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VICTORIAN MAHOGANY TWO-PIECE BEDROOM SUITE, the wardrobe with mirrored central door flanked by doors carved with blind fretwork, the dressing chest with shield-shaped mirror above two short and two long drawers. Wardrobe 211cm by 182cm

A SMALL GREEN JAPANNED LONGCASE CLOCK dial: 8 1/4inch signed Chr. Gould, London, subsidiary seconds ring and calendar aperture, case: square hood flanked by turned pillasters with gilt metal capitals, blind fret carved cornice, the case worked with gilt chinoiseries, 70 1/2in. (179cm.) high

A GEORGE III MAHOGANY CHEST OF DRAWERS with a blind fret carved frieze, the corners with fluted quadrant pillasters, on blind fret bracket feet, 34 1/4in. (87cm.) wide

A GEORGE III MAHOGANY TALLBOY the blind fret carved cornice, 72in. (183cm.) high x 44in. (112cm.) wide

A GEORGE III MAHOGANY NARROW CHEST OF DRAWERS on stand, blind fret-carved frieze, seven graduated long drawers, flanked by fluted quadrant pillasters with Corinthian capitals, 75 1/2in. (192cm.) high x 40in. (101cm.) wide

EIZAN Beauty and lantern; Shunsen Yoko-E, Ladies procession; painting on silk, young lady and a blind masseur (a lot)

FRENCH SCHOOL Blind Man's Bluff reproduction, oval, generally in good condition 19 1/2 x 29 1/2in (49.5 x 74.9cm) In a gilded Florentine frame

A GEORGE IV MAHOGANY SECRETAIRE BOOKCASE, in two stages, the top (lacking cornice) having two glazed doors with arch glazing bars, the projecting base with deep fitted secretaire drawer, two blind panel doors below on splay bracket feet. 43" wide.

AN EDWARDIAN OAK CHIFFONIER BOOKCASE, having glazed top with two doors under moulded cornice, the base with two cushion fronted drawers above two blind panel doors flanked by moulded corbels, standing on bun feet. 46" wide.

AN EDWARDIAN MAHOGANY BREAKFRONT DISPLAY CABINET, having single door with lancet glazing bars flanked by serpentine glazed panels, inlaid blind panels below, on cabriole legs. 45" wide x 63" high.

A 19TH CENTURY DUTCH MARQUETRY CORNER BOW FRONTED COMMODE, the copiously inlaid floral top above two blind panel doors with similar inlays, fitted two shelves to the interior on conical inlaid feet. 42" wide.

A GEORGE III OAK HANGING CORNER CUPBOARD, having moulded cornice above single blind panelled door, fitted interior shelves. 30.5" wide.

Peter John Garrard (b.1929) 'The Blind House, Cadayues' Oil on Board Signed with initials lower right 56.5cm x 65cm

VICTORIAN ALBUM OF ADVERTISING NOVELTIES: An album compiled in the 1890' s comprising, mounted to both sides of 25 leaves, upwards of 150 chromolitho. advertisements, a number being novelties; together with black & white advertisements, magazine covers, etc. The coloured advertisements include inserts and 20 die-cut shaped advertisements for Suttons Seeds, Suchard, Old Highland Whisky, Paysandu Ox Tongues, Mellin's Cod Liver Oil, Hudson's Soap, etc. Together with 15 'lift-up' advertising novelties including Sunlight Soap ( an opening cupboard revealing calendar for 1897); the Eureka Gas Cooker (opening door revealing cooking meat); Mellin's Food with calendar for 1890; Robinson & Cleaver (die-cut vanity case opening to reveal contents); Vimbos, Globe Polish, Maypole Soap, Monkey Brand Soap, W.H. Dog Biscuits, Peak Frean's Jewell Cakes, Rowntree, etc. Together with two Mellin's booklets Three Blind Mice & The Three Bears and four "mechanical" or "pop-up" novelties for Richmond Gas Cookers (maid with cooker, the scene changing by moving slats when cord is pulled - not tried); Henry Tellon's Superb Gossamer powder (young girl powders elderly General's face when opened); Express Dairy Milk (Milkman at door, when opened a pop-up scene of children with maid is revealed) & Brooke's Soap (a frying pan with movable handle causing monkey to emerge). Oblong folio (15 x 11 inches), boards detached, lacking backstrip, album leaves browned and edge chipped, some leaves loose.

