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Lot 2133

A large Pair of continental figure groups, both with two ladies and a gent playing the game Blind Mans Bluff, circa 1890, blue swords mark, 20cm high, 19.5cm diameter (2)Condition: wear to gilded rim lines, manufacturing flaws  to pink base lines, (appears to be where bases touched during firing process) Otherwise good  No damage or restoration

Lot 3064

A George III mahogany chest on chest, decorated with blind fretwork throughout, the upper section with three short over three long graduated drawers, the base section with a brushing slide over three long graduated drawers, all drawers retaining original handles and locks, standing on bracket feet, 190cm high, 110cm wide, 60cm deep 

Lot 412

John Bunyan The Pilgrims Progress from This World to That Which is to Come delivered under the similitude of A Dream complete in 2 parts An Entire New and Complete Edition embellished with copperplate engravings, to which are now added Notes by William Mason, printed for Alex Hogg, no date, but inscribed 1795 leather boards professionally re-backed with raised bands, blind stamped panels and gilt lettering with copy of Ovid’s Metamorphoses published 1811 bound in contemporary leather (2)    

Lot 413

[Binding] Paul Et Virginie by J.H. Bernardin De Saint-Pierre, published Paris 1838 with text engravings and full page illustrations, many on proof paper bound in full blind embossed leather with decorative gilt borders, both covers gilt decorated spine and gilt lettered leather label  

Lot 116

Beryl Cook signed print 'Birthday Cake' with blind stamp lower left and signed in pencil to lower right, 69 x 53cm overall

Lot 117

Beryl Cook signed print 'Shall We Dance?' with blind stamp lower left and signed in pencil lower right, 69 x 53cm overall

Lot 118

Beryl Cook signed print 'Living in Paris' with blind stamp lower left and signed in pencil lower right, 64 x 56cm overall

Lot 119

Beryl Cook signed print 'Shall We Dance?', signed in pencil lower right and with blind stamp lower left, 69 x 49cm

Lot 122

Beryl Cook signed print 'The Birthday Girl', signed in pencil lower right and with blind stamp lower left, 68 x 48cm

Lot 879

Twenty-five albums including Blind Faith, Sweet, Hugh Hopper, Echo and The Bunnymen (pic disc), Incredible String Band, The Animals, Julie Driscoll, Kevin Ayres and Van Der Graaf Generator

Lot 248

A pair of beige and patterned Crewel work curtains and a matching Roman blind, curtains are 92" drop

Lot 531

An early 20th century mahogany double door wardrobe, blind fret borders, c.1920

Lot 170

A mid-18th century oak longcase clock by Thomas Bevan of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the twelve inch brass dial with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and a date aperture engraved with three birds, signed 'Thomas Bevan Marlborough', with gilt Rococo spandrels, the hood with an inverted bell shaped top, above a blind-fret frieze, with a plain case, 200.5cm high. Provenance: From the estate of the late Michael Gray.

Lot 532

A mahogany urn stand in Chinese Chippendale style, with an undulating pierced quatrefoil gallery, above a pull-out slide and blind fret carved frieze, with channelled legs and pierced fret corner brackets on block feet, 73.5cm high, 30.4cm wide, 30.1cm deep.

Lot 3

 •L.S. LOWRY (1887-1976) ARTIST SIGNED COLOUR PRINT ‘Landscape with Farm Buildings’ Signed in pencil and with blind stamp 15 ¾” x 19 ¾” (40cm x 50.2cm)

Lot 5203

Philology and Lexicography - Bailey (N[athan]), An Univerfal (sic) Etymological Englifh (sic) Dictionary: Comprehending The Derivations of the Generality of Words in the Englifh (sic) Tongue [...], A Brief and clear Explication of all difficult Words [...], A Large Collection and Explication of Words and Phrafes (sic) [...], second edition, with large Additions, Printed for E. Bell [...], London 1724, pp: [xvi], [951], full contemporary calf blind tooled in the Restoration taste, the spine with gilt lettered black morocco title label between raised bands, 8vo

