liverymen" by J.C. Thornley and G.W. Hastings, late 20th century, calligraphic script in coloured inks, additional hand-drawn and painted title, 12 full-page hand-drawn and painted armorials, 17 pages of smaller hand-drawn and painted armorials (four per page), all interleaved, contemporary half calf gilt, leather title-label to front cover, 4to, plus another similar small book of The Arms of the Colleges in The University of Oxford, 97 x 67mm (5)

Scrap Albums. A scrap album, circa 1800-1830, containing prints and illustrations, including a number of views of the Isle of Wight, small hand-coloured engravings of costume, two printed broadsides with hand-coloured oval vignette, published by S. & J. Fuller entitled The Old Batchelor's Thermometer, and The Old Maid's Thermomter, two hand-coloured aquatints titled 'February and August' from the series The Progress of Nature (trimmed to left and right edges), lithographic views by Villain of the Boulevard des Italiens, and the Champs Elisees, Paris, a lithographic portrait of Redchid Pacha by Senefelder after Levilly, etc., all mounted on album leaves, contemporary maroon half morocco gilt, a little rubbed and scuffed, 4to, together with another smaller album compiled by M.M. Mence, dated July 19th 1843, containing several Chinese rice paper paintings of costume, engraved views, some watercolour and coloured ink drawings, pressed seaweed, Baxter prints, handwritten verse, etc., all edges gilt, original blind-decorated black full morocco, rubbed and scuffed to edges, small 4to, plus six other 19th century scrap albums, various sizes (8)

Book of Hours. Nouvelles Heures et Prieres Composees dans le Style des Manuscrits du XIVe au XVIe Siecle, Paris: Gruel et Engelmann, circa 1890, 176 hinged leaves, comprising decorative title (very slightly spotted), four full-page sepia-toned illustrations (two with minor traces of adhesion), and printed French and Latin text, with chromolithographed medieval-style illuminated borders and letters, all heightened with gilt, leaf at rear with vignette of the printer at work, bordered in gilt, occasional minor marks or finger-soiling, one leaf with 4cm closed tear, red moire silk doublures (rear free doublure with minor repair), pastedowns with gilt dentelles, gauffered gilt edges, contemporary burgandy morocco, rebacked, preserving original spine (with 'Gruel' in gilt at tail), each cover with blind-stamped decoration of a framed border containing dragons, fruits, etc., extremities lightly rubbed, small 4to (1)

Chamier (Daniel). Epistolae Iesuiticae, 2 parts in one, Geneva: Petrus de la Roviere, 1599, bound with Lerm (Gabriel de), Introductio in artem Iesuiticam, in eorum gratiam qui eius artis mysteriis aut iam initiati, [Geneva: P. de la Roviere], 1599, woodcut device to all three title-pages, final blank at rear of each part of first work present, second work bound between parts of first work, some old damp staining and browning throughout, old ink marginalia note to G2v of first part, some worm holes and worm-tracing, mostly to lower margins but affecting some lettering of lower lines of letter-press, particularly in signatures F-L of first part, armorial bookplate of the Chamier family (partly abraded) to front pastedown, and old manuscript note on flyleaf recto 'To be persevered in the Chamier family', contemporary calf with blind-stamped oval arabesque design to both covers, leather loss at head and foot of spine, some edge wear and joints cracked, 8vo Daniel Chamier (1564-1621) was a Huguenot minister in France, founder of the Academy of Montpellier and author. Among his descendants are Anthony Chamier, George Chamier, Frederick Chamier, John Adrian Chamier; and the James Bond actor Daniel Craig. (1)