A Chippendale design mahogany urn stand, the rectangular top with blind fret carved frieze on similarly carved square sectioned legs, united by undershelf, 41cm x 41cm

A MAHOGANY CHEVAL MIRROR OF CHIPPENDALE INFLUENCE, the rectangular plate within a quadruple cluster frame and blind fret ornament, on reeded downswept legs, 65.5in (166cm) high, 33in (84cm) wide.

A CHIPPENDALE STYLE CARVED MAHOGANY SIDE CHAIR, late 19th century, with a pierced vase splat and padded seat on legs with blind fret decoration.

A George III mahogany chest on chest, with blind fret frieze above two short and three long drawers, flanked by reeded canted corners over two long drawers on ogee bracket, 4ft

WILSON, William. BRYOLOGIA BRITANNICA; CONTAINING THE MOSSES OF GREAT BRITAIN AND IRELAND. Longman, Brown, Green, and Longmans, London, 1855. A new (third) edition, with many additions and alterations, of the Muscologia Britannica of Messrs. Hooker and Taylor. 8vo. Illustrated with 61 hand-coloured plates. Ex-university library, bound in brown library buckram, with a bookplate on the front paste-down and a light ink stamp to the front free endpaper. VERDOORN, Fr., ed. MANUAL OF BRYOLOGY. Martinus Nijhoff, The Hague, 1932. Illustrated throughout in black and white. Ex-university library, with bookplate to the front pastedown and a few discreet ink stamps. BRAITHWAITE, R. THE SPHAGNACEAE OR PEAT-MOSSES OF EUROPE AND NORTH AMERICA. David Bogue, London, 1880. First edition. Small 4to. Illustrated with 29 coloured plates. Two leaves detached, otherwise a nice clean copy in the original blind-blocked boards, lettered gilt, with a touch of water-staining to the edge of the boards. PARNELL, Richard. THE GRASSES OF BRITAIN. William Blackwood and Sons, Edinburgh and London, [1845]. First edition. Large 8vo. Illustrated with 142 fine engraved plates. A very clean bright copy in the original olive-green boards, lettered and decorated in gilt. (4)

[ALBUM] ALBUM OF ELLEN ADAM 1828. 4to. Contemporary blind-stamped full calf, rubbed and worn, upper cover detached. An interesting Georgian album containing hand written verse and illustrations, many executed by the hand of Ellen Adam, who was clearly an accomplished artist. Illuminated title page, plus 16 illustrated pages, many of which are original designs. These include 9 fine watercolours of flowers and a highly accomplished watercolour view of Athens by A.G. [?]. One page with repaired tear, finger soiling, damp stain to rear endpaper, later pencil scribbling on blank leaves at end.

[BIBLIOGRAPHY] LOWNDES, William Thomas. THE BIBLIOGRAPHER'S MANUAL OF ENGLISH LITERATURE. Henry G. Bohn, London, 1864. New edition, revised, corrected and enlarged. 12mo. Six volumes. Bookbinder's blind stamp to the head of each front free endpaper, otherwise a clean bright set in contemporary half calf with marbled sides, spines faded to a pleasant mid-brown, gilt a little dull. DIBDIN, T.F. THE LIBRARY COMPANION. Printed for Harding, Triphook and Lepard [etc], 1824. Large 8vo. A very clean unmarked copy in contemporary half calf with marbled sides, marbled endpapers and marbled edges, spine ruled gilt with raised bands and contrasting spine label. HUGO, Thomas. THE BEWICK COLLECTOR. A DESCRIPTIVE CATALOGUE OF THE WORKS OF THOMAS AND JOHN BEWICK and SUPPLEMENT. Lovell, Reeve, London, 1866 and 1868. Large 8vo. Two volumes. An attractive set in contemporary half leather with marbled paper sides and marbled endpapers, top edges gilt. With four other bibliographical items. (13)

STEVENSON, Robert Louis. THE WORKS OF ROBERT LOUIS STEVENSON. William Heinemann in association with Chatto & Windus; Cassell and Longmans, Green, 1924 [etc]. The Tusitala edition. 35 volumes. 16mo. Browning to the free endpapers, otherwise a very clean bright set in the publisher's blue cloth, lettered and decorated gilt on the spine with Stevenson's autograph blind-blocked on the upper cover. One volume in dustwrapper, otherwise spines unevenly faded as usual. An attractive and very usable set. (35)

FLEMING, Ian. GOLDFINGER. Jonathan Cape, London, 1959. First edition, first printing. 8vo. A clean bright copy in the first issue boards with the blind-blocked skull with gilt-blocked eye-sockets on the upper board. In a price-clipped dustwrapper with a slightly marked lower panel and a touch of shelf wear to the spine extremities.