Lot 222

1- Le Neve, J: Monumenta Anglicana. Bowyer, 1719, 1st. edn. Old panelled calf with wear to edges and joints; 2- Scott, Clement: Sisters By the Sea. Free Press, 1897, 1st. edn. Pictorial cloth; 3- Waicott, M: The East Coast of England from the Thames to the Tweed Descriptive of Natural Scenery Historical, Archaeological, and Legendary. E Stanford, 1861, 1st. edn. Blind stamped green cloth, 3 folding partially coloured maps, 398pp inc index + 16pp publisher's ads. dated 1861; 4- Williams, F: An Historical and Topographical Description of the Municipium of Ancient Verulam; Part I the Martyrdom of St Alban. W Langley, St. Albans, 1822. Folding map of St Albans and one plate. Cloth backed boards; worn; Plus 2 others: Dewar’s Wild Life in Hampshire Highlands; 1899, 1st. head and tailpieces by Arthur Rackham; & Stow’s Survey of London; 1932; half morocco (6)

Lot 1025

An early 20th century mahogany sideboard having raised mirror panel back with blind fret decoration on gadroon edge base with central drawers flanked by cupboards on stile frame

Lot 674

Blind and gold embossed leather; gothic text and color plates.This 14th Edition revision is handsomely appointed in antiqued and embossed leather, bound in hide and decorated in gold, green, and red- the pages are marbled, and the books themselves- all 16 alphabetical volumes and a 17th supplementary- are still strongly bound, open easily, and are filled with chromolithographs, fold out color maps, hand-drawn illustrations. An excellent-looking collection to add to a library, not to mention the excellent color plates and inserts. Encyclopedia Britannica said it best: "No work of reference has been more useful and successful, or more frequently copied, imitated and translated, than that known as the Conversations-Lexikon of Brockhaus" Issued: 1898Dimensions: 10.25"L X 7.25"D X 2.25"HEdition Number: 14thManufacturer: Brockhaus PublishingCountry of Origin: Germany Condition: Overall good. Bindings strong, show use, age, and storage wear. No missing pages, mostly intact color plates. Mushrooms, several other, fused to fly leaf.

Lot 76

ANDY WARHOL 'Black Rhinoceros', 1983, lithograph, hand numbered limited edition 65/100, by Leo Castelli Gallery, edited by George Israel (blind embossed) on Arches paper, with gallery stamp verso, 58cm x 38cm, framed and glazed.

Lot 417

A quantity of picture frames a blind and canvas print and a London Marrakesh mirror (7)

Lot 223

A Victorian mahogany marble table top washstand with a shaped top and blind drawer on scroll supports with claw feet - 68cm tall x 120cm x 54cm

Lot 2593

RAPIN DE THOYRAS (Paul) The History of England. Translated into English by John Kelly . . . 3 vols., engraved plates, folded maps of Scotland, France and British Dominions in Europe and America; together with Acta Regia: being the account which Mr. Rappin de Thoyras published the History of England. uniform modern half calf and marbled boards, blind-decorated and panelled spines with green labels, folio. (1733).

Lot 2627

BALCARRES (Colin Lindsay), 3rd Earl of. Secret Memoirs Anent the Revolution. In a letter from L:B: as to K:J: appears to be a near contemp. manuscript copy of the letter sent to James II from the Jacobite sympathiser concerning attempts to prevent his disposition. 105pp.; later 19th cent. blind-ruled and gilt-lettered morocco, panelled spine, gilt turn-ins and gilt top, cr. 8vo. * armorial bookplate of Thomas Edward Watson (St. Mary's Lodge, Newport, Mon.); later published as - 'An Account of the Affairs of Scotland, relating to the revolution in 1688 . . . ' (2 vols, 1714).

