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Charles Johnson Payne 'Snaffles', print, 'Wipers', blind stamp, 44 x 35cm

Charles Johnson Payne 'Snaffles', print, 'LE 75', blind stamp, 44 x 35cm

Charles Johnson Payne 'Snaffles', print, 'Jock (K.I.)', blind stamp, 44 x 35cm

Andy Warhol (American, 1928 - 1987). "Baron Philippe Rothschild". Color offset lithograph with gold and blind embossing. c1975. Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Overall size: 6 x 4 in. (152 x 102 mm). A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]

Single gold ground thermal lined curtain with orange floral pattern (Drop - 240cm, W176cm) a matching Romanesque blind (Drop - 107cm, W110cm), three rolls of fabric and a quantity of rope curtain ties and fringes

Sebastiao Salgado, North of the Ob River Yamal Peninsula, Siberia, Russia, print to promote the publication of the Taschen book, Genesis, photographer's blind stamp in the margin, 57 x 74cms, framed

A pair of contemporary hardwood freestanding open bookshelves, each having blind frieze single upper drawers, width 90cm

A late 19th century heavily carved oak two drawer library table, the acanthus leaf blind carved frieze within canted corners, to twin spiral turned column end supports united by lower turned stretchers, w.124cm

A circa 1700 joined oak coffer, having three panel hinged cover on original steel loop hinges, above a blind carved frieze and four panel front, all raised on high stile end supports, w.134cm, d.58cm, h.75cm

A circa 1900 mahogany bookcase on stand, the upper section having acanthus carved cornice and blind carved frieze, over twin glazed doors enclosing adjustable shelves, the base fitted with twin panelled doors and raised on cabriole supports with claw and ball feet, h.223cm, w.115cm, d.40cm

A Victorian mahogany single door side cupboard having blind cushion frieze drawer, width 62cm

A mid-Victorian Scottish mahogany chest, having blind frieze drawer over three further long drawers within spiral twist turned columns, width 111cm

A good early medium sized 18th century oak coffer with original blind fretwork to three moulded front panels, set below decorative frieze and with scratch-work to uprights. Measures 46 inches wide.

Eastern European stripped pine cupboard with deep blind fretwork decoration

Exhibition quality (reputedly from the Great Exhibition of 1851) parquetry top oak library table with geometric and foliate blind fretwork to entire base. The top having intricate inlays of mixed woods.

Francis Wells coloured engraving pool of London artists proof blind stamp

A French timepiece carriage clock, the case with extensive pierced and blind fretwork, white enamel chapter ring with fretted decorative centre, cylinder escapement movement, 15 cm tall with handle up.Condition: needs service, movement wound and ticks very briefly, glasses are generally good, couple of minor damage to corners.

Belcher Henry: Illustrations of the Scenery on the line of the Whitby and Pickering Railway. 1836. Drawings by G. Dodgson. Blind stamped green cloth.

MICHAEL LYNE - The Muddy Gateway, limited edition, signed and numbered in pencil, mounted in glazed gilt frame, 39cm x 55cm together with GRAHAM ISOM - The First Draw - The Warwickshire Hunt, with original pencil remarque of a hound and blind stamp for Michael Stewart Fine Art, published 1989, mounted in glazed wood frame, 40cm x 51.5cm (2)

AFTER SIR WILLIAM RUSSELL FLINT "Gossip After Market Perigord", a colour print with publisher's blind stamp and signed in pencil to the margin, believed published 1968 in an edition of 850, 49cm x 67cm, mounted, in moulded wood glazed frame

AFTER LAURENCE STEPHEN LOWRY (1887-1976) *ARR Great Ancoats Street, monochrome print, number 26 of a limited edition of 850, signed in pencil in the margin lower right, publisher's blind stamp lower left, bears Leigh Gallery, Sale label verso, 29 x 38.5cm.

AFTER LAURENCE STEPHEN LOWRY (1887-1976) *ARR Deal Beach, published by Venture Prints Ltd, Bristol, blind stamp, signed in pencil bottom right margin, bears Hibbert Brothers label verso, 29.5 x 52.5cm.

AFTER LAURENCE STEPHEN LOWRY (1887-1976) *ARR Deal (Study for the Beach), print, blind stamp, signed in blue ink bottom left, 17 x 24.5cm.

AFTER BENJAMIN WILLIAMS LEADER (1831-1923) The Manchester Ship Canal, engraving, signed in pencil in the margin, blind stamp, 55 x 85cm.

