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19th Century mahogany linen press, the upper section now with hanging compartment enclosed by pair of blind panel doors,and two long drawers below with turned handles on bracket feet, 126cm wide

18th Century oak longcase clock with stepped and moulded cornice having blind fret decoration, the case with long door obase, brass square dial with square calendar aperture and signed Samuel Holbin of Bitton - 30 hour striking bird-cage mo 216cm high

George III mahogany hanging corner cupboard having a dentil and blind fret cornice, interior fitted three shaped shelves pair of blind panel doors with moulding beading flanked by reeded canted pilasters, 86cm wide x 117cm high

George III mahogany longcase clock, the hood with moulded arch shaped cornice and reeded pillars, the trunk with blind f carved florettes, arch shaped long door, the arch shaped brass dial with rococo scroll spandrels, conforming engraved dwith seconds subsidiary dial and fan shaped calendar aperture signed Matthew Dawson of Plymouth Dock - eight day strikin 220cm high

Early 19th Century mahogany secretaire cabinet, the drawer with moulded beading enclosing various pigeon holes and drawe below enclosed by pair of blind panel doors on slender turned bun feet, 113cm wide

Victorian mahogany two section bookcase having a moulded cornice above six adjustable shelves enclosed by three glass pathe cupboards below enclosed by arch shaped blind panel doors, 182cm wide

Tri-ang Minic-No.60M clockwork Double Decker Bus pre-war red with a broad cream band around lower deck windows route 177 with extra 'Mitcham. The Cricketers' destination blind adverts for Bovril (nearside) Ovaltine (offside) and Bisto (rear) tinplate hubs black tyres generally good condition unboxed (tyres flat-spotted and partially perished); and No.60M clockwork Double Decker Bus post-war red with a narrow cream waist-band route 14 adverts for Tri-ang Pedal Motors (nearside) Penguin Boats (offside) and Frog / Penguin models (rear) cast metal hubs black tyres generally good condition unboxed (two decals torn) (2).

A 19th century mahogany chest with a blind drawer over two short and three long drawers

Russell, Robert. North America its Agriculture and Climate, Edinburgh, 1857. Blind stamped cloth, folding map, eight climate plates, 8vo

Russell, William Howard. My Diary in India, two volumes. London 1860. Blind stamped cloth, tinted litho illustrations, folding map, 8vo

Forster, Rev. Edward. (Translator) The Arabian Nights Entertainments, London no date. Blind stamped cloth, engraved plates, 8vo plus other books. (box)

Chippendale style dispay cabinet Chippendale style mahogany pier cabinet circa 1900 the upper part with pierced broken arch cornice blind fret frieze astragal glazed door with blind fret frame on a base with blind fret apron drawer raised on fluted legs and uniting lower shelf. Width 76cm 30in.

A 19th century silk embroidered picture of a cockerel embroidered in chain stitch and slip stitch in coloured silks and chenille upon a cream silk ground 21cm x 18cm a pair of mid 19th century embroidered music scores Cotilion and The Haymakers Dance each embroidered in munute crosstitch upon a wool ground each oval 15cm x 13cm and a pair of printed silk pictures depicting children fortune telling and playing blind mans buff each circular 9cm diameter

A reproduction mahogany chest, the rectangular crossbanded top above a brushing slide and four long drawers, enclosed between blind fretwork pilasters on bracket feet, 76 cms wide.

A mahogany cased Grandmother clock, the hood with a moulded cornice above a blind fret frieze and turned columns, above a long trunk door, box base and bun feet, he 20 cms silvered dial with brass chapter ring and Roman numerals, striking on a gong, 168 cms high.

A 19th century oak longcase clock, the hood with moulded cornice, blind fretwork frieze and three quarter Ionic columns above a long trunk door, the 30 cms brass dial with roundel to the arch, David Bowen, Swansea, the brass chapter ring with Roman numerals and Arabic seconds, with a seconds subsidiary dial and calendar aperture, the centre engraved with a scene of a landscape, the eight day movement striking on a bell, 207 cms high.