Lot 2660

MARRYAT (Captain) The Settlers in Canada Written for Young People, 2 vol., First Editions, 2 frontis., foxed, contemporary half calf, rubbed, Longman, Brown, Green & Longmans, 1844; The Children of the New Forest, 2 vol., Second and Third Editions, 7 of 8 plates, only, re-cased in contemporary blind stamped cloth, ink marks to lower boards, H. Hurst, 1849; Poor Jack, First Edition, illustrations by Clarkson Stanfield, foxed, contemporary gilt decorated morocco, rubbed, 1840, plus 7 other vol by the author, vs (12)

Lot 482

AFTER SIR WILLIAM RUSSELL FLINT "Unseen Target", a colour Print, signed in pencil, bearing blind stamps, published 1966, Frost and Reed, 45cm x 61cm, mounted in glazed frame

Lot 484

AFTER SIR WILLIAM RUSSELL FLINT "A Question of Attribution", a colour Print, signed in pencil, published 1963 by Frost and Reed Ltd., bears blind stamps, 53cm x 43cm, mounted in gilt glazed frame

Lot 49

THOMAS DEALTRY A GEORGE III SILVER SEAL TOP SPOON with blind seal, broad pear shaped bowl, London 1771, 18cm, 39g

Lot 1554

A XIX Century Mahogany Fold Over Tea Table, with carved florets to border, blind fretwork and pokerwork carving to apron and tapering legs.

Lot 100

Virgilius Maro (Publius) Opera cum decem commentis, 2 parts in 1, collation: a6 b-q8 r6 aa-ff8; A6 B-Z8 AA-OO8 PP6 †8, double column commentary surrounding text, first title in red and black and within ornate woodcut border, numerous fine woodcuts within text, woodcut decorative initials, without ff5-7, which were removed by the Inquisition, A6 repaired tear within text without loss, repair within text at head of ff8, several ink stains and smudges (the heaviest on C8 and Q6), some staining or spotting, contemporary blind-stamped calf over wooden boards, remains of clasps, rebacked, corners repaired, rubbed, folio (317 x 207mm.), [Lyon], [Jean Crespin], 1529.⁂ A handsomely printed edition, using the Strasbourg blocks from the 1517 Lyons edition of Jacques Sacon. Literature: Adams V474; Mortimer, French, 538 (this copy with 22 ff. removed by the Inquisition).

Lot 111

Bible, German.- Biblia, das is die gantze heilige Schrift, 2 parts in 1, double column, engraved additional pictorial title, printed title within ornate woodcut border, woodcut head- and tail-pieces and decorative initials, ornately blind-stamped pigskin over wooden boards, metal clasps (with initials 'HVB'), centre- and corner-pieces, folio, Zurich, J.J. and H. Bodmer, 1667.

Lot 113

Herodotus. Historiarum libri IX, parallel text in Latin and Greek, half-title, engraved additional pictorial title with a map of the Aegean seas region, title in red and black and with woodcut printer's device, folding engraved plate, occasional spotting, contemporary blind-stamped vellum, covers with arabesque centre-pieces, lightly soiled and marked, a well-margined, crisp and clean copy, folio, Leiden, Samuel Luchtmans, 1716.

Lot 14

Terentius Afer (Publius) Comediae sex, title with woodcut ornamental head-piece and device, another device on colophon leaf at end, with the two final blanks, some light soiling and water-staining, cropped slightly shaving a few leaves, old calf, border ruled in gilt and blind, rubbed and scuffed, [STC 23888], 12mo, [printed by Robert Dexter for] Robert Robinson, 1597.⁂ Only 2 copies recorded by ESTC: BL and John Rylands Library, Manchester.

Lot 175

Wilde (Oscar).- Death certificate of Oscar Wilde, later file copy, printed document filled in by hand, giving Wilde's full name, profession and address, as well as the time of his death and names of his father and wife, the document witnessed by Reginald Gesling and Robert Ross, signed by the Maire and his assistant, on paper watermarked '1906', government stamps in ink and blind, ink note in another hand 'Wilde 139/ 2312' to head, light browning and creasing to extremities, light finger-soiling, folds, 300 x 210mm., 1908.⁂ An administrative copy of Wilde's death certificate, created 8 years after original. We can trace no other copy at auction with all copies seemingly in the nation archives of France or the UK. In a letter dated 14th December 1900, Robert Ross recounts in detail Wilde's final days including the lengthy administrative procedure: "I started with Gesling to see officials. We did not part till 1.30, so you can imagine the formalities and oaths and exclamations and signing of papers. Dying in Paris is really a very difficult and expensive luxury for a foreigner." Reginald Gesling was the undertaker attached to the British embassy.