Virgilius Maro (Publius) Opera Vergiliana, edited by Badius Ascensius, 2 parts in 1 vol., collation: ɫ8 a-t8 v10 ; ɫɫ6 A-Z. AA-II8 KK6, Roman type, titles in red and black and with wide woodcut decorative borders, woodcut vignettes after Sebastian Brandt, and historiated initials, lacking colophon f., first title with marginal ink names and scribbles and marginal repairs verso, following f. with repair to inner margin, with loss of text, a few short tears, some staining (a few ff. at end heavily so) and spotting, 19th century blind-stamped calf, rebacked, preserving original backstrip in compartments, corners worn, rubbed and scuffed, with a fore-edge painting of a pastoral scene (an old pencil note attributing it to John T. Beer), folio (335 x 235mm.), Lyon, Jacques Mareschal, [1527]-1528.⁂ A rare edition at auction, with the additional of a handsome fore-edge painting complimenting The Georgics. Provenance: Alfred Sutro (bookplate). Literature: Adams V473; Mortimer, French, 537.

Strabo. Rerum Geographicarum libri septemdecim, collation: *6, α-θ6, ι4, a-k6, l8, m-r6, s8, t-z6, A-B4, C-D6, E2, F6, G-I2, K4, L2, M6, N8, O-Z6, Aa-Dd6, Ee2, Ff-Gg6, Hh2, Ii8, Kk-Zz6, AA6, BB2, CC-DD6, EE8, FF2, GG4, HH6, II4, KK2, LL6, MM4, NN-OO2, PP-SS6, TT4, VV2, XX8, YY4, complete, double-column Greek and Latin text, woodcut printer's device on title and another on verso of otherwise blank final leaf, 27 double-page woodcut maps (one with headline trimmed), and 7 smaller maps in text, woodcut initials, some browning and light staining, water-stain to lower inner margin just encroaching on some maps and text near end, contemporary brown ?Lyonese calf, stamped in gilt and blind, spine gilt with raised bands, lacking ties, slight worming and staining to covers, spine ends with slight worming and repaired, gilt and gauffered edges, folio (312 x 201mm.), Basel, ex officina Heinrich Petri, August 1571.⁂ A very good copy in a contemporary binding of this important geographical survey, edited by Xylander and enhanced by the woodcut maps by Sebastian Munster used in several editions of Ptolemy.Literature: Adams S1907; Phillips (Atlases) 3390; Nordenskiold 30, 21.

British Arctic Expedition of 1875-76.- Fulford (Reginald Baldwin, Naval Officer and Arctic Explorer, 1851-86) Photograph Album of the British Arctic expedition under the command of Captain Sir George Nares, some signed T. Mitchell [Thomas Mitchell], 56 albumen prints, tissue guards, slightly faded, laid down in an album, bookplate of Fulford on front pastedown, original red blind-stamped diced leather, hessian dust-jacket, browned, a few small tears, g.e., photographs each 147 195mm., 4to album, 1875-76.⁂A visual account of the expedition commanded by Nares whose chief aim was to reach the North Pole. The vessels sailed on 29 May 1875 and reached winter quarters on the coast of Grinnell Land (Ellesmere Island), the Discovery in latitude 81°44ʹ N., and the Alert, with Nares, in latitude 82°27ʹ N "the most northerly point hitherto reached in the Canadian Arctic" (Levere, 281). (Oxford DNB). From these bases sledging parties explored the north coast of Ellesmere Island westwards to Cape Columbia and continued to Cape Alfred Ernest charting nearly 400 km of unknown coastline. Lieutenant Lewis Beaumont of the Discovery followed the coast of Greenland northwards to Sherard Osborn Fjord, and a party led by Commander A. H. Markham of the Alert made an attempt on the North Pole, reaching 83°20ʹ N, before turning back due ice drift and rough conditions. Photographs including: "Alert 'Discovery' & Valorous at Disco [Disko Island, Baffin Bay] July 1875"; "Group of natives Esquimeau-dans taken on board Discovery"; "Group of Native Women taken at Disco [Disko]"; "Franklin Pierce Bay looking East Hart Rawson and Fulford"; "Discovery in W[inte]r Q[uarter]s Dougall & the dogs Tide guage in the distance"; "Lt Beaumonts party ready to start for Greenland"; "Sledging Season the Ship Keepers"; "Sledges rounding Cape Rawson near Alert Wr Qr"; "Upper Deck of Alert bEarly Summer 1876" etc.Thomas Mitchell was the paymaster on the HMS Discovery during the British Polar Expedition of 1875-76. An amateur photographer, Mitchell was trained at the request of Captain Nares at the Army School of Photography in Chatham particularly for Nares' Arctic Expedition.