d'Ewes (Sir Simonds). The Journals of all the Parliaments during the Reign of Queen Elizabeth, both of the House of Lords and House of Commons, revised and published by Paul Bowes, 1st edition, John Starkey, 1682, engraved frontispiece of Elizabeth in parliament, trimmed and mounted with no loss of image or text, marginal soiling, occasional fraying along fore-edge, tissue-repaired in first gathering, 18th-century bookplate of Sir William Strickland, contemporary calf, rebacked and restored, folio, together with Fuller (Thomas), The Church-History of Britain; from the Birth of Jesus Christ, until the Year M. DC. XLVIII, 1st edition, printed for John Williams, 1655, 5 engraved plates (2 folding, including large plan of Cambridge), title page and divisional titles with woodcut devices, woodcut initials and head- and tailpieces throughout, mild marginal worming, bookplates of Christopher Henry Oldham Scaife (academic and poet, 1900-1988) and one J. Comyns, 18th-century marbled boards, diced russia backstrip, vellum tips, joints and spine superficially cracked but firm, headcap chipped, folio, plus Chesne (André du), Histoire générale d'Angleterre, d'Escosse, et d'Irlande, 1st edition, Paris, 1614, title page in modern facsimile, spotting and browning, bookplate of the Marquis de Bertier-Pinsaguel, contemporary French sheep, rebacked and restored, laurel wreath in blind to sides, scuffed, folio, plus Burnet (Gilbert), Bishop Burnet's History of His Own Time, 2 volumes, 1st edition, 1724-34, manuscript annotation to volume 2 title verso as issued, contemporary near-uniform calf, rebacked, richly gilt spines, gilt frames to sides, joints partially cracked but firm, rubbed, extremities worn, folio, and 2 similar works Wing D1250 for d'Ewes and F2416 for Fuller. (7)

Dickens (Charles). A Christmas Carol, in Prose, being A Ghost Story of Christmas... with illustrations by John Leech, 1st edition, Chapman & Hall, 1843, title-page printed in blue and red, half-title and verso of title-page printed in blue, 'Stave I' at head of first chapter, eight engraved illustrations by John Leech including four hand-coloured plates (all but frontispiece offset to text), publisher's advertisement leaf at rear, occasional marks and spotting (including to title), stitching slightly strained, pale green endpapers, upper hinge splitting, front pastedown with bookplate of Katherine Sandys, and signature 'K. Sandys' on front free endpaper, all edges gilt, original light reddish-brown vertically-ribbed cloth, stamped in blind and lettered and decorated in gilt, cocked, faded and mottled, spine with loss at ends (just clipping gilt decoration at head), small 8vo, together with The Battle of Life, 1st edition, Bradbury & Evans, 1846, engraved frontispiece and additional title-page (4th issue, without imprint), letterpress engravings, advertisement leaf at rear, hinges split, all edges gilt, original gilt decorated red cloth, spine faded and frayed (with some minor loss), small 8vo, plus two other later edition Christmas books by Dickens (The Chimes, 2nd edition, 1845, and The Cricket on the Hearth, 21st edition, 1846) Smith II:4. (4)

Godefroy (Jacques). Codex Theodosianus cum perpetuis commentariis ... opus posthumum ... recognitum et ordinatum ad usum Codicis Iustianei, opera et studio Antonii Marvilii, 6 volumes in 3, 1st edition, Lyon: Jean-Antoine Huguetan and Marc-Antoine Ravaud, 1665, title pages printed in red and black with engraved vignettes, woodcut headpieces and initials, half title to volume 1, occasional spotting, contemporary blind-stamped vellum, manuscript spine titles, spines darkened, mild soiling to boards, corners bumped, folio, together with Holstenius (Lucas), Notae et castigationes in Stephanum Byzantium de urbibus, 1st edition, 2nd issue, Leiden: Pieter van der Aa, 1692, title page printed in red and black, large engraved folding plate, contemporary blind-stamped vellum, figurative vignettes gilt over existing blind devices on boards, yapp edges, ties perished, folio, plus Suicer (Johann Kaspar), Thesaurus ecclesiasticus, e patribus Graecus, 2 volumes, 3rd edition, corrected and enlarged, Utrecht: Gysbert à Paddenburg [and 3 others], 1746, title pages printed in red and black, half title and engraved frontispiece to volume 1, contemporary blind-stamped vellum, slightly soiled, folio First edition of Godefroy's 'masterly commentary' (Bellomo, The Common Legal Past of Europe, p. 208). (6)