Lot 191

Bible, Welsh. Y Bibl Cyssegr-Lansef hen Destament a'r Newydd, second edition of the Bible in Welsh, largely printed in black letter, double column, general title and New Testament title within woodcut borders, lacking B6 in OT otherwise complete with blank leaf at end of OT and errata leaf at end of NT (described by Darlow & Moule as blank), two small holes (repaired) to general title, marginal hole to next 3 leaves, foxing and browning, sometimes heavy, contemporary blind-stamped calf over wooden boards, brass centre and corner-pieces with bosses and brass clasps decorated with tudor roses and bees, rebacked probably c.18th century in reversed calf, rubbed, [STC 2348; Darlow & Moule 9585], folio, Bonham Norton & John Bill, 1620.⁂ A very good copy of this important Bible - "This revised Bible was printed in folio size, and copies were supplied to all churches in Wales. It became, and still remains, the standard edition of the Welsh Bible" (Darlow & Moule). Apart from the missing text leaf B6 (which would appear never to have been bound in), a handsome and complete copy with the final errata leaf, erroneously called a blank by D & M, in its original binding.Provenance: Katherine Powell and Katherine Howard (early ink names at foot of title and former on rear pastedown); Samuel Powell (ink name on rear pastedown); "The gift of my cousin Jane Eyton, Edward Palston" (inscription on older slip of paper mounted on later front pastedown, possibly from the same time as the rebacking); Pencil collation note by Quaritch at end; Purchased from Sotheby's sale of a selected portion of the library at Gwysaney, Flintshire, the Property of Lt. Col. P.R. Davies-Cooke (lot 18, 1st June 1959, with accompanying sale catalogue) and thence by descent in family.

Lot 239

Lewis (C.S.) [The Narnia Chronicles], 7 vol., first editions, comprising The Lion, the Witch and the Wardrobe, bookplate to endpaper, shelf-lean, fading to spine and top and bottom edges, jacket chipped at head and foot, abrasion to lower panel, internal tearing to spine, blind-stamp to flaps, marking, 1950; Prince Caspian, jacket spine slightly browned, spine ends and corners a little chipped, tape-stain to lower fore-edge, 1951; The Voyage of the Dawn Treader, bookplate to endpaper, jacket spine slightly browned, spine ends and corners a little chipped, tape staining and wear to lower fore-edge, surface soiling,1952; The Silver Chair, bookplate to endpaper, jacket spine a little darkened with chip to head affecting lettering, chipping and creasing to extremities, 1953; The Horse and his Boy, jacket spine faded, tape staining to lower panel, minor chipping to spine ends and corners, 1954; The Magician's Nephew, ink gift inscription to endpaper, jacket tape staining to panel edges, spine slightly faded, extremities a little rubbed, 1955; The Last Battle, jacket spine slightly browned, light rubbing to extremities, 1956, plates, illustrations and maps by Pauline Baynes, including colour where called for, original cloth, dust-jackets, 8vo.⁂ An unsophisticated set, collected by the vendor as a child whose bookplate is occasionally featured.

