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Lot 1

A 19th century rosewood chiffonier base with a blind drawer above two cupboard doors.

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Picasso print 'Las Meninas' 171 from an edition of 500, blind stamp for Picasso Museum Barcelona 1985, 34 x 45cms

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Scottish mahogany eight day longcase clock, the 13" flat engraved silvered dial signed Robert Dalgliesh, Falkirk, subsidiary seconds dial and calendar aperture, the case with shaped door and surmounted with a swan neck pediment with blind fret carving, 84" high

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MAHOGANY CASE with aperture for 10" shaped dial with silvered mask signed George Macgetts, London, the case with shaped long door, the hood with scalloped blind fret pediment, 84.5"

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Oak eight day longcase clock, the 12" square brass dial signed Samuel Ashton, Bredbury, with internal penny moon and calendar aperture, the cross banded case with long door flanked by quarter pilasters and surmounted by a square hood with blind fret carving, 81" high

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DAVID HOWARTH & STEPHEN HOWARTH: NELSON THE IMMORTAL MEMORY, 1988, 1st edn, orig cl d/w + FLORA FRASER: BELOVED EMMA THE LIFE OF EMMA LADY HAMILTON, 1986, 1st edn, orig cl d/w + WINIFRED GERIN: HORATIA NELSON, 1970, 1st edn, orig cl d/w + LES WINTER: HERITAGE AND NELSON, nd, orig cl d/w + KENNETH LANGMAID: THE BLIND EYE, 1972, 1st edn, orig cl d/w, (5)

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JOSHUA WHITE: MEMOIRS OF THE PROFESSIONAL LIFE OF THE RIGHT HONOURABLE HORATIO LORD VISCOUNT NELSON -, L James Cundee, 1806, 2nd edn, engraved port frontis, 3 fdg plans, 12 mo, old hf cf + LIFE OF HORATIO LORD NELSON BEAUTIFULLY EMBELLISHED, L G Berger, nd, frontis & 4 plts, some part hand coloured, orig blind stamped cl, rebkd pres old spine, (2)

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ROBERT SOUTHEY: THE LIFE OF NELSON, L J Murray, 1814, 2nd edn, 2 vols, engraved frontises, 7pp adverts at end vol 1, old blind stamped cf, mor labels, (2)

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SIR JOHN ROSS: MEMOIRS AND CORRESPONDENCE OF ADMIRAL LORD DE SAUMAREZ -, 1838, 2 vols, engraved port frontises, 7 plts/charts as lists, orig blind stamped cl worn, (2)

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SHIPWRECKS AND ADVENTURES AT SEA, SFPCK [1860], orig cl gt soiled + GIBRALTAR AND ITS SIEGES, L T Nelson, 1884, old cf gt prize binding worn + THE OLD SEA CAPTAIN, L c1860, orig blind stamped cl gt worn + 3 others, (6)

Lot 1

A George III mahogany chest on chest, the upper section with classic cut frieze and blind fretwork comprising two short and three long drawers, the sides with canted corners, above three further drawers each with cast rococo hadles and raised on ogee feet. 186cm high, 100cm wide, 49cm deep

Lot 1

A late George III mahagony tall secretaire chest of drawers, possibly Irish, with ropetwist beading to the cornice and blind fret section above the graduated drawers, the secretaire drawer opening to reveal an arrangement of drawers and an inlaid tambour fronted cupboard above a further two drawers, all with pierced brass and swan neck handles and raised on bracket feet, 175cm high, 86cm wide, 49.5cm deep By family repute this piece came over from the County Cork area of Ireland

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WILLIAM NICHOLSON The Radcliffe Camera, Oxford, signed woodcut, no. 57, with blind stamp for the Stafford Gallery, Old Bond Street, 35cm x 31 1/2cm.

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Set of four 19th Century colour engravings after originals by W. Dendy Sadler, depicting figures playing cards, drinking tea, etc. in domestic interiors, all with blind stamp, each approximately 40cm x 50cm.