Astronomy.- Gassendi (Pierre) ). Institutio Astronomica: Juxta Hypotheseis tam Veterum quàm Recentiorum, Cui accesserunt Galilei Galilei Nuntius Sidereus; et Johannis Kepleri Dioptrice, 2 parts in 1 vol., first edition, Jesse Ramsden's copy, first title in red and black, 4 woodcut plates depicting Pleiades, Orion's belt, Praesepe, and the Orion nebula, woodcut illustrations and diagrams in text, including images of the moon, which show its uneven mountainous surface, with blank f., some light staining, contemporary blind-stamped calf, spine in compartments, spine ends little chipped, joints splitting, but holding firm, rubbed, [Wing G291A (with the comma in line three of title); Carli-Favaro 52; Cinti 301; Riccardi i, 508; A. McConnell, Jesse Ramsden (1735-1800): London's Leading Scientific Instrument Maker, Aldershot 2007], 8vo, Jacob Flesher, 1653.⁂ A very good copy of the first appearance in England of works by Gassendi, Galileo and Kepler, with an excellent provenance. Jesse Ramsden (his ink signature to title) (1735-1800) was one of the pre-eminent mathematical instrument makers of the 18th century. He was elected to the Royal Society in 1786, and won the Copley Medal for his innovative work in 1795. A crater on the moon is named in his honour.

Howard (Sir Robert) Poems, viz. 1. A panegyrick to the king. 2. Songs and sonnets. 3. The blind lady, a comedy. 4. The fourth book of Virgil, 5. Statius his Achilleis, with annotations. 6. A panegyrick to Generall Monck, first edition, title with woodcut ornament, woodcut head-pieces and decorative initials, closely trimmed at head, just touching the odd headline, some spotting, lightly browned, contemporary sheep, later red morocco label to spine, covers detached, spine ends and corners worn, rubbed, [Wing H3003; Grolier 473; Pforzheimer 511], 8vo, printed [by William Wilson] for Henry Herringman, 1660.⁂ The H. Bradley Martin copy of this collection, which Includes a prefatory commendatory poem by John Dryden, who was to marry the author's sister Lady Elizabeth in 1663.

Printed on vellum.- [Book of Hours] Hore dive virginis Marie, collates: A-N8, 104 leaves, 26 lines, printed on vellum in red and black, numerous 1-, 2- or 3-line initials in gold on a red or blue background, 20 large metalcut illustrations, metalcut borders, first leaf with metalcut of anatomical manrepaired at gutter, sig.H misbound, a few leaves with heavy brown ink staining, some other leaves soiled or yellowed, remboitage of contemporary blind-stamped calf, centre of lower cover replaced with later leather, corners repaired, later leather ties, later vellum pastedowns, 8vo, Paris, Thielman Kerver, 1504.⁂ Scarce and complete despite the condition issues to some pages.

South America.- Depons (Francois) Travels in South America, 2 vol., first English edition, half-titles, folding engraved map (foxed), contemporary calf, stamped in gilt and blind, [Sabin 19643], 8vo, 1807.⁂ Fine copy of this important account of Venezuela, translated from the French, partially by Washington Irving.

Victoria (Queen).- Fores' Correct Representation of The State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation June 28th 1838, 60-foot-long panorama, etching and aquatint with original hand-colouring heightened with gum arabic, approx. 105 x 17200 mm (4 1/8 x 675 in), folding concertina-style, split into three parts, a very little staining and soiling, parts loose in original cloth binding, boards and backstrip detached, boards stamped in gilt and blind and with both parts of original iron clasp, publisher's original paper labels to pastedowns, oblong 8vo, 1838.

Binding.- Cato (Marcus Porcius) Varro, Columella & Palladius. De re rustica, collation: a-b A-Z Aa-Zz Aaa-Eee8, Fff4 complete with final blank, woodcut printer's device on title, woodcut initials, slight worming towards end, mostly marginal, slight stain to upper margin throughout, contemporary blind-stamped calf over wooden boards, central panel lettered "Thesmarus Allebeken Pomerany, Anno Domini 1539" with border of figures, one holding a flower, lower cover with the border repeated round a central panel of floral and other decorative devices, a little rubbed, head and foot of spine chipped, small hole to upper cover, metal clasps (one with leather renewed), housed in modern cloth drop-back box, 8vo (160 x 102mm.), Cologne, Joannes Gymnicus, 1536.⁂ A handsome contemporary binding on an uncommon edition of this classical work on agriculture.Provenance: Thesmarus Allebeken Pomerany (binding and name on lower pastedown); Joann. Weisser (name on title); John Cox (name on front free endpaper dated 1661); Robert Barclay of Urie in Scotland (bookplate and name on title)