Lot 25

Binding.- Whole Booke of Davids Psalmes (The), title with typographical border, musical notation, title soiled, water-stained at end, contemporary brown morocco elaborately tooled in gilt, spine gilt, lacking ties, rubbed, spine worn and slightly defective at head and foot, [STC 2661], by T[homas] C[otes] for the Company of Stationers, 1635 § Jewel (John) Apologia Ecclesiae Anglicanae, title with woodcut device and faint contemporary ink inscription, woodcut tail-piece, Thomas Vautrollier, 1581; another edition, translated by John Smith, Greek text, lacking initial blank but with the 2 blanks at end of preliminaries and the final errata leaf, Oxford, Joseph Barnes, 1614, together 2 works in 1 vol., cropped with slight loss to a few side-notes in second work, later calf, ruled in blind, red roan label, rubbed, split to head of upper joint, [STC 14582 & 14594], 16mo & 12mo (2)

Lot 304

Shaw (George) Cimelia Physica. Figures of Rare and Curious Quadrupeds, Birds, &c. Together with Several of the Most Elegant Plants..., second edition, frontispiece and 59 plates engraved and hand-coloured by John Frederick Miller, a little soiling and faint even browning, some spotting, a few ff. nicks and very short closed tears to edges, some repaired, contemporary straight-grained green morocco, g.e., board margins ruled and tooled in blind, inner borders tooled in blind and gilt, staining, a few scuffs and scrapes, spine and extremities worn, loss at spine ends, fore corners and spine bands repaired, [Fine Bird Books p. 94; Nissen IVB 638; Stafleu and Cowan 6033; Wood p. 465; Zimmer p. 585], by T.Bensley, folio, 1796.⁂Without the plate list and taxonomy from the first edition found in some copies of the second.Provenance: Madelaine Jay (bookplate)

Lot 312

Gautier d'Agoty (Jacques-Fabien) Observations sur l'Histoire Naturelle, sur la Physique et sur la Peinture, Parts 1-12 (of 18) bound in 4 vol. and Atlas, together 5 vol., first edition, main titles in red & black with woodcut device, woodcut head-pieces and initials, plate vol. with 40 magnificent mezzotint plates printed in colours, 2 folding, and 7 etched plates, 6 folding, some plates a little browned, a few with light water-stain to upper outer corner, mostly marginal but affecting corner of a few plates, one plate trimmed at fore-margin and reinforced, text with occasional browning, vol.3 with similar water-staining to upper margin and occasionally just affecting text, a few rust-spots, final two leaves of vol.1 trimmed at upper margin and reinforced, book-labels of Fort Hill and Lurley Manor on front pastedowns, handsome contemporary calf with decorative border in blind, spines gilt in compartments with tan & blue labels and six raised bands, red edges, Atlas with red paste-paper endpapers, a little rubbed, a few marks or scuffs, [Cohen-de Ricci p.427; Nissen ZBI 1487], 4to, Paris, Delaguette, 1752-54.⁂ Early scientific journal and the first periodical with plates printed in colours, of which complete sets are very rare. The colour plates include a surreal image of a foetus, three plates of hermaphrodites, a brightly-coloured tulip, dissected and intact tortoise, sloth & other animals, birds, fish, anatomical studies and a folding plate depicting the spectrum concerning Gautier's objection to Newton's colour theory.

Lot 329

Africa.- [Lobo (Jeronimo)] A short Relation of the River Nile, of its Sourse and Current; of its Overflowing the Campagna of Aegypt..., translated by Sir Peter Wyche, second edition in English, initial imprimatur leaf with contemporary ink inscription at head, imprimatur leaf and title lightly soiled and stained, other ink inscriptions to endpapers, engraved bookplate of Everard Home, R.N., contemporary mottled calf, covers with double gilt fillet & blind-stamped border and central gilt arms, rubbed, neatly rebacked preserving old gilt spine, [Wing L2734], small 8vo, for John Martin, 1673.⁂ Account of a Jesuit missionary's travels in Ethiopia from 1625 to 1633; originally written in Portuguese it was translated from the manuscript by Sir Peter Wyche for the Royal Society. It includes descriptions of Lake Tana, the source of the Blue Nile, Arab shipping, Prester John and "the famous Unicorne".

