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A Matching Pair Of Aesthetic Style Oak Hall Chairs Each chair with ring-turned front supports, the backrests set with Minton style tiles from the Shakespeare series by John Moyr Smith. One showing Othello, the other, The Merchant Of Venice. Each with broken pediment to backrest and blind fretwork to centre back.Each 36 inches high, 18 inches wide

Antique Mahogany Adapted Coffer Blind fretwork style front with hinged, panelled top, raised on square supports. Height, 27 inches, 43 x 21 inches deep

Collection of LP vinyl records in record box including Caravan In the Land of Grey and Pink SDL R1 Deram brown and white label (vinyl good sleeve good with a little spine wear), For girls who grow Plump in the Night gatefold, Cunning Stunts, Blind dog at St Dunstans, Jethro Tull Living in the Past Chrysalis SJT1 with booklet, Stephen Stills Manassas gatefold 2 LP Atlantic K60021 Illegal Stills, Allsorts Track 2409206, Santana Abraxas, Supertramp Crime of the Century, What Crisis, Spooky Tooth etc All very good condition.

HELEN BRADLEY; three signed limited edition prints depicting waterside scenes, all with FATG blind stamp, the two larger approx 27 x 37cm, two framed and glazed and the other mounted (3). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

After Eric Sturgeon (20th Century), A pair of signed edition colour prints; "Bishop's Palace Wells" and "Curry Rival", published by Alexander Gallery, Bristol, Blind Stamp, 49 cm x 58cm and 49cm x 70cm respectively. (2)

LP's including Procul Harem; John Baez; Led Zeplin; Deep Purple; Bob Dylan; Blind Faith etc (approx 70) Concert ticket stubbs

Silver Plate - a Christopher Johnson & Co. Sheffield three piece antler hafted carving set, boxed; another unboxed; cased fish servers; Blue and White - a large Mintons flo blue charger central apple picking motif surrounded by decorative leafy scrolls and floral border; a large Continental charger with central lake scene motif; The Spode Blue Room collection 'Sunflower', another WOODMAN; etc; Keith A. Griffin, by and after; "Tamar off Iquique"signed print depicting two three masted sailing vessels with a rowing boat in the foreground, signed lower right and bearing blind stamp, 50 x 72cm

Terence Cuneo Preparing King Edward III locomotive lithograph, signed in pencil and with blind stamp 51cm x 72cm

Anthony Gibbs Great Indian Rhinoceros Lithograph, signed in pencil 61/1000 with blind stamp 14.5cm x 13.5cm A print study of a panda head after David Wood and another of zebras (3)

Helen Bradley Hollinwood Market Lithograph, signed in pencil with blind stamp 46cm x 69cm

Sir William Russell Flint Venetian Festival Print signed in pencil, with blind stamp 45cm x 61cm published by Frost and Reed

A composition cast square garden urn, with blind fret type decoration, on tapering base, 65cm H, 63cm W.

An early 19thC mahogany chest on chest, the top with a dentil cornice and a blind fret carved frieze above an arrangement of three short and three long drawers with gilt brass handles, the base with a further three long drawers on bracket feet, 180cm H, 102cm W, 50cm D.

A venetian window blind

A 19TH CENTURY OAK GOTHIC REVIVAL SIDE CHAIR, with cane seat, with blind tracery panelled seat rail, octagonal tapered legs, the arched upholstered back and squab seat in Gothic design cotton

A mahogany eight-day longcase clock, by Thomas Brown, Chester, the arched brass dial engraved over a moon phase and calendar, the silvered dial enclosing a seconds dial, engraved decoration and a calendar aperture within scrolled spandrels, the hood with a swan neck pediment, carved 'blind fret' decoration and fluted columns, the case with conforming decoration,dial 12½in (32cm)

John Turo (Canadian, 1952-1997): 'Call of the Birth', a limited edition serigraph, with blind stamp, 17/98, signed and dated 1980 in pencil lower margin, with certificate of authentication verso from Ontario, Canada, 46 by 62cm, framed, 63 by 80cm.

An Edwardian mahogany vitrine with blind carved decoration, lower tier shelf with pierced gallery, with key, 59 by 42 by 75.5cm high.