A George III mahogany chest on chest, with dentil and blind fret cornice, above two short and three long drawers, blind fret canted corners, the base with a slide and three long drawers, brass handles, on ogee bracket feet, 45 1/2" wide x 76" high

David Hockney, R.A. (b. 1937) VIEWS OF HOTEL WELL II (T.281: DH68) Lithograph printed in colours, 1985, signed in pencil and dated, numbered 24 from an edition of 75, with blind stamp of the publisher, Tyler Graphics Limited, in original wood frame designed by the artist, stained red, yellow and black. Overall 75 x 93cm

A Victorian aesthetic movement figured oak chest of four long drawers, panelled sides with blind fret, 120cm x 130cm high

A Late Victorian Mahogany Side Cabinet, the pierced swan neck above a blind fret carved frieze and a pair of bar glazed doors, the base having two drawers with blind fret carved decoration, on cabriole legs with pad feet, 76 cm

A 19th Century Mahogany Tallboy Chest, the dentil moulded cornice above a blind fret carved frieze, two short and three graduated long drawers, the base having a brushing slide above three graduated long drawers, on bracket feet, 105 cm

A 20th Century bowfront display cabinet with blind Greek key fretwork frieze over a glazed door enclosing three shelves, raised on ball and claw feet, 61cm wide.

Norman Stevens, 1937-1988- 'Dusk'; aquatint, printed in colours, signed, titled, dated 78 and numbered 83/150 in pencil, bears publisher's blind stamps, 39.5x29.7cm: together with a pair of screenprints of twilit coastal scenes by a different hand, both signed in pencil, 72x51.3cm., ea., (3)

European School 19th century- Washerwoman on a river shore; oil on canvas, 27x34.2cm: Follower of Reynolds- Blind Man's Buff; pen and black ink and watercolour: Follower of William Pyne- Travellers and livestock crossing a bridge; pen and black and brown ink and watercolour, (3)

British School 19th century- Deaf, Dumb and Blind; oil on canvas, 64.5x44cm: British School 19th century- A cottage; oil on canvas, inscribed 'St. Luke's, Aug 14th 1886', in a Watt's frame bearing framer's label for John Keeson, 28 Diamond Street, Aberdeen: together with a coastal harbour scene in oils on canvas by a different hand, possibly signed 'J.C. Nairn', and a n oil on canvas of dead game inscribed Capt. G. Dowell, Overdale, Bolton, Aug 22 '92, (4), (part unframed)

A late Victorian glazed library bookcase with dentil cornice over blind fret frieze and twin glazed vitruvian scroll fretwork decorated doors enclosing three adjustable shelves the lower section with conforming pair of doors on moulded skirt base 228cm high 128cm wide 47cm deep.

An early 20th century mahogany small display cabinet in the Chippendale taste with moulded edge top over blind fret frieze and astragal glazed doors enclosing three fixed shelves on ogee bracket feet 104cm high 91cm wide 27cm deep.

A mahogany serpentine front corner cabinet in the George III style early 20th century with cavetto cornice and fluted frieze over tall astragal glazed door enclosing three fixed shelves with blind burr inlaid oval panel to lower section on moulded plinth base 176cm high 68cm wide 48cm deep.

A George III mahogany chest of two short and three long drawers circa 1770 with ogee moulded edge top over original rococo scroll cast handles flanked by blind fret fronted canted angles on bracket feet 84cm high 99cm wide 51cm deep.

An unusual Regency mahogany drinks serving cabinet the moulded edge half D-shaped top with hinged flap revealing fitted zinc lined cellaret compartment and brass three-quarter gallery over curved front enclosing drawer with brass drop handles and blind panel above conforming cupboard doors on four turned tapered supports with brass castors probably adapted 94cm high 73cm wide 54cm deep.

A George IV Scottish mahogany sideboard the blind arcaded gallery raised back on turned supports to three frieze drawers above a central arched recess flanked by a pair of lancet panel doors enclosing two shelves with split pilasters and turned feet 56in (142.2cm) h 71in (180.4cm) w 25in (63.5cm) d.

A late George III mahogany chest on chest the moulded cornice above two short and three long drawers with blind fret canted angles the base with four long drawers all fitted open brass plate handles and escutcheons on bracket feet 75in (190.5cm) h 40.5in (103cm) w 21in (53.2cm) d.