Lot 34

More (Henry) Historia Missionis Anglicanae Societatis Iesu, first edition, additional engraved title incorporating four portraits of clerics including Edmund Campion, woodcut initials, approbation/errata leaf at end (repaired at upper inner margin), contemporary ink inscription "Collegii Soc. Jesu catalogo...1662" on engraved title, a little browned, light water-staining to first few leaves, a few rust-spots causing small hole to N2 and 3S1 affecting a couple of letters, contemporary blind-stamped alum-tawed pigskin with clasps (one lacking), lower compartment of spine painted red, later label chipped, rubbed and soiled, folio, St.Omer, Thomas Geubels, 1660.⁂ Historical work by the great-grandson of Sir Thomas More.

Lot 357

Middle East.- Dapper (Olfert) Naukeurige Beschryving van Asie: behelsende de Gewesten van Mesopotamie, Babylonie, Assyrie, Anatolie, of Klein Asie, 2 parts in 1 vol., engraved additional pictorial title, title in red and black and with woodcut ornament, 13 double-page or folding engraved plates, 3 double-page maps and 22 half-page illustrations, short worm trace diminishing in size within text on ff. of Pp1-Ss4, affecting the odd letter, occasional spotting, a few small stains, contemporary blind-stamped vellum, lightly soiled and marked, [Atabey 322; Not in Blackmer], Amsterdam, Jacob van Meurs, 1680.⁂ First edition, which includes views of Aden, Mocha, Muskat, Bagdad, Babel, Nineveh, Abydos, Smyrna, Magnesia, and Ephesus.

Lot 56

[Southey (Robert, editor)] The Annual Anthology, 2 vol., first edition, with B8 excised from vol.1 and C3 in vol.2 a cancel (as usual), some spotting and light staining, later morocco, by Rivière & Son, t.e.g., others uncut, joints rubbed, Bristol, 1799-1800; Metrical Tales and Other Poems, first edition, half-title, later roan-backed marbled boards, 1805 § [Lamb (Charles)] Elia, first edition, second issue with "Waterloo Place" in imprint, half-title, later claret straight-grain morocco, elaborately stamped in gilt and blind, spine gilt, g.e., 1823 § Talfourd (T.N.) Final Memorials of Charles Lamb, 2 vol., first edition, original cloth, spines faded, 1848, all rubbed, 8vo et infra (6)⁂ The first contains contributions by Coleridge (27 poems), Charles Lamb and others; the excised leaf was Southey's 'War Poem' and was removed because it contained unpatriotic sentiments.

Lot 74

Gardening.- Gilbert (Samuel) Florist's Vade-Mecum...The Second Edition Corrected, 2 woodcut plans of gardens, title with portion cut away at head touching some letters and contemporary ink inscription to verso, final 2 leaves cut and defective, browned, contemporary sheep, worn, for J.Taylor...and J.Wyat..., 1693 § [Bonnefons (Nicolas de)] The French Gardiner: Instructing how to Cultivate all sorts of Fruit-Trees, and Herbs for the Garden, translated by John Evelyn, second edition in English, engraved additional pictorial title and 4 plates, one folding, slight worming, cropped affecting a few side-notes, engraved bookplate of Isaac Barrow of Holland, Derby pasted on verso of title, old cloth, by T.B. for B.Took, 1691 § Evelyn (John) Kalendarium Hortense: or, The Gard'ners Almanac, ninth edition, engraved additional title, title and caption titles to each month printed in red & black, full-page engraved illustration, errata leaf at end, contemporary calf ruled & stamped in blind, rubbed, splits to joints, for Francis Fawcet, 1699, all foxed or browned, sometimes heavily, [Henrey 160, 149 & 130; Wing G714a, B3603 & E3502], 12mo (3)⁂ The first is a scarce edition, with only 2 UK copies listed by ESTC (BL & Kew) and 5 others elsewhere; Henrey also lists a copy in the Lindley Library of the Royal Horticultural Society. The second item contains an appendix with instructions for the preparation and cooking of fruit and vegetables and an engraved plate of a kitchen, plus 'The English Vineyard Vindicated' by John Rose, Gardiner to His Majesty.