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A Victorian mahogany pedestal desk, fitted nine drawers, with tooled leather inset top, raised on blind plinth bases, 135cm (53in)

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A 19th century golden oak twin pedestal partners' desk, with crossbanded and leather inset top, fitted twelve drawers and two cupboards, on blind plinths with radiused corners, 152cm (59 1/2in)

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A Hobbs & Co of London oak twin pedestal writing desk, fitted with a leather inset top above nine drawers on blind plinths, 178cm (70in)

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A 19th century Staffordshire figure of King John, signing the Magna Carta, in a tented canopy, flanked by two attendants, 31cm high; and other Staffordshire figures, comprising: an equestrian figure entitled 'Garibaldi', 28cm high; a figure of a blind musician holding a violin, with his dog, 29cm high; a pair of figures, he dressed in a kilt, she with a sash, both standing beside a cannon with drums and flags, 26cm high; and another similar female figure (6)

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RUSKIN [John] The seven lamps of architecture...1st edition, 14 plates, original blind stamped decorated cloth, covers a little spotted, splits in cloth at upper joint, 8vo., London, 1849

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Pratt (Anne) The Flowering Plants and Ferns of Great Britain, two vols, illus, blind stamped cloth (spines faded) (2)

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A George III Mahogany Tallboy Chest on Chest, the moulded and Greek key cornice above a blind fret carved frieze, with three short and three graduated long drawers below, flanked by fluted canted corners, the base having a brushing slide above three graduated long drawers, on bracket feet, 119 cm

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After Sir William Russell Flint. Girls about to bathe in an arched pool. Coloured Print No. 318 of 850. Bears Stewart Fine Art blind stamp 50 x 68.5cm.

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A Victorian Chippendale style Bookcase the stepped and dental cornice over blind fret carved frieze above two lattice glazed doors enclosing adjustable shelves with central composite column flanked by similar columns on a plinth, 174.5cm wide.

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Fleming, Ian. Thunderball (London: Cape, 1961), 1st edn, 8vo, black boards with blind-stamped skeletal hand; and Tolkien, J.R.R.. The Hobbit; or There and Back Again (London: Allen & Unwin, 1956), 8th imp., col. frontis., further illus., green boards, (2).

Lot 1

A George III mahogany tallboy, the upper part with moulded and dentil cornice and blind fret frieze, fitted two short and three long drawers with fluted cant corners, the base fitted with brushing slide and three long drawers, the handles with ovoid back plates embossed with lions masks, on bracket feet, 42ins wide x 73ins high

Lot 1

A Chippendale style mahogany bureau bookcase, circa 1910, with blind fretwork throughout, the two astragal glazed doors over a sloped fall front, two drawers and two cupboard doors.(205x100)

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An Edwardian mahogany bedroom suite, comprising of double wardrobe, with greek key blind fret work pediment and two bevelled mirrored doors, together mirrored back dressing table, (2)

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A George II mahogany two tier silver table, the rectangular top with geometric blind fret work frieze, upon square inner chamferred supports, decorated with conforming fret work and terminating in brass socket castors, (70x57cm)

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AFTER SIR ALFRED MUNNINGS A Huntsman with Hounds Colour print with FATG blind stamp Published by Frost & Reed Signed in pencil 20in x 20.25in (51 x 51.5cms)

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AFTER SIR PETER SCOTT 'Mallards going to sea. A Tidal pool on the Salting Colour print with FATG blind stamp Published by Arthur Ackermann & Son Signed in pencil 14in x 23in (35.5 x 58.5cms)

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AFTER F A STEWART The Heythrop at Ilbury Gorse Colour print with FATG blind stamp Published by Vicars Brothers Signed in pencil 13.25in x 28in (33.5 x 71cms)

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AFTER F A STEWART The Craven - a check at Shefford Woodlands Colour print with FATG blind stamp Published by Vicars Brothers Signed in pencil, and with pen and ink remarque of a huntsman 10.75in x 26in (27.5 x 66cms)

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AFTER LIONEL EDWARDS The Duke of Beaufort's - Kill above Sudbury Vale' Colour print with FATG blind stamp Published by Eyre & Spottiswoode Signed in pencil and with printed remarque 15.25in x 20.5in (39 x 52cms)

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AFTER LIONEL EDWARDS 'The Flint and Denbigh - The Vale of Clywd' Colour print with FATG blind stamp Published by Eyre & Spottiswoode 14.5in x 20in (37 x 51cms)