WILLIAM GARFIT, SIGNED IN PENCIL TO MARGIN, LIMITED EDTION COLOURED ARTISTS PROOF WITH BLIND STAMP (15/500), river landscape, 14" x 21"

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED ARTISTS PROOF WITH BLIND STAMP, (442/850), 'Last Leaves of Autumn', 12" x 20"

ARTHUR DELANEY, SIGNED IN PENCIL TO MARGIN, PAIR COLOURED ARTISTS PROOFS WITH BLIND STAMPS, 'Wicker Arches', 'Neepsend Post Office', 13" x 18", (2)

A Blind Boy pattern dinner plate attributed to Ridgway, printed in blue with the genre scene and floral border, diameter 24.7cm, unmarked, circa 1815-25. See Coysh & Henrywood 1 page 45 for information on this pattern and its attribution

Four Fenton Prattware Pot Lids: "Lend a Bite", "Shakespeare's House" (2 - 1 chipped) and "Blind Man's Buff" (small)

AFTER JOHN PIPER,'Llangloffan', reproduction in colours, pencil signed in the margin and blind stamp of the FATG, 15 1/2" x 22 1/2".

AFTER CECIL ALDIN, 'The George Inn, Dorchester Oxon', reproduction in colours, pencil signed in the margin and with FATG blind stamp,13 1/ 2"x 15 1/4".

AFTER CECIL ALDIN, 'The Red Lion Banbury', reproduction in colours, pencil signed by the artist and with FATG blind stamp, 15 1/2" x 12 1/2".

AFTER CECIL ALDIN, 'Pomfret Arms Towcester', reproduction in colours, pencil signed by the artist and with FATG blind stamp, 15 1/2" x 15".

ENGLISH SCHOOL (19th century):+ A blind violinist and his daughter, watercolour and pencil, 28 x 19.5cm (11 x 7.75in)

A GEORGE III MAHOGANY SECRETAIRE LINEN PRESS, the moulded dentil and lambrequin cornice with blind fret frieze, two doors with applied bead panelling and foliate corner brackets enclosing slides, secretaire drawer as five small dummy drawers enclosing fitted interior, three long drawers below with brass drop handles, feet missing, 52" wide, 84" high

A GOLD PROPELLING PENCIL of panelled form chased with scrolling foliage, blood stone blind seal finial, cased, 4 1/4" long, late 19th/ 20th century, unmarked

A VICTORIAN CHEROOT/PHOTO CASE of curved oblong form, chased with foliate scrolling around blind cartouche, the front opening to reveal oval photo frame, 3" long, Birmingham 1896

AN EDWARDIAN TANKARD of tapering form with loop handle, embossed with an Art Nouveau style blind cartouche on a spot hammered ground, 3" high, Birmingham 1909, 3oz 2dwts

AN EDWARDIAN CARD CASE of rounded oblong form, the whole chased with scrolling foliage around a blind cartouche, opening to reveal scroll pierced card holder, 3 1/2" long, Birmingham 1902, 2 ozs 7 dwts

AN EDWARDIAN PILL BOX of oval form, the hinged lid embossed with scrolling around a blind cartouche, 1 1/4" wide, Birmingham 1901

A 10CT GOLD POCKET WATCH by A.W.W.C. Waltham, with white enamel dial, the case chased with foliage around a blind cartouche, 2 1/4" long (see lot 692 for illustration)

WINSTON MEGARAN?, Ploughed Pastures and The Four Pines, pair of aquatints, signed and inscribed artists proofs with blind stamp, 17" x 14 1/2", stained frames, and two similar prints (4)

R.O. Lenkiewicz - Three booklets Retrospective 9th August - 22nd October Paintings Painted Blind on the theme of Blind Tobit, and Devon Arts, Winter 1996

R.O. Lenkiewicz - Two booklets Retrospective 9th August - 22nd October and Paintings Painted Blind on the theme of Blind Tobit

A CHIPPENDALE REVIVAL MAHOGANY BREAKFRONT LIBRARY BOOKCASE with astragal glazed doors surmounted by a blind fret carved pediment, with panelled cupboards below, on shaped bracket feet, 79" wide.