Rabanus Maurus Opera, collecta primum industria Iacobi Pamelii ... nunc vero in lucem emissa cura Antonii de Henin, 1st edition, Cologne: Anton Hierat, 1626-7, 6 volumes in 3, large woodcut device to each volume title, half title and additional engraved title to volume 1, spotting and browning, contemporary ownership inscriptions to head of title pages, minor worming to front and rear of volumes 3/4, 19th-century ecclesiastical bequest plates to front pastedowns, contemporary calf over heavy reverse-bevelled wooden boards, later spine labels, covers elaborately blind-tooled with concentric floral and fillet rolls, metal cornerpieces, rubbed and worn overall, joints cracked but firm, volume 5/6 front board wood split (held by the leather), folio (3)

A PAIR OF LIMITED EDITION SIGNED PRINTS AFTER HELEN BRADLEYCONDITION: OVERALL CONDITION VERY GOOD, COLOUR GOOD. BOTH SIGNED IN PENCIL BY ARTIST WITH FINE ARTS TRADE GUILD BLIND STAMP. 

A pair of gilt metal Table Photograph Frames in the form of a wheelbarrow holding a basket of flowers; a pair of American folk art Plaques, and an Engraving after Kauffman "Blind Man's Buff".

An Edwardian mahogany overmantel mirror, with an oval bevel plate, the frame with blind fret type carving, 128cm wide

Moorcroft art pottery cream ground baluster shaped vase with blind foliate decoration. Impressed mark with signature to base, 54cm high approx. (B.P. 24% incl. VAT) CONDITION REPORT: Rather grubby but no obvious damage noted.

20th Century mahogany two door blind panelled cupboard with glass shelf, standing on cabriole legs and casters.(B.P. 24% incl. VAT)

Edwardian pine single door blind panelled pot cupboard.(B.P. 24% incl. VAT)

Early 20th Century oak two door, blind panelled, carved cupboard on bracket feet.(B.P. 24% incl. VAT)

Mid 19th Century mahogany blind panelled cupboard on cupboard, on a platform base.(B.P. 24% incl. VAT)

Early 20th Century oak two door, blind panelled cupboard on a platform base with upper shelving.(B.P. 24% incl. VAT)

Victorian style serpentine fronted, two door, blind panelled T.V. unit on cabriole legs.(B.P. 24% incl. VAT)

ANTHONY GIBBS (BRITISH 1951) 'THE GREAT WHITE TIGER', a limited edition print 426/500, signed and numbered in pencil; with publishers blind stamp, mounted, framed and glazed, approximate size 47cm x 79cm (condition:- Print condition very good. Small amount of damage to the corners of the frame) (artist resale rights may apply)

DAVID SHEPHERD (BRITISH, 1931-2017) 'EGGS, SIXPENCE A DOZEN' AND 'MRS P. AND THE KIDS', two limited edition colour prints, nos 85/1500 and 89/500 respectively, numbered and signed in pencil with Solomon & Whitehead blind stamp, 25cm x 31cm (2)

DAVID SHEPHERD (BRITISH 1931-2017), a pair of limited edition print 'Cheetah' 1010/1500 and 'The Crossing' 1030/1500, both are signed by the artist and bear the publishers blind stamp, mounted, framed and glazed, approximate size 29cm x 44cm (condition:- Prints are in good condition, the frames have some damage (artist resale rights may apply)

GRAHAM EVERNDEN (BRITISH, B1947) 'OXBOW LAKE' AND 'DAPPLE LANE', two limited edition etchings with aquatint, nos 119/200, titled, numbered and signed pin pencil with blind stamp, comes with Christies Contemporary Art certificates and biographies, 58.5cm x 63.5cm framed and glazed (2)