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AFTER SNAFFLES 'Merry England' and 'Worth a guinea a minute' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 17.5in x 15.75in (44.5 x 40cms)

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AFTER SNAFFLES 'Got yer you old badmash' Colour print laid onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 17.5in x 26in (44.5 x 66cms)

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AFTER SNAFFLES 'Tonnage' Colour print laid onto support sheet with printed remarque and with snaffle bits blind stamp Signed in pencil 16.5in x 14.5in (42 x 37cms)

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AFTER SNAFFLES John Jorrocks Esq MFH Colour print with printed remarque and snaffle bits blind stamp Signed in pencil 14.25in x 15.5in (36 x 39.5cms)

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AFTER SNAFFLES 'Gunners' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp 15in x 24in (38 x 61cms)

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AFTER SNAFFLES 'A Bona Fide Fox Chaser' Colour print laid down onto support sheet with printed remarques and snaffle bits blind stamp Signed in pencil

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AFTER SNAFFLES 'Bon Voyage' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp 17in x 13in (43 x 33cms)

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AFTER SNAFFLES 'Soldiers' - 'Nasty steeple chasin' devils' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 16.5in x 14.75in (42 x 37.5cms)

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AFTER SNAFFLES 'Swagger - but a workman' Colour print laid down onto support sheet with printed remarque and snaffle bits blind stamp Signed in pencil 16.5in x 14.75in (42 x 37.5cms)

Lot 1

R. O. Lenkiewicz, Three Publicity items including Retrospective booklet 9th August-22nd October City of Plymouth Museums & Art Gallery and Paintings Painted Blind on the theme of Blind Tobit. (3)

Lot 1

Edwardian oval and mahogany cheval mirror with blind fret decoration on scrolled supports

Lot 1

DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT WITH BLIND STAMP, ‘(447/2000), ‘Burning Bright’, 17" x 29"

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DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT WITH BLIND STAMP, (1746/2000), ‘Jungle Gentlemen’, 17" x 29"

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DAVID SHEPHERD, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION COLOURED PRINT WITH BLIND STAMP, (621/1500), ’Teenage Tiger’, 8" x 12"

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AFTER D WILKIE, ENGRAVED BY E SMITH, PAIR OF ANTIQUE BLACK AND WHITE ENGRAVINGS, ‘The Blind Fiddler’ and ‘The Village Politians’, 9" x 12", (2)

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HELEN BRADLEY, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED ARTIST’S PROOFS WITH BLIND STAMPS, ‘Big Bertha’ and ‘Evening on the Promenade’, (see extensive details verso), 17" x 22"

Lot 1

AFTER WILLIAM RUSSELL FLINT "Conversation St. Martin's d'arteche", reproduction in colours, pencil signed in the margin by the artist and with "F A T G blind stamp", 19 3/4" x 26 1/4"

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Edwardian mahogany display cabinet the top with scrolling foliage pierced cornice, blind fret carved borders, two doors enclosing shelves, glazed bijouterie base on square tapering legs with shaped undershelf, 30.5" x 75" high

Lot 1

Cardew (Lieut. F.G.). A Sketch of the Services of the Bengal Native Army, to the Year 1895, pub. Calcutta, 1903, indelible ink stamp to first two leaves, orig. blind-stamped cloth gilt, (inner joints strengthened), together with Graham (Brigadier Gen. C.A.L.), The History of the Indian Mountain Artilery, pub. Aldershot, 1957, frontis., sketch maps and plans, orig. cloth gilt, a little rubbed on spine, plus Pratt (A.E.), The Snows of Tibet (A.E.) to the Snows of Tibet through China, 1st ed., 1892, port. frontis., wood engs., folding map at rear, orig. cloth gilt, rubbed on spine, (lending library paper label to upper cover) and two others, all 8vo (5)