Nietzsche (Friedrich) Thus Spake Zarathustra a Book for all and none, translated by Alexander Tille, first English edition, half-title, publisher's advertisements at end, cracked hinges, previous owner's ink signature, original blind-stamped cloth, gilt, rubbed and worn, spine extremities beginning to split, 8vo, H. Henry & Co., 1896.⁂ Volume 8 only, of a projected 11 volume Works of Friedrich Nietzsche. This was the second volume published of the series but is the first English edition of the philosopher's most important work.

Good Victorian flamed mahogany breakfront combination wardrobe, the canted top over two long mirrored doors enclosing five linen slide drawers, over a chest of two short and two long drawers flanked to the sides by blind wardrobe doors, upon a plinth base and turned bun feet, 78" high, 88" wide, 23" deep

After Charles Frederick Tunnicliffe R.A. - 'Secluded Pool', ducks on a pool, artist's signed proof, also inscribed on an old label verso, together with the blind stamp for the Fine Art Trade Guild, 15.5" x 19.5"; together with various other artists' signed proofs by or after Michael Rondot, 'The Fourth Dimension', an aeroplane in flight, also an artist's signed proof by Rod Organ entitled 'Unforgettable', a motorcyclist on a Honda motorbike, another artist's signed proof by Gerald Coulson entitled 'Lone Spitfire', various sizes (4)

Victorian mahogany cabinet fitted two blind panel doors, 77cm wide

Late Victorian rosewood, marquetry and string inlaid chiffonier fitted two bowfront glazed doors flanked each side by a cupboard blind panel door, raised on turned supports, 152cm wide

A GOOD WORCESTER BLIND EARL PATTERN LEAF SHAPED DISH painted with flowers. 5.5ins wide.

AN 18TH CENTURY OAK BACON CUPBOARD, with a moulded cornice, blind fret decorated frieze above a pair of panelled doors enclosing a hanging rail, above a base with three drawers over a pair of long drawers, on bracket feet. 6ft high x 4ft 3ins wide x 1ft 9ins deep.

AN EARLY 18th CENTURY OAK CASED LONGCASE CLOCK OF SMALL PROPORTIONS having a shaped pediment above a blind fret and glazed door flanked by turned columns on a slim trunk with moulded door, the 6" square brass dial has a silvered Roman chapter ring, matted center and gilt winged cherub head spandrels fronting a weight-driven posted framed 30 hour movement striking the hours on a bell 196cm high

NATHANIAL BROWN, MANCHESTER. A LATE 18th CENTURY FIGURED MAHOGANY CASED LONGCASE CLOCK the hood with arched blind fret pediment above a glazed door flanked by reeded columns on slim trunk with shaped door and reeded quarter columns on matching base with reeded quarter columns and applied panel, the case having gadrooned mouldings throughout, the 12" arched brass dial with silvered engraved Roman and Arabic chapter ring surrounding a matted center with scrollwork engraving, calendar aperture and subsidiary seconds dial, the arch with rolling moon phase fronting an eight-day weight driven movement striking the hours on a bell 228cm high

JAMES THOMAS, CHESTER. A GEORGE III MAHOGANY PULL QUARTER REPEATING BRACKET CLOCK WITH ALARM the case with inverted bell top pediment above a glazed moulded door with carved blind frets and boxwood and ebony inlay on ogee bracket feet, the 7" arched brass and silvered dial having an engraved chapter ring surrounding a polished silvered centre, the arch with silvered boss engraved with initials fronting an eight-day timepiece movement with unusual anchor escapement and pull repeating the quarters on two bells and the hour on a larger bell 45cm high

SAMUAL STEVENS, LONDON. AN EARLY 18TH CENTURY FIGURED WALNUT LONGCASE CLOCK the moulded top hood with blind fret frieze and turned gilt capped columns above a 'D' moulded long door with fitted lenticle; on a square plinth base. The 12" square brass dial with gilt crown and cherub spandrels, silvered chapter ring with Roman numerals and five minute markers enclosing a finely matted centre with seconds dial and a finely engraved date aperture. Fronting an eight-day five pillared movement with outside countwheel strike on a bell 208cm high

Meissen blue and white underglaze tea bowl and saucer, chinoiserie decorated with a flying bird amongst foliage within an egg and dart border, underglaze cross sword mark; together with a Royal Worcester 'Earl of Coventry' blind earl relief moulded teacup and saucer.

