We found 44736 price guide item(s) matching your search

David Gentleman (b.1930) British. 'The Garden Gate at Ickworth', limited edition lithograph 3/350, signed in pencil and blind stamped to margin, framed. 49 x 60 cm.

A French lined oak Arts and Crafts carved single bed frame, of long size, the headboard carved with blind strapwork, later slats, 117 x 210 x 94cm

J Lewis Stant (British school, early 20th century) Old Houses, Shrewsbury signed, inscribed with title, with Rembrandt Guild blind stamp, etching, 30 x 21cm (PL)

An early Victorian rosewood bookcase, the glazed upper section flanked by blind fret panels over two bow frieze drawers over cupboard base. W. 126cm

A George III mahogany chest on chest, the blind fret carved cornice over two short and three long drawers and bracket feet, 107cm wide x 188cm high.

A Georgian style butlers tray on stand, the tray of rectangular from with shaped gallery borders, the stand of four square cut supports with blind fret detail

An Edwardian mahogany display cabinet of full height enclosed by a pair of three quarter length astragal glazed panelled doors beneath a blind fret and dentil frieze raised on shaped supports 120 cm wide

A 19th century sepia coloured study of a renaissance style group of the Virgin and Child in a garden setting, in the manner of Durer, with blind embossed stamp to lower right corner, 23 x 16 cm approx unframed and together with old backing board with German gallery label and presentation inscription dated Christmas 1936, together with a 19th century printed auction bill for a sale at Castle Morton, Worcestershire for a house and farmland, 44 x 28 cm in simple black frame

*Sir Eduardo Paolozzi RA (1924-2005)UNTITLEDLithograph, signed and dated 1995 and inscribed 'GSLI', with 'Y' blind stamp18 x 25.5cm*Artist's Resale Right may apply to this lot.

Josef Albers (American, 1888-1976)'FORMULATION: ARTICULATION'Three screenprints, each numbered with portfolio number and folder number, printed 1972 by Harry N Abrams, with blind stamp38 x 51cm, folding (3)

*Paul Colin (French, 1892-1985)UNTITLEDLithograph, signed in pencil and numbered LIV/LX, with 'Guild de la Gravure' blind stamp57 x 38cm *Artist's Resale Right may apply to this lot.

*Zoran Music (Italian, 1909-2005)'PIC DU MIDI (DOLOMITES)', 1975Two coloured aquatints, signed in pencil and numbered 66/100 and 69/100, with Galerie Schmücking blind stampimage 36 x 49cm, unframed (2)*Artist's Resale Right may apply to this lot.

*Robyn Denny (1930-2014)'GRAFFITI 1';'GRAFFITI 5';'GRAFFITI 9';GRAFFITI ? (UNTITLED)Etching and aquatint, signed, inscribed with title and dated 1976/1977, colour proof and printer's proofs, also with blind stamp54.5 x 41cm (4)*Artist's Resale Right may apply to this lot.

Yoko Ono Exhibition Poster, 1976,'This is not Here', signed top right by the artist with artist's blind stamp,45 x 60cm

*Dave Hogan (contemporary)MADONNA AND GUY RITCHIE, NOEL GALLAGHER AND MEG MATHEWSColour photographs, signed and dated 2008 with blind stamp37 x 24cm (2)*Artist's Resale Right may apply to this lot.

A Regency mahogany washstand commode, adapted with ebony cock beading, hinged lid enclosing an open interior, now with a single door over a blind drawer, further drawer and commode drawer under, square tapering legs, old restoration, width 57cms, depth 56cms, height 91cms.

After David Shepherd Sketch for a Painting, African Bull Elephant limited edition colour print pencil signed with blind stamp No. 614/850 60 x 30cms.

After David Shepherd "In the Thick Stuff" colour print pencilled signed and blind stamp 49 x 85cms.

George III mahogany silver table, rectangular top with a moulded edge, the frieze and legs with blind fretwork, joined by a stretcher, the top 92 x 60cms, height 71cms, (a.f.).

After A.E. Wardle, "The School Hall, Christ's Hospital, Hertford", monochrome etching, pencil-signed, titled and with artist proof blind stamp number 17, 20 x 26cms.