Lot 12

ƟMargaret Atwood, Works, first and limited editions, most signed [Canada and UK, 1977-2015]a group of 48 volumes, comprising: Dancing Girls (1977, unsigned, price clipped), Lady Oracle (1977), Days of the Rebels (1977), Life Before Man (1979), Life Before Man (1980), Anna's Pet (1980, original printed boards), Second Words (1980), Bodily Harm (1981), Dancing Girls (1982), Murder in the Dark (1983, original printed covers), Bluebeard's Egg (1983), Second Words (1982), Encounters with the element Man (1982, copy xxvi of lx hand-bound copies), Bluebeard's Egg (1987), Hurricane Hazel and other stories (1987, limited edition in printed wrappers), Cat's Eye (1988, Canadian edition), Cat's Eye (1989, English edition), For the Birds (1990, original printed covers), Conversations (1990), Wilderness Tips (1991, Canadian edition), Wilderness Tips (1991, English edition), Good Bones (1992, Canadian edition), Good Bones (1992, English edition), The Robber Bride (1993, Canadian edition), The Robber Bride (1993, English edition), Various Atwood (1995, printed covers), Princess Prunella and the Purple Peanut (1995, original printed boards), Strange Things (1995), Alias Grace (1996, Canadian edition), The Labradore Fiasco (1996, printed covers), Two Solicitudes (1996, paperback), Alias Grace (1996, English edition), The Journals of Susanna Moodie (1997, slip-case), The Blind Assassin (2000), The Blind Assassin (2000, English edition), Negotiating with the Dead (2002), Bottle (2004, Canadian edition), Bottle (2004, English edition), Oryx and Crake (2003, Canadian edition), Oryx and Crake (2003, English edition), The Tent (2006). The Tent (2006, English edition), Up in the Tree (2008), The Year of the Flood (2009, slip-case), Hag-Seed (2016), Madd Adam (2013), Stone Matters (2014), The Heart Goes Last (2015), original cloth and dust-jackets where applicable, all but the first mentioned signed by the author, a remarkably comprehensive collection of Atwood's works, including her children's books, 4to & 8vo Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

Lot 49

ƟIan McEwan, the Complete Novels and early Short Stories, all first or limited editions, signed by the author [most London, 1975-2016]a group of 28 volumes, comprising: First Love, Last Rites (1975, author’s first work, an exceptionally clean copy), In Between the Sheets (1978, dust-jacket spine faded, edges a little spotted), The Short Stories (1978), The Cement Garden (1978), The Imitation Game... (1981), The Comfort of Strangers (1981), Or Shall we Die (1983, small stain to lower cover of dust-jacket), The Ploughman's Lunch, an original screenplay (1985, original printed wrappers), The Child in Time (1987), The Child in Time (1987, number 97 of 150 limited edition copies, cloth-backed boards, glassine wrapper), Somerset (1988, original printed wrappers), The Innocent (1990), Black Dogs (1992), The Daydreamer (1994), Enduring Love (1997), Amsterdam (1998), Other Minds (2001, number 31 of 100 numbered copies, original blind stamped cloth), Atonement (2001), Saturday (2005, one of 1500 signed copies, slip-case), On Chesil Beach (2007, number 88 of 100 numbered copies, cloth-backed boards, slip-case), Solar (2010, number 27 of 100 copies, original decorated morocco, slip-case), For You, the libretto (2008, signed limited edition, original printed wrappers), Sweet Tooth (2012), Sweet Tooth (2012, number vi of 25 copied in full leather, top edges stained yellow, slip-case), The Children Act (2014, number xxiii of 25 copied bound in full morocco, top edges stained red, together with a portfolio containing 4 facsimile sheets of McEwan manuscripts, with original slip-case), The Children Act (2014, number 30 of 150 copies in quarter morocco, top edges stained red, slip-case), Nutshell (2016, number 7 of 25 copies bound in full morocco, together with a copy of My Purple Scented Novel, in slip-case), Nutshell (2016, number 2 of 150 copies bound in quarter morocco, slip-case), all signed by the author, all original cloth or boards unless specified, all with original dust-jackets where applicable, an exemplary and fine set, 8vo Ɵ Indicates that the lot is subject to buyer’s premium of 25% exclusive of VAT (0% VAT).  