Orpen (Rev. Francis O.) A New Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland 4 vol., chromolithographed plates and additional titles, contemporary calf, blind- and gilt-stamped, worn, boards, detached, 4to, n.d. c.1890

Engraved plates.- Portraits 28 proof copies, v.s., c.400mm by 300mm, some a little foxed, tissue-guards, text explanations included, disbound; Deshays (Celestin, lithographer) Souvenirs de Bretagne, 12 chromolithographed plates, a little light peripheral soiling and damp-staining, original publishers cloth, blind- and gilt-stamped, folio, n.d., c.1890; and c.50 loose engraved plates, v.d., v.s. (qty)

Bindings 3 morocco blind- and gilt-stamped bindings, 4to & 8vo, (3).

Haggard (H. Rider), The Brethren ink ownership signature on front pastedown, 1904; Ayesha, sellers label on front pastedown, 1905; Joan Haste, damp stain to outer margin affecting first few gathers, 1895; Cleopatra, ink ownership signatures on front free end papers and verso of frontispiece, a little rubbed, 1889; Nada the Lily, sellers blind stamp on front free end paper, 1892; King Solomon's Mine's, ownership signature cut from front pastedown, folding map torn but with no loss, moderate spotting particularly effecting edge of pages, hinges a little tender and damp stained, 1886; Dr Therne, ink ownership dedication on half title, 1898, first editions, half title, frontispieces and plates many with tissue guards, original publishers cloth, a little peripheral ware but generally good, 8vo; and a biography of Haggard (9)

Macpherson (James) Original Papers Containing the Secret History of Great Britain from the Restoration to the Accession of the House of Hannover... 2 vol., contemporary ink ownership signatures on titles, occasional light spotting, modern half calf, blind and gilt-stamped, 4to, for W. Strahan and T. Cadell, 1775

Bindings Hume (David et al) An Impartial History of England..., folding map, torn with loss, engraved plates, some foxed and damp-stained, modern calf, blind-stamped, Blackburn, Hemingway and Nuttall, 1799; Turner (Sharon) History of the Reign of Henry the Eigth..., 2 vol., ink ownership signature vol. 1, modern half morocco over patterned boards, 1828; Gibbon (Edward) History of the Decline and Fall of the Roman Empire, 3 vol., contemporary half calf, rubbed, 1869; Macaulay (Lord) History of England..., 2 vol., modern half calf over patterned boards, 1873, half-titles; and eighteen others, mostly similar, v.s. (qty).

Bible.- (Greek) Novum Testamentum Graece title and first 14 leaves with loss to one corner repaired and written-in by hand, later ink ownership inscriptions on front free-endpapers, nineteenth-century straight-grained morocco, blind-stamped, a little scuffed at extremities, preserved in remains of a slip-case, 32mo, Sedani, 1629

Henry (E. R.) Classification and Uses of Fingerprints, first edition, blind-stamp and feint signature to front free-endpaper, original cloth, 8vo, 1900.

Liberal Land Committee, The Land and the Nation, signed by David Lloyd-George, contemporary calf, 1925; Crocker (Abraham), The Elements of Land Surveying engraved plates and maps, some folding, one handcoloured, contemporary tree calf, spine a little worn, 1806; Ellis (William) The Modern Husbandman: or the Practice of Farming..., 4 vol. in 1, (September-December), contemporary calf, Dublin, George Fulkner, Warnes (John) On the Cultivation of Flax..., second edition, original cloth, gilt- and blind-stamped, joints worn, 1847; Matthews (A.H.H.) Fifty Years of Agricultural Politics, contemporary half roan, 1915; and eight others, agricultural, 8vo (12)

Dibdin (Thomas F.), Bibliographical Tour of Northern Counties and Scotland first edition, 2 vol., list of subscribers, frontispieces and 39 plates contemporary crushed morocco, blind-stamped, g.e., 8vo, 1838

Wright (Thomas), The Antiquities of the Town of Halifax in Yorkshire lacks frontispiece, a little spotting and browning, later tree calf, blind-stamped, 8vo, James Lister, Leeds, 1738

Gent (Thomas) The Ancient and Modern History of the Loyal Town of Rippon sic, frontispiece, folding wood-engraved plate, numerous woodcut illustrations, cropped a little close with loss to some illustrations, library stamp on verso of title only, nineteenth century calf, blind-stamped, rebacked, York, the printing office, 1733.