A Late 18th Century Oak Longcase Clock. The eight day movement having a 12 inch (30.5 cm) square brass dial signed Courtier Ruthin, with a seconds and calendar subsidiary dial to the centre encircled by a silvered chapter ring and embellished with scrolling gilt brass spandrels. The case having a flat topped hood with blind fret carved frieze and octagonal side columns. The trunk with a shaped lip-moulded door with mahogany cross-banding flanked by recessed quarter columns, 79¾ ins (203 cms) high.

William Tatton Winter (1855-1928), three colour etchings, Salisbury Street views, signed and with blind stamp, 37.5cm x 25cm - framed and glazed

William Tatton Winter (1855-1928), three colour etchings, Harnham Bridge Salisbury and two Salisbury street scenes, signed and with blind stamp, largest 27.5cm x 36cm - framed and glazed

A colour print entitled 'Our Barry', a tribute to the late Barry Sheen by Colin Carter, issued in a limited edition of 850 and signed in pencil to the margin by the artist with blind stamp, image size 61cm x 81cm, mounted and framed under glass

AFTER L. STEINER (GERMAN), BRONZE FIGURE OF JUSTICE, H 66", W 32"An allegorical figure of blind Justice, holding a sword at her right side and scales in the left hand, while stepping on a serpent. Raised on a round pedestal base. Marked at the back of t

After Laurence Stephen Lowry RA (British 1887-1976): 'Deal' (study for The Beach), limited edition print signed 'L S Lowry' in blue ink, also bearing blind stamp, pub. Venture Prints Limited 1973, 17cm x 25cm DDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs

After Sir William Russell Flint (Scottish 1880-1969): 'Carmelita', limited edition artist's proof with blind stamp signed in pencil 28cm x 32cm Condition Report Click here for further images, condition, auction times & delivery costs

After Sir William Russell Flint (Scottish 1880-1969): The Artist's Model, limited edition colour print with 'Michael Stewart Fine Art' blind stamp numbered in pencil 111/850, 31cm x 40cm Condition Report Click here for further images, condition, auction times & delivery costs

Football Autographs - 15 A4 pictures signed by Manchester United, Liverpool and Everton players to include Barkley, Stones, Llalana, Blind, Smalling, Blind etc

A large Victoran mahogany Scottish chest with shaped blind frieze drawer over two short and three long graduated drawers. 121cms wide x 133cms high

Mahogany music stand, the wavy edged ledge with blind fret carved decoration depicting birds and notation entitled 'I Have A Song To Sing O', upon a height adjustable tri-column support and tripod base

Picture Discs, thirty three of various genre, years and conditions including Rod Stewart, Danzig and Blind Melon,some duplicates

Picture Discs, twenty of various years and conditions including Eurythmics, Blind Melon and Rod Stewart.

Stained walnut chest of drawers having 3/4 brass gallery and marble insert top with inlaid border, having six drawers with blind fret work fronts, further inlaid borders and brass handles, supported on a panel back with column front supports leading to lower tier and bracket feet - 32.25" wide

Early 20thC Framed Coloured Engraving Published By Frost & Reed Ltd, Mother And Child, Blind Embossed Stamp To Margin, Gilt Frame, The Whole 28 x 21 Inches Together With A Small Victorian Framed Print Depicting A Young Girl, 6x5 Inches, In Gilt Gesso Frame

Snaffles print - Signed in pencil and blind stamped

Snaffles print - Signed in pencil and blind stamped (no glass)

Selections from the Early Ballad Poetry of England and Scotland, KING (Richard John) - editor, William Pickering, London, 1842. First Edition. Title printed in red and black within a woodcut architectural border. 291 pp. Bound in contemporary dark brown calf over slightly bevelled boards, the covers with a blind tooled border. The spine divided into six panels, lettered in the second. Marbled endleaves, red edges.

Tennyson, Alfred; POEMS; 1853. 9th Ed. Pub. Edward Moxon, Dover Steet, London. Blind tooled red leather covered boards, with over gilt decoration. Sectional spine, with marbled boards.

The Celestial Omnibus and other stories. FORSTER, E. M.London: Sidgwick & Jackson Ltd., 1912. First Edition, 2nd Impression. Original brown cloth, spine lettered in gilt, front cover elaborately blocked in blind, publisher's device to rear board in blind, top edge gilt

L.S. Lowry: signed limited edition print "Great Ancoats Street", 297/850, publishers blind stamp, with Leigh Gallery label en verso, framed and glazed

L.S. Lowry: signed limited edition print "The Football Match", 228/850, Publisher's blind stamp, framed and glazed

Liza Callender (20th Century) British. "Worcester Teacup" (blind earl pattern), Gouache, Signed and Dated 1991, and Inscribed on the reverse, 8" x 8".