Lot 615

WWI shrine with photograph of soldier blind stamp for J Slimming Cowdenbeath within oak frame

Lot 901

After Helen Bradley (1900 - 1979) - The Four Seasons, Spring, Summer, Autumn and Winter, artist's signed proofs, all inscribed and bearing a blind stamp for the Fine Art Trade Guild, also bearing facsimile labels describing the artist's story behind each work, coloured reproductions, each 10" x 12.75" (a set of four) **published by Helen Bradley Prints Ltd., **provenance The Horse-Shoe Gallery, Haworth, Nr Keighley

Lot 203

Rare Asahi Pentax K Body #164613. 2nd blind hesitant (common with this model) otherwise condition 5F.[S]

Lot 266

Magic Lantern Slides of Hull & Humberside etc, Including Docks & Ships. Most with captions. Also a quantity of coloured slides "The Blind Collier's Child" an Edwardian tale featuring underground mining images. Plus others.[G]

Lot 42

Periflex 3 Outfit. Comprising Periflex 3 body # 815746 (one strap loop detached, shutter stiff to cock & 2nd blind sticky) with good Lumax 45mm f1.9 lens (condition 4F), with ERC & instructions. Also a good Tele-Lumax 135mm f3.5 lens (slightly stiff to focus, hence condition 5/6F) with viewfinder insert & original keeper.[C]

Lot 522

A Louis XVI style circular marble top table, painted grey with a blind fret carved frieze, on square tapering and fluted stretchered legs, 74cm x 95cm

Lot 218

Yoshimoto Nara (b.1959) & Hiroshi Sugito (b.1970)Untitled: Over the RainbowLithograph with unique hand-colouring in pencil crayon, 2004, signed by each artist in pencil, dated in pencil, from the edition of 100, on wove paper, printed by Kido-Press, Tokyo, with their blind stamp, sheet 255 x 210mm (10 x 8 1/4in); housed within the special edition hardback book, overall 270 x 225mm (10 5/8 x 8 7/8in) (vol) (2)

Lot 58

δ Dame Paula Rego (b.1935)Three Blind Mice II (Rosenthal 49)Etching with aquatint, 1989, signed and numbered from the edition of 50 in pencil, on Arches wove paper, as included in the portfolio 'Nursery Rhymes', co-published by the artist and Marlborough Graphics, London, with full margins, sheet 520 x 377mm (20 1/2 x 14 7/8) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 114

A George III mahogany serpentine serving table, circa 1790, the shaped top with crossbanded edge, above two blind frieze drawers centred by a moulded tablet, on moulded square section tapering legs, 89cm high, 191cm wide, 72cm deep

Lot 129

A George III mahogany chest on chest, circa 1770, the dentil cornice and blind fretwork frieze, above four long drawers flanked by detached fluted columns, the base with three further long drawers flanked by moulded canted corners, the whole on ogee bracket feet, 183cm high, 121cm wide, 58cm deep Provenance: Private Collection, London

Lot 143

A pair of mahogany knife boxes, in George III style, late 19th/early 20th century, modelled as urns, each top with blind fretwork border, lifting and locking in place on a stand to reveal the radially slotted interior, the lower section with acanthus carving, on a shallow plinth base, each 73cm high, the bases 26cm square

Lot 488

17th Century style carved oak single door blind panelled wall cabinet. (B.P. 24% incl. VAT)

Lot 539

Victorian stained oak carved Flemish design buffet with mask mounts and deeply carved panels, two drawers, two blind panelled cupboards. (B.P. 24% incl. VAT)

Lot 600

Early 19th Century Welsh oak two stage blind panelled bureau bookcase. Water damage, no reserve.(B.P. 24% incl. VAT)

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