Miller (Edmond), An Account of the University of Cambridge and the Colleges there... first edition, a little spotting, mainly to endpapers, contemporary sheep, blind-stamped and ruled in gilt, a little scuffed, 4to, J. Baker, 1717

Porter (Rev. J.L.) Five Years in Damascus..., 2 vol., first edition, engraved frontispiece and plates, a little light pencil marginalia vol. 1, joints a little tender, original cloth, blind- and gilt-stamped, 1855.

A George IV silver card case embossed with a 'blind' filigree pattern and a panel inscribed 'Cecilia', Birmingham 1829. by Taylor and Perry, 9cm x 6cm (3.5in x 2.25in)

A Georgian mahogany eight-day longcase clock circa 1790 the four-pillar rack and bell striking movement with 12in enamel break-arch dial signed R Hewitt Fowey decorated with gilt floral sprays and roman numerals in a swan neck pedimented case over fluted hood pilasters blind fret panel with arch shaped long door to trunk. 238cm high. R Hewitt of Fowey recorded in G H Baillie ‘Watchmakers & Clockmakers of the World’ Volume 1. Late 18th century.

Oak longcase clock, the stepped cornice over a blind fretwork frieze above a square painted dial with central bird motif and Roman numerals in black and with a thirty one day aperture flanked by turned columns and over a plain case with bracket feet, 76 1/2in (194.3cm) high

A PRATTWARE OVAL PLAQUE 'THE BLIND FIDDLER' after Sir David Wilkie, R.A., 25.5cm long.

AFTER LAURENCE STEPHEN LOWRY (1887-1976) "Peel Park, Salford", signed in pencil with the blind stamp for the Fine Art Trade Guild, published in 1975, size 41cm x 78cm.

AN OAK LONGCASE CLOCK the thirty hour movement striking the hours on a bell with an outside countwheel, the 11 inch painted dial having a date aperture, Roman numerals and Arabic five minute markings, floral and rococo painted corner decoration, a cartouche with a river scene to the dial centre, and signed 'John Fry, Okehamton' (Okehampton), with decorative blued steel hands, the date wheel stamped with the dial maker's name 'Wilson, Birmingham', the oak case having a flat top with denticular moulding and oval blind fretwork to the frieze, tapered hood pillars, a long door to the trunk and plain base, height 222cm.

A GEORGE III MAHOGANY SERPENTINE FRONTED CHEST the top with a moulded edge and cut corners, containing three long drawers between blind fret carved canted angles, on bracket feet, 110cm (3ft 7 1/4in) wide.

A LATE VICTORIAN MAHOGANY BREAKFRONT LIBRARY BOOKCASE in Georgian style the open bookcase top with adjustable shelves under a moulded cornice on a projecting base with an arrangement of drawers and blind panelled cupboards. All with brass handles standing on a platform base. 240" Wide x 24" Diameter x 97" High. C1890.

A VICTORIAN WALNUT CREDENZA having gilt metal mounts and decorated with foliate inlays stringing and cross banding with two pillasters flanking blind centre door and glazed end cabinets standing on turned feet. 60" Wide x 43" High. C 1865.

A 17TH CENTURY OYSTER VENEERED CABINET having two blind doors revealing an interior fitted with thirteen moulded and similarly veneered drawers with brass drop handles and oak linings the whole on a later base with cup and cover supports and flat shaped stretchers. 45" Wide x 53" High. C1690 and later.

A MAHOGANY TWO STAGE PRESS CUPBOARD having strap work cornice above two blind panel shell inlaid doors flanked by reeded cluster columns with acanthus terminals and piano fronted drawer above leaf terminals on a projecting base two pairs of short cockbeaded drawers flanking deep centre drawer standing on bracket feet. 55" Wide x 26.5" Depth.

A 19th century rosewood twin pillar table with two blind frieze drawers on octagonal baluster supports and platform bases 41 1/2in x 21 1/2in.

A 19th century rosewood chiffonier base with a blind drawer above two cupboard doors.

Picasso print 'Las Meninas' 171 from an edition of 500, blind stamp for Picasso Museum Barcelona 1985, 34 x 45cms