A George III silver coffee pot, by John Emes, London 1800, the tapering oval body with engraved banding and blind cartouches, raised from an oval pedestal foot, hinged cover, wooden handle and finial, 28cm high, 26.20oz

A fine Regency rosewood and cut brass inlaid sofa table, crossbanded in coromandel wood, with a split round border mouldings, relief carved and cut brass inlaid anthemion motif, fitted a blind drawer, on a twist carved column, shaped base and lion paw feet 72 x 146 x 70cm (28 x 57 x 27in) The condition is considered to be very good

A 19th century Biedermeier mahogany marble top secretaire, with blind frieze drawer, fall front enclosing a writing desk, above three long drawers, on a plinth base and flat bun feet 145 x 88 x 43cm (57 x 34 x 17in) The condition is considered to be good, some expected wear to the leather lined writing surface

A Costins of Liverpool, Titchmarsh and Goodwin type oak dresser, shaped cornice above two shelves, two long drawers above three short two of which blind, shaped to frieze, panelled undertier, swan neck handles

A mahogany bureau bookcase, the blind fret carved frieze over glazed doors, gadrooned fall front and three long drawers, on cabriole legs, 77cm wide

A GEORGE IV MAHOGANY SOFA TABLE, C1830 fitted with drawers and opposing blind drawers, brass castors, 72cm h; 58 x 124cm ++Metal plates under the legs, one leg with old repaired break, the high stretcher of grained rosewood and a later replacement

A MAHOGANY DRUM TABLE, 19TH C the round top fitted with four drawers alternating with blind drawers, on bulbous turned pillar and quadruple legs with brass castors, 76cm h, 135cm diam ++Upper and lower parts associated, top faded, old repairs

A GEORGE III MAHOGANY ENCLOSED WASHSTAND, C1800 with door, drawer and blind drawer, 87cm h; 42.5 x 43cm ++Of pleasing fairly dry appearance and in fine original condition save for the three 19th c replacement mahogany knobs, the door retaining original brass lock, minor loss to beading, the flaps not warped, minor shrinkage crack to sides, carrying handles original

Badeslade (Thomas & Toms, William Henry). Chorographia Britanniae or a New Set of Maps of all the Counties in England and Wales..., 5th state, published 1742, double page calligraphic title and dedication, manuscript list of maps on verso, both pages strengthened on verso with archival tissue, four general maps of England & Wales, seven double pages of tables and rates for Hackney carriages and forty-two (complete) uncoloured double page engraved maps, a few maps trimmed with slight loss, stained and spotted throughout, some maps with small holes and strengthened on verso, map of Norfolk torn with loss (repaired), later endpapers, modern speckled blind stamped calf with gilt spine, 8vo Chubb CLXXIV. (1)

Sharp (Samuel). Letters from Italy, describing the customs and manners of that country, in the years 1765, and 1766. To which is annexed, an admonishen to gentlemen who pass the Alps in their tour through Italy, 2nd edition, 1767, iv + 315 pages, contemporary signature of W. Welby to head of title, bookplate of Sir William Earle Welby Bart to front pastedown, contemporary mottled full calf, rubbed and slight wear to joints and edges, 8vo, together with Genard (Francois), The School of Man. Translated from the French. To which is prefixed, a key to the satyrical characters interspersed in this work, 3rd edition, printed for Lockyer Davis, 1753, without advert leaf at front, xxiv + 304, + 8 page table of contents at end, lacks advert leaf at front (A1), contemporary calf, rubbed and a little wear, with joints cracked, 12mo, plus [Bellegarde, Abb‚ de]. Reflexions Upon Ridicule; or, What it is that makes a man ridiculous and the means to avoid it, printed for Tho. Newborough, D. Midwinter and Benj. Tooke, 1707, [xvi] + 390 + 18 pages of index, light waterstain to upper margins throughout, endpapers renewed, contemporary blind-panelled full calf, later reback, 8vo Ex libris Denton Manor library, Lincolnshire. (3)