Edwardian mahogany envelope card table with single drawer and blind fret frieze upon cylindrical turned foliate carved supports united by a shaped cross stretcher (in need of restoration).

A MASTERFIX BLIND RIVETER - MODEL MFX 306 AS NEW WITH CASE AND INSTRUCTION MANUAL - SOLD IN WORKING ORDER

A MASTERFIX BLIND RIVETER - MODEL MFX 510QI AS NEW WITH CASE AND INSTRUCTION MANUAL - SOLD IN WORKING ORDER

Tom Dodson 1910 - 1991 Artist Signed Ltd and Numbered Colour Print - Title ' Coronation Day ' This Print Is No 619 of 850 Only, Blind Art Studio Stamp. Image Size Only - 12.5 x 16 Inches - 31.25 x 40 cm. Strong Colours, No Fading.

Laurence Stephen Lowry 1887-1976 Artist Signed Limited Edition Colour Lithograph Print - Titled 'The Fever Van'. Limited edition print of 700 only with Fine Arts Trade Guild Blind Stamp. Signed by L S Lowry to margin. Published in 1972. Mounted and framed behind glass. Lithograph/print size only 17" x 20.5" - 42.5 cm x 51.25 cm. No fading. Excellent colours and condition. Please confirm with photographs.

Sir Russell Flint Ltd and Numbered Edition Colour Lithograph Print of Large Proportions. Titled ' Variations III ' This Lithograph No 544 - 850. Blind Stamp, Date of Publication 1986. Mounted and Framed Behind Glass. Lithograph Size 22 x 29 Inches - 55 x 74 cm. No Fading, Colours Strong.

AN EARLY VICTORIAN MAHOGANY SMALL WRITING TABLE WITH BLIND FRIEZE DRAWER, ON TURNED LEGS WITH BRASS CASTERS. 91 x 58 x H.74cms.

AN ANTIQUE CHIPPENDALE DESIGN MAHOGANY CENTRE TABLE WITH RIBBON CARVED EDGE TOP OVER BLIND FRET FRIEZE AND PIERCED LEGS. 106 x 53 x H.73cms.

Andy Warhol (1928-1987)Watercolor paint kit with brushes (Feldman & Schellmann II.288)Offset lithograph printed in colours, 1982, signed in black felt-tip pen, numbered from the edition of 500 in pencil, on Carnival Felt Cover wove paper, printed by Kordett Color Graphics and Rupert Jasen Smith, published by the New York Association for the Blind, New York, with full margins, sheet 229 x 305mm (9 x 12in) (unframed)

OLDHAM, John, The Works of Mr. John Oldham, Together with his Remains, Hindmarch, 1686. 8vo. Full cf. Tog.with SEWELL, John, ed. The Whole Works of Mr. John Philips Late student of Christ-Church, Oxon. London, 1720. Frontis. port. Vig. 1 plt. Full cf. tog.with Cyder A Poem in Two Books. London, 1708. Frontis. Blind tooled bd. Plus The Works of Thomas Shadwell, London 1720. In 4 vols. 8vo. Full cf. Plus 2 others. 9

FAIRFAX, Edward, (trans.) Godfrey of Bulloigne or (The Recoverie of Hierusalem) London, 1600. 4to. Blind tooled cf.

A LOVELY JAPANESE EDO PERIOD CARVED STAG ANTLER NETSUKE OF BLIND MAN & DOG, the netsuke in the form of a low table, the top with man & dog decoration, the himotoshi formed to the base, 4.1cm wide. Provenance: Part of a private French collection.

A contemporary twin pedestal mahogany extending dining table with two extra leaves, the frieze with blind fretwork and gadroon moulded edge, fluted pedestals, splayed legs with ball and claw feet, along with a set of eight walnut dining chairs (including two carvers), with white and floral upholstered seats, the table, 30 2/8" x 70" when un-extended x 43 1/2"

Georgian style mahogany serpentine fronted display cabinet with fitted shelves, the base with a pair of blind panelled cupboards flanking three graduated drawers on a platform support. (B.P. 24% incl. VAT)

A Thornton-Pickard Imperial Triple Extension Field Camera, half-plate, with a Busch Rapid Symmetrical f/8 lens, a Thornton-Pickard roller blind shutter, six mahogany plate holders, tripod legs and a Sands Hunter cloth case