AR LAWRENCE STEPHEN LOWRY, RA (1887-1976) "Landscape with farm buildings" coloured print, published 1974 by Venture Prints Ltd, signed in pencil to lower right margin with publisher's blind stamp 40 x 50cms

AR JONATHAN R GILKES (contemporary) Reclining female artist's coloured proof with publisher's blind stamp, signed and numbered 449/500 in pencil to lower margin 44 x 54cms

AR LAWRENCE STEPHEN LOWRY, RA (1887-1976) "Ferry Boat" coloured print, published 1972 by Venture Prints Ltd, signed in pencil to lower right margin with publisher's blind stamp 30 x 40cms

AR JONATHAN R GILKES (contemporary) Seated female artist's coloured proof with publisher's blind stamp, signed and numbered 213/500 in pencil to lower image 49 x 33cms

Sailing Vessels at Sea, colour mezzotint signed in pencil by Jessie Furber with blind stamp 19cm x 28 and Bridlington, two oils on wood panel signed and dated 1974/8 by S. Wilson 10cm x 33cm (3) Condition Report Click here for further images, condition, auction times & delivery costs

Figure Diving and Figure Standing in Castle Walls, two 20th century limited edition surrealist screen prints indistinctly signed and numbered with blind stamp 49.5cm x 34.5cm (2) Condition Report Click here for further images, condition, auction times & delivery costs

Edwardian Chippendale style mahogany cabinet, pierced swan neck pediment, two astragal glazed doors above serpentine moulded top, two drawers with blind fret work facias, on square tapering supports with spade feet, W78cm, H185, D42cm Condition Report Click here for further images, condition, auction times & delivery costs

'Spicilegium Concionatorium, hoc est conceptus morales pro cathedral'Published by Joannis Caspari Bencard 1742, bound in blind stamped parchment with the remains of two leather clasps.

Clare Eva Burton (British), a limited edition signed print The print depicting jockey and horses, painted in vibrant colours, blind stamp to left hand corner, 120/850, signed in pencil lower right corner, 53cmx 70cm, framed and glazed.

Madeleine Selfe - Pinser, winner of the Derby 1953, lithograph, signed in pencil to the margin, published by Frost & Reed Ltd, and with blind stamp, 50x63cm

Ringo Starr, 10 x 8, limited edition photographs, 22/49, sitting waving from train window, with Popper blind stamp, framed and glazed

The Beatles, 16 x 12, Limited edition photograph, 30/49, of the group boarding a plane, taken from the original negative, Popper photo blind stamp, framed and glazed

The Beatles, Limited edition photograph 18/49, taken from original negative with Popper photo blind stamp, framed and glazed

A reproduction mahogany press cupboard with three drawers, the upper half with panelled doors, moulded detail and blind fret work to the edges, the drawers with cross fret work decoration, 161cm high x 92cm wide x 50cm deep

An Edwardian Mahogany Free-Standing Corner Cupboard, early 20th century, the fret carved architectural pediment above an astragal glazed door enclosing a watered silk lined interior, all between blind fret carved stiles, the base with square tapering legs with spade feet joined by a triangular shelf, 76cm by 29cm by 188cm

A George III Mahogany Straight Front Chest of Drawers, late 18th century, the crossbanded top with moulded edge above two short and four long graduated drawers, all between blind fret carved stiles, on bracket feet, 122cm by 61cm by 117cm

Charles Johnson Payne, called ''Snaffles'' (1884-1967) ''The Biggest Walls In The Country Was In It'' Signed, coloured print, bears the Snaffles bit blind stamp, together with a further print after the same artist, ''An Irish Yawner''', 30cm by 45.5cm & 33.5cm by 51cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Charles Johnson Payne, called ''Snaffles'' (1884-1967) ''Prepare To Receive Cavalry'' Signed, coloured print, bears the Snaffles bit blind stamp, together with a further print after the same artist, ''The Stone-faced 'Narrer-back''', 28cm by 48cm & 33cm by 51.5cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Charles Johnson Payne, called ''Snaffles'' (1884-1967) ''Great Banks There Was Below In The Fields'' Signed, coloured print, bears the Snaffles bit blind stamp, together with a further signed coloured print bearing the bit blind stamp, ''The Varmint Little Lady'', 29.5cm by 42.5cm & 32cm by 43cm respectively (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

A wooden hand cart with metal chassis and pneumatic tyres on spoked wheels, bears plaque for Bridgend Institute for the Blind, 186cms long (including handles) Condition reports are provided on request by email only for this type of auction, otherwise purchase 'as seen'. Condition reports done week commencing January 7th.