Lot 1

Cook (Fredrick A.). To the Top of the Continent. Discovery, Exploration and Adventure in Sub-arctic Alaska. The First Ascent of Mt. McKinley, 1903-1906, 1st ed., 1908, col. frontis., b & w illusts. from photos., sketch maps to text, etc., title blind-stamped 'presentation copy', t.e.g., orig. cloth gilt, rubbed and rear cover stained, together with Bruce (Brigadier Gen. Hon. C.G.), Himalayan Wanderer, 1st ed., 1934, b & w illusts. from photos., orig. cloth gilt, faded on spine, plus Green (William Spotswood), Among the Selkirk Glaciers. Being the Account of a Rough Survey in the Rocky Mountain Regions of British Colombia, 1st ed., 1890, wood engs., folding map at rear, orig. cloth gilt, a little rubbed and faded on spine, and Ball (John, editor), Peaks, Passes, and Glaciers. A Series of Excursions by Members of the Alpine Club, 5th ed., 1860, folding map, 32pp. pubs. ads. at rear, orig. gilt dec. cloth, a little rubbed and faded on spine, all 8vo (4)

Lot 1

Carew (Richard). The Survey of Cornwall, 1st ed., printed by S.S. for John Jaggard, 1602, woodcut device to title, some browning, near contemp. blind panelled calf, boards near detached, rubbed & scuffed, 4to Armorial bookplate of Osterley Park. STC 4615. Upcott p.76. (1)

Lot 1

Pratt (Anne). The Flowering Plants and Ferns of Great Britain, 5 vols., pub. SPCK, c.1860, b & w eng. frontis. to vol. 1, 239 chromo. plts., one plt. coming loose, a.e.g., orig. green cloth, spines faded and worn, with loss and sellotape repairs, vol. 4 with ink stains to lower cover, large 8vo in 4's, together with Ferns of Great Britain, pub. SPCK, c.1860, forty-one chromo. plts., a.e.g., orig. green cloth, spine darkened and extrems. frayed, large 8vo in 4's, plus Sowerby (John E. and Johnson, Charles), The Ferns of Great Britain, 1859, eighty chromo. plts., orig. gilt and blind-stamped cloth, spine faded and sl. frayed at ends, 4to, plus one other book on ferns (8)

Lot 1

*Scrap albums. Three Regency and early Victorian scrap albums, including one early 19th c. album, containing numerous b&w mostly small-format b&w topographical engravings, humorous illusts. (including some hand-col.), fashion and historical costume interest, a.e.g., contemp. half red morocco, gilt dec. spine, rubbed and scuffed, large 4to, another album containing some chromo. greetings cards, hand-written verse, etc., a.e.g., contemp. blind-decorated full morocco, rebacked with orig. spine laid down, and one album containing a number of original pencil and ink drawings of church monuments, animals, figure studies, a small oil view of a logging station, captioned in pencil below 'by Edwin Sandys', photographs of Devon, including Plymstock, Bude, Cornwall, Isle of Wight, a small portrait photograph of Bishop Wilberforce of Oxford, a large photographic view of a canal in Amsterdam, with numerous figures, etc., a.e.g., contemp. half dark green morocco, rubbed and marked, 4to, and another album, c. 1860s-70s (3)

Lot 1

Hodgkin (Thomas). Narrative of a Journey to Morocco, in 1863 and 1864, with Geological Annotations, 1st ed., 1866, half-title, two tinted litho. ports., four tinted litho. plts., list of subscribers, uncol. eng. plt. of an obelisk, 24pp. pubs. ads. at rear, a.e.g., orig. gilt and blind-stamped cloth, spine ends and corners a little rubbed, tall 8vo (1)

Lot 1

Napier (W.F.P.). History of the War in the Peninsula and in the South of France, from the Year 1807 to the Year 1814, 6 vols., mixed eds., 1834-1840, eng. maps and charts to each vol., foxed, contemp. gilt and blind dec. half calf, rubbed, 8vo (6)

Lot 1

Bible [English]. The Holy Bible containing the Old Testament and the New , Cambridge, printed by John Hayes, 1677, eng. title, somewhat soiled and some minor fraying to edges and a little stained, double-column text, some soiling and marks throughout, N.T. title dated 1666, light waterstain at rear of vol., minor fraying to extrems. of final leaf, modern blind-panelled full calf, 4to See Herbert 1683. An edition of John Field's Preachers Bible, with a cancel engraved title bearing the printer's name of John Hayes, and without the two preliminary leaves and final blank to Field's edition. See BL copy C.151.h.15. (1)

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