AN GEORGE III MAHOGANY FULL HEIGHT CORNER CUPBOARD with "brick work" canted corners and blind fret carved frieze, the shelved interior with fretwork brackets, 87" high.

A PARIS PORCELAIN GROUP modelled with figures playing "Blind Man's Buff" in 18th century costume, on a raised scrollwork oval base, 19th century, 17.5" high.

A GEORGE III MAHOGANY TALLBOY in two parts, fitted an arrangement of four short and six long drawers, with Greek key and blind fretwork cornice, fluted canted corners, embossed handles and on bracket feet, 42" wide.

Apple An Old England Apple wristwatch, square dial with purple face and original dark brown suede strap; with light brown suede case blind-stamped Old England (2)

A pair of 19th century stained pine wall brackets, each carved as a winged cherub with shaped shelf above, 27cm across; also a 19th century pitch pine wall bracket, carved with blind strap work in the early 17th century style, 40cm high (3)

A Waring & Gillow mahogany breakfront sideboard, the raised back centred by acanthus leaf carved scrolling cartouche, flanked by blind fret panels, the edge carved with paterae and ribbon motifs, fitted a single drawer decorated with blind fret panels and applied carved fruit and swags with turned and carved handles, flanked by a pair of ornate fielded panelled doors, decorated with applied leaf pattern and scrolling motifs, raised on chamfered square legs and block feet, the drawer stamped Waring & Gillow Limited, 83 1/2in. x 48in. high.

A mahogany kneehole dressing table fitted an arrangement of five short drawers with moulded brass handles and pierced bracket supports, the canted corners decorated with applied carved ribbons and fruiting vines, raised on blind fret carved square-shaped legs, 42in. x 30 1/2in. high.

A George III mahogany secretaire tall boy, the flared pediment with dentil cornice and blind fret carved frieze above two short and three long drawers to the upper section, fitted moulded brass and pierced handles with leaf pattern lock escutcheons, flanked by blind fret carved corners, the secretaire drawer below with fall-flap enclosing a fitted interior of pigeon holes, short drawers and a cupboard, two long drawers under, (two handles not matching), raised on bracket feet, 42 1/2in. x 73 1/2in. high.

Reproduction ebonised Longcase Clock Case, the hood with a blind and fretwork frieze, turned pilasters, door with a glazed aperture, plinth base, 203cms, (6’8”).

A set of four Royal Worcester plates, in 18th century 'Blind Earl' style, each picked out in coloured enamels, within a gilt line rim, 8" diameter (20.5cm) printed marks in gilt, and a matching oval dish

Edwardian mahogany sideboard, the upstand with blind fretwork detail over top with bow-front central section above bowed drawer and two bowed doors flanked by side drawers and cupboard doors raised on bracket feet, 72in (183cm)

An ebonised, blind fret carved display table.

A Dublin Industrial Exhibition 1853 pot lid. Damage. Together with three pieces of Pratt colour print decorated dessert ware, including a twin-handled oval stand showing The Blind Fiddler by David Wilkie.

Mid 18th Century oak longcase clock having a stepped cushion pediment and three blind fret Greek key pattern friezes - the square brass dial with urn and eagle design spandrels, the silvered chapter ring signed Isaac Hewlett, Bristol ( see Moore, A.J. 'The Clockmakers of Bristol' page 209) - 30 hour striking movement, 214cm high (see lot 1 for illustration)

George III mahogany breakfront library bookcase, the upper section having foliate design pierced swan neck pediment with carved paterae, dentil cornice, the frieze with inlaid medallion, the twelve adjustable shelves enclosed by two pairs of glazed doors having decorative moulded tracery, the lower section having a moulded edge with cupboards enclosed by two pairs of blind panel doors with oval crossbanded panels and inlaid honeysuckle decoration, 245cm wide x 277cm high

Victorian walnut wardrobe having figured panels and carved foliate decoration enclosed by central mirror panel door flanked by blind panel doors, 150cm wide