ANTHONY GIBBS (BRITISH 1951) 'DAWNS FIRST SCENT', a limited edition print, a Leopard, impressed publishers blind stamp, approximate size 51cm x 84cm, together with 'Whisps in the Grass' by the same hand, a limited edition print 185/495 of a pair of Tiger Cubs, signed and numbered, with publishers blind stamp, approximate size 32cm x 51cm, both unmounted, unframed (artist resale rights may apply) (condition:- Undamaged)

SIR WILLIAM RUSSELL FLINT, SCOTTISH (1880-1969), two lithographic prints, the first 'Riverside Washing, Laverdac', bearing a signature in pen of a Continental scene of two women doing laundry by a river, approximate size 30cm x 39cm, the second 'The Bridge, Nerac' depicting a group of women doing laundry by the bridge, bears publishers blind stamp, mounted and framed, approximate size 30cm x 57cm (2) (artist resale rights may apply)

DAVID SHEPHERD (BRITISH 1931 - 2017) 'UP A GUM TREE', a limited edition print 140/950 of Koala Bears in a Tree, signed and numbered in pencil, with publishers blind stamp, approximate size 55cm x 47cm, unmounted, unframed (Artist resale rights may apply) (condition:- Slight yellowing to one white border)

NIGEL HEMMING (BRITISH 1957) 'PATIENCE', a limited edition print of a retriever dog waiting for it's master, 388/850 signed and numbered in pencil with publishers blind stamp, mounted, framed and glazed, approximate size 37cm x 48cm (condition:- print condition is as new, the frame has indentations in the wood in places, no certificate)

DAVID SHEPHERD (BRITISH 1931-2017) 'WHILE THE SUN SHINES' a limited edition print of a nostalgic haymaking scene, 5/850, signed and numbered in pencil, with blind stamp, unmounted, unframed, approximate size 30cm x 45cm, Artist Resale Rights may apply (condition: as new)

SPENCER HODGE (BRITISH 1943) 'CANADA GEESE' a limited edition print 386/950, signed and numbered in pencil with publishers blind stamp, no certificate, mounted, unframed, approximate size 56cm x 63cm, Artist Resale Rights may apply (condition: approximately 9cm mark on the print surface)

E.R.STURGEON, (BRITISH 1920-1999) COCKERELS, a colour print, signed in pencil, blind stamp, approximate size 61cm x 48.5cm, and David Shepherd (British 1931-2017) 'Shampoo Time', a limited edition colour print No 744/850, signed in pencil (2)

A collection of Indian and other south east Asian silver small boxes, unmarked, various dates late 19th/20th century, mainly embossed or blind filigree decoration, including: a mango shaped scent flask, the stem unscrewing, embossed with a parrot, leaves verso, 10cm (4in) long; a mango shaped double box; a mango shaped small flask; a circular lobed betel nut box; and others, 638g (20.5 oz) gross (22) (see illustration on our website) Provenance: From the collection of Dr Stephen Adler

Private 7" singles, three private UK releases comprising Emmitt Till - White Man Come (with Folder and Booklet - Spirit SR 92001, EX+ / EX), Blind Rage - Comin Home (Future History - no cat number, -/EX- ), Wand - Magic Wand (no label or cat number, -VG)

Beryl Cook (British 1926-2008)/Fairy Dell/signed in pencil/lithograph, the plate 41cm x 39cm/published by Alexander Gallery Publications, with blind stamp to sheet Condition Report: ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk

Beryl Cook (British 1926-2008)/Meadow Suite/signed in pencil/lithograph, the plate 30cm x 40cm/published by Alexander Gallery Publications, blind stamp to sheet Condition Report: ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk

Beryl Cook (British 1926-2008)/Poetry Reading/signed in pencil/lithograph, the plate 45cm x 36cm/published by Alexander Gallery Publication, blind stamp to sheet Condition Report: ARR Artist's Resale Right may apply to the sale of this lot. For further information please ask Chorley's or visit www.dacs.org.uk

A JAPANESE WOOD NETSUKE OF A BLIND BEGGAR, 19th Century, with inlaid eye, signed to a rectangular reserve. 36mm

A JAPANESE WOOD NETSUKE, carved as a blind masseur, signed, 19th Century. 26mm