A 19th Century mahogany chest on chest, the upper section with blind fretwork decoration and three short over three long drawers, the base with brushing slide over three long drawers to bracket feet

AFTER LOUIS ICART (1888-1950) "Montmartre - Le Marchand de Marrons", a woman in fur wrap, a gentleman roasting chestnuts before her, coloured etching, limited edition No'd. AO75/500, signed in pencil to the margin lower right, inscribed on an "Editions Graphiques Gallery" label verso, inscribed within the print "Copyright 1928 by L Icart" top left, bears blind stamp lower left (ARR) CONDITION REPORTS Has general wear and tear commensurate with age and use. Some discolouration to the silk style covered mounts and a split to the corners where it has been folded. Some signs of foxing particularly evident in the top centre of the image.

AFTER LOUIS ICART (1888-1950) "Arc de Triomphe", study of a lady with flower seller, coloured etching, No'd. A108 lower left, signed lower right, inscribed on "Editions Graphiques Gallery" label verso, bears blind stamp lower left (ARR) CONDITION REPORTS Has general wear and tear, discolouration to the print itself throughout. Some areas of foxing, some discolouration and cuts to the silk style mount in the corners. The frame has wear and tear to include some losses to the corner edges.

Sigonio (Carlo) De Rep. Atheniensivm Libri IIII. Eivsdem De Athenien. Lacedaemoniorumq(ue) temporibus Liber propediem edetur, italic type, woodcut printer's device to title, woodcut head-pieces and historiated letters, 19th century German blind-stamped panelled calf, [Adams S1107], 8vo, Venice, Vincenzo Valgrisi, 1565.⁂ First edition of this work by the Italian humanist Sigonio.

Collction of 4 Rapid Rectalinear Brass Bound Lenses brass bound lens engraved 'F Jarret Paris' on Thornton Pickard roller blind shutter; brass bound lens engraved 'The Invicta Rapid Rectilinear 7 x 5' with iris diaphragm, leather lens cap; brass bound rapid rectalinear lens, unsigned, with iris diaphragm; brass bound rapid rectalinear lens, unsigned, with iris diaphragm

Piranesi. Veduta degli avanzi del Tablino della Casa aurea di Nerone. Calcografia blind-stamped later impression with good margins, 62 x 87cm; two further views 'Tempio .. di Giano' and 'Tempio di ... Minerva Medica', rich dark impressions, probably trimmed, both framed to image, 46 x 69cm (visible); and another later impression Bridge scene on buff colour paper with watermark (4)

Bible in latin. LYRA (Nicolaus de) Textus Bibliae cum Glossa ordinaria, Nicolai de Lyra postilla, Moralitatibus eiusdem, Pauli Burgensis, Additionibus Matthie Thoring Replicis. Lyon: in aedibus Ioannis Mareschal, 1529; 6 parts in 5 vols., folio, wood engraved titles, occasional staining or light worm damage, blind rolled calf, later rebacked, lacking clasps

A 19th century coloured aquatint, View from Mont St Jean, The Battle of Waterloo, published by R Bowyer, 14ins x 23ins, together with three satirical historical limited edition coloured etchings after James Gillray, coloured etching, Wife & no Wife or A trip to the Continent, published by William Holland, designed by Carlo Khan, 15ins x 18.75ins, Temperance Enjoying a Frugal Meal, 14.5ins x 11.5ins and Voluptuary Under The Horrors of Digestion, 14.5ins x 11.5ins (two framed together), all with blind stamp ST 

A Worcester bachelor's tea set, decorated in the Blind Earl pattern, comprising teapot, milk jug, sugar bowl and a tea cup and saucerCondition Report: Teapot spout restored, bowl cracked, jug cracked

A pair of 19th century mahogany library bookcase cabinets. Each raised on stub legs with full length single astragal glazed doors housing shelves set within. The cabinets with blind fret work decoration. Measures: 92cm high x 65cm wide x 31cm deep.