Photograph album. A cartes-de-visite album, circa 1860s, a total of 200 window-mounted cartes de visite, mostly portraits including some not from life and including 6 hand coloured, plus some topographical, decorative borders, edges stained red and decorated with small gilt Maltese Cross tool, modern good quality antique-style blind-stamped morocco gilt with original polished and bevelled wooden boards to upper and lower covers, the upper cover with an inlaid scene of three women picking olives, the lower cover with decorative oval floral design, a little rubbed, 4to (1)

Robertson (Archibald). A Topographical Survey of the Great Road from London to Bath and Bristol. With Historical and Descriptive Accounts of the County, Towns, Villages, and Gentlemen's Seats on and Adjacent to it..., 2 volumes in one, printed for the author, 1792, sixty-three uncoloured aquatint plates (of 65, lacking two plates in vol. 2, Bridge of St. Lawrence & Lansdown Place Bath), bound without maps, occasional spotting and dampstaining, later marbled endpapers, 19th century marbled calf, neatly rebacked with gilt & blind decoration to spine and red morocco title label, corners discreetly repaired, 8vo Abbey, Scenery 24. (1)

Bible [Cree]. [Old and New Testaments in Native American Cree language], 2 volumes bound in one, [translated by William Mason], British and Foreign Bible Society, 1861-62, [4], 855, [1]; 292 pages, title page to each volume, text in two columns, printed entirely in Cree, all edges gilt, original yellow chalk-glazed endpapers (some light staining to edges), contemporary blind patterned full morocco, rubbed and some wear to spine and edges, covers detached, and leather vertically split to spine, and chipped with slight loss to extreme head and foot, outer corners bumped, thick 8vo Darlow & Moule 3130. Ayer, Indian Linguistics, Cree 5. Presentation copy from William Mason, with handwritten inscription to verso of blank leaf facing title initialled H.V. and dated July 1862, 'The Bible in the language of the Cree Indians in North America - Given to me, June 1862, by the Rev. William Mason, Missionary among the Cree Indians - The translation was the work of Mr Mason & his wife - Mr Mason attended our Missionary Meeting in 1861. H.V. July. 62'. The first edition of the complete bible entirely printed in the Cree, prepared by the Methodist (later Anglican) Minister William Mason and his wife Sophia Thomas Mason while on missionary work in Prince Rupert's land, with the assistance of several native speakers. (1)

Bacon (Francis, Viscount Verulam). Sylva Sylvarum: Or, a Naturall History..., 6th edition, 1651, engraved portrait frontispiece, additional engraved title, some browning and occasional spotting, some fraying to margins of first & last leaves, modern blind panelled calf, folio (1)

Walpoole (George Augustus). The New British Traveller; or, a Complete Modern Universal Display of Great-Britain and Ireland..., London: Alex Hogg, 1784, engraved frontispiece (lined to verso), two folding engraved maps and twenty-one single-page maps, eighty-five engraved plates (59 with multiple views per plate), library ink stamps to verso of numerous plates and maps etc., occasional minor spotting and few repaired closed tears, endpapers renewed, top edge gilt, remainder untrimmed, near contemporary blind panelled calf, rebacked preserving original spine, morocco label to spine, folio (1)

Blomefield (Francis). The History of the City and County of Norwich, Containing it's Original Rise, and Increase..., a Description of the Streets, Walls, River, remarkable Houses, and other things..., [Fersfield] : Printed at Fersfield, 1741, title in red & black, six engraved plates of 8? (including one folding), few engraved illustrations to text, list of subscribers, short worm trail to few leaves at rear of volume, rear free endpaper detached, contemporary blind panelled calf gilt, joints cracked and some wear to extremities, folio ESTC T226404 and Upcott, p. 945-7. Three UK institutional locations found (Birmingham University Library, Cambridge University Special collections & Norwich Cathedral). This is a self-contained volume on Norwich, being Volume 2 of the first edition of Blomefield's work on Norfolk 'A Essay towards a Topographical History of the County of Norfolk, 1739'. The number of plates within this work appears to vary from 5, 6 or 8. Upcott calls for eight plates, with this copy lacking the city plan and also the monument of Bishop Hall in Heigham Church. (1)

Cary (John). Cary's New Map of England and Wales with part of Scotland..., 1st edition, published 1794, title page and dedication, engraved map of England and Wales with contemporary hand colouring and table of explanation, seventy-seven engraved map sheets with contemporary outline colouring, index of places bound at rear, marbled endpapers, contemporary blind stamped calf, repaired at corners, boards a little scarred, re-backed, 4to (1)