A good 19th century  Victorian mahogany chiffonier sideboard being raised on a plinth base with twin doors under a blind fronted drawers having shaped gallery top above. Measures: 145cm high x 107cm wide x 42cm deep.

CINEMA, posters, mainly UK quad crown issues, inc. Divided Heart Ealing Studios (UK 1-sheet); 84 Charing Cross Road; Robin Hood Prince of Thieves French; Blind Date; Close My Eyes (UK 16 x 23); Dear Diary French; El Dorado French; Emigrants; Heat & Dust; I Confess Alfred Hitchcock; Kama Sutra; Maverick; Pocahontas (US 1-sheet); Roselyne & the Lions French; Secret Garden; Steal Big, Steal Little (US 1-sheet); Tango Lesson (UK 40 x 60); Tonite Lets All Make Love In London (UK 20 x 30); Wetherby; March, March, Tra-Ta-Ta Repro, folded, VG to EX, 20

A Hermes blue roy porosus crocodile Birkin bag, circa 2009, blind date stamp and 28A, tag and lock lacking, 30cm H, 41cm W (AF).

W. Wilkie Collins Rambles Beyond Railways; or, Notes in Cornwall Taken A-Foot with Illustrations by Henry C. Brandling, published Richard Bentley 1851 first edition with tinted plates, bound in publisher's original blind stamped cloth with gilt lettered spine

The High Priest of Israel in His Robes of Glory and Beauty, Blessing the People with Notes and Annotations by W.G. Rhind, published Samuel Bagster and Sons 1847, with a full page hand-coloured engraved plate of The High Priest. Blind stamped decorative cloth with gilt title (folio)   

Dr Gregory, A Father's Legacy to His Daughters, a Letter to a New-Married Lady by Mrs Chapone etc, printed for John Sharpe 1822 with several engravings, bound in full leather with blind and gilt stamped borders, raised bands with gilt panel decoration and lettered label

Chronicles of England, France, Spain and the Adjoining Countries by Sir John Froissart in 2 volumes published William Smith 1839 with a colour printed title in volume one & each with numerous engravings, bound in half leather marbled boards, blind stamped panels & gilt titles on spine, Ingoldsby Legends 1864, Life in Paris (1822) part volume with hand coloured plates, Bournemouth in photographs, Rob Roy MacGregor; or Auld Lang Syne An Opera by J. Pocock Esq with Prefatory Remarks, the only edition existing which is faithfully marked with the stage business, and directions as it is performed at The Theatre Royal by W. Oxberry, published by W. Sim (9)

Approximately 40 LPs including Pink Floyd, Led Zeppelin, Bowie, Cream, Beatles, Yes, Blind Faith and Rare Bird 

David Shepherd, limited edition coloured print, with artist's blind stamp, Masai giraffe and young, signed in pencil with certificate of authenticity, and coloured print, South of France (2)

A mahogany hanging corner cabinet in George III style, the dentil moulded cornice above a blind fret frieze and astragal glazed door enclosing three shaped shelves between canted angles, 68cm wide, 38cm deep, 113cm high

An 18th century black japanned longcase clock by Joseph Grey of Durham, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring and seconds dial, with Roman and Arabic numerals, with a date aperture, with scrolling foliage, masks and dolphin spandrels, signed 'JOSPH GREY DURHAM', the case decorated in gilt with chinoiserie scenes of figures, birds, pagodas and trees, with blind-fret carved panels and giltwood urn finials, 260.5cm high. Provenance: W. A. Pinn & Sons, Sible Hedington, Essex, 5th March 1990. Baillie records Joseph Grey as working before 1756 and died in 1768.

A George III mahogany serving or side table in Chippendale style, the rectangular top above a Gothic blind-fret carved frieze, on leaf carved and fret chamfered legs with applied pierced brackets, 77cm high, 129.5cm wide, 60.5cm deep.